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Derrington 2012 thesis.pdf - Anglia Ruskin Research Online

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enable communication, improve relationships and help adolescents to focus on the<br />

bigger picture and not to feel alone with their fears. She describes short-term crisis<br />

intervention with boys who have been fighting or involved in bullying. Leigh’s<br />

enthusiasm for this work is clear and when funding runs out in one school, she is able<br />

to build up work at another.<br />

2.5.1 <strong>Research</strong> projects<br />

Quibell (2010) suggests that drama therapy for small groups of disaffected students to<br />

address social and emotional aspects of learning could have an impact on the whole<br />

school. Having previously used a randomised controlled trial to deliver and research a<br />

form of drama therapy called Action Skills Group Intervention in secondary schools<br />

to address truancy from school, Quibell had proven that the intervention was effective<br />

both in the short and long term (McArdle et al., 2002). Quibell’s subsequent study<br />

showed that teachers and parents reported positive changes in the children after group<br />

drama therapy intervention but the children gave less positive answers to the<br />

questionnaires. Despite this, the study concluded that the children did benefit and<br />

made an impact on the school: ‘When the school culture begins to reflect the values<br />

that we know are essential to the running of effective groups, then the emotional and<br />

social needs of the children are being accounted for’ (Quibell, 2010, p.126). This is<br />

reminiscent of Pavlicevic’s view (2004) of ‘the ripple effect’ with the idea that ‘the<br />

impact of music therapy can work outwards […] and can create community within a<br />

building’ (p.16).<br />

Ottarsdottir (2010) conducted a research study in a mainstream school in Iceland, to<br />

see how coursework could be integrated into art therapy. Working as both art<br />

therapist and art teacher in a school, she recognised the potential to help students who<br />

had learning difficulties with their coursework whilst maintaining the emphasis on<br />

spontaneous artwork. Hall (<strong>2012</strong>) also acknowledges the advantages of working as<br />

both teacher and arts therapist in a large special school and suggests that, by knowing<br />

a child’s particular difficulties from individual therapy sessions, she can be of more<br />

help to the child as a teacher. However, this approach is not without some difficulties<br />

due to the overlap of boundaries and the potential confusion of rules for pupils.<br />

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