II. - Schloss Schwetzingen

More documents

Recommendations

Info

4 Contents I. Introduction 7 II. Schwetzingen – A Prince Elector’s Eighteenth-Century Summer Residence 9 a) Elector Carl Theodor and his Palatinate – a World in Transition (Stefan Mörz) 9 b) The Summer Residence of Schwetzingen – a Type and its Realization (Ralf Richard Wagner) 14 c) The palace Gardens – a Unique Ensemble of Masonic Images (Monika Scholl) 20 d) The Bathhouse – Synthesis of the Arts and Refuge of Elector Carl Theodor (Ralf Richard Wagner) 36 e) The Mosque – an Embodiment of Eighteenth-Century Taste and Thought (Susan Richter) 46 f) The Arabic Insriptions of the Mosque – a Manifestation of Inter-Cultural Dialogue (Udo Simon) 55 g) The Palace Theatre – the Ideal of an Eighteenth-Century Theatre and Opera House (Monika Scholl, Peter Thoma) 63 h) The Waterworks and Carl Theodor’s Scientifi c Experiments – Technical Monuments of the Highest Order (Kai Budde) 68 i) The Palace Garden Arboreta – a Botanical Research Station (Rainer Stripf) 75 j) Harmonious Opposites: Carl Theodor’s Garden – Absolutist Display and Utopian Idealism (Barbara Brähler) 81
Contents III. Schwetzingen – Historical Context 87 a) The Prince Electors and their Schwetzingen Estate 87 1. A Summarized Political History (Stefan Mörz) 2. The Cultural Landscape of Schwetzingen (Svenja Schrickel) b) History of the Town of Schwetzingen (Joachim Kresin) 98 c) History of the Palace 103 1. The Origins of the Castle and Palace (Peter Knoch) 2. The Palace Interior Through the Ages (Wolfgang Wiese) 3. The Palace’s Fortunes in the 19th and 20th Centuries (Claudia Baer-Schneider, Peter Thoma) d) History of the Palace Garden 130 1. The Origins of the Palace Garden (Uta Schmitt) 2. The Schwetzingen Palace Gardens – a Study in Historic Garden Conservation (Hubert Wolfgang Wertz) e) The Summer Residence – Nineteenth- and Twentieth-Century Responses 156 1. “A German Versailles” – Schwetzingen and its Status as Refl ected in Travel Accounts, Images and Literature (Susan Richter) 2. The Schwetzinger Festspiele: the Legacy of the Summer Residence (Peter Stieber) IV. Biographies (Manuel Bechtold, Susan Richter, Ralf Richard Wagner, Hubert Wolfgang Werz) 167 a) Rulers (in chronological order) 168 b) Artists (in alphabetical order) 174 V. Chronology (Tanja Fischer) 187 VI. List of Monuments in Schwetzingen (Annegret Kalvelage) 191 VII. Bibliography (Stefan Moebus) 207 5
Page 1 and 2: Nomination for Inscription on the U
Page 3: Nomination for Inscription on the U
Page 7 and 8: I. Introduction In the eighteenth c
Page 9 and 10: II. Schwetzingen - A Prince Elector
Page 11 and 12: Lent) served to please and divert c
Page 13 and 14: of mutual succession to reside in M
Page 15 and 16: the residence to be situated on maj
Page 17 and 18: personnes qui ont été nommées po
Page 19 and 20: ducted. This is what distuinguishes
Page 21 and 22: The subject of Ovid’s Metamorphos
Page 23 and 24: they call attention to the fact tha
Page 25 and 26: of healing and redemption, protecto
Page 27 and 28: come real, evoke Arcadia in the vis
Page 29 and 30: fi fth of the “septem artes liber
Page 31 and 32: in the pattern of the portico fl oo
Page 33 and 34: Death and evening are symbolized by
Page 35 and 36: The Schwetzingen grounds provide ne
Page 37 and 38: Infl uences and Models The architec
Page 39 and 40: French ambassador François Bonaven
Page 41 and 42: herent nobility of the shapes was b
Page 43 and 44: the edge, spitting water down into
Page 45 and 46: interplay of light and shade as one
Page 47 and 48: the huge cost of fl . 120 000; this
Page 49 and 50: attraction of the cloister, which i
Page 51 and 52: Classicist portico. The mosque is t
Page 53 and 54: not merely with reason, but even wi
Page 55 and 56:
f) The Arabic Insriptions of the Mo
Page 57 and 58:
The Inscriptions of the Interior Al
Page 59 and 60:
association of talk and silver is i
Page 61 and 62:
capable of wit, acumen and humour a
Page 63 and 64:
g) The Palace Theatre - the Ideal o
Page 65 and 66:
latest developments in theatre tech
Page 67 and 68:
offi ce of the State Agency for Pro
