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Derrington 2012 thesis.pdf - Anglia Ruskin Research Online

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eginning I used to talk to staff as I saw them around school, informally and in<br />

meetings, to comment on students’ music therapy. Whilst this was an easy way to get<br />

feedback it soon became clear that it needed to be documented in a more formal way<br />

so I created forms (appendix 3.5.1a) for members of staff to complete. Most teachers<br />

were happy to write down some of their key points in this way and recognised the<br />

importance of such feedback.<br />

During the course of this PhD research project, Ofsted made their initial inspection on<br />

The Centre School because it had changed status from a Learning Support Unit and<br />

had previously been inspected as part of the College. As a Unit in 2008 it was<br />

classified as outstanding but in 2009, as a school, it was placed in special measures.<br />

As a failing school it needed support for success, not just to be planned and delivered<br />

but provided with a procedure of monitoring and evaluation (Farrell, 2001). As a<br />

result, the inspectors made frequent visits and the way the staff worked and evaluated<br />

each student’s progress was scrutinised. Music therapy was not an area that was<br />

deemed inadequate but the process made me, along with my colleagues, focus on the<br />

ways that I monitored my regular working practice and evaluate this provision in a<br />

school alongside teaching and learning targets. I designed questionnaires to be<br />

completed by staff before and after the student’s music therapy (appendix 3.5.1b). I<br />

also created a half-termly monitoring system in line with all other subjects,<br />

contributed to students’ personal learning records and continued to use the<br />

Assessment and Qualifications Alliance (AQA) unit award scheme. Regular<br />

monitoring in a variety of ways helps to promote the work in evaluation-biased<br />

educational settings, as they encounter Ofsted, struggle with over-stretched budgets<br />

and question the value and effectiveness of music therapy, particularly in secondary<br />

schools.<br />

The short questionnaire (appendix 3.5.1b) that is used before and after a student’s<br />

block of therapy is ideally completed by the same teacher or instructor each time.<br />

They are asked to comment on the student’s attitudes to learning, behaviour, social<br />

skills and to provide any other general comments. The questionnaires are then<br />

compared and any positive changes after music therapy are highlighted. These can be<br />

shared with staff and provide ongoing informal evaluation of the work. The<br />

questionnaires are a useful way to guide discussion about a student with other<br />

members of staff, particularly after a referral has been made, for the therapist to gain<br />

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