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Keith Nichols Cotton Club Orchestra 1320(see note at With You.)Copyright isYam Brown; fox-trot, words by Jo Trent,music by Duke Ellington; pf. acc., withukulele arr. by May Singhi Breen. © May 4,1926; 2 c. May 3; E 640611; Frazer-Kent,inc., New York.Yama Yama Blues (Clarence Williams–Spencer Williams)Swedish Jazz Kings 1122Des Plantes’ Washboard Wizards 1325Neville Dickie 1366
Yerba Buena Stomp (Lu Watters)Original Salty Dogs JB 1115Yerba Buena Strut (Lu Watters)Steve Waddell’s Creole Bells 1173Down Home JB 1217Paramount JB of Boston 1247John Gill’s Dixieland Serenaders 1304South Frisco JB 1342Well, Turk Murphy’s liner notes say,“Yerba Buena Stomp” (Lu Watters) wasarranged from an early sketch given me byLu. This is an excellent job of arranging byTom Bartlett. Lu did a considerable rewriteon this tune for later use. The three-hornfront line stacks up well against the fourhornfront line which was, of course, theWatters configuration. Solos by Lew andKim are perfectly in line with the overallsound of the tune as is the backing by therhythm.I’m holding my nose and leaving this with the“Stomp” title, but it’s affectation as far as I’mconcerned.Yes! I’m in the Barrel(Louis Armstrong)Jim Cullum JB 1148Helm–Leigh Jazz & Blues Review 1332Pam Pameijer’s New Jazz Wizards 1350Rec. Hot Five, 11/12/25, OKeh 8261, Columbia36152 et al.Oops! Not in the copyright books 1924-28,even though its companion “Gut BucketBlues” (flip side, same session) wascopyrighted in 1926. However, the OKeh labelsays clearly “Yes! I’m in the Barrel” byArmstrong.BUT SEE THIS: Haesler found the followingcopyright:I am in the barrel, who don't like it? fox trot,L. A., of U.S., arr. Lillian Hardin, of U.S. © 1c. Dec. 8, 1923; E 577785; Louis Armstrong,Chicago.And this is interesting, what looks like amechanical rights copyright using that 1923title long after the tune was recorded as Yes!I’m in the Barrel:I'm in the barrel who don't like it. ©Consolidated music pub. house, Chicago.Notice rec'd Aug. 7, 1926; recorded, v. 7. p.49.No other mentions 1923-27.Not hard to see why OKeh would want tosimplify that awkward title when they issuedthe record, but it’s odd that not only wasn’t thetune reregistered under the published title, butthat old title was reregistered in 1926. Why?Yes, Lord, I’m Crippled (traditional)Grand Dominion JB 12918/28, Matthew Caulfield from LC copyrightregistration file:Yes, Lord, I’m Crippled, registered 4-30-63,music adapted and arranged by BunkJohnson (Willie G. Johnson).Yes, Lord, I’ve found good evidence for mycomma--but it doesn’t look like Bunk tried toclaim composer credit for this.2014 review: Well, Lord says Bunk recorded itwith his Original Superior Band 6/11/42, JazzMan 17; Limited Edition NO2, S60; Good TimeJazz 12048 (this would be an LP); et al.And indeed, the credit on Jazz Man 17 was“traditional.”Yes! We Have No Bananas(Frank Silver–Irving Cohn)John Gill’s Novelty Orchestra 1270ASM, 1923, Skidmore.Yes, Yes! (Con Conrad–Cliff Friend)Alex Hassan 1322From 1931 film musical Palmy Days. CDshows title as “(My Baby Said) Yes Yes.” Rustlists it as “Yes Yes (My Baby Said ‘Yes’)” forAmbrose, same but no quotes around last Yesfor Roy Fox. The IMDB entry for it underPalmy Days says “Yes, Yes (My Baby SaidYes, Yes).”Rec,. Ambrose aho, London, 10/1/31, HMV B-6079, EA-983. Roy Fox, London, 10/16/31,Decca F-2609.Well, the copyright isYes, yes ! from Palmy days, words andmusic by Con Conrad and Cliff Friend; withukulele arr. © Aug. 10, 1931; 2 c. Aug. 11; Epub. 24618; Con Conrad music publisher,ltd., New York.Got the sheet music from MTSU. Cover