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all four posibilities we’d have to come up withthis:Early Every Morn’ [(I Want Some [My]Lovin’)] [Early in the Morning]which still ignores the wandering apostrophes,but it’s impossible to read. I think we stay withwhat we’ve got, which starts with the originalpublished title and covers the Liston recordingwith an alternative title. The “My” of the Jonesrecording isn’t worth fooling with, nor is thefact that it was published both with andwithout the subtitle. However, I will removethe apostrophe from Morn. It wasn’t on thecopyright, wasn’t on the Etta Mooney originalrecording, wasn’t on the best-known AlbertaHunter recording. The word is legitimatelyused without it, unlike Lovin’.Early Hours (Lonnie Donegan)Albion JB 1206Decca 45 of tune by Ken Colyer’s Jazzmencredits Donegan.Early Life of Larry Hoffer, The(David Thomas Roberts)David Thomas Roberts 1072Ease on Down [Case on Down](Luis Russell–Bob Williams)Kustbandet 11781178 was East on Down by S. Williams-Russell.Rec. Luis Russell aho, 12/17/30, Vocalion1579; Brunswick 80038, 02008.Rust has it listed as Case on Dawn with note:“correct title EASE ON DOWN.” Well, Iwonder. The Vocalion label says Case onDown (not Dawn). AND the copyright entry isCase on down; melody by L. Russell andBob Williams. © 1 c. Sept. 14, 1931; E unp.44930; Luis Russell, New York.Vocalion label can be seen athttp://www.popsike.com/ULTRA-RARE-LUIS-RUSSELL-AHO-78-CASE-ON-DOWN-SARATOGA-DRAG-US-VOCALION-1579-E/120911947038.htmlAnd note BOB Williams—in this catalog at (IWould Do) Anything for You, not Spencer.Also, in addition to Rust, I noticed a couple ofother online refs to Vocalion label’s “Case onDawn,” but I found that label, and that’s notthe “case”: It’s “Case on Down.” But I alsofound LOTS of other notes to the effect thatEase on Down is the correct title.1. Williams: A google search on either title +Williams reveals not a single case of a firstname being suggested, so we must go withBob as on the copyright.2. Ease/Case: As silly as Case on Downsounds, I can scarcely imagine the same typobeing made in a copyright reg in Septemberand again in a recording studio in December,but since rightly or wrongly the world knows itas Ease, we must keep it here, but we alsomust put the other title as an alternative, sincethat’s what all the early recordings say.East Coast Trot (Jimmy Blythe–Lathair Stevens)Jazz O’Maniacs 1046Wally Fawkes & the Rhythm Kings 1060Golden Eagle JB 1100Jean-François Bonnel & Friends 1104Black Bottom <strong>Stomp</strong>ers (Switz.) 1130Grand Dominion JB 1139Two Clarinet <strong>Stomp</strong>ers 1259Des Plantes’ Washboard Wizards 14212013 review: Rec. Cobb 8/26, Paramount12382, Century 3006, Memory 301.As with Chicago Buzz, not copyrighted.Found two different very blurred labels ofCentury 3006, both look like look like Blythe &Stevens.BUT see the extended notes at BohunkusBlues. This obviously is Lathair Stevens, notVol.East St. Louis Toodle-o [Toodle-oo][Toddle-oo] (Duke Ellington–Bubber Miley)Evergreen Classic JB 12021202 had Toodle-oo
sort it out now that I have better access tocopyrights and recording info.
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6th editionWORKING DRAFT WITH NOTES
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Further background notes in case I
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Absolutely (Jabbo Smith)Grand Domin
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Ah-Ha! (James V. Monaco-Sidney Clar
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Zenith Hot Stompers 1248Black Eagle
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Tex’s original-looking 1920 sheet
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(this is not the popular Smith-Burr
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Barrel House Rag - Campbell hand-wr
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seen often both ways, so will chang
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Aug. 22, 1919; E 458166; Spencer Wi
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ecording was Bob Hudson. This may w
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Carroll Dickerson’s Savoy Orch, 5
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Al Dubin)Paul and His Gang 1329Bles
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“BLUE GOOSE”RAGThis says to me
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No composer credit on label. Chilto
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Lathair is the guy who worked in Ch
Page 38 and 39: Bouncing Around (Armand J. Piron-Pe
Page 40 and 41: Bright Star Blues (Armand J. Piron-
Page 42 and 43: Thought I Heard Buddy Bolden Say)."
