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II. - Schloss Schwetzingen

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In 1771, Carl Theodor commissioned Matthias<br />

van den Branden to create the monument<br />

of his deceased mistress Josepha Seiffert,<br />

Countess of Heydeck, at Zwingenberg Castle<br />

on the Neckar. 66<br />

After his stepfather’s death, Matthias van den<br />

Branden succeeded him as court sculptor, a<br />

position that entailed work at <strong>Schwetzingen</strong><br />

as well. From 1762 onwards, he was given<br />

various commissions by Pigage (1723 – 1796),<br />

all connected with the layout of the parterres;<br />

it is believed that numerous statues, reliefs<br />

and urns are by his hand. 67 His last work is<br />

believed to be the artifi cially aged clay relief<br />

depicting a female personifi cation of Water,<br />

on the Roman water tower. 68 After a row with<br />

Pigage and the Elector’s move to Munich, commissions<br />

from the court grew less frequent.<br />

The sculptor died in abject poverty.<br />

(Susan Richter)<br />

Peter Anton von Verschaffelt (1710-1793)<br />

The sculptor and architect Peter Anton von<br />

Verschaffelt (Ghent 1710 – Mannheim 1793)<br />

was trained by his grandfather, Pieter de<br />

Sutter. From 1731, he was a student of Jacob<br />

Verberckt (1704-1771) and Jean François de<br />

Troy (1679-1752) at the Académie Royale de<br />

peinture et de sculpture in Paris. From 1734,<br />

he worked on the statuary of St. Sulpice as a<br />

member of the sculptor Edmé Bouchardon’s<br />

(1689-1762) studio. In 1737, Verschaffelt won<br />

the academy’s fi rst prize; from 1737 to 1751<br />

he worked as a freelance artist at Rome. Pope<br />

Benedict XIV commissioned work for several<br />

churches in Rome (S. Maria Maggiore, S.<br />

Croce in Gerusalemme, S. Maria Apollinare),<br />

Bologna (S. Pietro), Ancona (S. Ciriaco) and<br />

Lisbon (chapel of St. Rochus church) as well<br />

as the monastery of Monte Cassino.<br />

Other important works are a bust of Benedict<br />

XIV and a model for the bronze angel of the<br />

Castel Sant’Angelo. In 1745, Verschaffelt<br />

66 Stefan Mörz, Aufgeklärter Absolutismus in der Kurpfalz<br />

während der Mannheimer Regierungszeit des Kurfürsten Karl<br />

Theodor, Stuttgart 1991, p. 38.<br />

67 Heber 1986, p. 424, n. 2.<br />

68 Oswald Zenker, Schwetzinger <strong>Schloss</strong>garten, <strong>Schwetzingen</strong><br />

1989, pp. 56 f.<br />

IV. Biographies<br />

became a member of the academy of St Lucca<br />

at Rome. In 1751, through the agency of<br />

Cardinal Alessandro Albani, he was given a<br />

post with Frederick Lewis, Prince of Wales,<br />

at London. After the prince’s sudden death,<br />

Verschaffelt was sent on to Lord Dodington,<br />

with another letter of recommendation from<br />

the cardinal.<br />

In 1752, he succeeded Paul Egell as Palatine<br />

court sculptor, probably through the patronage<br />

of Friedrich Michael von Pfalz-Zweibrücken,<br />

Elector Carl Theodor’s brother-in-law.<br />

Verschaffelt did some work for Friedrich<br />

Michael’s summer residence of Oggersheim.<br />

At Mannheim the most important works<br />

by the new Palatine court sculptor were the<br />

statuary of the Jesuit church; the relief on the<br />

gable of the palace library; the colossal statues<br />

of Elector Carl Theodor and his Electress,<br />

Elisabeth Augusta, for the library hall; their<br />

busts in the court library; and two portrait<br />

busts of the philosopher, Voltaire. 69 For the<br />

palace of Benrath near Düsseldorf, Verschaffelt<br />

made four gable reliefs and groups of<br />

cherubs for the attic. Outside the Palatinate he<br />

was commissioned to redesign the choir of St.<br />

69 Bust of Voltaire “coiffe à la moderne” at Seattle (Art Museum);<br />

bust of Voltaire “à l’antique” at Paris (Louvre).<br />

IV.<br />

Peter Anton von Verschaffelt<br />

(1710-1793)<br />

183

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