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Derrington 2012 thesis.pdf - Anglia Ruskin Research Online

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from the chorus, which he usually sang along to as he drummed, seemed to reflect his<br />

own sense of self:<br />

‘Never made it as a wise man<br />

I couldn't cut it as a poor man stealing<br />

Tired of living like a blind man<br />

I'm sick of sight without a sense of feeling<br />

And this is how you remind me<br />

This is how you remind me<br />

Of what I really am’ (Nickelback, 2001).<br />

I sometimes played along on the saxophone which offered some diversion from<br />

playing along exactly to the recorded music and moved us towards making up our<br />

own music. He concentrated hard and wanted to play well but gradually became more<br />

interested in drumming and music than the idea of being in a band. Some of his<br />

drumming seemed cathartic and, after playing in an improvised way, he talked about<br />

being deaf and how he was bullied at his previous school.<br />

Once, after playing the drums, Joe said “I got all shaky when I was playing.” I asked<br />

him “Do your hands shake or is it just a feeling inside” to which he replied, “just a<br />

feeling inside. When I play loudly I feel it’s running out of control.” After another<br />

improvisation he stopped and said “I have to stop before I give myself nightmares”.<br />

When he expressed himself freely, it clearly threatened the firm hold he was keeping<br />

on some of his feelings. At this stage I felt it was important to continue to use prerecorded<br />

music and the security of pretend play because improvising was potentially<br />

too overwhelming and Joe was troubled by some of the feelings it raised.<br />

By entering in willingly to his realm of fantasy the therapeutic relationship developed<br />

and was strengthened. On one occasion, when I was interviewing him as a drummer<br />

in a famous band on television, I put on a different voice and overacted my part. He<br />

then answered in different voices, engaging in the humour and silliness. Joe always<br />

really enjoyed these exchanges; he knew that they involved honest feelings and<br />

accounts, as well as fun and imaginative play. Engaging like this seemed to invite a<br />

freedom which helped him to be more open and share some of his thoughts. He<br />

gradually talked more about where he used to live and that he never wanted to return.<br />

Without having needed to talk explicitly about the difficult time he had obviously<br />

been through, he had processed many of the feelings associated with living abroad<br />

and his subsequent return to the UK.<br />

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