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Nomination for Inscription on the U
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Nomination for Inscription on the U
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Contents III. Schwetzingen - Histor
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I. Introduction In the eighteenth c
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II. Schwetzingen - A Prince Elector
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Lent) served to please and divert c
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of mutual succession to reside in M
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the residence to be situated on maj
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personnes qui ont été nommées po
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ducted. This is what distuinguishes
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The subject of Ovid’s Metamorphos
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they call attention to the fact tha
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of healing and redemption, protecto
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come real, evoke Arcadia in the vis
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fi fth of the “septem artes liber
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in the pattern of the portico fl oo
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Death and evening are symbolized by
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The Schwetzingen grounds provide ne
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Infl uences and Models The architec
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French ambassador François Bonaven
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herent nobility of the shapes was b
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the edge, spitting water down into
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interplay of light and shade as one
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the huge cost of fl . 120 000; this
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attraction of the cloister, which i
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Classicist portico. The mosque is t
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not merely with reason, but even wi
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f) The Arabic Insriptions of the Mo
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The Inscriptions of the Interior Al
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association of talk and silver is i
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capable of wit, acumen and humour a
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g) The Palace Theatre - the Ideal o
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latest developments in theatre tech
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offi ce of the State Agency for Pro
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of a pumproom and machinery, and us
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“Societas Meteorologica Palatina
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the fi rst international scientifi
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i) The Palace Garden Arboreta - a B
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The science of botany, which reache
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The newly acquired, and sometimes v
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j) Harmonious Opposites: Carl Theod
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Absolutism and Enlightenment Electo
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II. Schwetzingen - A Prince Elector
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III. Schwetzingen - Historical Cont
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condemned Catholicism as “cursed
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2. The Cultural Landscape of Schwet
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to Mannheim. 31 The conveniently sm
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still characterized by the alterati
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intended by the Baroque building pl
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Changes of Faith, War and Reconstru
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Schwetzingen in the 19th Century Th
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c) History of the Palace 1. The Ori
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members of the Erlickheim family, p
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In 1655, cleaning up and renovating
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ooms could be heated, the ceilings
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The Castle of the von Erlickheim Fa
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III. Schwetzingen - Historical Cont
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een to create a counterpart to the
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Reconstruction Under Carl Ludwig fr
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The Development of a Baroque Summer
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III. Schwetzingen - Historical Cont
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Rococo styles, with geometric inlay
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that reason, there is no full chron
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y panelling the walls with wood and
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eastern part was restored to its or
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Uffenbach 11 noted in his travellin
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der 29 was taken on as chief court
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- Page 165 and 166: Salvatore Sciarrino and Adriana Hö
- Page 167 and 168: IV. Biographies a) Rulers (in Chron
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- Page 183 and 184: In 1771, Carl Theodor commissioned
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- Page 191 and 192: VI. List of Monuments in Schwetzing
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- Page 207 and 208: VII. Bibliography (Stefan Moebus) A
- Page 209 and 210: Budde 1999 - Kai Budde, “Die natu
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- Page 213 and 214: Hoffmann 1925 - Wilhelm W. Hoffmann
- Page 215 and 216: Lohmeyer 1915/1920 - Karl Lohmeyer,
- Page 217 and 218: Richter 2004 - Susan Charlotte Rich
- Page 219 and 220: Szymczyk-Eggert 1993 - Elisabeth Sz
- Page 221 and 222: Wimmer 1988/89 - Clemens Alexander