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up as composer in several online references toothers’ recordings of it.Evidence enough: Copyrighted as o’ byJackson and first recorded as o’ by Jackson.Meat on the Table (SiegfriedChristensen–Pinky Vidacovich)Louisiana Repertory Jazz Ensemble 1055New Orleans Classic Jazz Orch 11451055 was A. Christianson & P. Vidacovich.1145 was Sigfree C. & Pinky Vidacovich.Earlier editions of this index had Sigfre, whichis how Rust spells it. (The correct Germanicspelling is, of course, Siegfried.)Rec. N.O. Owls, 4/15/27, Columbia 1158-D.Oops from copyright book:Meat on the table; words and music by G. E.O'Rourke. © 1 c. Dec. 6, 1927; E 679217;George Edward O'Rourke, New Orleans.Neither Christensen nor Vidacovich are in1927 book at all.BUT in 1928 we findMeat on the table; melody by S. B.Christensen. © 1 c. Jan. 3, 1928; E 679772;Siegfried B. Christensen, New Orleans.No Vidacovich in this book either.Well, Vidacovich stays only if we can find himon that record label. Yes: “(Christensen andVidacovich).”Mecca Flat Blues (Jimmy Blythe–Alexander Robinson)P. T. Stanton’s Stone Age JB 1228Down Home JB 1241John Gill’s Dixieland Serenaders 13211228 & 1241 says Blythe; 1321 said Blythe,Robinson & Steve Graham.2013 review: Rec. Priscilla Stewart w/BlytheAugust 1924, Paramount 12224. First letter ofcredit line is blurred on label I found, but it stillconfirms: Looks like “G. Blythe & A.Robinson.”Later by Albert Ammons, 4/8/39, Solo Art12001. LC SONIC says credit is J. Blythe-A.Robinson.CopyrightMecca flat blues; w Alexander Robinson,melody James Blythe, of U.S. © 1 c. Oct. 4,1924: E 602097; Chicago music pub. co.,Chicago.No Steve Graham in 1924-25 copyright booksat all.I have three other recordings that credit allthree, and two of which are boogiewoogie/blues guys. Online 78 says Blythe-Robinson, as does LC SONIC, which also saysBlythe Robinson for the Ammons on Solo Art.So where did Steve Graham come from?Aha...I found all three names on a TurkMurphy recording issued by S.F. Trad JazzFoundation. But Turk also put it on his NewOrleans Jazz Festival LP for Columbia, withcredits Blythe-Robinson. Perhaps the realinfluence was the Anderson fake book whichcredits all three. This book is widely used, butI’ve not found it to be especially credible onsuch things.I’ve got a bad feeling about this--if the originalsource for Graham is the Anderson fake book,I’ll throw him out in a heartbeat. But first, I’llcontact John Gill, Marty Frankel, & SonnyLeyland, the three guys who put it on theirrecords (the fourth, Charlie Booty, is dead.Frankel isn’t positive, but thinks it likely he gotthe credit from Anderson. John Gill says,I have no idea about the Steve Grahamconnection. I may have gotten it fromAnderson. I would agree that if you can't findany historical record of this Graham fellow,that it may come from a reissue recording orfrom a re issue blues songbook of somekind. I have not seen any original music onthis one.Didn’t hear back from Sonny, but have sincefound the LC SONIC report that the credit onhis record also was Blythe-Robinson, so I thinkwe can safely kill the Steve Graham credit asan abberation in the Anderson fake book.Medic Rag (C. L. Woolsey)David Thomas Roberts 1317ASM, 1910, Jerome Remick. He wrote only afew rags, and he seems to be C. L. Woolsey.He also published as C. L. Woolsey. I wonderif we should adopt that usage, the way we didwith M. L. (Mayhew Lester) Lake.Meditation (Lee Sims)Frederick Hodges 1333A dozen or so compositions with this titleregistered in 1927, including one by FatsWaller, but there’s also one by Lee Sims,12/14/27.Meet Me at the San FranciscoFair. Nineteen Fifteen.