Derrington 2012 thesis.pdf - Anglia Ruskin Research Online
Derrington 2012 thesis.pdf - Anglia Ruskin Research Online
Derrington 2012 thesis.pdf - Anglia Ruskin Research Online
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All the instruments are of good quality and therefore do not tend to break easily. It is<br />
important ‘not to limit the individual’s expression by instruments which can be<br />
broken or blown to pieces’ (De Backer, 1993, p.37). The room is full of equipment<br />
but roughly speaking everything has a place and I try to reset it at the start of every<br />
session.<br />
There is a range of CDs and playlists on computer, including rap, Hip Hop, dance,<br />
rock, pop, grime, garage and R n B music. The video camera is always out on a tripod<br />
and ready to be used as the students choose. Each student has their own digital tape<br />
and any filming is transferred onto computer, edited and burned to disc. Other<br />
technical equipment includes a DVD player and a laptop. I have used a computer and<br />
DJ equipment in the past but found that the student’s intense focus on these distracted<br />
from the impact that therapy could have with interpersonal and lively engaging<br />
exchanges. I continue to use a laptop for recording and mixing, otherwise the work is<br />
interactive, face-to-face and usually relies on live music-making.<br />
Preparation before a session is important. It is necessary that the equipment is ready<br />
to be used, for example, that everything is switched on, the drum sticks are on the<br />
drum-kits and the guitars are tuned. With teenagers, music comes about because<br />
instruments are left out so the layout of the room is important and makes a difference.<br />
There is a bass xylophone, acoustic guitar, cajon drum and glockenspiel alongside the<br />
comfy chairs. I have found that students who prefer to talk or who are reluctant to<br />
play instruments tend to fiddle as they talk and create accompaniment which allows a<br />
natural progression from talking to playing. For students who start playing in this<br />
way, I might arrange a different instrument by the chairs each week so that they try<br />
new instruments and can become more experimental.<br />
The windows do not face directly onto busy areas such as a playground but the garage<br />
is adjacent to another one which stores the fishing equipment. Occasionally, sessions<br />
can be disrupted by excitable students who are about to go out on their activity but it<br />
is accepted that to keep a music therapy room uninterrupted in a school environment<br />
is bound to be difficult at times. Finally, concerning safety, it is imperative that I<br />
watch for aggressive cues and inappropriate behaviours so that the session is kept safe<br />
both for me and the student. At times this may involve filming, audio recording or, in<br />
a few cases, having to finish a session prematurely.<br />
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