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At Bessie’s request, all of the compositionsrecorded on the OKeh date were written bythe husband-and-wife vaudeville team ofLeola B. (Coot) Grant and Wesley (Socks)Wilson.Of the three other titles from that session, wehave “Take Me for a Buggy Ride,” credited toGrant-Wilson, and “I’m down in the dumps,”credited to Wilson only.S&P sayWords and music by “Kid” Wesley “Sox”Wilson. Northern Music Corp., 1933, 1962.Introduced by Coot Grant and Sox Wilson.Best-selling record by Bessie Smith(Columbia).Presuming that “1962" to be a date forcopyright renewal or transfer, I looked in thebook for 1962 as well, and . . . BINGO!DO YOUR DUTY; w & m Wesley Wilson. ©Northern Music Corp.; 17Jul62; EPI65810.Dockstader Rag, The (Les Copeland)David Thomas Roberts 1317Confirmed by sheet music, 1912, JeromeRemick.Doctor Blues (Luis Russell–Paul Barbarin)Lyttelton–Fawkes Troglodytes 1238Rec. Russell 12/17/29, OKeh 8766, Vocalion3480.Doctor blues; melody by Paul Barbarin andLuis Russell. © 1 c. Apr. 17, 1930; E unp.20450; Triangle music pub. co., inc., NewYork.Doctor Jazz (Joe Oliver–Walter Melrose)Wally Fawkes & the Rhythm Kings 1060Orpheon Celesta 1095Peruna Jazzmen 1105Keith Nichols Red Hot Syncopators 1135Gauthé–Marquet Clarinet Serenadrs 1216John Gill’s Dixieland Serenaders 1304Neville Dickie 1309Newberger–Mazzy–Thompson 1352Yerba Buena Stompers 1381ASM, 1927, Melrose Bros.; w. WM/m. JO.Does Jesus Care (Kenneth Morris)Creole JB 1051Grand Dominion JB 1408
2. Dolly I Love You w/Dick Long, m/WheelerWadsworth & Victor Arden. 9/30/20, FredFisher Inc. NYWe know that it’s F. Wheeler Wadsworth fromother tunes. [5/12/13: no we don’t: see Bow-Wow] The title on the 2nd copyright card isn’tpunctuated, but the “I Love You” partobviously has to be set off by a comma atleast if not as a subtitle. We really need to seethe sheet music on this. (But alas, it’s not inMRR.)11/9/00: Dave Jasen reports that cover ofsheet music says Dolly I Love You, no parensor punctuation.11/15/00: Aha, Tex sends copyright page.Credits are music by Wheeler Wadsworth andVictor Arden, lyric by Dick Long. Title isrendered asDOLLYI Love Youso I make it Dolly (I Love You).Donegal Bay (Henry Lodge–Jean C. Havez)Ian Whitcomb & Dick Zimmerman 1017Confirmed via online sheet music, JeromeRemick, 1914.Donkey Honk Rag(Stephen Kent Goodman)Pierce College Symphonic Winds 1297Goodman was guest conductor and notewriter, so he should know. 1990.Don’s Blues (Ray Smith, based onBlues Improvisation by Don Ewell)Ray Smith 1162We had Ewell-Smith as co-composers, butthat’s bunk—they did not sit down togetherand work out a tune. What Smith says is “myimprovisations on Don’s ‘Blues Improvisation’from 1957.”Don’t Be Like That (Archie Gottler–Charles Tobias–Maceo Pinkard)Neely’s Royal Society Jazz Orch 1250Andy Stein Blue Five 1390ASM, 1927, Shapiro, Bernstein.Don’t Bring Lulu (Ray Henderson–Billy Rose–Lew Brown)Neely’s Royal Society Jazz Orch 1250Confirmed by sheet music hanging on mywall: w. BR-LB, m. RH.Don’t Fish in My Sea (Ma Rainey–Bessie Smith)Helm–Leigh Jazz & Blues Review 1332Rec. Ma Rainey, 12/26, Paramount 12438,Broadway 5010 (as Lila Patterson), et al.Don't fish in my sea; words by Bessie Smith,melody by Gertrude Rainey. © 1 c. June 21,1928; E 693554; Chicago music pub. co.,inc., Chicago.Don’t Forget 127th Street(Charles Strouse–Lee Adams)Bob Schulz & His Frisco JB 1349Confirmed by 1964 copyright, from SammyDavis Jr. musical Golden Boy, m. CS, w. LA.Don’t Forget to Mess Around WhenYou’re Doing the Charleston(Paul Barbarin–Louis Armstrong)Swedish–American Hot Jazz Collab. 