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1915; 2 c. July 24, 1915; E 363546;Waterson, Berlin & Snyder co., New York.Another case (we’ve seen ’em before) ofmiscommunication with, or artistic licensetaken by, cover artist. And, for what it’s worth,bandleader Bruce Vermazen called it “DownHome” in his liner notes.But since some people may know it by thecover title, I’ve put the [Back] there to explainit--See Ragtime Nightingale/Nightingale Rag.2013 review: Argh! that “fix” of adding [Back]in brackets is damned ugly, and could be readas “Down Back Home” as the alternativewording. I’ll leave it, must but hold my nose todo so.Down Home Rag (Wilbur Sweatman)Wally Fawkes & the Rhythm Kings 1060John Gill’s Original Sunset Five 1126South Frisco JB 1143Jacques Gauthé’s Creole Rice YBJB 1170Down Home JB 1190Chris Tyle’s NO Rover Boys 1235Bob Schulz & His Frisco JB 1288Hmmm. Dozens of recordings say Sweatman,but two-old Turk Murphy at the Roundtable LPand Six Brown Bros. on New World LP—saySweatman-Brown-Lewis (althrough Six BrownBros. on the well researched Archeophonesays just Sweatman). Where does that comefrom?Then at IN Harmony found the 1911 version,pub. Will Rossiter. By Wilbur C. S. Sweatman,no lyrics. Cover is red with drawing of cottonplant, with faces of black boy and girl on twoof the bolls.AND two copies of the 1913 version, alsopub. Rossiter, which has diffferent cover,drawing of white people at barn dance scene.There’s an inset photo of a performer whorecorded the song on each; one “originallyintroduced by Al Abbott,” the other is“originally introduced by Lee White of LeeWhite and Geo. Perry.” Credits now w. RogerLewis and m. Wilbur C. Sweatman.And aha: First copyright I could find wasDown home rag; words by Roger Lewis,music by Wilbur C. Sweatman. (c) Jan. 8,1913; 2 c. Jan.18, 1913; E 304091; WillRossiter, Chicago.Normally I argue for including the lyricist whenhe was in at the beginning or this close to thebeginning. But Lewis’s words are silly andsappy. I’ve never heard them sung, nor can Iimagine anybody singing them at the tempothat jazz and ragtime bands play this piece.And although the Six Brown Bros. play it at afairly stately tempo that might allow forsinging, there’s no vocal on their recording.We can safely ignore the lyricist on this one.2013 review: A bit of a mystery. Havecombed 1911 & 1912 copyright books, but nosign of this, even though Rossiter published itin that year--as noted, without lyrics, and byWilbur C. S. Sweatman. Then comes the 1913version by Wilbur C. Sweatman & RogerLewis, with lyrics, as shown in the copyright.The recordings: James Reese Europe andLondon Orchestra in 1913; Six Brown Bros. in1915; Wilbur Sweatman and Versatile Four(UK) in 1916. Alll issued after the 1913published song version, but all had onlySweatman on label as composer.Shall continue to rule that the song versionwas an effort to sell more copies that wasn’tborn out in the marketplace.Down in Honky Tonky Town(Chris Smith–Charles R. McCarron)Waldo’s Gutbucket Syncopators 1036Banu Gibson NO Hot Jazz Orch 1073New Orleans Rascals 1074Original Salty Dogs JB 1115South Frisco JB 1143John Gill’s Dixieland Serenaders 1304Heliotrope Ragtime Orchestra 1411ASM, 1916, Broadway Music.Down in Jungle Town (A MonkeyDitty) (Theodore F. Morse–Edward Madden)Down Home JB 1171St. Louis Ragtimers 1267Paris Washboard 1280Bob Schulz & His Frisco JB 1288Grand Dominion JB 1379New Century Ragtime Orchestra 1385Tom Stuip & Delirium Tremolo 1433ASM, 1908, F. B. Haviland; subtitle is on (c)page only, not cover.Down in Our Alley Blues(Duke Ellington–Otto Hardwick)Keith Nichols Cotton Club Orchestra 1320Rec. Ellington 3/22/27, Columbia 1076-D,4562.S&P confirms, as does 8/12/27 copyright reg.Down My Way (Jelly Roll Morton)Back Bay Ramblers 1374Rec. JRM aho 7/12/29, Victor V-38113.Victor Project and label confirm; typical forMorton, not copyrighted 1927-29.Down Where the Rajahs Dwell(Anton Lada–Will E. Skidmore)Dan Levinson’s Roof Garden JB 1380Rec. Louisiana Five, 11/19, Emerson 10116.Down where the rajahs dwell; jazzensation,words and music by Anton Lada and Will E.Skidmore [of U.S.] © Dec. 29, 1919; 2 c.Dec. 30, 1919; E 470037; Leo Feist, inc.,New York.Down Where the Sun Goes Down(Isham Jones–Verne Buck)John Gill’s Calif. Sunshine Boys 1156Smith–Tyle Frisco Syncopators 1211Red Rose Ragtime Band 1412Down where the sun goes down; words andmusic by Isham Jones and Verne Buck.