Page 44 and 45: But fellow researchers out there, c
Page 46 and 47: Aha, LC cy catalog of 1929 says,Cal
Page 48 and 49: Did find the LC copyright:Candy lip
Page 50 and 51: Not in Rust. Ted des Plantes’ lin
Page 52 and 53: So it was copyrighted by Oliver alo
Page 54 and 55: Chicken Reel (Joseph M. Daly)Helm-L
Page 56 and 57: Kinkle shows it as "Ciribiribin (It
Page 58 and 59: Becket’s composition or followed
Page 60 and 61: ASM, 1931, Santly Bros.; w. AF/m. F
Page 62 and 63: John Gill reports 1/18/24 copyright
Page 64 and 65: Frankie Trumbauer aho, 6/24/31, Bru
Page 66 and 67: ut Bob says it never felt comfortab
Page 68 and 69: the second 32-bar theme is my own,
Page 70 and 71: ’Deed I Do (Walter Hirsch-Fred Ro
Page 72 and 73: Rec. Moten 6/12/27, Victor 21199--a
Page 74 and 75: Why Bring That Up? Internet Movie D
Page 76 and 77: Rhodes: "’Get It Right’ = ‘Do
Page 78 and 79: At Bessie’s request, all of the c
Page 80 and 81: “Don’t Go ’Way Nobody,” a s
Page 82 and 83: migrated northward up the Mississip
Page 84 and 85: 1915; 2 c. July 24, 1915; E 363546;
Page 86 and 87: Woode on two other titles. So obvio
Page 90 and 91: Echoes from the Snowball Club(Harry
Page 92 and 93: Music by Sadie Koninsky, arranged b
Page 94 and 95: OH, hell. After all this I thought
Page 96 and 97: Farmerette (Jesse Greer)George Fole
Page 98 and 99: Firechief Rag (Danny Alguire)Smith-
Page 101 and 102: and cy page) (You’ll Miss Me in t
Page 103 and 104: Gambling Jack (Jelly Roll Morton)Pa
Page 106 and 107: and "Boy Friend." Kinkle agrees. It
Page 108 and 109: soul all human beings feel. That th
Page 110 and 111: Magnolia JB 1016Turk Murphy JB 1161
Page 112 and 113: Grandpa’s Spells (Jelly Roll Mort
Page 114 and 115: Waldo’s Jazz Entertainers 1377Con
Page 116 and 117: We’ve not included arrangers as c
Page 118 and 119: “Hello Montreal” (but surely it
Page 120 and 121: 1903 sheet could mean that it’s a
Page 122 and 123: 2013 review: We can do better than
Page 124 and 125: 21, 1925; E 627852 Triangle music p
Page 126 and 127: Rust; if it comes after record numb
Page 128 and 129: Found sleeve cover for 45 on Pye-Vo
Page 130 and 131: Actually, it appears that the choru
Page 132 and 133: So far, still solidly in the “unk
Page 134 and 135: can find no evidence she ever did a
Page 136 and 137: tune attributed to Pecora, even und
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(Harry Woods-Billy Rose-Mort Dixon)
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Ponce, also pub. Ager, Yellen & Bor
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If Winter Comes (W. R. Williams-Joh
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Crawford set phrases chanted by Mar
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I’m All Bound ’Round with the M
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Telcon 8/28: OK, do the two = three
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Smith, an article titled “Jelly R
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2013 review: Rec.Clarence Williams
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Confirmed 8/18/36 copyright reg.In
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Alstyne-Williams] via your note of
Page 158 and 159:
Benny Goodman-Jack Teagarden)State
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Jazz Baby (M. K. Jerome-Blanche Mer
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1915; E 372536; Will Rossiter, Chic
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For what it’s worth, Ellington’
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James D. Touchstone. The song's ope
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Online search found FAR more hits o
Page 171 and 172:
Ondippermouth.blogspot.com/2012/11/
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2013 review: Confirmed by 11/26/23
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Confirmed by 4/10/35 copyright reg.
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Eureka, I finally found the instrum
Page 179 and 180:
Let’s Have Another Cup of Coffee(
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Limehouse Blues (Philip Braham-Doug
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Page 185 and 186:
some mighty obscure evidence to the
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Keith Nichols Cotton Club Orchestra
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But copyright page isLow Bridge!
