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Derrington 2012 thesis.pdf - Anglia Ruskin Research Online

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Using the Beck Inventories for Youth, the groups’ results were compared after one<br />

had finished music therapy and before the other had begun. This secondary data<br />

showed that the group who had not received music therapy appeared to be doing<br />

better, that is, they were more self-assured and reported less disruptive behaviour than<br />

the group who had received the intervention. However, this was not proved with any<br />

statistical significance. The follow-up waves of data collection, which compared<br />

results for each group after a period of no music therapy, found that students reported<br />

their self-concept as less certain than before, but for all students both their anxiety<br />

and disruptive behaviour had decreased.<br />

Students generally reported that they felt angrier in the statements posed in the music<br />

therapy project questionnaire, but some of their responses contradicted views they<br />

gave in their interviews and no statistical significance was found with this<br />

questionnaire.<br />

The questionnaires completed by teachers supported the claim that music therapy<br />

makes a positive impact on students: two out of the three groups of teachers reported<br />

67% improvement. Most importantly, one of these groups who found the greatest<br />

improvement was made up of teachers who had close contact with the student, either<br />

as head of year or form tutor.<br />

Finally, results from school records collection showed that while students in group A<br />

were having music therapy, fewer incidents were recorded but this number increased<br />

after they had finished. For group B, the number of incidents decreased after music<br />

therapy but there were confounding factors in this period. Correlation between<br />

students’ scores of disruptive behaviour and school records was weak.<br />

Despite some lack of statistical significance due to the project’s size, these data are<br />

very interesting and discussed in more detail in chapter nine. The next chapter<br />

examines the students’ interviews which they gave before and after music therapy.<br />

These conversations present a convincing picture of the impact which students felt<br />

music therapy made and reinforce the findings found in the quantitative data.<br />

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