13.11.2012 Views

II. - Schloss Schwetzingen

II. - Schloss Schwetzingen

II. - Schloss Schwetzingen

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

<strong>Schwetzingen</strong> is described as the most wellpreserved<br />

garden of the late Classical period. 145<br />

On the other hand, three years later, Ludwig L.<br />

Fuchs criticizes the fact that the clarity of the<br />

central circular parterre was being impaired<br />

by the avenues – the trees had evidently been<br />

allowed to grow wild again. 146<br />

After WWI, a discussion about the value of<br />

old gardens as historic monuments set in. 147<br />

Among the examples cited was the palace<br />

garden at <strong>Schwetzingen</strong>, which, due to its<br />

original architectural layout and the competent<br />

care taken of it, had been justifying the vision<br />

of its creators for more than a century. The<br />

main danger to gardens was considered to be<br />

the addition of buildings or garden features<br />

without due knowledge or understanding;<br />

in this way, many heritage sites had been<br />

impaired or partially destroyed. To prevent this<br />

from happening again, the former electoral<br />

parks and gardens should be “protected from<br />

ruin, destruction, wilful enlargement or<br />

reduction, as well as from being put to unsuitable<br />

uses” by the government. Moreover, a list<br />

of those state, communal and private gardens<br />

qualifying as works of art was called for, to<br />

facilitate their inclusion in an inventory of<br />

historic monuments and heritage sites.<br />

The <strong>Schwetzingen</strong> garden director, Gustav<br />

Adolf Unselt, spoke of his concerns for the<br />

survival of the garden in a public lecture.<br />

“Today we admire the generous layout of the<br />

garden, an effect its creators could not have<br />

foreseen. Unfortunately the current state<br />

of affairs makes the garden’s survival seem<br />

doubtful. This garden, originally created as one<br />

prince’s labour of love, has long provided the<br />

inhabitants of <strong>Schwetzingen</strong> and its surroundings<br />

with an incomparable recreation area,<br />

and visitors from afar with all the pleasure a<br />

work of art can provide.” 148 Unselt was also<br />

145 Wilhelm Schubert, “Geometrische und räumliche Gärten”, in:<br />

Die Gartenkunst, 5/1910, p. 73.<br />

146 Ludwig F. Fuchs, “Vier alte Gartenanlagen – <strong>Schwetzingen</strong>,<br />

Schönbusch und die Hofgärten Veitshöchheim und Würzburg”,<br />

in: Die Gartenkunst, 10/1913, pp. 143-149.<br />

147 W. v. Engelhardt, “Gartenanlage und Denkmalpfl ege”, in: Die<br />

Gartenkunst, 2/1922, pp. 13-15.<br />

148 Gustav A. Unselt, “Vortrag über den <strong>Schloss</strong>garten zu <strong>Schwetzingen</strong>”,<br />

unpublished manuscript, Sandhofen, 5th February<br />

1922.<br />

<strong>II</strong>I. <strong>Schwetzingen</strong> – Historical Context<br />

a talented organisator who managed, in the<br />

diffi cult years after WWI, to fi nance a modest<br />

degree of garden upkeep by the sale of produce<br />

– fruit and vegetables, fi sh, wood, grass, leaves,<br />

ice to supply the cellars of breweries and mud<br />

from the ponds to fertilize fi elds.<br />

The Forestry Commission in Charge of the<br />

Garden<br />

When the garden’s upkeep was entrusted to<br />

the state forestry commission in 1924, experts<br />

everywhere feared for its survival, the more so<br />

as a massive reduction in staff was announced<br />

at the same time. It was deemed incomprehensible<br />

“how such a cultural treasure, ranking at<br />

least as high as museums and art collections,<br />

could be left to perish like that.“ 149 Local history<br />

and heritage institutions and gardeneres were<br />

urged to take “energetic” action. However,<br />

the garden was far from doomed, as became<br />

evident from the criticism that was soon raised<br />

concerning a number of repair and maintenance<br />

measures. It was, however, the lack of a<br />

garden expert in charge of them, rather than<br />

the results that was being criticized. 150 The<br />

efforts at reconstruction were largely approved<br />

– it was noted that “a visit to the splendid<br />

garden has become a great pleasure again.“ 151<br />

To ensure the continued preservation of the<br />

palace gardens, experts considered the founding<br />

of a horticultural college at <strong>Schwetzingen</strong>.<br />

These activities in themselves served to bring<br />

the gardens of <strong>Schwetzingen</strong> to the attention<br />

of the public at large, and garden specialists in<br />

particular. 152<br />

Concepts of Appropriate Preservation<br />

The art historian Franz Hallbaum uses the<br />

example of <strong>Schwetzingen</strong>, to point out the<br />

constant threats to the work of art that is<br />

a garden. He calls for care and a sense of<br />

responsibility in looking after it, and provi-<br />

149 Anonym, “Inland-Rundschau”, in: Die Gartenwelt, 4/1924, p.<br />

32.<br />

150 Anonym, “Neue Gefahr für <strong>Schwetzingen</strong>”, in: Die Gartenwelt,<br />

5/1927, p. 76.<br />

151 Anonym, “Inland-Rundschau”, in: Die Gartenwelt, 18/1928, p.<br />

251.<br />

152 Diebolder, “Gartenbauhochschule in <strong>Schwetzingen</strong>”, in: Die<br />

Gartenwelt, 28/1928, p. 388. And: Diebolder, “<strong>Schloss</strong>park<br />

<strong>Schwetzingen</strong>”, in: Die Gartenwelt, 35/1928, pp. 479-480.<br />

<strong>II</strong>I.<br />

153

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!