Stomp Off 1001 - Dickbaker.org

Shapiro & Pollace say Cross-Words. Possible,since this is in period when crossword puzzlesfirst a fad in the country, but Kinkle doesn’thave hyphen, so stick with this unless we canfind original sheet music. --4>8/22, Alex Hassan: Cross-Words BetweenSweetie and Me, as indicated by Shapiro &Pollack. Hyphen is right there on the sheet."Between Sweetie and Me" are smaller fontunderneath Cross-Words8/25, Montgomery sends music, BroadwayMusic Corp, 1925, which is what S&P lists asoriginal. Cover art has crossword puzzle;Copyright page saysCross-WordsBetween Sweetie and MeI’ll probably hate myself in the morning, but inthis case we just must overrule thetypogographic clue. For one thing, (Cross-Words) Between Sweetie and Me would looksilly, since "Between Sweetie and Me" couldnever stand alone as a song title. (Although,we must admit, there are a few other cases inthis index in which the proper title makes littlesense without the subtitle.) For another thing,there’s Alex’s report that on his copy of themusic, the Cross-Words is played large, withBetween... in smaller type under it.The cover, by the way, does in fact play thesubtitle more prominently. Looks somethinglikeCross Words.......BETWEENSWEETIE and MEIf we can get confirmation that Alex’s version isas he described it, and that it’s earlier, I’d optfor Cross-Words (Between Sweetie andMe), but for now we must go with Cross-Words Between Sweetie and Me.9/8: Amazing. Alex’s copy is same publisher,same year. Cover art is different butthematically the same. And copyright page isidentical at every point except title itself:Cross WordsBetween Sweetie and MeAlex’s version is more logical, but since wecan’t date one before the other, I suggest wejust forget trying to establish a subtitle andstick with Cross-Words between Sweetieand Me.Crusader, The (John Hancock)John Hancock 1025Cry Baby Blues (George W. Meyer–Sam M. Lewis–Joe Young)Neville Dickie 1423ASM, w. Sam Lewis & Joe Young/m. Geo. W.Meyer, 1921, Irving Berlin. (Was just Meyer on1423). SAM M. LEWIS: Evidently he went on alot of music as just Sam Lewis, but we decidedon Sam M. early on, and this piece for surewas Sam M. on both copyright reg. and music.so Sam M. it shall be.Cryin’ for the Carolines (Harry Warren–Sam M. Lewis–Joe Young)Rusty Taylor’s New Jazz Review 1186Keith Nichols Cotton Club Orchestra 1234Tom Stuip & Delirium Tremolo 1433Les Rois du Fox-Trot 1434Confirmed by 1930 copyright; from film SpringIs Here. w. SL-JY/m. HW/Crying and Sighing (John Nesbitt)Lande’s Rhythm Club Orchestra 1327Confirmed 1929 copyright. Victor Project alsoconfirms for 1928 McKinney’s Cotton Pickersrecording.Crying My Blues Away (Alex Hill)Scaniazz 1004Rec. Albert Wynn Gut Bucket Five, 10/9/28,Vocalion 1218, Supraphone S-2234, Decatur515. Jimmy Gordon Vip Vop Band, 5/12/38,Decca 7519. Confirmed w/m by Hill 1928copyright.Cubanola Glide, The (Harry Von Tilzer–Vincent P. Bryan)Ted Shafer’s Jelly Roll JB 1278Imperial Serenaders 1351Manhattan Ragtime Orchestra 1402