II. - Schloss Schwetzingen
II. - Schloss Schwetzingen
II. - Schloss Schwetzingen
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In 1771, Carl Theodor commissioned Matthias<br />
van den Branden to create the monument<br />
of his deceased mistress Josepha Seiffert,<br />
Countess of Heydeck, at Zwingenberg Castle<br />
on the Neckar. 66<br />
After his stepfather’s death, Matthias van den<br />
Branden succeeded him as court sculptor, a<br />
position that entailed work at <strong>Schwetzingen</strong><br />
as well. From 1762 onwards, he was given<br />
various commissions by Pigage (1723 – 1796),<br />
all connected with the layout of the parterres;<br />
it is believed that numerous statues, reliefs<br />
and urns are by his hand. 67 His last work is<br />
believed to be the artifi cially aged clay relief<br />
depicting a female personifi cation of Water,<br />
on the Roman water tower. 68 After a row with<br />
Pigage and the Elector’s move to Munich, commissions<br />
from the court grew less frequent.<br />
The sculptor died in abject poverty.<br />
(Susan Richter)<br />
Peter Anton von Verschaffelt (1710-1793)<br />
The sculptor and architect Peter Anton von<br />
Verschaffelt (Ghent 1710 – Mannheim 1793)<br />
was trained by his grandfather, Pieter de<br />
Sutter. From 1731, he was a student of Jacob<br />
Verberckt (1704-1771) and Jean François de<br />
Troy (1679-1752) at the Académie Royale de<br />
peinture et de sculpture in Paris. From 1734,<br />
he worked on the statuary of St. Sulpice as a<br />
member of the sculptor Edmé Bouchardon’s<br />
(1689-1762) studio. In 1737, Verschaffelt won<br />
the academy’s fi rst prize; from 1737 to 1751<br />
he worked as a freelance artist at Rome. Pope<br />
Benedict XIV commissioned work for several<br />
churches in Rome (S. Maria Maggiore, S.<br />
Croce in Gerusalemme, S. Maria Apollinare),<br />
Bologna (S. Pietro), Ancona (S. Ciriaco) and<br />
Lisbon (chapel of St. Rochus church) as well<br />
as the monastery of Monte Cassino.<br />
Other important works are a bust of Benedict<br />
XIV and a model for the bronze angel of the<br />
Castel Sant’Angelo. In 1745, Verschaffelt<br />
66 Stefan Mörz, Aufgeklärter Absolutismus in der Kurpfalz<br />
während der Mannheimer Regierungszeit des Kurfürsten Karl<br />
Theodor, Stuttgart 1991, p. 38.<br />
67 Heber 1986, p. 424, n. 2.<br />
68 Oswald Zenker, Schwetzinger <strong>Schloss</strong>garten, <strong>Schwetzingen</strong><br />
1989, pp. 56 f.<br />
IV. Biographies<br />
became a member of the academy of St Lucca<br />
at Rome. In 1751, through the agency of<br />
Cardinal Alessandro Albani, he was given a<br />
post with Frederick Lewis, Prince of Wales,<br />
at London. After the prince’s sudden death,<br />
Verschaffelt was sent on to Lord Dodington,<br />
with another letter of recommendation from<br />
the cardinal.<br />
In 1752, he succeeded Paul Egell as Palatine<br />
court sculptor, probably through the patronage<br />
of Friedrich Michael von Pfalz-Zweibrücken,<br />
Elector Carl Theodor’s brother-in-law.<br />
Verschaffelt did some work for Friedrich<br />
Michael’s summer residence of Oggersheim.<br />
At Mannheim the most important works<br />
by the new Palatine court sculptor were the<br />
statuary of the Jesuit church; the relief on the<br />
gable of the palace library; the colossal statues<br />
of Elector Carl Theodor and his Electress,<br />
Elisabeth Augusta, for the library hall; their<br />
busts in the court library; and two portrait<br />
busts of the philosopher, Voltaire. 69 For the<br />
palace of Benrath near Düsseldorf, Verschaffelt<br />
made four gable reliefs and groups of<br />
cherubs for the attic. Outside the Palatinate he<br />
was commissioned to redesign the choir of St.<br />
69 Bust of Voltaire “coiffe à la moderne” at Seattle (Art Museum);<br />
bust of Voltaire “à l’antique” at Paris (Louvre).<br />
IV.<br />
Peter Anton von Verschaffelt<br />
(1710-1793)<br />
183