issimplyYes, YesCopyright page is same plus banger.Yonder Come the Blues (Ma Rainey)Jazz Classics 1061Down Home JB 1273Rec. Rainey 1-3/26, Paramount 12357,Signature 908.Strange--there’s a mechanical reproductioncopyright in 1926...Yonder comes the blues. © Chicago musicpub. co., inc., Chicago. Notice rec'd Sept.10, 1926; recorded, v. 7, p. 55.but no proper copyright in books 1925-28.Couldn’t find the Paramount label, but did findthe Signature label, which credits Rainey.BUT OH HELL - 1/17/14 after studying this atleast twice in the past, probably more, I justnoticed that both SOS recordings said YonderComes the Blues, while Rust lists it as YonderCome the Blues. OK, it’s Yonder Come byRainey on Jazz Collector L 73, a reissue of theParamount; and on Signature 908, anotherreissue. Didn’t find the Paramount label, butLC SONIC reports that it’s Yonder Come,credit to Ma Rainey.But it’s Comes in RHJA, and I found thatusage on many mentions of the song,probably because most people, at least mostAmericans, tend to think of “the blues” as asingular concept, a mood, and so probablyinstinctively and unwittingly put the singularverb form after it (not after them).BUT there’s still no copyright in the booksexcept for that mechanical reproductioncopyright, and it does indeed say Comes.You (Harold Adamson–Walter Donaldson)M ’N’ M Trio 1319CopyrightYou; from The great Ziegfeld, w HaroldAdamson, m Walter Donaldson, arr. FrankSkinner, with male trio arr. Frank E. Barry;orch. pts. © Mar. 5, 1930; E pub. 53878; LeoFeist, inc., New York.BEWARE that tune was mistitled on the CD as“You Wonderful You” by Brooks-Chaplin-Warren, which was written in 1950 for filmSummer Stock.You Ain’t the One (Charlie Johnson–Arthur D. Porter)West End JB 1042Keith Nichols Cotton Club Orchestra 1210San Francisco Starlight Orchestra 1364Rec. Johnson’s Paradise Ten, 1/24/28, Victor430687, 21247.Confirmed by 1/3/28 copyright reg., w.Porter/m. Johnson, and Victor Projectarchives.
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6th editionWORKING DRAFT WITH NOTES
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Further background notes in case I
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Absolutely (Jabbo Smith)Grand Domin
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Ah-Ha! (James V. Monaco-Sidney Clar
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Zenith Hot Stompers 1248Black Eagle
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Tex’s original-looking 1920 sheet
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(this is not the popular Smith-Burr
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Barrel House Rag - Campbell hand-wr
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seen often both ways, so will chang
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Aug. 22, 1919; E 458166; Spencer Wi
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ecording was Bob Hudson. This may w
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Carroll Dickerson’s Savoy Orch, 5
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Al Dubin)Paul and His Gang 1329Bles
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“BLUE GOOSE”RAGThis says to me
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No composer credit on label. Chilto
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Lathair is the guy who worked in Ch
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Bouncing Around (Armand J. Piron-Pe
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Bright Star Blues (Armand J. Piron-
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Thought I Heard Buddy Bolden Say)."
