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Harmony 311-H. Sadie Jackson (vcl acc.James P.), 11/20/26, Columbia 14181-D.Jimmy Wade, 4/5/27, Gennett 6105 et al.Confirmed by 8/5/26 copyright reg. (in 1927book!), w. PB/m. GH, from Broadway Gaieties.Original Charleston Strut(Thomas Morris–William Russell–Clarence Williams)Neville Dickie 1324Le Petit Jazzband 13891/15/01: Aha, from published sheet music inCW folder at MRR:by Thomas Morris-William Russell-ClarenceWilliams, 1923. [8/1/23 copyright reg. is thesame]Bob, when you gonna give up on that Lordbook?Original Dixieland One-Step (seeDixieland Jass Band One-Step)Original Jelly Roll Blues (seeJelly Roll Blues)Original Rags (Scott Joplin)Down Home JB 1316South Frisco JB 1342Confirmed by 1899 sheet music.Original Tuxedo Rag [Tuxedo Rag](unknown)Minstrels of Annie Street 1272South Frisco JB 1342Le Petit Jazzband de Mr Morel 1362Yerba Buena Stompers 13812013 review: Rec. Original Tuxedo JazzOrchestra, NO, 1/23/25, OKeh 8215 et al.Oops: neither this nor anything else byCelestin is in copyright books for 1924-26.Oops again: OKeh 8215 does not have acomposer credit on label. (Flip side is PapaDe-Da-Dah by Cl. Williams Blue Five, and itDOES have a composer credit.HJCA HC-6 also no composer credit.More evidence: I have four reissues of this onserious CD labels with serious notes:Memphis Archives, Azure, JSP, and JazzGreats series (UK). Three have no composercredit, last one says “Trad.” That last one ain’tright, but “unknown” sure is, which is where I’llleave it unless one of our reviewers can comeup with some hard evidence.Originola (Hunter L. Kahler)Alex Hassan 1322Confirmed by 7/2/34 copyright reg., Hunter L.Kahler.Copyright reg. isOriginola; by Hunter L. Kahler; pf. in rhythm.© July 2, 1934; E pub. 42660 ; M. M. Colepub. co., Chicago.Other H. L. Kahler registrations in 1934 areFree and Easy, Keyboard Kapers, KleverKapers, Nana, Ripples. The National Library ofAustralia has a folio titled Novelty Solos for thePiano in Rhythm, by Hunter L. Kahler, pub. inSydney by J. Albert & Son, c. 1934. Itcontains all six of these 1934 tunes. And onthe back of “Foolish,” pub. by M. M. Cole inChicago in 1940, I found an ad that folio (for50 cents, obviously the Chicago, not Sydneyversion).Hassan says little known about Kahler, thatthis piece is Bantaesque but that none ofKahler’s other published pieces bear anyresemblance to it.www.allmusic.com/artist/hunter-kahler-mn0000529230 says, in bio sketch of Frank Banta,He was an active composer of instrumentalpieces as well as an interpreter, evenchurning out titles under other names. Thecomplex piano solo "Originola," for example,is a Banta composition credited to thefictitious Hunter Kahler.But the copyright book index gives noindication that Kahler’s a pseudonym (theyusually do), nor could I find any other onlinesite that made such an allegation, so we cansafely ignore it unless and until we find furtherevidence.Orinoco (C. Duane Crabb)Elliott Adams 11981914 says Adams, but it’s not in copyrightbooks 1913-15. Supposedly pub. J. H.Aufderheide, Indianapolis. Aha, found it inYork, Ontario, in the John Arpin collection: It’smarked “Copyright MCMIX by WortendykePublishsing Co. . . . Transferred MCMXI to J.H. Aufderheide & Co., Indianapolis.”Sure enough, the 1909 Wortendyke copyrightis in LC book.Ory’s Creole Trombone (Kid Ory)Canal Street JB 1005Hot Dogs /Victoria Varekamp 1033High Society JB 1166Frisco Syncopators 1245Neville Dickie 1341South Frisco JB 1342Yerba Buena Stompers 1381Rec. Hot Five, 9/2/27, Columbia 35838 etmany al. Spikes’ Seven Pods of Pepper Orch.