Stomp Off 1001 - Dickbaker.org

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21, 1925; E 627852 Triangle music pub. co.,inc., New York.Costello (our old friend!) was on the recordlabel as well.Hot Fingers (Joe Gold)Tony Caramia 1209Confirmed by 10/15/25 copyright reg.Hot Hands (Charley Straight)George Foley 1088Down Home JB 1273ASM, 1916, Jerome Remick.Hot Heels (Jack Pettis–Al Goering–Irving Mills)Back Bay Ramblers 1355Rec.Dunk Rendleman & the Alabamians, 7/26/27,Gennett 6233; Universal 40103; Silvertone5052, 25052.Jack Pettis, 6/20/28, Vocalion 15073.Ed Lang aho 5/22/29, OKeh 8696, 41253;Parlophone R-596, 22429 et al.Irving Mills, 6/14/29, Cameo 9207, Lincoln3234, Romeo 1009.Confirmed by 4/16/29 copyright reg. Therewas also a “Hot Heels” in 1927 by Lee David-Billy Rose-Ballard Macdonald, which is whatDunk Rendleman recorded.Label of OKeh 8696 had only Pettis-Goering,Romeo 1009 had all three. .Hot-House Rag (Paul Pratt)Wally Rose 1057Yerba Buena Stompers 1418Les Rois du Fox-Trot 1434BUT ASM, 1914, Stark, is Hot-House on bothcover and (c) page.Hot Ivories (Ray Sinatra)Tony Caramia 1209Tony Caramia 1328Confirmed 4/11/27 copyright reg.Hot Lips (Henry Busse–Lou Davis–Henry Lange)John Gill’s Dixieland Serenaders 1295Bob Oliver’s Hot Seven 1312High Society JB 1396Le Petit Jazzband 1403
Hot Time in the Old Town, A [There’llBe a Hot Time in the Old TownTonight] (Theodore A. Metz–Joe Hayden)Ophelia Ragtime Orchestra 1108St. Louis Ragtimers 1267Down Home JB 1273ASM, 1896, Willis Woodward, as “A Hot Timein the Old Town,” m. Theo. A. Metz/w. JoeHayden.Also has 1897, same publisher, without lyricsorl yricist credit.Hotter Than That (Lil Hardin)Pierre Atlan’s Piccadilly Revelers 1181Bob Helm’s JB 1310Pam Pameijer’s New Jazz Wizards 1363Rec. Hot Five 12/13/27, OKeh 8535, Vocalion3237, Parlophone R-2704 et many al.Hotter than that; melody by Lill Hardin. © 1c. May 10, 1928; E 690496; Consolidatedmusic pub. house, Chicago.John Gill reports 5/10/28 copyright deposit,showing Lill Hardin.House of David Blues, The (BillyMeyers–Elmer Schoebel–Irving Mills)Down Home JB 1264Orig. Memphis Melody Boys, 5/30/23,Columbia A3923, Regal G8096.Broadway Syncopators, 8/14/23, Vocalion14670, Beltone 371, Guardsman 1425.The Virginians, 9/6/23, Victor 19140,Zonophone 3629.Synco JB, 9/14/23, Pathe Aktuelle 021075,Perfect 14178.Orig. Memphis 5, 10/25/23, Banner 1282,Regal 9573, Apex 8132, Imperial 1249.Greenwich Village Orch, 11/26/23, Paramount20288, Claxtonola 40288, Harmograph 886,Pennington 1288.Fletcher Henderson (as The House...),7/17/31, Banner 32733; Domino 127;Melotone M-12216, Oriole 2677; Perfect15753 et al.Labels: First recording, Columbia A3923, noThe. But of the 15 recordings I could find, 9had The, 6 did not.Copyright:House of David blues; by Billy Meyers,Elmer Schoebel and Irving Mills of U.S.;melody with piano acc. © 1 c. June 26,1923; E 563315; Jack Mills, inc., New York.But then later the The was added:House (The) of David blues; w and m ElmerSchoebel, Billy Meyers and Irving Mills, ofU.S. © Aug. 23, 1923; 2 c. Sept. 4; E570807; Jack Mills, inc., New York.Obviously, it could go either way, but since thecopyright was updated (evidently) for theexpress purpose of adding The to the title, weshould as well.House Rent Blues (The Stomp)[Copyrighted and published asThe Stomp (House Rent Blues)but recorded using the subtitle](De Koven Thompson–Will H. Hendrickson)Des Plantes’ Washboard Wizards 1325Le Petit Jazzband 1403On both CDs as “House Rent Blues (TheStomp” by Reginald DeKoven Thompson andWill H. Hendrickson.Rec. Monette Moore, 10/24, Ajax 17064.Bessie Smith, 7/23/24, Columbia 14032-D. Cl.Williams Blue 5, 11/14/23, OKeh 8171.According to Rust, only the Williams recordhad (The Stomp) subtitle.Couldn’t find any of the labels, but the usuallyreliable index at LC SONIC says composerTed Wallace on Columbia, DeKovenThompson