II. - Schloss Schwetzingen
II. - Schloss Schwetzingen
II. - Schloss Schwetzingen
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IV.<br />
178<br />
IV. Biographies<br />
Franz Conrad Linck (1730-1793)<br />
Franz Conrad Linck (baptised 16th December<br />
1730 in Speyer; died 15th October 1793<br />
in Mannheim) was the scion of a family of<br />
sculptors at Speyer. He was apprenticed to<br />
his father Johann Georg Linck, and after his<br />
father’s death, he spent some time in the Prince-Bishop’s<br />
capital of Würzburg. He probably<br />
trained with Johann Wolfgang von der Auwera,<br />
who was working on the interior decoration<br />
of the palace. From 13th February 1753,<br />
Linck is known to have studied with Jacob<br />
Schletterer (1699-1774) at the imperial academy<br />
in Vienna 53 where he may have met another<br />
of the academy’s students, Franz Ignaz<br />
Günther. Linck was infl uenced by the works<br />
of Georg Raphael Donner (1693-1741), whose<br />
work is among the highlights of Austrian Baroque<br />
sculpture. The academy’s casts of Classical<br />
statuary gave him an understanding of<br />
antique sculpture. With letters of recommendation<br />
from Vienna, he next went to Georg<br />
Franz Ebenhecht (d. 1757) in Berlin. Ebenhecht<br />
worked as a sculptor for King Frederick<br />
the Great; at the time, he was working on<br />
the interior decoration of the palace of Sanssouci<br />
and the statuary for its garden. After<br />
Ebenhecht’s death and the outbreak of the Seven<br />
Years’ War, Linck returned to Speyer in<br />
1757 and at fi rst joined his stepfather’s workshop.<br />
In 1762, he took service with Elector Palatine<br />
Carl Theodor as a modeller for the Palatine<br />
porcelain manufactory of Frankenthal.<br />
Experts rank Linck’s models with those of Johann<br />
Joachim Kaendler (1706-1775) of Meißen<br />
and Franz Anton Bustelli (d. 1763) of Nymphenburg.<br />
54 In 1763, Linck was appointed Palatine<br />
court sculptor, but he continued to make<br />
models for Frankenthal, among them, in 1773,<br />
the porcelain chandelier for the <strong>Schwetzingen</strong><br />
bathhouse. In 1789, Linck became a member<br />
of the Palatine drawing academy, and in 1790,<br />
one of its professors.<br />
53 Biographical data from: Maria Christiane Werhahn, Der<br />
kurpfälzische Hofbildhauer Franz Conrad Linck (1730-1793)<br />
Modelleur der Porzellanmanufaktur Frankenthal Bildhauer in<br />
Mannheim, Neuss 1999, pp. 15-21.<br />
54 Werhahn calls Linck a “Meister der Kleinplastik”, i.e. a master<br />
of small sculpture (Werhahn 1999, p. 35).<br />
He created many sculptures for the <strong>Schwetzingen</strong><br />
grounds; they are listed here in chronological<br />
order:<br />
Gable relief of the Temple of Minerva; two altars<br />
and six benches in the Temple of Minerva;<br />
pair of grotesque tritons in the basin in front<br />
of the Temple of Minerva; eight pedestals bearing<br />
gilt balls in the tapis vert behind the stag<br />
basin; cherubs playing with a goat in the northern<br />
angloise; bust of Pompey in the pavilion<br />
north of the palace (lost); busts of Solon and of<br />
a gladiator in the natural theatre; busts of Domitian,<br />
Marciana, Marcellus, and Faustina in<br />
front of the bathhouse; gables bearing the initials<br />
of Elector Carl Theodor on the east and<br />
west bathhouse fronts; two garlanded urns<br />
decorating the north and south bathhouse<br />
gables; four medallions over the bathhouse<br />
windows; four leaden griffi ns supporting consoles<br />
in the bathhouse’s Oval Chamber; water<br />
urn and serpent-shaped leaden pipes for the<br />
bathhouse’s bathroom; two gable reliefs and<br />
six lead reliefs inside the agate cabinets; doorframe<br />
with a gable and relief for the Temple of<br />
Botany; reliefs on the Temple of Mercury.<br />
Linck’s work marks the transitional period between<br />
Rococo and Classicism. His large-scale<br />
works are modelled on Classical sculpture,<br />
which he had studied in the Hall of Antiques<br />
of the Mannheim academy of drawing and<br />
sculpture.. 55 His medallions are copies of pieces<br />
from the electoral coin collection.<br />
His last major commission from the Elector<br />
was for the statues of Carl Theodor and Minerva<br />
for the bridge spanning the Neckar at Heidelberg,<br />
which had been rebuilt after being<br />
destroyed by heavy ice in 1784. Franz Conrad<br />
Linck died on 15th October 1793 in Mannheim.<br />
(Ralf Richard Wagner)<br />
Johann Ludwig Petri (1714-1794)<br />
Johann Ludwig Petri was a native of Eisenach<br />
and a scion of the court gardener’s family. He<br />
trained as a garden architect in Paris. From the<br />
1740s he served Duke Christian IV von Pfalz-<br />
55 See also the entry on Peter Anton von Verschaffelt.