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Let’s leave it Tia Juana, Bob.Tickle the Ivories (Wallie Herzer)Chrysanthemum Ragtime Band 1123ASM, 1913, Jerome Remick.Tickled to Death (Charles Hunter)High Society JB 1010New Orleans Ragtime Orchestra 1213Glenn Jenks & Dan Grinstead 1292David Thomas Roberts 1317Evergreen Ragtime Quartet 1383Manhattan Ragtime Orchestra 1419ASM, has very primitive copy, no date, black &white cover, pub. by Hunter. Has subtitle“Why We Smile” on cover, but not (c).Then nicer copy, color, photo of pickaninnies,1899, Chas. K. Harris; here too “Why WeSmile” on cover but not (c).Tie Me to Your Apron Strings Again(Larry Shay–Joe Goodwin)Black Eagle JB 1346ASM, 1925, Milton Weil; w. Goodwin/m. Shay.Tiger Moan (Tony “Tee” Cingerana)Jim Snyder /Georgia Grinders 1068Helm–Leigh Jazz & Blues Review 13321068 implied Roy Palmer for all titles,incorrectly. 1332 said unknown.
eproduces the sheet music cover, which saysInkspots in large type but has the German titlein smaller type: Tintenkleckse.Tiny’s Stomp [Oriental Blues](Tiny Parham)Pam Pameijer’s New Jazz Wizards 12812013 review: The CD called it “Tiny’s Stomp[Oriental Blues]” without any explanation.What the hell was that all about?The Answer: Rust lists it as “Tiny’s Stomp(Oriental Blues)”: rec. Parham 2/2/29, Victor V-38060. Well, Victor label is simply Tiny’sStomp, no mysterious orient. And thecopyright isTiny's stomp; melody by H. S. Parham. © 1c. Sept. 28, 1929; E unp. 11401; Southernmusic pub. co., inc., New York.Oh, crap! Here we are again, with Rustdredging up an Alt title that never got on acopyright or on a record label. Must make alist of them and present them to experts todecide if they should be killed or somehowexplained. Doesn’t seem right to simply leavethem as (parenthetical subtitles), as theysurely weren’t that. My guess is that Victornixed the Oriental Blues title because a tune ofthat title had already been recorded by NobleSissle.Tip-Toe Thru’ the Tulips with Me(Joe Burke–Al Dubin)Barbara Rosene & Her New Yorkers 1422On 1422 as Tip Toe Through the Tulips.Found sheet music on Levy--cover was "TipToe Through the Tulips with Me", but it wasone of those generic covers for all the songsof a show ("The Gold Diggers of Broadway")with the particular tune title in a small box attop. BUT the copyright page was "Tip-ToeThru' the Tulips with Me," a bit of anabomination.Audrey has the same sheet music, seems tobe the original, so we must needs go with thecopyright page. And the 5/13/29 pub.copyright reg. reads same way: Tip-toe thru’the tulips with me, w. Dubin/m.. Burke.Tishomingo Blues (Spencer Williams)Des Plantes’ Washboard Wizards 1290Independence Hall JB 1371Paul Asaro & Neville Dickie 1404Grand Dominion JB 1408ASM, 1918, Jos. Stern.Titanic Man Blues (Ma Rainey–J. Mayo Williams)Golden Eagle JB 1100South Frisco JB 1103South Frisco JB CD 11438/12/13 Pinsker found the copyright:Titanic man blues; words and melody byJ. M. Williams and Gertrude Rainey c 1 c.Aug. 16, 1926; E 645330; Chicago musicpub. co., inc., Chicago.Pinsker:An obvious example of Mayo "Ink" Williamscutting himself in on a copyright of one ofhis recording artists, "Ma" Rainey. ChicagoMusic Pub. Co. never, I think, publishedanything - it existed just so that it could holdcopyrights of stuff Paramount recorded.T.N.T. (Elmer Schoebel)Keith Nichols Cotton Club Orchestra 1275Les Rois du Fox-Trot 1407Rec. (title usage as per Rust:Southern Serenaders (F. Henderson?),10/21/25, Columbia 509-D. T N T -confirmed by labelJud Hill’s Blue Devils, 11/20/25, Gennett 3200.T N T -- no, label is T. N. T.Varsity Eight, 1/1/26, Cameo 870. T. N. T. -confirmed by label.Vincent Lopez, 1/28/26, OKeh 40552,Parlophone E-5631. T-N-TCopyright has hyphens:T-N-T the nifty tune; by Elmer Schoebel, ofU.S. pf. © Nov. 12, 1925; 2 c. Nov. 24; E626948; Jack Mills, inc., New York.Well, two of the four recordings used theperiods, although they clearly spaced themout, but I guess we can leave it the way wehave it.To Fats with Love (Wolfgang Köhler)Red Onions & Ottilie 1090Köhler was