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Louisiana Repertory Jazz Ensemble 1
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document it. Ah: Thompson’s liner
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BUT notice alsoMarket Street Blues,
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James V. Monaco)Frederick Hodges 13
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Melancholy Stomp (Don Ewell)Europea
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(where’d he get that?), it was ar
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listing as an alternative title. Ho
Page 205 and 206:
2013 review: It appears that I neve
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For Christ’s sake! Wikipedia has
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Steve Abrams: 1924 by Kapp-Coleman-
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More Than That (Ben Barnett-Clarenc
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Mule Walk, The [Mule Walk Stomp](Ja
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connection with the refrain. The ve
Page 217 and 218:
Ray Smith: credit should go to Oliv
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My Man o’ War (Andy Razaf-Spencer
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Dan Levinson’s Roof Garden JB 136
Page 223 and 224:
Never Again (Isham Jones-Gus Kahn)P
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New Orleans wiggle; by Peter Bocage
Page 227 and 228:
Turk: "That was a tune called '1919
Page 229 and 230:
Norfolk Church Street Sobbin’ Blu
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Oh, baby; from Rain or shine, words
Page 233 and 234:
2013 review: Found the copyright:O
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Rec. Sharkey Bonano, 1/29/37, Vocal
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earliest example I know of that use
Page 239 and 240:
West Jesmond Rhythm Kings 1255All S
Page 241 and 242:
2013 review: Couldn’t find anythi
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Paddle-wheelin’ Along (A Sacramen
Page 245 and 246:
Rosa Henderson, 8/26, Banner 18892*
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and in parens), credits Raye-Shaver
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The Commodore reissue of all the la
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(Sidney Bechet-Rousseau Simmons)Pam
Page 253 and 254:
Porcupine Rag (Charles L. Johnson)R
Page 255 and 256:
Ray Smith 1162Promenade aux Champs-
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Rag Time ChimesWell, very clear on
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Oops, not in copyright books 1929-3
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But Kassel had many other copyright
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Hodges, but the Black Berries Oriol
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Alabama Red Peppers, 4/28, Cameo 82
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But wait: I remember that I have BG
Page 269 and 270:
Moulin à café as alt. title, of c
Page 271 and 272:
Sadness Will Be Gladness(Wingy Mano
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Found sheet music at U. Maine, conf
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with arr. for guit., etc. © Oct. 1
Page 277 and 278:
Page 279 and 280:
The Bluebird ODJB 75th Anniversary
Page 281 and 282:
ig questions is this: Is she singin
Page 283 and 284:
Shine on Your Shoes, A(Arthur Schwa
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[also published in song versionwith
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Skit-dat-de-dat; melody by Lillian
Page 289 and 290:
John Gill’s Novelty Orchestra 122
Page 291 and 292:
Lillian Johnson?! Yes, that was Lil
Page 293 and 294:
Abrams follow-up: I had this record
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she were a composer, she’d have m
Page 297 and 298:
South African Blues (Lester Melrose
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Audrey Van Dyke. It is a lead sheet
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with ukulele arr. Dick Konter. © J
Page 303 and 304:
Cover also notes “Also Published
Page 305 and 306:
ditto. Bunk never wrote nothin’.
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Sure wish we could track down the H
Page 309 and 310:
had become a hit, would have been p
Page 311 and 312:
Rilhac was a pianist and recording
Page 313 and 314:
Copyright goes to Emmalina, but no
Page 315 and 316:
Weatherbird JB 1034Kustbandet 1178D
Page 317 and 318:
Dick Zimmerman confirms our origina
Page 319 and 320:
Pretty sure without having heard it
Page 321 and 322:
Les Rois du Fox-Trot 1436< Is this
Page 323 and 324:
were Feldman 6D black and white edi
Page 325 and 326:
Confirmed by 10/1/31 unpub. Copyrig
Page 327 and 328:
Men Now Days (see Ain’t MuchGood
Page 329 and 330:
Cover isThere’s Something Nice Ab
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title? Every rag that doesn’t inc
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eproduces the sheet music cover, wh
Page 335 and 336:
Too Tight (Natty Dominique)Pam Pame
Page 337 and 338:
Bozo-blues; words and melody by Boz
Page 339:
and Donald Lambert, MC'd by Rudi Bl
Page 342 and 343:
Now that’s the way my folks would
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the Country” and has no composer
Page 346 and 347:
Must go with copyright reg. and som
Page 348 and 349:
Goodman reports: I have 1917 bandar
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influential label, the MicKinney’
Page 352 and 353:
Band also spell West Lawn as two se
Page 354 and 355:
Ida Cox, but more to our point is t
Page 356 and 357:
2013 review: Well, it was recorded
Page 358 and 359:
John Gill’s Calif. Sunshine Boys
Page 360 and 361:
When You Walked OutSomeone Else Wal
Page 362 and 363:
actual Parlophone label of the Hyde
Page 364 and 365:
That’s a bizarre mistake for Mazz
Page 366 and 367:
Written 1979, plenty of online conf
Page 368 and 369:
At the time [i.e., shortly after hi
Page 370 and 371:
Keith Nichols Cotton Club Orchestra
Page 372 and 373:
You Broke Your Promise (George Wyle
Page 374 and 375:
Louis Cottrell Trio, NO, 1/27/61, R
Page 376 and 377:
ASM, 1932, Witmark & Sons; w. Dubin
Page 378 and 379:
[And Klein Tindull is for real. His
Page 380 and 381:
In that same book on page 257 thefo
Page 382 and 383:
“Put Your Arms Around Me, Honey
Page 384 and 385:
Si tu vois ma mère [If You See My
Page 386 and 387:
At this point (June 30, 2011), I wi
Page 388 and 389:
Black Mountain Blues - copyright in
Page 390 and 391:
VICTOR ALTERNATIVE TITLES(Victor te
Page 392 and 393:
CHECK COPYRIGHT CARDSAfrican Hunch
Page 394 and 395:
Galion stomp - lovie austin?Gates B
Page 396 and 397:
meanest blues - napoleon & signorel
Page 398 and 399:
slide, frog, slidesnakes hips spenc
Page 400:
Wild and wooly (or woolly) willie -
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