Page 69 and 70:
of a pumproom and machinery, and us
Page 71 and 72:
“Societas Meteorologica Palatina
Page 73 and 74:
the fi rst international scientifi
Page 75 and 76:
i) The Palace Garden Arboreta - a B
Page 77 and 78:
The science of botany, which reache
Page 79 and 80:
The newly acquired, and sometimes v
Page 81 and 82:
j) Harmonious Opposites: Carl Theod
Page 83 and 84:
Absolutism and Enlightenment Electo
Page 85 and 86:
II. Schwetzingen - A Prince Elector
Page 87 and 88:
III. Schwetzingen - Historical Cont
Page 89 and 90:
condemned Catholicism as “cursed
Page 91 and 92:
2. The Cultural Landscape of Schwet
Page 93 and 94:
to Mannheim. 31 The conveniently sm
Page 95 and 96:
still characterized by the alterati
Page 97 and 98:
intended by the Baroque building pl
Page 99 and 100:
Changes of Faith, War and Reconstru
Page 101 and 102:
Schwetzingen in the 19th Century Th
Page 103 and 104:
c) History of the Palace 1. The Ori
Page 105 and 106:
members of the Erlickheim family, p
Page 107 and 108:
In 1655, cleaning up and renovating
Page 109 and 110:
ooms could be heated, the ceilings
Page 111 and 112:
The Castle of the von Erlickheim Fa
Page 113 and 114:
Page 115 and 116:
een to create a counterpart to the
Page 117 and 118:
Reconstruction Under Carl Ludwig fr
Page 119 and 120:
The Development of a Baroque Summer
Page 121 and 122:
Page 123 and 124:
Rococo styles, with geometric inlay
Page 125 and 126:
that reason, there is no full chron
Page 127 and 128:
y panelling the walls with wood and
Page 129 and 130:
eastern part was restored to its or
Page 131 and 132:
Uffenbach 11 noted in his travellin
Page 133 and 134:
der 29 was taken on as chief court
Page 135 and 136:
for the fi rst time in 1782, was co
Page 137 and 138:
eticians, especially those of Antoi
Page 139 and 140:
plan of 1783 (cp. Fig. 5). Leading
Page 141 and 142:
In the 19th century Zeyher converte
Page 143 and 144:
Grupello put up in Düsseldorf fi r
Page 145 and 146:
of Botany it shelters, is a reworke
Page 147 and 148:
The English Garden in the west of t
Page 149 and 150:
formal gardens, where they still su
Page 151 and 152:
of Baden 136 , was the court garden
Page 153 and 154:
Schwetzingen is described as the mo
Page 155 and 156:
pilation of the “Parkpfl egewerk
Page 157 and 158:
nymous author of one garden guidebo
Page 159 and 160:
to a monument of courtly life under
Page 161 and 162:
derably in making the gardens widel
Page 163 and 164:
de plaissance de Mrg l’Électeur
Page 165 and 166:
Salvatore Sciarrino and Adriana Hö
Page 167 and 168:
IV. Biographies a) Rulers (in Chron
Page 169 and 170:
Maria Luisa. On 5th November 1700,
Page 171 and 172:
Elector’s scholarly and artistic
Page 173 and 174:
troops, who were already at the gat
Page 175 and 176:
sels, where he was admitted to the
Page 177 and 178:
Ferdinand Kobell (1740-1799) The pa
Page 179 and 180:
Zweibrücken (1722-1775) in the cap
Page 181 and 182:
Elector Carl Theodor (1724/1742-179
Page 183 and 184:
In 1771, Carl Theodor commissioned
Page 185 and 186:
served his apprenticeship with Cour
Page 187 and 188:
V. Chronology (Tanja Fischer) 766 F
Page 189 and 190:
1795 Report of an inspection tour f
Page 191 and 192:
VI. List of Monuments in Schwetzing
Page 193 and 194:
Carl Theodor, in the west wing a gy
Page 195 and 196:
uilding probably built from plans b
Page 197 and 198:
timbered walls elsewhere, saddlebac
Page 199 and 200:
Ketscher Straße 2 (Flstnr. 3880/1)
Page 201 and 202:
Carl-Theodor-Straße 1 (Flstnr. 259
Page 203 and 204:
the 18th century; one-storey outhou
Page 205 and 206:
VI. List of Monuments in Schwetzing
Page 207 and 208:
VII. Bibliography (Stefan Moebus) A
Page 209 and 210:
Budde 1999 - Kai Budde, “Die natu
Page 211 and 212:
esidenz Schwetzingen”, in: Kurfü
Page 213 and 214:
Hoffmann 1925 - Wilhelm W. Hoffmann
Page 215 and 216:
Lohmeyer 1915/1920 - Karl Lohmeyer,
Page 217 and 218:
Richter 2004 - Susan Charlotte Rich
Page 219 and 220:
Szymczyk-Eggert 1993 - Elisabeth Sz
Page 221 and 222:
Wimmer 1988/89 - Clemens Alexander
show all

II. - Schloss Schwetzingen

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?