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But fellow researchers out there, c
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Aha, LC cy catalog of 1929 says,Cal
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Did find the LC copyright:Candy lip
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Not in Rust. Ted des Plantes’ lin
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So it was copyrighted by Oliver alo
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Chicken Reel (Joseph M. Daly)Helm-L
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Kinkle shows it as "Ciribiribin (It
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Becket’s composition or followed
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ASM, 1931, Santly Bros.; w. AF/m. F
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John Gill reports 1/18/24 copyright
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Frankie Trumbauer aho, 6/24/31, Bru
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ut Bob says it never felt comfortab
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the second 32-bar theme is my own,
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’Deed I Do (Walter Hirsch-Fred Ro
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Rec. Moten 6/12/27, Victor 21199--a
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Why Bring That Up? Internet Movie D
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Rhodes: "’Get It Right’ = ‘Do
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At Bessie’s request, all of the c
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“Don’t Go ’Way Nobody,” a s
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migrated northward up the Mississip
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1915; 2 c. July 24, 1915; E 363546;
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Woode on two other titles. So obvio
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all four posibilities we’d have t
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Echoes from the Snowball Club(Harry
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Music by Sadie Koninsky, arranged b
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OH, hell. After all this I thought
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Farmerette (Jesse Greer)George Fole
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Firechief Rag (Danny Alguire)Smith-
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and cy page) (You’ll Miss Me in t
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Gambling Jack (Jelly Roll Morton)Pa
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and "Boy Friend." Kinkle agrees. It
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soul all human beings feel. That th
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Magnolia JB 1016Turk Murphy JB 1161
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Grandpa’s Spells (Jelly Roll Mort
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Waldo’s Jazz Entertainers 1377Con
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We’ve not included arrangers as c
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“Hello Montreal” (but surely it
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1903 sheet could mean that it’s a
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2013 review: We can do better than
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21, 1925; E 627852 Triangle music p
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Rust; if it comes after record numb
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Found sleeve cover for 45 on Pye-Vo
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Actually, it appears that the choru
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So far, still solidly in the “unk
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can find no evidence she ever did a
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tune attributed to Pecora, even und
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(Harry Woods-Billy Rose-Mort Dixon)
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Ponce, also pub. Ager, Yellen & Bor
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If Winter Comes (W. R. Williams-Joh
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Crawford set phrases chanted by Mar
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I’m All Bound ’Round with the M
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Telcon 8/28: OK, do the two = three
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Smith, an article titled “Jelly R
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2013 review: Rec.Clarence Williams
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Confirmed 8/18/36 copyright reg.In
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Alstyne-Williams] via your note of
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Benny Goodman-Jack Teagarden)State
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Jazz Baby (M. K. Jerome-Blanche Mer
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1915; E 372536; Will Rossiter, Chic
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For what it’s worth, Ellington’
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James D. Touchstone. The song's ope
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Online search found FAR more hits o
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Ondippermouth.blogspot.com/2012/11/
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2013 review: Confirmed by 11/26/23
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Confirmed by 4/10/35 copyright reg.
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Eureka, I finally found the instrum
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Let’s Have Another Cup of Coffee(
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Limehouse Blues (Philip Braham-Doug
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some mighty obscure evidence to the
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Keith Nichols Cotton Club Orchestra
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But copyright page isLow Bridge!
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Louisiana Repertory Jazz Ensemble 1
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document it. Ah: Thompson’s liner
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BUT notice alsoMarket Street Blues,
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James V. Monaco)Frederick Hodges 13
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Melancholy Stomp (Don Ewell)Europea
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(where’d he get that?), it was ar
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listing as an alternative title. Ho
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2013 review: It appears that I neve