1136M ’N’ M Trio 1319Pam Pameijer’s New Jazz Wizards 1350We had ...when you do the Charleston.8/26, Nancy Wyndham:We have a xerox copy of a handwritten stockarrangement of this tune. The title is writtenwith varied punctuation on different parts,yet it seems clear that (When You’re Doin’That Charleston Dance) is a subtitle. It isshown in parentheses, in smaller print, andbelow the underlined main title in smallerprint.9/5, Baker at LC: Copyright reg. card isunpublished, 3-10-26, Barbarin & Armstrong,as "Don’t forget to mess around when you’redoing the Charleston."Obviously, we really need to let the originalsheet music settle this. Perhaps could askBamberger or Caulfield to dig it out, sincenone of our collectors (oddly) has it.9/10: When Sager requested the sheet frommusic files, they produced the hand-writtensheet submitted for copyright, possibly in PaulBarbarin’s hand. It agreed with the copyrightregistration files and with Shapiro & Pollock,so we must go with itJohn Gill reports copying the same 3/10/26deposit.It would still be nice to look at actual publishedsheet music, but I can’t find any evidence thatit exists.Don’t Give Me No Goose forChristmas, Grandma (Korn Kobblers)Terry Waldo 1002Terry Waldo & Bo Grumpus 1339Hah: This is the only one of 21 songs on myKorn Kobblers CD that doesn’t have acomposer credit. 1948, Columbia 20517(“This is a late 1948 re-issue to the CountryMusic Series of a recording made possibly asearly as 1941” (and there’s no composercredit on the record label either). Also onMontgomery Ward 10083. Looked forcopyright all through the 1940s, found none.Probably some bit of silliness the bandcooked up in the studio, so Waldo’s attributionmakes sense.Don’t Give Me That Jive (Come Onwith the Come On (Fats Waller–Ed Kirkeby)Paris Washboard 1391Rec. Fats Rhythm 12/26/41, Bluebird B-11539,HMV BD-1077.Couldn’t find a copyright anywhere from 1938to 1943, but did find the Bluebird label:DON’T GIVE ME THAT JIVE--Fox Trot(Come On with the Come On)(Ed Kirkeby–“Fats” Waller)“Fats” Waller and his RhythmVocal refrain and pianoby “Fats” WallerAnd the HMV label reads exactly the same.Congratulations, Bob: We’ve found you a newsilly subtitle!Don’t Give Up the Ship(Harry Warren–Al Dubin)Hall Brothers JB 1062Grand Dominion JB 1139
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6th editionWORKING DRAFT WITH NOTES
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Further background notes in case I
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Absolutely (Jabbo Smith)Grand Domin
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Ah-Ha! (James V. Monaco-Sidney Clar
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Zenith Hot Stompers 1248Black Eagle
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Tex’s original-looking 1920 sheet
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(this is not the popular Smith-Burr
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Barrel House Rag - Campbell hand-wr
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seen often both ways, so will chang
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Aug. 22, 1919; E 458166; Spencer Wi
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ecording was Bob Hudson. This may w
Page 28 and 29: Carroll Dickerson’s Savoy Orch, 5
Page 30 and 31: Al Dubin)Paul and His Gang 1329Bles
Page 32 and 33: “BLUE GOOSE”RAGThis says to me
Page 34 and 35: No composer credit on label. Chilto
Page 36 and 37: Lathair is the guy who worked in Ch
Page 38 and 39: Bouncing Around (Armand J. Piron-Pe
Page 40 and 41: Bright Star Blues (Armand J. Piron-
Page 42 and 43: Thought I Heard Buddy Bolden Say)."