on OKeh 8171 (and confirms thesubtitle).Ah, here it is:Stomp (The); house rent blues, words bvWill H. Hendrickson, music by De KovenThompson iof U.S. © Feb. 15, 1923; 2 c.Feb. 19: E 560145 ; Ted Browne music co.,Chicago.Note that De Koven split in this entry, but Ifound many others, and it jumps aroundbetween solid and split. Same is true of othersearches for his name.And aha: Found the cover at IN Harmony.Title is“THE STOMP”(HOUSE RENT BLUES)And it’s m. De Koven Thompson, w. Will H.Hendrickson. Ted Brown Music Co., 1923.So this is a quandary: It was copyrighted andpublished as “The Stomp” with a subtitle, butthe world, at least the jazz/blues world, knowsit the other way around. OK, we’ll keep itunder House Rent, but with an explanationand a cross-ref from real title.ALSO, the Reginald was a mistake from thestart. In searching the copyright books for ourguy, I learned that there was another veryprolific composer in the same years namedReginald DeKoven.How Am I to Know? (Jack King–Dorothy Parker)Ingham–Grosz Hot Cosmopolites 1323Copyright 8/9/29, from film Dynamite, w.Parker, m. King but no question mark oncopyright.MTSU listing shows the ? as do all the otheronline indexes, and it’s on the cover as well.How Can You Face Me? (Fats Waller–Andy Razaf)Butch Thompson /Berkeley Gang 1127Neville Dickie 1176Prague Jazzphonics 1236Paris Washboard 1261Neville Dickie 1397Rec. Rhythm 9/28/34, Victor 24737, BluebirdB-10143 et al.Couldn’t find a copyright entry 1933-35, butthese and other labels at LC SONIC agree ontitle and composers.How Could I Be Blue?(Dan Wilson–Andy Razaf)James Dapogny & Butch Thompson 1183Neville Dickie & Louis Mazetier 1302Des Plantes’ Washboard Wizards 1325We had Daniel Wilson, but...ASM, 1926, pub. by Clarence Williams. DanWilson & Andy Razaf. We also have DanWilson & Andy Razaf for “Mama Stayed Outthe Whole Night Long,” so he must be Danhere too.How High the Moon (Morgan Lewis–Nancy Hamilton)Baker–Baldwin Radiogram Wshbrds 1243Confirmed 1/30/40 copyright reg., w.Hamilton/m. Lewis, from Two for the Show.How Long How Long Blues(Leroy Carr)Golden State JB 1006Butch Thompson 10371006 was How Long, How Long Blues byLeRoy Carr 1037 was How Long Blues byLeroy.2013 review: Rust lists it under “How Long,How Long Blues,” has a zillion recordings,and notes, “There are several variations onthis title.” Also note that none of the LeroyCarr recordings are listed in Rust; I took themfrom Online 78. (In listing below, titlecharacterization after performer name is from
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6th editionWORKING DRAFT WITH NOTES
Page 3 and 4:
Further background notes in case I
Page 5 and 6:
Absolutely (Jabbo Smith)Grand Domin
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Ah-Ha! (James V. Monaco-Sidney Clar
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Zenith Hot Stompers 1248Black Eagle
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Tex’s original-looking 1920 sheet
Page 18 and 19:
(this is not the popular Smith-Burr
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Barrel House Rag - Campbell hand-wr
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seen often both ways, so will chang
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Aug. 22, 1919; E 458166; Spencer Wi
Page 26 and 27:
ecording was Bob Hudson. This may w
Page 28 and 29:
Carroll Dickerson’s Savoy Orch, 5
Page 30 and 31:
Al Dubin)Paul and His Gang 1329Bles
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“BLUE GOOSE”RAGThis says to me
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No composer credit on label. Chilto
Page 36 and 37:
Lathair is the guy who worked in Ch
Page 38 and 39:
Bouncing Around (Armand J. Piron-Pe
Page 40 and 41:
Bright Star Blues (Armand J. Piron-
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Thought I Heard Buddy Bolden Say)."
