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2011 - Talk Birth

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our stories were very different. And, our closing thoughts or insights about our trays were almost identical.<br />

[2] While it might be hard to see everything, I chose the<br />

bridge to symbolize my feeling of having crossed the bridge to the ”other side”—meaning first the fact that<br />

after Noah and my second miscarriage, I felt separated from women who had not experienced loss by a bridge<br />

and as if I’d crossed over into new territory and left my old, happy, naive pregnant self behind (along with<br />

the other non-loss mamas. A little more about this bridge [3]here). AND, that I also felt like with Alaina’s<br />

birth that I crossed a bridge into the unknown and to the end of the pregnancy-after-loss journey. Her<br />

birth represented the ”other side” of PAL. So, at the end of the bridge I drew a question mark in the sand,<br />

representing all the questions I had to get past and over in order to get to my new baby. The little baby on<br />

the side of the bridge represents how I still had Noah with me. He didn’t get ”left behind” on the other side<br />

of the bridge, but was next to me on my journey. The spiral on the other side represents the continuous,<br />

unfolding spiral of life. Sitting by the question mark is a sort of Kachina-type figure holding many babies.<br />

To me she represents all of the babyloss mamas and also reminds me of the [4]jizos who protect lost babies.<br />

There is also a coffin on the other side of the question mark, summing up how the fear of the death was<br />

everpresent for me and I had to pass over that fear as well to get to my new baby—my light, the candle on<br />

the other side of death. The little sparkling gems also represent my joy at her birth and what a treasure she<br />

is to me. The bone on the side of the candle represents the places where the ”[5]meat was chewed off my<br />

bones” by all my births, including Noah’s (I had just attended Pam England’s birth story sharing session<br />

prior to this sand tray session). I placed the Goddess of Willendorf figure, that I had immediately snatched<br />

off the table as soon as I spotted her, at the top to represent how my sense of spirituality had surrounded and<br />

enfolded both my experiences—She is ”holding” it all. And, I explained to my tablemate how the roundness<br />

of the tray to me also represented the full circle—how Alaina’s story and Noah’s are entwined and how her<br />

birth was the ”end” (of sorts) of his story, but that they are part of one whole.<br />

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