[Words and melody only] © 1 c. June 13,1928; E 694417; Leo Feist, inc., New York.Down Yonder (Tiny Parham)Pam Pameijer’s New Jazz Wizards 1281Rec. Parham 11/4/30, Pirate MPC-505 (EP),which evidently was released in 1966 and wasreviewed in Storyville 5 (June 1966, p. 28).(Audrey has the complete set of Storyvilles,but alas that review doesn’t say anythingabout composers.)Strange--Red Hot Jazz Archive says Victorunissued (and credits Parham)--and in fact,four of the eight tunes made that day wereissued on Victor, so presumably it was indeeda Victor session. Alas, the Victor Projecthasn’t gotten that far, so they can’t help.No Parham in copyright books 1928-32, butperhaps that’s because it wasn’t issued at thetime.I guess we keep our Parham attribution.Seems like he rarely if ever recorded tunes byother composers.1/16/14: But wait. Haesler has been peckingaway at this one. He looked for Parhamcopyrights for every year from 1926 to 1932,confirms that there’s no Down Yondercopyrighted by Parham, but he did findDown yonder; by Hershal Brown, arr. byIrene Spain. [Melody only] © 1 c. May 31,1928; E 601972; Polk C. Brockman, Atlanta.and thenDown yonder; by Hershal Brown. [Melodyonly] © 1 c. June 13, 1929; E unp. 8228;Southern music pub. co., inc., New York.This tune recorded by Hershal Brown & HisWashboard Band Orchestra on Victor 21403on 2/24/28. There is no composer credit onthe Victor label, and oddly, the Victor Projectlisting for this recording doesn’t seem to haveaccess to the actual 78, but it lists thecomposer as L. Wolfe Gilbert based on“Meade.”Obviously, I look for the Brown recording orhis lead sheet for copyright and compare it tothe Parham recording.
See my Down Yonder subdir. for record label.Downright Disgusted [Blues](Terry Shand–Bud Freeman–Wingy Manone)Chicago Rhythm 1164Rec. Manone 9/4/28, Vocalion 15728; again4/26/39 as “Downright Disgusted Blues,”Bluebird B-10296, Montgomery Ward M-8353.Red Hot Jazz Archive has only the 1939Bluebird listed, and it credits all three, with theBlues on the title.The plot thickens:The credit on the original Vocalion is Shand-Freeman (by Joe Mannone and His ClubRoyale Orchestra).The credit on the 1939 Bluebird label isWingy Manone-Terry Shand.But the copyright settles it:Downright disgusted; words and music by J.Mannone, Terry Shand and Bud Freeman.[Words and melody only] © 1 c. Oct. 12,1928; E U.S. unpub. 223; Joe Mannone,New Orleans.We must add the Blues as alternative title,since Wingy himself recorded it that way.Doxy (Sonny Rollins)Minerva JB 1117From Wikipedia:“Doxy” is an early composition by jazzsaxophonist Sonny Rollins. It first appearedon the 1954 Miles Davis album Bags'Groove. . . . When Rollins eventuallyestablished his own record label, he namedit Doxy Records. The chords are from BobCarleton's 16-bar song, “Ja-Da.”Dream, The [Dream Rag](Jesse Pickett)Dave Dallwitz Ragtime Ensemble 1098Frank French & Scott Kirby 1306
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6th editionWORKING DRAFT WITH NOTES
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Further background notes in case I
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Absolutely (Jabbo Smith)Grand Domin
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Ah-Ha! (James V. Monaco-Sidney Clar
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Zenith Hot Stompers 1248Black Eagle
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Tex’s original-looking 1920 sheet
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(this is not the popular Smith-Burr
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Barrel House Rag - Campbell hand-wr
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seen often both ways, so will chang
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Aug. 22, 1919; E 458166; Spencer Wi
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ecording was Bob Hudson. This may w
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Carroll Dickerson’s Savoy Orch, 5
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Al Dubin)Paul and His Gang 1329Bles
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“BLUE GOOSE”RAGThis says to me
Page 34 and 35: No composer credit on label. Chilto
Page 36 and 37: Lathair is the guy who worked in Ch
Page 38 and 39: Bouncing Around (Armand J. Piron-Pe
Page 40 and 41: Bright Star Blues (Armand J. Piron-
Page 42 and 43: Thought I Heard Buddy Bolden Say)."