Page 44 and 45:
But fellow researchers out there, c
Page 46 and 47:
Aha, LC cy catalog of 1929 says,Cal
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Did find the LC copyright:Candy lip
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Not in Rust. Ted des Plantes’ lin
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So it was copyrighted by Oliver alo
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Chicken Reel (Joseph M. Daly)Helm-L
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Kinkle shows it as "Ciribiribin (It
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Becket’s composition or followed
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ASM, 1931, Santly Bros.; w. AF/m. F
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John Gill reports 1/18/24 copyright
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Frankie Trumbauer aho, 6/24/31, Bru
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ut Bob says it never felt comfortab
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the second 32-bar theme is my own,
Page 70 and 71:
’Deed I Do (Walter Hirsch-Fred Ro
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Rec. Moten 6/12/27, Victor 21199--a
Page 74 and 75: Why Bring That Up? Internet Movie D
Page 76 and 77: Rhodes: "’Get It Right’ = ‘Do
Page 78 and 79: At Bessie’s request, all of the c
Page 80 and 81: “Don’t Go ’Way Nobody,” a s
Page 82 and 83: migrated northward up the Mississip
Page 84 and 85: 1915; 2 c. July 24, 1915; E 363546;
Page 86 and 87: Woode on two other titles. So obvio
Page 88 and 89: all four posibilities we’d have t
Page 90 and 91: Echoes from the Snowball Club(Harry
Page 92 and 93: Music by Sadie Koninsky, arranged b
Page 94 and 95: OH, hell. After all this I thought
Page 96 and 97: Farmerette (Jesse Greer)George Fole
Page 98 and 99: Firechief Rag (Danny Alguire)Smith-
Page 101 and 102: and cy page) (You’ll Miss Me in t
Page 103 and 104: Gambling Jack (Jelly Roll Morton)Pa
Page 106 and 107: and "Boy Friend." Kinkle agrees. It
Page 108 and 109: soul all human beings feel. That th
Page 110 and 111: Magnolia JB 1016Turk Murphy JB 1161
Page 112 and 113: Grandpa’s Spells (Jelly Roll Mort
Page 114 and 115: Waldo’s Jazz Entertainers 1377Con
Page 116 and 117: We’ve not included arrangers as c
Page 118 and 119: “Hello Montreal” (but surely it
Page 120 and 121: 1903 sheet could mean that it’s a
Page 122 and 123: 2013 review: We can do better than
Page 126 and 127: Rust; if it comes after record numb
Page 128 and 129: Found sleeve cover for 45 on Pye-Vo
Page 130 and 131: Actually, it appears that the choru
Page 132 and 133: So far, still solidly in the “unk
Page 134 and 135: can find no evidence she ever did a
Page 136 and 137: tune attributed to Pecora, even und
Page 138 and 139: (Harry Woods-Billy Rose-Mort Dixon)
Page 140 and 141: Ponce, also pub. Ager, Yellen & Bor
Page 142 and 143: If Winter Comes (W. R. Williams-Joh
Page 144 and 145: Crawford set phrases chanted by Mar
Page 146 and 147: I’m All Bound ’Round with the M
Page 148 and 149: Telcon 8/28: OK, do the two = three
Page 150 and 151: Smith, an article titled “Jelly R
Page 152 and 153: 2013 review: Rec.Clarence Williams
Page 154 and 155: Confirmed 8/18/36 copyright reg.In
Page 156 and 157: Alstyne-Williams] via your note of
Page 158 and 159: Benny Goodman-Jack Teagarden)State
Page 160 and 161: Jazz Baby (M. K. Jerome-Blanche Mer
Page 162: 1915; E 372536; Will Rossiter, Chic
Page 165 and 166: For what it’s worth, Ellington’
Page 167 and 168: James D. Touchstone. The song's ope
Page 169 and 170: Online search found FAR more hits o
Page 171 and 172: Ondippermouth.blogspot.com/2012/11/
Page 173 and 174: 2013 review: Confirmed by 11/26/23
Page 175 and 176:
Confirmed by 4/10/35 copyright reg.
