Derrington 2012 thesis.pdf - Anglia Ruskin Research Online
Derrington 2012 thesis.pdf - Anglia Ruskin Research Online
Derrington 2012 thesis.pdf - Anglia Ruskin Research Online
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from the chorus, which he usually sang along to as he drummed, seemed to reflect his<br />
own sense of self:<br />
‘Never made it as a wise man<br />
I couldn't cut it as a poor man stealing<br />
Tired of living like a blind man<br />
I'm sick of sight without a sense of feeling<br />
And this is how you remind me<br />
This is how you remind me<br />
Of what I really am’ (Nickelback, 2001).<br />
I sometimes played along on the saxophone which offered some diversion from<br />
playing along exactly to the recorded music and moved us towards making up our<br />
own music. He concentrated hard and wanted to play well but gradually became more<br />
interested in drumming and music than the idea of being in a band. Some of his<br />
drumming seemed cathartic and, after playing in an improvised way, he talked about<br />
being deaf and how he was bullied at his previous school.<br />
Once, after playing the drums, Joe said “I got all shaky when I was playing.” I asked<br />
him “Do your hands shake or is it just a feeling inside” to which he replied, “just a<br />
feeling inside. When I play loudly I feel it’s running out of control.” After another<br />
improvisation he stopped and said “I have to stop before I give myself nightmares”.<br />
When he expressed himself freely, it clearly threatened the firm hold he was keeping<br />
on some of his feelings. At this stage I felt it was important to continue to use prerecorded<br />
music and the security of pretend play because improvising was potentially<br />
too overwhelming and Joe was troubled by some of the feelings it raised.<br />
By entering in willingly to his realm of fantasy the therapeutic relationship developed<br />
and was strengthened. On one occasion, when I was interviewing him as a drummer<br />
in a famous band on television, I put on a different voice and overacted my part. He<br />
then answered in different voices, engaging in the humour and silliness. Joe always<br />
really enjoyed these exchanges; he knew that they involved honest feelings and<br />
accounts, as well as fun and imaginative play. Engaging like this seemed to invite a<br />
freedom which helped him to be more open and share some of his thoughts. He<br />
gradually talked more about where he used to live and that he never wanted to return.<br />
Without having needed to talk explicitly about the difficult time he had obviously<br />
been through, he had processed many of the feelings associated with living abroad<br />
and his subsequent return to the UK.<br />
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