Page 44 and 45: But fellow researchers out there, c
Page 46 and 47: Aha, LC cy catalog of 1929 says,Cal
Page 48 and 49: Did find the LC copyright:Candy lip
Page 50 and 51: Not in Rust. Ted des Plantes’ lin
Page 52 and 53: So it was copyrighted by Oliver alo
Page 54 and 55: Chicken Reel (Joseph M. Daly)Helm-L
Page 56 and 57: Kinkle shows it as "Ciribiribin (It
Page 58 and 59: Becket’s composition or followed
Page 60 and 61: ASM, 1931, Santly Bros.; w. AF/m. F
Page 62 and 63: John Gill reports 1/18/24 copyright
Page 64 and 65: Frankie Trumbauer aho, 6/24/31, Bru
Page 66 and 67: ut Bob says it never felt comfortab
Page 68 and 69: the second 32-bar theme is my own,
Page 70 and 71: ’Deed I Do (Walter Hirsch-Fred Ro
Page 72 and 73: Rec. Moten 6/12/27, Victor 21199--a
Page 74 and 75: Why Bring That Up? Internet Movie D
Page 76 and 77: Rhodes: "’Get It Right’ = ‘Do
Page 78 and 79: At Bessie’s request, all of the c
Page 80 and 81: “Don’t Go ’Way Nobody,” a s
Page 82 and 83: migrated northward up the Mississip
Page 86 and 87: Woode on two other titles. So obvio
Page 88 and 89: all four posibilities we’d have t
Page 90 and 91: Echoes from the Snowball Club(Harry
Page 92 and 93: Music by Sadie Koninsky, arranged b
Page 94 and 95: OH, hell. After all this I thought
Page 96 and 97: Farmerette (Jesse Greer)George Fole
Page 98 and 99: Firechief Rag (Danny Alguire)Smith-
Page 101 and 102: and cy page) (You’ll Miss Me in t
Page 103 and 104: Gambling Jack (Jelly Roll Morton)Pa
Page 106 and 107: and "Boy Friend." Kinkle agrees. It
Page 108 and 109: soul all human beings feel. That th
Page 110 and 111: Magnolia JB 1016Turk Murphy JB 1161
Page 112 and 113: Grandpa’s Spells (Jelly Roll Mort
Page 114 and 115: Waldo’s Jazz Entertainers 1377Con
Page 116 and 117: We’ve not included arrangers as c
Page 118 and 119: “Hello Montreal” (but surely it
Page 120 and 121: 1903 sheet could mean that it’s a
Page 122 and 123: 2013 review: We can do better than
Page 124 and 125: 21, 1925; E 627852 Triangle music p
Page 126 and 127: Rust; if it comes after record numb
Page 128 and 129: Found sleeve cover for 45 on Pye-Vo
Page 130 and 131: Actually, it appears that the choru
Page 132 and 133: So far, still solidly in the “unk
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can find no evidence she ever did a
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tune attributed to Pecora, even und
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(Harry Woods-Billy Rose-Mort Dixon)
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Ponce, also pub. Ager, Yellen & Bor
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If Winter Comes (W. R. Williams-Joh
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Crawford set phrases chanted by Mar
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I’m All Bound ’Round with the M
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Telcon 8/28: OK, do the two = three
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Smith, an article titled “Jelly R
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2013 review: Rec.Clarence Williams
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Confirmed 8/18/36 copyright reg.In
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Alstyne-Williams] via your note of
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Benny Goodman-Jack Teagarden)State
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Jazz Baby (M. K. Jerome-Blanche Mer
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1915; E 372536; Will Rossiter, Chic
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For what it’s worth, Ellington’
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James D. Touchstone. The song's ope
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Online search found FAR more hits o
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Ondippermouth.blogspot.com/2012/11/
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2013 review: Confirmed by 11/26/23
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Confirmed by 4/10/35 copyright reg.
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Eureka, I finally found the instrum
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Let’s Have Another Cup of Coffee(
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Limehouse Blues (Philip Braham-Doug
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some mighty obscure evidence to the
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Keith Nichols Cotton Club Orchestra
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But copyright page isLow Bridge!