Page 177 and 178:
Eureka, I finally found the instrum
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Let’s Have Another Cup of Coffee(
Page 181 and 182:
Limehouse Blues (Philip Braham-Doug
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Page 185 and 186:
some mighty obscure evidence to the
Page 187 and 188:
Keith Nichols Cotton Club Orchestra
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But copyright page isLow Bridge!
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Louisiana Repertory Jazz Ensemble 1
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document it. Ah: Thompson’s liner
Page 195 and 196:
BUT notice alsoMarket Street Blues,
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James V. Monaco)Frederick Hodges 13
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Melancholy Stomp (Don Ewell)Europea
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(where’d he get that?), it was ar
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listing as an alternative title. Ho
Page 205 and 206:
2013 review: It appears that I neve
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For Christ’s sake! Wikipedia has
Page 209 and 210:
Steve Abrams: 1924 by Kapp-Coleman-
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More Than That (Ben Barnett-Clarenc
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Mule Walk, The [Mule Walk Stomp](Ja
Page 215 and 216:
connection with the refrain. The ve
Page 217 and 218:
Ray Smith: credit should go to Oliv
Page 219 and 220:
My Man o’ War (Andy Razaf-Spencer
Page 221 and 222:
Dan Levinson’s Roof Garden JB 136
Page 223 and 224:
Never Again (Isham Jones-Gus Kahn)P
Page 225 and 226:
New Orleans wiggle; by Peter Bocage
Page 227 and 228:
Turk: "That was a tune called '1919
Page 229 and 230:
Norfolk Church Street Sobbin’ Blu
Page 231 and 232:
Oh, baby; from Rain or shine, words
Page 233 and 234:
2013 review: Found the copyright:O
Page 235 and 236:
Rec. Sharkey Bonano, 1/29/37, Vocal
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earliest example I know of that use
Page 239 and 240:
West Jesmond Rhythm Kings 1255All S
Page 241 and 242:
2013 review: Couldn’t find anythi
Page 243 and 244:
Paddle-wheelin’ Along (A Sacramen
Page 245 and 246:
Rosa Henderson, 8/26, Banner 18892*
Page 247 and 248:
and in parens), credits Raye-Shaver
Page 249 and 250:
The Commodore reissue of all the la
Page 251 and 252:
(Sidney Bechet-Rousseau Simmons)Pam
Page 253 and 254:
Porcupine Rag (Charles L. Johnson)R
Page 255 and 256:
Ray Smith 1162Promenade aux Champs-
Page 257 and 258:
Rag Time ChimesWell, very clear on
Page 259 and 260:
Oops, not in copyright books 1929-3
Page 261 and 262:
But Kassel had many other copyright
Page 263 and 264:
Hodges, but the Black Berries Oriol
Page 265 and 266:
Alabama Red Peppers, 4/28, Cameo 82
Page 267 and 268:
But wait: I remember that I have BG
Page 269 and 270:
Moulin à café as alt. title, of c
Page 271 and 272:
Sadness Will Be Gladness(Wingy Mano
Page 273 and 274:
Found sheet music at U. Maine, conf
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with arr. for guit., etc. © Oct. 1
Page 277 and 278:
Page 279 and 280:
The Bluebird ODJB 75th Anniversary
Page 281 and 282:
ig questions is this: Is she singin
Page 283 and 284:
Shine on Your Shoes, A(Arthur Schwa
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[also published in song versionwith
Page 287 and 288:
Skit-dat-de-dat; melody by Lillian
Page 289 and 290:
John Gill’s Novelty Orchestra 122
Page 291 and 292:
Lillian Johnson?! Yes, that was Lil
Page 293 and 294:
Abrams follow-up: I had this record
Page 295 and 296:
she were a composer, she’d have m
Page 297 and 298:
South African Blues (Lester Melrose
Page 299 and 300:
Audrey Van Dyke. It is a lead sheet
Page 301 and 302:
with ukulele arr. Dick Konter. © J
Page 303 and 304:
Cover also notes “Also Published
Page 305 and 306:
ditto. Bunk never wrote nothin’.
