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Derrington 2012 thesis.pdf - Anglia Ruskin Research Online

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Vignette 4.1<br />

Stephen was 14 and had been excluded from two schools before he began at<br />

The Centre School. His behaviour was difficult to manage, especially in<br />

groups, and he usually found it difficult to share in any activity with others,<br />

often becoming aggressive when he was not in control. In individual music<br />

therapy sessions he came prepared with a playlist of different music for us to<br />

listen to together and he talked confidently about the bands he liked and<br />

respected. Stephen liked to drum along to his favourite bands and at first I<br />

tried to jam with him, either on the electric guitar or bass, but it felt as if I was<br />

musically following him which he did not acknowledge. I felt cut off from<br />

what he was doing, rather like sharing the same stage but being in a different<br />

band. His command over the recorded music using the remote control to<br />

frequently change tracks, made it difficult to keep up and I felt he wanted me<br />

to stop playing so I listened to him and affirmed his drumming instead.<br />

It was obvious that playing along to music like this was enjoyable for him and<br />

he was very settled and motivated by it, which strongly contrasted with his<br />

erratic behaviour in school. Stephen used recorded music in this way every<br />

week and rather than creating a barrier, I felt that his commitment to the<br />

sessions was communication itself and that, by listening to him, I was able to<br />

share his music despite his resistance to the two of us playing together.<br />

As well as actively listening and verbally responding to his playing, I found<br />

other ways to join in. I held the microphone for him so that he could sing<br />

while he drummed, I worked meticulously on the PA system and even danced<br />

about playing the air guitar, much to his entertainment. I matched his energy,<br />

grabbed every chance to interact with him musically and gradually was<br />

allowed to join in with his music and his band. Stephen began to play in a<br />

more interactive way even to the extent of asking me what I thought of it<br />

afterwards, how we could improve the sound and eventually allowed me to<br />

take charge of the remote control to stop and start the tracks.<br />

Recorded music provided the necessary backing to live playing and gave me<br />

the opportunity to join him and develop a relationship through it.<br />

! ))!

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