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Derrington 2012 thesis.pdf - Anglia Ruskin Research Online

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and counter-transference. In chapter four, set within a theoretical framework and<br />

illustrated with examples on DVD, characteristics of my approach are explored.<br />

1.5 Outline of the research study<br />

The fact that I established a permanent music therapy post at a secondary school is<br />

evidence in itself that music therapy is recognised locally as making a positive<br />

difference. There is an understanding within the senior leadership team at The<br />

Cottenham Academy (the combined name for the mainstream school Cottenham<br />

Village College and the special school called The Centre School) that music therapy<br />

is beneficial, but how exactly and to what extent<br />

One research project, ‘Minority Voices’ led by Young Minds (Street et al., 2005),<br />

provided rich evidence from verbally articulate adolescents about their access to and<br />

experience of mental health services. However, the material proposed in my project is<br />

unique in that it gives voice to vulnerable students who have not been involved in<br />

such a systematic study before.<br />

My study of the role of music therapy in secondary education (<strong>Derrington</strong>, 2006)<br />

suggested that music therapy can be a successful intervention with teenagers who are<br />

excluded from school and with those at risk of exclusion. The study focused on one<br />

mainstream secondary school with a learning support unit and, through case studies,<br />

showed how music therapy sessions encouraged adolescents to express their feelings<br />

creatively and spontaneously and, in particular, how they were able to explore issues<br />

of identity through songwriting and play. Following on from this study I was<br />

interested to investigate more specifically how music therapy affects a student’s selfesteem,<br />

anxiety, disruptive behaviour and levels of anger, and whether any effects of<br />

music therapy are sustained.<br />

In June 2009 I obtained a three-year scholarship from The Music Therapy Charity to<br />

be the lead investigator of the ‘Youth at Risk Project’ (appendix 1.5). At this time, I<br />

was working three days a week at The Cottenham Academy which continued<br />

throughout the period of research alongside two days a week dedicated to this project.<br />

The charity has supported and fully funded this research investigation, which has<br />

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