(w/Ory), 6/22, Nordskog 3009, 5001*;Sunshine 3003*; Paradox 3*; Jazz Collector(UK) L-33; Association Francaise A-032. *asKid Ory’s Sunshine Orch; **as Ory’s Sunshine(or Sunshinne) Orch.I’ll be damned: found the original (andevidently rare) Nordskog 3009 label, whichindeed credits Ory.Not in copyright books 1922-23 or 1927-28.In 1945 Ory rec. it on Crescent 6, and thatrecord does credit Ory.Ostrich Walk (Nick LaRocca–Larry Shields)Red Roseland Cornpickers 1102Watergate Seven Plus One 1165Zenith Hot Stompers 1191Smith–Tyle Frisco Syncopators 1211Chris Tyle’s NO Rover Boys 1235ASM, 1918, Leo Feist confirms Shields-LaRocca with no first names, but we know it’sLarry.Ottoline (George Foley)George Foley 1187Our Boys Will Shine Tonight(unknown)Minstrels of Annie Street 1272
2013 review: Couldn’t find anything new.Found several more refs to this havingbecome the first strain of GA Campmeeting.Our Director (F. E. Bigelow)Louisiana Repertory Jazz Ensemble 1197ASM, 1901, Jean M. Missud.Our Favorite Rag (Will Huff)Univ. of Wisconsin Symphony Band 12461913 say notes. Confirmed by 1/14/21copyright reg.Our Love Was Meant to Be(Fats Waller–Alex Hill–Joe Davis)Paris Washboard 1359Rec. Count Basie, 8/9/37, Decca 1446 et al.Tommy Dorsey, 6/12/37, Victor 25607.Confirmed by 7/12/37 copyright reg., w. AH-JD/m. FW.Out in the Cold Again (Rube Bloom–Ted Koehler)Grand Dominion JB 1337Rec. Chick Bullock, 10/24/34, Banner 33249 etal. Glen Gray, 8/16/34, Brunswick 6964 et al.Dorsey Bros, 9/24/34, Decca 206 et al.Confirmed by 6/25/34 copyright reg., w. Ed.Koehler/m. Rube Bloom.Out of the Gallion (Sidney Bechet–Mezz Mezzrow)Swedish Jazz Kings 1188Aces of Syncopation 1372Not in Rust. Rec. Mezzrow-Bechet Quintet,8/30/45 (UK Jazz Greats series doesn’t listoriginal labels). Label of Royal Jazz 701confirms Mezzrow-Bechet; LC SONIC has thison King Jazz 142, confirms Mezzrow-Bechet(King Jazz label owned by Mezzrow).Not in copyright books 1945-46.Out of Nowhere (Edward Heyman–Johnny Green)John Gill Sentimental Serenaders 1424
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6th editionWORKING DRAFT WITH NOTES
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Further background notes in case I
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Absolutely (Jabbo Smith)Grand Domin
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Ah-Ha! (James V. Monaco-Sidney Clar
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Zenith Hot Stompers 1248Black Eagle
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Tex’s original-looking 1920 sheet
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(this is not the popular Smith-Burr
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Barrel House Rag - Campbell hand-wr
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seen often both ways, so will chang
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Aug. 22, 1919; E 458166; Spencer Wi
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ecording was Bob Hudson. This may w
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Carroll Dickerson’s Savoy Orch, 5
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Al Dubin)Paul and His Gang 1329Bles
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“BLUE GOOSE”RAGThis says to me
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No composer credit on label. Chilto
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Lathair is the guy who worked in Ch
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Bouncing Around (Armand J. Piron-Pe
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Bright Star Blues (Armand J. Piron-
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Thought I Heard Buddy Bolden Say)."