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Louisiana Repertory Jazz Ensemble 1
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document it. Ah: Thompson’s liner
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BUT notice alsoMarket Street Blues,
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James V. Monaco)Frederick Hodges 13
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Melancholy Stomp (Don Ewell)Europea
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(where’d he get that?), it was ar
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listing as an alternative title. Ho
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2013 review: It appears that I neve
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For Christ’s sake! Wikipedia has
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Steve Abrams: 1924 by Kapp-Coleman-
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More Than That (Ben Barnett-Clarenc
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Mule Walk, The [Mule Walk Stomp](Ja
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connection with the refrain. The ve
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Ray Smith: credit should go to Oliv
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My Man o’ War (Andy Razaf-Spencer
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Dan Levinson’s Roof Garden JB 136
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Never Again (Isham Jones-Gus Kahn)P
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New Orleans wiggle; by Peter Bocage
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Turk: "That was a tune called '1919
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Norfolk Church Street Sobbin’ Blu
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Oh, baby; from Rain or shine, words
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2013 review: Found the copyright:O
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Rec. Sharkey Bonano, 1/29/37, Vocal
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earliest example I know of that use
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West Jesmond Rhythm Kings 1255All S
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2013 review: Couldn’t find anythi
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Paddle-wheelin’ Along (A Sacramen
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Rosa Henderson, 8/26, Banner 18892*
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and in parens), credits Raye-Shaver
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The Commodore reissue of all the la
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(Sidney Bechet-Rousseau Simmons)Pam
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Porcupine Rag (Charles L. Johnson)R
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Ray Smith 1162Promenade aux Champs-
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Rag Time ChimesWell, very clear on
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Oops, not in copyright books 1929-3
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But Kassel had many other copyright
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Hodges, but the Black Berries Oriol
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Alabama Red Peppers, 4/28, Cameo 82
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But wait: I remember that I have BG
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Moulin à café as alt. title, of c
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Sadness Will Be Gladness(Wingy Mano
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Found sheet music at U. Maine, conf
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with arr. for guit., etc. © Oct. 1
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Page 279 and 280:
The Bluebird ODJB 75th Anniversary
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ig questions is this: Is she singin
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Shine on Your Shoes, A(Arthur Schwa
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[also published in song versionwith
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Skit-dat-de-dat; melody by Lillian
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John Gill’s Novelty Orchestra 122
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Lillian Johnson?! Yes, that was Lil
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Abrams follow-up: I had this record
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she were a composer, she’d have m
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South African Blues (Lester Melrose
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Audrey Van Dyke. It is a lead sheet
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with ukulele arr. Dick Konter. © J
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Cover also notes “Also Published
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ditto. Bunk never wrote nothin’.
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Sure wish we could track down the H
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had become a hit, would have been p
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Rilhac was a pianist and recording
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Copyright goes to Emmalina, but no
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Weatherbird JB 1034Kustbandet 1178D
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Dick Zimmerman confirms our origina
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Pretty sure without having heard it
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Les Rois du Fox-Trot 1436< Is this
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were Feldman 6D black and white edi
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Confirmed by 10/1/31 unpub. Copyrig
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Men Now Days (see Ain’t MuchGood
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Cover isThere’s Something Nice Ab
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title? Every rag that doesn’t inc
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eproduces the sheet music cover, wh
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Too Tight (Natty Dominique)Pam Pame
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Bozo-blues; words and melody by Boz
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and Donald Lambert, MC'd by Rudi Bl
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Now that’s the way my folks would
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the Country” and has no composer
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Must go with copyright reg. and som
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Goodman reports: I have 1917 bandar
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influential label, the MicKinney’
Page 352 and 353:
Band also spell West Lawn as two se
Page 354 and 355:
Ida Cox, but more to our point is t
Page 356 and 357:
2013 review: Well, it was recorded
Page 358 and 359:
John Gill’s Calif. Sunshine Boys
Page 360 and 361:
When You Walked OutSomeone Else Wal
Page 362 and 363:
actual Parlophone label of the Hyde
Page 364 and 365:
That’s a bizarre mistake for Mazz
Page 366 and 367:
Written 1979, plenty of online conf
Page 368 and 369:
At the time [i.e., shortly after hi
Page 370 and 371:
Keith Nichols Cotton Club Orchestra
Page 372 and 373:
You Broke Your Promise (George Wyle
Page 374 and 375:
Louis Cottrell Trio, NO, 1/27/61, R
Page 376 and 377:
ASM, 1932, Witmark & Sons; w. Dubin
Page 378 and 379:
[And Klein Tindull is for real. His
Page 380 and 381:
In that same book on page 257 thefo
Page 382 and 383:
“Put Your Arms Around Me, Honey
Page 384 and 385:
Si tu vois ma mère [If You See My
Page 386 and 387:
At this point (June 30, 2011), I wi
Page 388 and 389:
Black Mountain Blues - copyright in
Page 390 and 391:
VICTOR ALTERNATIVE TITLES(Victor te
Page 392 and 393:
CHECK COPYRIGHT CARDSAfrican Hunch
Page 394 and 395:
Galion stomp - lovie austin?Gates B
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meanest blues - napoleon & signorel
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slide, frog, slidesnakes hips spenc
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Wild and wooly (or woolly) willie -
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