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II. - Schloss Schwetzingen

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IV.<br />

178<br />

IV. Biographies<br />

Franz Conrad Linck (1730-1793)<br />

Franz Conrad Linck (baptised 16th December<br />

1730 in Speyer; died 15th October 1793<br />

in Mannheim) was the scion of a family of<br />

sculptors at Speyer. He was apprenticed to<br />

his father Johann Georg Linck, and after his<br />

father’s death, he spent some time in the Prince-Bishop’s<br />

capital of Würzburg. He probably<br />

trained with Johann Wolfgang von der Auwera,<br />

who was working on the interior decoration<br />

of the palace. From 13th February 1753,<br />

Linck is known to have studied with Jacob<br />

Schletterer (1699-1774) at the imperial academy<br />

in Vienna 53 where he may have met another<br />

of the academy’s students, Franz Ignaz<br />

Günther. Linck was infl uenced by the works<br />

of Georg Raphael Donner (1693-1741), whose<br />

work is among the highlights of Austrian Baroque<br />

sculpture. The academy’s casts of Classical<br />

statuary gave him an understanding of<br />

antique sculpture. With letters of recommendation<br />

from Vienna, he next went to Georg<br />

Franz Ebenhecht (d. 1757) in Berlin. Ebenhecht<br />

worked as a sculptor for King Frederick<br />

the Great; at the time, he was working on<br />

the interior decoration of the palace of Sanssouci<br />

and the statuary for its garden. After<br />

Ebenhecht’s death and the outbreak of the Seven<br />

Years’ War, Linck returned to Speyer in<br />

1757 and at fi rst joined his stepfather’s workshop.<br />

In 1762, he took service with Elector Palatine<br />

Carl Theodor as a modeller for the Palatine<br />

porcelain manufactory of Frankenthal.<br />

Experts rank Linck’s models with those of Johann<br />

Joachim Kaendler (1706-1775) of Meißen<br />

and Franz Anton Bustelli (d. 1763) of Nymphenburg.<br />

54 In 1763, Linck was appointed Palatine<br />

court sculptor, but he continued to make<br />

models for Frankenthal, among them, in 1773,<br />

the porcelain chandelier for the <strong>Schwetzingen</strong><br />

bathhouse. In 1789, Linck became a member<br />

of the Palatine drawing academy, and in 1790,<br />

one of its professors.<br />

53 Biographical data from: Maria Christiane Werhahn, Der<br />

kurpfälzische Hofbildhauer Franz Conrad Linck (1730-1793)<br />

Modelleur der Porzellanmanufaktur Frankenthal Bildhauer in<br />

Mannheim, Neuss 1999, pp. 15-21.<br />

54 Werhahn calls Linck a “Meister der Kleinplastik”, i.e. a master<br />

of small sculpture (Werhahn 1999, p. 35).<br />

He created many sculptures for the <strong>Schwetzingen</strong><br />

grounds; they are listed here in chronological<br />

order:<br />

Gable relief of the Temple of Minerva; two altars<br />

and six benches in the Temple of Minerva;<br />

pair of grotesque tritons in the basin in front<br />

of the Temple of Minerva; eight pedestals bearing<br />

gilt balls in the tapis vert behind the stag<br />

basin; cherubs playing with a goat in the northern<br />

angloise; bust of Pompey in the pavilion<br />

north of the palace (lost); busts of Solon and of<br />

a gladiator in the natural theatre; busts of Domitian,<br />

Marciana, Marcellus, and Faustina in<br />

front of the bathhouse; gables bearing the initials<br />

of Elector Carl Theodor on the east and<br />

west bathhouse fronts; two garlanded urns<br />

decorating the north and south bathhouse<br />

gables; four medallions over the bathhouse<br />

windows; four leaden griffi ns supporting consoles<br />

in the bathhouse’s Oval Chamber; water<br />

urn and serpent-shaped leaden pipes for the<br />

bathhouse’s bathroom; two gable reliefs and<br />

six lead reliefs inside the agate cabinets; doorframe<br />

with a gable and relief for the Temple of<br />

Botany; reliefs on the Temple of Mercury.<br />

Linck’s work marks the transitional period between<br />

Rococo and Classicism. His large-scale<br />

works are modelled on Classical sculpture,<br />

which he had studied in the Hall of Antiques<br />

of the Mannheim academy of drawing and<br />

sculpture.. 55 His medallions are copies of pieces<br />

from the electoral coin collection.<br />

His last major commission from the Elector<br />

was for the statues of Carl Theodor and Minerva<br />

for the bridge spanning the Neckar at Heidelberg,<br />

which had been rebuilt after being<br />

destroyed by heavy ice in 1784. Franz Conrad<br />

Linck died on 15th October 1793 in Mannheim.<br />

(Ralf Richard Wagner)<br />

Johann Ludwig Petri (1714-1794)<br />

Johann Ludwig Petri was a native of Eisenach<br />

and a scion of the court gardener’s family. He<br />

trained as a garden architect in Paris. From the<br />

1740s he served Duke Christian IV von Pfalz-<br />

55 See also the entry on Peter Anton von Verschaffelt.

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