the pianist in the band.Today’s Blues (James Dapogny–Butch Thompson)James Dapogny & Butch Thompson 1183Toddling the Todalo (E. Ray Goetz–A. Baldwin Sloane)Bo Grumpus 1388CD had Toddlin’ the Todalo. Not Todolo?Here’s copyright:Toddling the todalo; from The Hen Pecks,lyric by E. Ray Goetz, music by A. BaldwinSloane. © Jan. 30, 1911; 2 c. Jan. 28, 1911;E 250116; Chas. K. Harris, New York, N. Y.Internet Broadway Database calls it Toddlingin the Hen Pecks entry. And I found the sheetmusic at UCLA Library: Toddling on bothcover and copyright page.Together (B. G. De Sylva–Lew Brown–Ray Henderson)Ingham–Grosz Hot Cosmopolites 1285ASM, 1928, De Sylva, Brown & Henderson.Tom Brown’s Saxophone Waltz(Tom Brown)Levinson’s Trans-Atlantic Saxtette 1430Oops, look at spelling in copyright:Tom Brown's saxaphone waltz; from Jacko'lantern, by Tom Brown [of U.S.];instrumental. © Mar. 9, 1918; 2 c. Mar. 12,1918; E 422377; Will Rossiter, Chicago.But it’s spelled saxophone twice in index, sothis is obviously a typo. And the sheet music,pub. Will Rossiter, confirms.Tom Cat Blues [Midnight Mama](Jelly Roll Morton)Creole JB 1051Pam Pameijer Trio 1172Down Home JB 1217Des Plantes’ Washboard Wizards 1231Original Salty Dogs JB 1233Yerba Buena Stompers 1406Pam Pameijer’s New Jazz Wizards 14322013 review: The recordings:Tom Cat Blues:JRM pno solo 6/9/24, Gennett 5515, Buddy8015, Silvertone 4040, Biltmore 1071 et al.Gennett label confirms title/composer.King Oliver (cnt solo acc. by JRM), as TomCat, 12/24, Autograph 617, Reissue 1, JazzCollector (UK) L-56. Reissue 1 confirms title“Tom Cat,” although it appears that mostlater LP/CD reissues just called it “Tom CatBlues.” Jazz Collector L-56, also a reissueon 78, called in “Tom Cat Blues.”Midnight Mama:Bennie Moten, 12/14/26, Victor 20422.Spelled Mama on the label; Victor Projectconfirms.Levee Serenaders (w/JRM on pno), 1/21/28,Vocalion 1154, V-1010; Brunswick 80040.Spelled Mama on the Vocalion V-1010 label,which was a reissue.The copyrights:Tom cat blues; slow drag, Jelly Roll Morton[pseud. of Ferd Morton], arr. ElmerSchoebel, both of [U.S.]; orch. 4to. © Apr.1, 1925; 1 c. Apr. 27; 1 c. May 21; E 618140;Melrose bros. music co., inc., Chicago.And here’s the other copyright:Midnight mamma; by Jelly Roll Morton, arr.Elmer Schoebel, both of U.S.; orch. 4to. ©Nov. 2, 1925; 2 c. Nov. 18; E 628631;Melrose bros. music co., inc., Chicago.
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6th editionWORKING DRAFT WITH NOTES
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Further background notes in case I
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Absolutely (Jabbo Smith)Grand Domin
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Ah-Ha! (James V. Monaco-Sidney Clar
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Zenith Hot Stompers 1248Black Eagle
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Tex’s original-looking 1920 sheet
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(this is not the popular Smith-Burr
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Barrel House Rag - Campbell hand-wr
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seen often both ways, so will chang
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Aug. 22, 1919; E 458166; Spencer Wi
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ecording was Bob Hudson. This may w
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Carroll Dickerson’s Savoy Orch, 5
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Al Dubin)Paul and His Gang 1329Bles
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“BLUE GOOSE”RAGThis says to me
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No composer credit on label. Chilto
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Lathair is the guy who worked in Ch
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Bouncing Around (Armand J. Piron-Pe
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Bright Star Blues (Armand J. Piron-
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Thought I Heard Buddy Bolden Say)."