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For Christ’s sake! Wikipedia has
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Steve Abrams: 1924 by Kapp-Coleman-
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More Than That (Ben Barnett-Clarenc
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Mule Walk, The [Mule Walk Stomp](Ja
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connection with the refrain. The ve
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Ray Smith: credit should go to Oliv
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My Man o’ War (Andy Razaf-Spencer
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Dan Levinson’s Roof Garden JB 136
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Never Again (Isham Jones-Gus Kahn)P
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New Orleans wiggle; by Peter Bocage
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Turk: "That was a tune called '1919
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Norfolk Church Street Sobbin’ Blu
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Oh, baby; from Rain or shine, words
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2013 review: Found the copyright:O
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Rec. Sharkey Bonano, 1/29/37, Vocal
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earliest example I know of that use
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West Jesmond Rhythm Kings 1255All S
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2013 review: Couldn’t find anythi
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Paddle-wheelin’ Along (A Sacramen
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Rosa Henderson, 8/26, Banner 18892*
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and in parens), credits Raye-Shaver
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The Commodore reissue of all the la
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(Sidney Bechet-Rousseau Simmons)Pam
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Porcupine Rag (Charles L. Johnson)R
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Ray Smith 1162Promenade aux Champs-
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Rag Time ChimesWell, very clear on
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Oops, not in copyright books 1929-3
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But Kassel had many other copyright
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Hodges, but the Black Berries Oriol
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Alabama Red Peppers, 4/28, Cameo 82
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But wait: I remember that I have BG
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Moulin à café as alt. title, of c
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Sadness Will Be Gladness(Wingy Mano
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Found sheet music at U. Maine, conf
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with arr. for guit., etc. © Oct. 1
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The Bluebird ODJB 75th Anniversary
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ig questions is this: Is she singin
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Shine on Your Shoes, A(Arthur Schwa
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[also published in song versionwith
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Skit-dat-de-dat; melody by Lillian
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John Gill’s Novelty Orchestra 122
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Lillian Johnson?! Yes, that was Lil
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Abrams follow-up: I had this record
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she were a composer, she’d have m
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South African Blues (Lester Melrose
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Audrey Van Dyke. It is a lead sheet
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with ukulele arr. Dick Konter. © J
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Cover also notes “Also Published
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ditto. Bunk never wrote nothin’.
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Sure wish we could track down the H
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had become a hit, would have been p
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Rilhac was a pianist and recording
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Copyright goes to Emmalina, but no
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Weatherbird JB 1034Kustbandet 1178D
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Dick Zimmerman confirms our origina
Page 319 and 320: Pretty sure without having heard it
Page 321 and 322: Les Rois du Fox-Trot 1436< Is this
Page 323 and 324: were Feldman 6D black and white edi
Page 325 and 326: Confirmed by 10/1/31 unpub. Copyrig
Page 327 and 328: Men Now Days (see Ain’t MuchGood
Page 329 and 330: Cover isThere’s Something Nice Ab
Page 331 and 332: title? Every rag that doesn’t inc
Page 333 and 334: eproduces the sheet music cover, wh
Page 335 and 336: Too Tight (Natty Dominique)Pam Pame
Page 337 and 338: Bozo-blues; words and melody by Boz
Page 339: and Donald Lambert, MC'd by Rudi Bl
Page 342 and 343: Now that’s the way my folks would
Page 344 and 345: the Country” and has no composer
Page 346 and 347: Must go with copyright reg. and som
Page 348 and 349: Goodman reports: I have 1917 bandar
Page 350 and 351: influential label, the MicKinney’
Page 352 and 353: Band also spell West Lawn as two se
Page 354 and 355: Ida Cox, but more to our point is t
Page 356 and 357: 2013 review: Well, it was recorded
Page 358 and 359: John Gill’s Calif. Sunshine Boys
Page 360 and 361: When You Walked OutSomeone Else Wal
Page 362 and 363: actual Parlophone label of the Hyde
Page 364 and 365: That’s a bizarre mistake for Mazz
Page 366 and 367: Written 1979, plenty of online conf
Page 368 and 369: At the time [i.e., shortly after hi
Page 372 and 373: You Broke Your Promise (George Wyle
Page 374 and 375: Louis Cottrell Trio, NO, 1/27/61, R
Page 376 and 377: ASM, 1932, Witmark & Sons; w. Dubin
Page 378 and 379: [And Klein Tindull is for real. His
Page 380 and 381: In that same book on page 257 thefo
Page 382 and 383: “Put Your Arms Around Me, Honey
Page 384 and 385: Si tu vois ma mère [If You See My
Page 386 and 387: At this point (June 30, 2011), I wi
Page 388 and 389: Black Mountain Blues - copyright in
Page 390 and 391: VICTOR ALTERNATIVE TITLES(Victor te
Page 392 and 393: CHECK COPYRIGHT CARDSAfrican Hunch
Page 394 and 395: Galion stomp - lovie austin?Gates B
Page 396 and 397: meanest blues - napoleon & signorel
Page 398 and 399: slide, frog, slidesnakes hips spenc
Page 400: Wild and wooly (or woolly) willie -
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