II. - Schloss Schwetzingen
II. - Schloss Schwetzingen
II. - Schloss Schwetzingen
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<strong>Schwetzingen</strong> is described as the most wellpreserved<br />
garden of the late Classical period. 145<br />
On the other hand, three years later, Ludwig L.<br />
Fuchs criticizes the fact that the clarity of the<br />
central circular parterre was being impaired<br />
by the avenues – the trees had evidently been<br />
allowed to grow wild again. 146<br />
After WWI, a discussion about the value of<br />
old gardens as historic monuments set in. 147<br />
Among the examples cited was the palace<br />
garden at <strong>Schwetzingen</strong>, which, due to its<br />
original architectural layout and the competent<br />
care taken of it, had been justifying the vision<br />
of its creators for more than a century. The<br />
main danger to gardens was considered to be<br />
the addition of buildings or garden features<br />
without due knowledge or understanding;<br />
in this way, many heritage sites had been<br />
impaired or partially destroyed. To prevent this<br />
from happening again, the former electoral<br />
parks and gardens should be “protected from<br />
ruin, destruction, wilful enlargement or<br />
reduction, as well as from being put to unsuitable<br />
uses” by the government. Moreover, a list<br />
of those state, communal and private gardens<br />
qualifying as works of art was called for, to<br />
facilitate their inclusion in an inventory of<br />
historic monuments and heritage sites.<br />
The <strong>Schwetzingen</strong> garden director, Gustav<br />
Adolf Unselt, spoke of his concerns for the<br />
survival of the garden in a public lecture.<br />
“Today we admire the generous layout of the<br />
garden, an effect its creators could not have<br />
foreseen. Unfortunately the current state<br />
of affairs makes the garden’s survival seem<br />
doubtful. This garden, originally created as one<br />
prince’s labour of love, has long provided the<br />
inhabitants of <strong>Schwetzingen</strong> and its surroundings<br />
with an incomparable recreation area,<br />
and visitors from afar with all the pleasure a<br />
work of art can provide.” 148 Unselt was also<br />
145 Wilhelm Schubert, “Geometrische und räumliche Gärten”, in:<br />
Die Gartenkunst, 5/1910, p. 73.<br />
146 Ludwig F. Fuchs, “Vier alte Gartenanlagen – <strong>Schwetzingen</strong>,<br />
Schönbusch und die Hofgärten Veitshöchheim und Würzburg”,<br />
in: Die Gartenkunst, 10/1913, pp. 143-149.<br />
147 W. v. Engelhardt, “Gartenanlage und Denkmalpfl ege”, in: Die<br />
Gartenkunst, 2/1922, pp. 13-15.<br />
148 Gustav A. Unselt, “Vortrag über den <strong>Schloss</strong>garten zu <strong>Schwetzingen</strong>”,<br />
unpublished manuscript, Sandhofen, 5th February<br />
1922.<br />
<strong>II</strong>I. <strong>Schwetzingen</strong> – Historical Context<br />
a talented organisator who managed, in the<br />
diffi cult years after WWI, to fi nance a modest<br />
degree of garden upkeep by the sale of produce<br />
– fruit and vegetables, fi sh, wood, grass, leaves,<br />
ice to supply the cellars of breweries and mud<br />
from the ponds to fertilize fi elds.<br />
The Forestry Commission in Charge of the<br />
Garden<br />
When the garden’s upkeep was entrusted to<br />
the state forestry commission in 1924, experts<br />
everywhere feared for its survival, the more so<br />
as a massive reduction in staff was announced<br />
at the same time. It was deemed incomprehensible<br />
“how such a cultural treasure, ranking at<br />
least as high as museums and art collections,<br />
could be left to perish like that.“ 149 Local history<br />
and heritage institutions and gardeneres were<br />
urged to take “energetic” action. However,<br />
the garden was far from doomed, as became<br />
evident from the criticism that was soon raised<br />
concerning a number of repair and maintenance<br />
measures. It was, however, the lack of a<br />
garden expert in charge of them, rather than<br />
the results that was being criticized. 150 The<br />
efforts at reconstruction were largely approved<br />
– it was noted that “a visit to the splendid<br />
garden has become a great pleasure again.“ 151<br />
To ensure the continued preservation of the<br />
palace gardens, experts considered the founding<br />
of a horticultural college at <strong>Schwetzingen</strong>.<br />
These activities in themselves served to bring<br />
the gardens of <strong>Schwetzingen</strong> to the attention<br />
of the public at large, and garden specialists in<br />
particular. 152<br />
Concepts of Appropriate Preservation<br />
The art historian Franz Hallbaum uses the<br />
example of <strong>Schwetzingen</strong>, to point out the<br />
constant threats to the work of art that is<br />
a garden. He calls for care and a sense of<br />
responsibility in looking after it, and provi-<br />
149 Anonym, “Inland-Rundschau”, in: Die Gartenwelt, 4/1924, p.<br />
32.<br />
150 Anonym, “Neue Gefahr für <strong>Schwetzingen</strong>”, in: Die Gartenwelt,<br />
5/1927, p. 76.<br />
151 Anonym, “Inland-Rundschau”, in: Die Gartenwelt, 18/1928, p.<br />
251.<br />
152 Diebolder, “Gartenbauhochschule in <strong>Schwetzingen</strong>”, in: Die<br />
Gartenwelt, 28/1928, p. 388. And: Diebolder, “<strong>Schloss</strong>park<br />
<strong>Schwetzingen</strong>”, in: Die Gartenwelt, 35/1928, pp. 479-480.<br />
<strong>II</strong>I.<br />
153