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But fellow researchers out there, c
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Aha, LC cy catalog of 1929 says,Cal
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Did find the LC copyright:Candy lip
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Not in Rust. Ted des Plantes’ lin
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So it was copyrighted by Oliver alo
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Chicken Reel (Joseph M. Daly)Helm-L
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Kinkle shows it as "Ciribiribin (It
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Becket’s composition or followed
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ASM, 1931, Santly Bros.; w. AF/m. F
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John Gill reports 1/18/24 copyright
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Frankie Trumbauer aho, 6/24/31, Bru
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ut Bob says it never felt comfortab
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the second 32-bar theme is my own,
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’Deed I Do (Walter Hirsch-Fred Ro
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Rec. Moten 6/12/27, Victor 21199--a
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Why Bring That Up? Internet Movie D
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Rhodes: "’Get It Right’ = ‘Do
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At Bessie’s request, all of the c
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“Don’t Go ’Way Nobody,” a s
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migrated northward up the Mississip
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1915; 2 c. July 24, 1915; E 363546;
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Woode on two other titles. So obvio
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all four posibilities we’d have t
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Echoes from the Snowball Club(Harry
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Music by Sadie Koninsky, arranged b
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OH, hell. After all this I thought
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Farmerette (Jesse Greer)George Fole
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Firechief Rag (Danny Alguire)Smith-
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and cy page) (You’ll Miss Me in t
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Gambling Jack (Jelly Roll Morton)Pa
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and "Boy Friend." Kinkle agrees. It
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soul all human beings feel. That th
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Magnolia JB 1016Turk Murphy JB 1161
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Grandpa’s Spells (Jelly Roll Mort
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Waldo’s Jazz Entertainers 1377Con
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We’ve not included arrangers as c
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“Hello Montreal” (but surely it
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1903 sheet could mean that it’s a
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2013 review: We can do better than
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21, 1925; E 627852 Triangle music p
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Rust; if it comes after record numb
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Found sleeve cover for 45 on Pye-Vo
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Actually, it appears that the choru
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So far, still solidly in the “unk
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can find no evidence she ever did a
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tune attributed to Pecora, even und
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(Harry Woods-Billy Rose-Mort Dixon)
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Ponce, also pub. Ager, Yellen & Bor
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If Winter Comes (W. R. Williams-Joh
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Crawford set phrases chanted by Mar
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I’m All Bound ’Round with the M
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Telcon 8/28: OK, do the two = three
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Smith, an article titled “Jelly R
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2013 review: Rec.Clarence Williams
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Confirmed 8/18/36 copyright reg.In
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Alstyne-Williams] via your note of
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Benny Goodman-Jack Teagarden)State
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Jazz Baby (M. K. Jerome-Blanche Mer
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1915; E 372536; Will Rossiter, Chic
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For what it’s worth, Ellington’
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James D. Touchstone. The song's ope
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Online search found FAR more hits o
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Ondippermouth.blogspot.com/2012/11/
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2013 review: Confirmed by 11/26/23
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Confirmed by 4/10/35 copyright reg.
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Eureka, I finally found the instrum
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Let’s Have Another Cup of Coffee(
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Limehouse Blues (Philip Braham-Doug
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Confirmed by 7/10/29 copyright reg.
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some mighty obscure evidence to the
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Keith Nichols Cotton Club Orchestra
Page 189 and 190: But copyright page isLow Bridge!
Page 191 and 192: Louisiana Repertory Jazz Ensemble 1
Page 193 and 194: document it. Ah: Thompson’s liner
Page 195 and 196: BUT notice alsoMarket Street Blues,
Page 197 and 198: James V. Monaco)Frederick Hodges 13
Page 199 and 200: Melancholy Stomp (Don Ewell)Europea
Page 201 and 202: (where’d he get that?), it was ar
Page 203 and 204: listing as an alternative title. Ho
Page 205 and 206: 2013 review: It appears that I neve
Page 207 and 208: For Christ’s sake! Wikipedia has
Page 209 and 210: Steve Abrams: 1924 by Kapp-Coleman-
Page 211 and 212: More Than That (Ben Barnett-Clarenc
