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II. - Schloss Schwetzingen

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not merely with reason, but even with natural<br />

right. It is hardly surprising that Goethe,<br />

fascinated by this interpretation, came to the<br />

only possible and logical conclusion in his<br />

collection of poems, West-östlicher Divan. In<br />

the “Book of Proverbs” it says: “If Islam is<br />

submission to God, in Islam we all live and<br />

die.” 39<br />

Somewhat more cautiously but respectfully<br />

nevertheless, Herder wrote in his philosophical<br />

work on history, Ideen zur Philosophie der<br />

Geschichte der Menschheit: “The religion of<br />

Mahomet impresses a calmness of the soul,<br />

a unity of character on Man, which in fact<br />

may be as dangerous as it is useful, but is still<br />

in itself both worthy and praiseworthy.” 40 At<br />

the same time Herder extols Muhammad as a<br />

campaigner against idolatry and champion of<br />

the doctrine of monotheism. 41<br />

The Historical Context of the Inscriptions<br />

and Adages<br />

The building of the <strong>Schwetzingen</strong> mosque<br />

must be considered in the general context<br />

of a wide availability of Islamic literature<br />

and a new, optimistic view of Islam, as a<br />

“reasonable” religion in the late 18th century.<br />

This is refl ected by the choice and distribution<br />

of the inscriptions on the walls. Nicolas<br />

de Pigage decided on decorating the eight<br />

cartouches surmounting the archivolts in the<br />

<strong>Schwetzingen</strong> mosque, with the name of Allah<br />

in Arabic letters. Here the inscriptions are a<br />

means of organizing the space. There are also<br />

fi ve quotations from the Koran. Inscriptions<br />

on or in buildings, from the 16th through<br />

the 18th century, always serve to explain the<br />

function, use or dedication of the building. 42<br />

The fi rst verse of the fi rst sura on the black<br />

marble slab in the central gable of the portico,<br />

may be considered programmatic for the<br />

building as a whole: There is no deity other<br />

39 Johann Wolfgang von Goethe, West-östlicher Divan. Buch der<br />

Sprüche (= Goethes Werke in zwölf Bänden, vol. 2, Gedichte<br />

und Versepen), Berlin/Weimar 1966, p. 63.<br />

40 Johann Gottfried Herder, Ideen zur Philosophie der Geschichte<br />

der Menschheit, Darmstadt 1966, p. 521.<br />

41 Ibid. p. 515.<br />

42 Peter Diemer, Inschriften an Bauten des 16.-18. Jahrhunderts<br />

in Deutschland, Tübingen, n.d., p. 9 f.<br />

<strong>II</strong>. <strong>Schwetzingen</strong> – A Prince Elector’s Eighteenth-Century Summer Residence<br />

than God. This statement is supported by the<br />

quotes in the neighbouring cartouches. The<br />

mosque was thus dedicated to the deliberate<br />

intellectual approaching of another religion,<br />

once the centuries-old threat posed by it<br />

had been eliminated by the realization of a<br />

shared geographic and philosophical ancestry<br />

and, more than anything else, by the shared<br />

intellectual trait of reason. Reason dictated the<br />

realization that all religions could be traced<br />

back to one principle, belief in a superior<br />

being. As Voltaire stated in Zadig in 1747,<br />

“You are all of the same opinion, and there is<br />

nothing to quarrel about.” 43<br />

Lessing’s idea of an equal acceptance of the<br />

three monotheistic religions has no place in<br />

the <strong>Schwetzingen</strong> mosque. Tolerance in Carl<br />

Theodor’s Palatinate was what contemporary<br />

thinking meant by it, a tolerating of religious<br />

and denominational minorities. The mosque<br />

thus remains an expression of a changed<br />

intellectual, spiritual and political view of the<br />

Orient, 44 and of the abandoning of a mere<br />

fashion – the decorative turquerie – in favour<br />

of a place for the contemplation and appreciation<br />

of Mahomedism.<br />

43 Voltaire: Zadig (In: Sämtliche Romane und Erzählungen,<br />

Frankfurt a. M./Leipzig 1992, p. 169).<br />

44 The 18th century also saw the beginnings of independent<br />

Oriental politics on the part of the German states. Cp. Erika<br />

Günther, Die Faszination des Fremden. Der malerische<br />

Orientalismus in Deutschland, Münster 1990, p. 19.<br />

<strong>II</strong>.<br />

Fig. 11: Johann Bernhard<br />

Fischer von Erlach, Sultan<br />

Ahmed Mosque in Istanbul<br />

(Entwurf einer historischen<br />

Architektur, Vol. 3, 1721).<br />

53

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