Page 44 and 45: But fellow researchers out there, c
Page 46 and 47: Aha, LC cy catalog of 1929 says,Cal
Page 48 and 49: Did find the LC copyright:Candy lip
Page 50 and 51: Not in Rust. Ted des Plantes’ lin
Page 52 and 53: So it was copyrighted by Oliver alo
Page 54 and 55: Chicken Reel (Joseph M. Daly)Helm-L
Page 56 and 57: Kinkle shows it as "Ciribiribin (It
Page 58 and 59: Becket’s composition or followed
Page 60 and 61: ASM, 1931, Santly Bros.; w. AF/m. F
Page 62 and 63: John Gill reports 1/18/24 copyright
Page 64 and 65: Frankie Trumbauer aho, 6/24/31, Bru
Page 66 and 67: ut Bob says it never felt comfortab
Page 68 and 69: the second 32-bar theme is my own,
Page 70 and 71: ’Deed I Do (Walter Hirsch-Fred Ro
Page 72 and 73: Rec. Moten 6/12/27, Victor 21199--a
Page 74 and 75: Why Bring That Up? Internet Movie D
Page 76 and 77: Rhodes: "’Get It Right’ = ‘Do
Page 80 and 81: “Don’t Go ’Way Nobody,” a s
Page 82 and 83: migrated northward up the Mississip
Page 84 and 85: 1915; 2 c. July 24, 1915; E 363546;
Page 86 and 87: Woode on two other titles. So obvio
Page 88 and 89: all four posibilities we’d have t
Page 90 and 91: Echoes from the Snowball Club(Harry
Page 92 and 93: Music by Sadie Koninsky, arranged b
Page 94 and 95: OH, hell. After all this I thought
Page 96 and 97: Farmerette (Jesse Greer)George Fole
Page 98 and 99: Firechief Rag (Danny Alguire)Smith-
Page 101 and 102: and cy page) (You’ll Miss Me in t
Page 103 and 104: Gambling Jack (Jelly Roll Morton)Pa
Page 106 and 107: and "Boy Friend." Kinkle agrees. It
Page 108 and 109: soul all human beings feel. That th
Page 110 and 111: Magnolia JB 1016Turk Murphy JB 1161
Page 112 and 113: Grandpa’s Spells (Jelly Roll Mort
Page 114 and 115: Waldo’s Jazz Entertainers 1377Con
Page 116 and 117: We’ve not included arrangers as c
Page 118 and 119: “Hello Montreal” (but surely it
Page 120 and 121: 1903 sheet could mean that it’s a
Page 122 and 123: 2013 review: We can do better than
Page 124 and 125: 21, 1925; E 627852 Triangle music p
Page 126 and 127: Rust; if it comes after record numb
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Found sleeve cover for 45 on Pye-Vo
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Actually, it appears that the choru
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So far, still solidly in the “unk
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can find no evidence she ever did a
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tune attributed to Pecora, even und
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(Harry Woods-Billy Rose-Mort Dixon)
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Ponce, also pub. Ager, Yellen & Bor
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If Winter Comes (W. R. Williams-Joh
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Crawford set phrases chanted by Mar
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I’m All Bound ’Round with the M
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Telcon 8/28: OK, do the two = three
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Smith, an article titled “Jelly R
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2013 review: Rec.Clarence Williams
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Confirmed 8/18/36 copyright reg.In
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Alstyne-Williams] via your note of
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Benny Goodman-Jack Teagarden)State
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Jazz Baby (M. K. Jerome-Blanche Mer
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1915; E 372536; Will Rossiter, Chic
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For what it’s worth, Ellington’
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James D. Touchstone. The song's ope
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Online search found FAR more hits o
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Ondippermouth.blogspot.com/2012/11/
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2013 review: Confirmed by 11/26/23
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Confirmed by 4/10/35 copyright reg.
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Eureka, I finally found the instrum
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Let’s Have Another Cup of Coffee(
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Limehouse Blues (Philip Braham-Doug
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some mighty obscure evidence to the
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Keith Nichols Cotton Club Orchestra
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But copyright page isLow Bridge!