Page 213 and 214: Mule Walk, The [Mule Walk Stomp](Ja
Page 215 and 216: connection with the refrain. The ve
Page 217 and 218: Ray Smith: credit should go to Oliv
Page 219 and 220: My Man o’ War (Andy Razaf-Spencer
Page 221 and 222: Dan Levinson’s Roof Garden JB 136
Page 223 and 224: Never Again (Isham Jones-Gus Kahn)P
Page 225 and 226: New Orleans wiggle; by Peter Bocage
Page 227 and 228: Turk: "That was a tune called '1919
Page 229 and 230: Norfolk Church Street Sobbin’ Blu
Page 231 and 232: Oh, baby; from Rain or shine, words
Page 233 and 234: 2013 review: Found the copyright:O
Page 235 and 236: Rec. Sharkey Bonano, 1/29/37, Vocal
Page 237 and 238: earliest example I know of that use
Page 239: West Jesmond Rhythm Kings 1255All S
Page 243 and 244: Paddle-wheelin’ Along (A Sacramen
Page 245 and 246: Rosa Henderson, 8/26, Banner 18892*
Page 247 and 248: and in parens), credits Raye-Shaver
Page 249 and 250: The Commodore reissue of all the la
Page 251 and 252: (Sidney Bechet-Rousseau Simmons)Pam
Page 253 and 254: Porcupine Rag (Charles L. Johnson)R
Page 255 and 256: Ray Smith 1162Promenade aux Champs-
Page 257 and 258: Rag Time ChimesWell, very clear on
Page 259 and 260: Oops, not in copyright books 1929-3
Page 261 and 262: But Kassel had many other copyright
Page 263 and 264: Hodges, but the Black Berries Oriol
Page 265 and 266: Alabama Red Peppers, 4/28, Cameo 82
Page 267 and 268: But wait: I remember that I have BG
Page 269 and 270: Moulin à café as alt. title, of c
Page 271 and 272: Sadness Will Be Gladness(Wingy Mano
Page 273 and 274: Found sheet music at U. Maine, conf
Page 275 and 276: with arr. for guit., etc. © Oct. 1
Page 277 and 278: Confirmed by 5/24/27 copyright reg.
Page 279 and 280: The Bluebird ODJB 75th Anniversary
Page 281 and 282: ig questions is this: Is she singin
Page 283 and 284: Shine on Your Shoes, A(Arthur Schwa
Page 285 and 286: [also published in song versionwith
Page 287 and 288: Skit-dat-de-dat; melody by Lillian
Page 289 and 290: John Gill’s Novelty Orchestra 122
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Lillian Johnson?! Yes, that was Lil
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Abrams follow-up: I had this record
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she were a composer, she’d have m
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South African Blues (Lester Melrose
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Audrey Van Dyke. It is a lead sheet
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with ukulele arr. Dick Konter. © J
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Cover also notes “Also Published
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ditto. Bunk never wrote nothin’.
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Sure wish we could track down the H
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had become a hit, would have been p
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Rilhac was a pianist and recording
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Copyright goes to Emmalina, but no
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Weatherbird JB 1034Kustbandet 1178D
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Dick Zimmerman confirms our origina
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Pretty sure without having heard it
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Les Rois du Fox-Trot 1436< Is this
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were Feldman 6D black and white edi
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Confirmed by 10/1/31 unpub. Copyrig
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Men Now Days (see Ain’t MuchGood
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Cover isThere’s Something Nice Ab
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title? Every rag that doesn’t inc
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eproduces the sheet music cover, wh
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Too Tight (Natty Dominique)Pam Pame
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Bozo-blues; words and melody by Boz
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and Donald Lambert, MC'd by Rudi Bl
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Now that’s the way my folks would
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the Country” and has no composer
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Must go with copyright reg. and som
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Goodman reports: I have 1917 bandar
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influential label, the MicKinney’
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Band also spell West Lawn as two se
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Ida Cox, but more to our point is t
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2013 review: Well, it was recorded
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John Gill’s Calif. Sunshine Boys
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When You Walked OutSomeone Else Wal
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actual Parlophone label of the Hyde
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That’s a bizarre mistake for Mazz
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Written 1979, plenty of online conf
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At the time [i.e., shortly after hi
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Keith Nichols Cotton Club Orchestra
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You Broke Your Promise (George Wyle
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Louis Cottrell Trio, NO, 1/27/61, R
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ASM, 1932, Witmark & Sons; w. Dubin
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[And Klein Tindull is for real. His
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In that same book on page 257 thefo
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“Put Your Arms Around Me, Honey
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Si tu vois ma mère [If You See My
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At this point (June 30, 2011), I wi
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Black Mountain Blues - copyright in
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VICTOR ALTERNATIVE TITLES(Victor te
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CHECK COPYRIGHT CARDSAfrican Hunch
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Galion stomp - lovie austin?Gates B
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meanest blues - napoleon & signorel
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slide, frog, slidesnakes hips spenc
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Wild and wooly (or woolly) willie -
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