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But fellow researchers out there, c
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Aha, LC cy catalog of 1929 says,Cal
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Did find the LC copyright:Candy lip
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Not in Rust. Ted des Plantes’ lin
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So it was copyrighted by Oliver alo
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Chicken Reel (Joseph M. Daly)Helm-L
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Kinkle shows it as "Ciribiribin (It
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Becket’s composition or followed
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ASM, 1931, Santly Bros.; w. AF/m. F
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John Gill reports 1/18/24 copyright
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Frankie Trumbauer aho, 6/24/31, Bru
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ut Bob says it never felt comfortab
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the second 32-bar theme is my own,
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’Deed I Do (Walter Hirsch-Fred Ro
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Rec. Moten 6/12/27, Victor 21199--a
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Why Bring That Up? Internet Movie D
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Rhodes: "’Get It Right’ = ‘Do
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At Bessie’s request, all of the c
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“Don’t Go ’Way Nobody,” a s
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migrated northward up the Mississip
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1915; 2 c. July 24, 1915; E 363546;
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Woode on two other titles. So obvio
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all four posibilities we’d have t
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Echoes from the Snowball Club(Harry
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Music by Sadie Koninsky, arranged b
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OH, hell. After all this I thought
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Farmerette (Jesse Greer)George Fole
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Firechief Rag (Danny Alguire)Smith-
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and cy page) (You’ll Miss Me in t
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Gambling Jack (Jelly Roll Morton)Pa
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and "Boy Friend." Kinkle agrees. It
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soul all human beings feel. That th
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Magnolia JB 1016Turk Murphy JB 1161
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Grandpa’s Spells (Jelly Roll Mort
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Waldo’s Jazz Entertainers 1377Con
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We’ve not included arrangers as c
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“Hello Montreal” (but surely it
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1903 sheet could mean that it’s a
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2013 review: We can do better than
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21, 1925; E 627852 Triangle music p
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Rust; if it comes after record numb
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Found sleeve cover for 45 on Pye-Vo
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Actually, it appears that the choru
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So far, still solidly in the “unk
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can find no evidence she ever did a
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tune attributed to Pecora, even und
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(Harry Woods-Billy Rose-Mort Dixon)
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Ponce, also pub. Ager, Yellen & Bor
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If Winter Comes (W. R. Williams-Joh
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Crawford set phrases chanted by Mar
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I’m All Bound ’Round with the M
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Telcon 8/28: OK, do the two = three
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Smith, an article titled “Jelly R
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2013 review: Rec.Clarence Williams
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Confirmed 8/18/36 copyright reg.In
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Alstyne-Williams] via your note of
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Benny Goodman-Jack Teagarden)State
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Jazz Baby (M. K. Jerome-Blanche Mer
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1915; E 372536; Will Rossiter, Chic
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For what it’s worth, Ellington’
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James D. Touchstone. The song's ope
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Online search found FAR more hits o
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Ondippermouth.blogspot.com/2012/11/
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2013 review: Confirmed by 11/26/23
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Confirmed by 4/10/35 copyright reg.
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Eureka, I finally found the instrum
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Let’s Have Another Cup of Coffee(
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Limehouse Blues (Philip Braham-Doug
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some mighty obscure evidence to the
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Keith Nichols Cotton Club Orchestra
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But copyright page isLow Bridge!