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Louisiana Repertory Jazz Ensemble 1
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document it. Ah: Thompson’s liner
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BUT notice alsoMarket Street Blues,
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James V. Monaco)Frederick Hodges 13
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Melancholy Stomp (Don Ewell)Europea
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(where’d he get that?), it was ar
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listing as an alternative title. Ho
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2013 review: It appears that I neve
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For Christ’s sake! Wikipedia has
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Steve Abrams: 1924 by Kapp-Coleman-
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More Than That (Ben Barnett-Clarenc
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Mule Walk, The [Mule Walk Stomp](Ja
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connection with the refrain. The ve
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Ray Smith: credit should go to Oliv
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My Man o’ War (Andy Razaf-Spencer
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Dan Levinson’s Roof Garden JB 136
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Never Again (Isham Jones-Gus Kahn)P
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New Orleans wiggle; by Peter Bocage
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Turk: "That was a tune called '1919
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Norfolk Church Street Sobbin’ Blu
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Oh, baby; from Rain or shine, words
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2013 review: Found the copyright:O
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Rec. Sharkey Bonano, 1/29/37, Vocal
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earliest example I know of that use
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West Jesmond Rhythm Kings 1255All S
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2013 review: Couldn’t find anythi
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Paddle-wheelin’ Along (A Sacramen
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Rosa Henderson, 8/26, Banner 18892*
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and in parens), credits Raye-Shaver
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The Commodore reissue of all the la
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(Sidney Bechet-Rousseau Simmons)Pam
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Porcupine Rag (Charles L. Johnson)R
Page 255 and 256:
Ray Smith 1162Promenade aux Champs-
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Rag Time ChimesWell, very clear on
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Oops, not in copyright books 1929-3
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But Kassel had many other copyright
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Hodges, but the Black Berries Oriol
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Alabama Red Peppers, 4/28, Cameo 82
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But wait: I remember that I have BG
Page 269 and 270:
Moulin à café as alt. title, of c
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Sadness Will Be Gladness(Wingy Mano
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Found sheet music at U. Maine, conf
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with arr. for guit., etc. © Oct. 1
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Page 279 and 280:
The Bluebird ODJB 75th Anniversary
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ig questions is this: Is she singin
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Shine on Your Shoes, A(Arthur Schwa
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[also published in song versionwith
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Skit-dat-de-dat; melody by Lillian
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John Gill’s Novelty Orchestra 122
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Lillian Johnson?! Yes, that was Lil
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Abrams follow-up: I had this record
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she were a composer, she’d have m
Page 297 and 298:
South African Blues (Lester Melrose
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Audrey Van Dyke. It is a lead sheet
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with ukulele arr. Dick Konter. © J
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Cover also notes “Also Published
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ditto. Bunk never wrote nothin’.
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Sure wish we could track down the H
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had become a hit, would have been p
Page 311 and 312:
Rilhac was a pianist and recording
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Copyright goes to Emmalina, but no
Page 315 and 316:
Weatherbird JB 1034Kustbandet 1178D
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Dick Zimmerman confirms our origina
Page 319 and 320:
Pretty sure without having heard it
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Les Rois du Fox-Trot 1436< Is this
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were Feldman 6D black and white edi
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Confirmed by 10/1/31 unpub. Copyrig
Page 327 and 328:
Men Now Days (see Ain’t MuchGood
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Cover isThere’s Something Nice Ab
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title? Every rag that doesn’t inc
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eproduces the sheet music cover, wh
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Too Tight (Natty Dominique)Pam Pame
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Bozo-blues; words and melody by Boz
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and Donald Lambert, MC'd by Rudi Bl
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Now that’s the way my folks would
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the Country” and has no composer
Page 346 and 347:
Must go with copyright reg. and som
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Goodman reports: I have 1917 bandar
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influential label, the MicKinney’
Page 352 and 353:
Band also spell West Lawn as two se
Page 354 and 355:
Ida Cox, but more to our point is t
Page 356 and 357:
2013 review: Well, it was recorded
Page 358 and 359:
John Gill’s Calif. Sunshine Boys
Page 360 and 361:
When You Walked OutSomeone Else Wal
Page 362 and 363:
actual Parlophone label of the Hyde
Page 364 and 365:
That’s a bizarre mistake for Mazz
Page 366 and 367:
Written 1979, plenty of online conf
Page 368 and 369:
At the time [i.e., shortly after hi
Page 370 and 371:
Keith Nichols Cotton Club Orchestra
Page 372 and 373:
You Broke Your Promise (George Wyle
Page 374 and 375:
Louis Cottrell Trio, NO, 1/27/61, R
Page 376 and 377:
ASM, 1932, Witmark & Sons; w. Dubin
Page 378 and 379:
[And Klein Tindull is for real. His
Page 380 and 381:
In that same book on page 257 thefo
Page 382 and 383:
“Put Your Arms Around Me, Honey
Page 384 and 385:
Si tu vois ma mère [If You See My
Page 386 and 387:
At this point (June 30, 2011), I wi
Page 388 and 389:
Black Mountain Blues - copyright in
Page 390 and 391:
VICTOR ALTERNATIVE TITLES(Victor te
Page 392 and 393:
CHECK COPYRIGHT CARDSAfrican Hunch
Page 394 and 395:
Galion stomp - lovie austin?Gates B
Page 396 and 397:
meanest blues - napoleon & signorel
Page 398 and 399:
slide, frog, slidesnakes hips spenc
Page 400:
Wild and wooly (or woolly) willie -
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