Page 307 and 308:
Sure wish we could track down the H
Page 309 and 310:
had become a hit, would have been p
Page 311 and 312:
Rilhac was a pianist and recording
Page 313 and 314:
Copyright goes to Emmalina, but no
Page 315 and 316:
Weatherbird JB 1034Kustbandet 1178D
Page 317 and 318:
Dick Zimmerman confirms our origina
Page 319 and 320:
Pretty sure without having heard it
Page 321 and 322:
Les Rois du Fox-Trot 1436< Is this
Page 323 and 324:
were Feldman 6D black and white edi
Page 325 and 326:
Confirmed by 10/1/31 unpub. Copyrig
Page 327 and 328:
Men Now Days (see Ain’t MuchGood
Page 329 and 330:
Cover isThere’s Something Nice Ab
Page 331 and 332:
title? Every rag that doesn’t inc
Page 333 and 334:
eproduces the sheet music cover, wh
Page 335 and 336:
Too Tight (Natty Dominique)Pam Pame
Page 337 and 338:
Bozo-blues; words and melody by Boz
Page 339:
and Donald Lambert, MC'd by Rudi Bl
Page 342 and 343:
Now that’s the way my folks would
Page 344 and 345:
the Country” and has no composer
Page 346 and 347:
Must go with copyright reg. and som
Page 348 and 349:
Goodman reports: I have 1917 bandar
Page 350 and 351:
influential label, the MicKinney’
Page 352 and 353:
Band also spell West Lawn as two se
Page 354 and 355:
Ida Cox, but more to our point is t
Page 356 and 357:
2013 review: Well, it was recorded
Page 358 and 359:
John Gill’s Calif. Sunshine Boys
Page 360 and 361:
When You Walked OutSomeone Else Wal
Page 362 and 363:
actual Parlophone label of the Hyde
Page 364 and 365:
That’s a bizarre mistake for Mazz
Page 366 and 367:
Written 1979, plenty of online conf
Page 368 and 369:
At the time [i.e., shortly after hi
Page 370 and 371:
Keith Nichols Cotton Club Orchestra
Page 372 and 373:
You Broke Your Promise (George Wyle
Page 374 and 375:
Louis Cottrell Trio, NO, 1/27/61, R
Page 376 and 377:
ASM, 1932, Witmark & Sons; w. Dubin
Page 378 and 379:
[And Klein Tindull is for real. His
Page 380 and 381:
In that same book on page 257 thefo
Page 382 and 383:
“Put Your Arms Around Me, Honey
Page 384 and 385:
Si tu vois ma mère [If You See My
Page 386 and 387:
At this point (June 30, 2011), I wi
Page 388 and 389:
Black Mountain Blues - copyright in
Page 390 and 391:
VICTOR ALTERNATIVE TITLES(Victor te
Page 392 and 393:
CHECK COPYRIGHT CARDSAfrican Hunch
Page 394 and 395:
Galion stomp - lovie austin?Gates B
Page 396 and 397:
meanest blues - napoleon & signorel
Page 398 and 399:
slide, frog, slidesnakes hips spenc
Page 400:
Wild and wooly (or woolly) willie -
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