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Louisiana Repertory Jazz Ensemble 1
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document it. Ah: Thompson’s liner
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BUT notice alsoMarket Street Blues,
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James V. Monaco)Frederick Hodges 13
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Melancholy Stomp (Don Ewell)Europea
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(where’d he get that?), it was ar
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listing as an alternative title. Ho
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2013 review: It appears that I neve
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For Christ’s sake! Wikipedia has
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Steve Abrams: 1924 by Kapp-Coleman-
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More Than That (Ben Barnett-Clarenc
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Mule Walk, The [Mule Walk Stomp](Ja
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connection with the refrain. The ve
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Ray Smith: credit should go to Oliv
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My Man o’ War (Andy Razaf-Spencer
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Dan Levinson’s Roof Garden JB 136
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Never Again (Isham Jones-Gus Kahn)P
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New Orleans wiggle; by Peter Bocage
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Turk: "That was a tune called '1919
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Norfolk Church Street Sobbin’ Blu
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Oh, baby; from Rain or shine, words
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2013 review: Found the copyright:O
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Rec. Sharkey Bonano, 1/29/37, Vocal
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earliest example I know of that use
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West Jesmond Rhythm Kings 1255All S
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2013 review: Couldn’t find anythi
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Paddle-wheelin’ Along (A Sacramen
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Rosa Henderson, 8/26, Banner 18892*
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and in parens), credits Raye-Shaver
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The Commodore reissue of all the la
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(Sidney Bechet-Rousseau Simmons)Pam
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Porcupine Rag (Charles L. Johnson)R
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Ray Smith 1162Promenade aux Champs-
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Rag Time ChimesWell, very clear on
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Oops, not in copyright books 1929-3
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But Kassel had many other copyright
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Hodges, but the Black Berries Oriol
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Alabama Red Peppers, 4/28, Cameo 82
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But wait: I remember that I have BG
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Moulin à café as alt. title, of c
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Sadness Will Be Gladness(Wingy Mano
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Found sheet music at U. Maine, conf
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with arr. for guit., etc. © Oct. 1
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The Bluebird ODJB 75th Anniversary
Page 281 and 282: ig questions is this: Is she singin
Page 283 and 284: Shine on Your Shoes, A(Arthur Schwa
Page 285 and 286: [also published in song versionwith
Page 287 and 288: Skit-dat-de-dat; melody by Lillian
Page 289 and 290: John Gill’s Novelty Orchestra 122
Page 291 and 292: Lillian Johnson?! Yes, that was Lil
Page 293 and 294: Abrams follow-up: I had this record
Page 295 and 296: she were a composer, she’d have m
Page 297 and 298: South African Blues (Lester Melrose
Page 299 and 300: Audrey Van Dyke. It is a lead sheet
Page 301 and 302: with ukulele arr. Dick Konter. © J
Page 303 and 304: Cover also notes “Also Published
Page 305 and 306: ditto. Bunk never wrote nothin’.
Page 307 and 308: Sure wish we could track down the H
Page 309 and 310: had become a hit, would have been p
Page 311 and 312: Rilhac was a pianist and recording
Page 313 and 314: Copyright goes to Emmalina, but no
Page 315 and 316: Weatherbird JB 1034Kustbandet 1178D
Page 317 and 318: Dick Zimmerman confirms our origina
Page 319 and 320: Pretty sure without having heard it
Page 321 and 322: Les Rois du Fox-Trot 1436< Is this
Page 323 and 324: were Feldman 6D black and white edi
Page 325 and 326: Confirmed by 10/1/31 unpub. Copyrig
Page 327 and 328: Men Now Days (see Ain’t MuchGood
Page 329 and 330: Cover isThere’s Something Nice Ab
Page 331: title? Every rag that doesn’t inc
Page 335 and 336: Too Tight (Natty Dominique)Pam Pame
Page 337 and 338: Bozo-blues; words and melody by Boz
Page 339: and Donald Lambert, MC'd by Rudi Bl
Page 342 and 343: Now that’s the way my folks would
Page 344 and 345: the Country” and has no composer
Page 346 and 347: Must go with copyright reg. and som
Page 348 and 349: Goodman reports: I have 1917 bandar
Page 350 and 351: influential label, the MicKinney’
Page 352 and 353: Band also spell West Lawn as two se
Page 354 and 355: Ida Cox, but more to our point is t
Page 356 and 357: 2013 review: Well, it was recorded
Page 358 and 359: John Gill’s Calif. Sunshine Boys
Page 360 and 361: When You Walked OutSomeone Else Wal
Page 362 and 363: actual Parlophone label of the Hyde
Page 364 and 365: That’s a bizarre mistake for Mazz
Page 366 and 367: Written 1979, plenty of online conf
Page 368 and 369: At the time [i.e., shortly after hi
Page 370 and 371: Keith Nichols Cotton Club Orchestra
Page 372 and 373: You Broke Your Promise (George Wyle
Page 374 and 375: Louis Cottrell Trio, NO, 1/27/61, R
Page 376 and 377: ASM, 1932, Witmark & Sons; w. Dubin
Page 378 and 379: [And Klein Tindull is for real. His
Page 380 and 381: In that same book on page 257 thefo
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“Put Your Arms Around Me, Honey
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Si tu vois ma mère [If You See My
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At this point (June 30, 2011), I wi
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Black Mountain Blues - copyright in
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VICTOR ALTERNATIVE TITLES(Victor te
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CHECK COPYRIGHT CARDSAfrican Hunch
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Galion stomp - lovie austin?Gates B
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meanest blues - napoleon & signorel
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slide, frog, slidesnakes hips spenc
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Wild and wooly (or woolly) willie -
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