(Don J. A. Gono)Chrysanthemum Ragtime Band 1168LP was Don J. A. Gono. Copyright:Meet me at the San Francisco fair, nineteenfifteen; words and music by J. A. Gono. [SanFrancisco] San Francisco publishers. ©Nov. 9, 1914; 2 c. Nov. 18, 1914 E 353030;Juan Alvarado Gono, San Francisco.(He’s J. A. Gono in the index too)But found sheet music online for his “Flying,”1915, on which he’s Don J. A. Gono bothcover and copyright page. And found oneBay a souvenir postcard from fair, called“Meet Me at the San Francisco Fair 1915,”featuring a poem by Don A. J. Gono. And alibrary listing in Calif. State Library has theDon. Never saw the actual sheet music, butthis title looks OK, although you couldprobably argue for the year being a subtitle inparentheses.Meet Me To-night in Dreamland(Leo Friedman–Beth Slater Whitson)Canary Cottage Dance Orchestra 1415ASM, 1909, Will Rossiter; w. Whitson/m.Friedman. “To-night” on both cover andcopyright page.Meet Miss America (Johnny Mercer–Matty Malneck)Alex Hassan 1322Confirmed by 8/28/35 copyright reg., w/m.both.Melancholy [Blues] (Marty Bloom–Walter Melrose)Black Bottom Stompers (England) 1045Don Ewell 1077Fenix JB 1129Humphrey Lyttelton & His Band 1160Gauthé–Marquet Clarinet Serenadrs 1216Down Home JB 1217Neville Dickie 1341Pam Pameijer’s New Jazz Wizards 1350Copyright isMelancholy; by Marty Bloom and WalterMelrose; pf. (c) June 8, 1927; E 665815;Melrose bros. music co. inc., Chicago.Very first rec. by Johnny Dodds asMelancholy, second rec. by Hot Seven asMelancholy Blues.Melancholy Lou (Ray Hibbeler)Charleston Chasers 1314Rec.Little Ramblers, 7/14/25, Columbia 423-D.Fred Hall, 9/25/25, OKeh 40482.Howard Lanin, 9/29/25, Victor 19797, HMV B-5047. Victor label says Ray Hibbeler.NOJB, 10/8/25, Apex 8411, Domino 21091,Banner 1624, Domino 3594 et al. Apex labelsays Ribbeler. But Oriole 497, as Six BlackDiamonds, says Hibbeler.Orig. Indiana 5, 10/8/25, Gennett 3165,Champion 15049.Confirmed by 6/29/25 copyright reg., definitelyRay Hibbeler.
Melancholy Stomp (Don Ewell)European Classic Jazz Trio 1142Ewell recorded his “Melancholy Stomp” on anow impossible to get ten-inch LP on theWindin’ Ball label in the early 1950sConfirmed by 6/18/52 copyright reg. byDonald Tyson Ewell.Melody from the Sky, A(Louis Alter–Sidney D. Mitchell)Classic Jazz Quartet 1125Confirmed by 1/29/36 copyright reg., w/mboth. S&P says introduced by that famousromantic balladeer Fuzzy Knight in The Trail ofthe Lonesome Pine.Melrose Rag, The (Hubert Bauersachs)Glenn Jenks & Dan Grinstead 1292ASM, 1922, H. T. Bauersachs, adds “The” totitle.Memories (Gus Kahn–Egbert Van Alstyne)Canary Cottage Dance Orchestra 1400Confirmed by 1915 sheet music, w. GustaveKahn/m. EVA.Memories of You (Eubie Blake–Andy Razaf)Terry Waldo’s Gotham City Band 1120Paris Washboard 1391ASM, 1930, Shapiro, Bernstein; w. Razaf/m.Blake.Memphis Blues, The [Mister Crump](W. C. Handy–George A. Norton)Neville Dickie 1052Steve Waddell’s Creole Bells 1173Down Home JB 1190Zenith Hot Stompers 1248John Gill’s Dixieland Serenaders 1304Chris Tyle’s Silver Leaf JB 1311Bob Schulz & His Frisco JB 1349Yerba Buena Stompers 1369Manhattan Ragtime Orchestra 1402Paris Washboard 1428
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6th editionWORKING DRAFT WITH NOTES
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Further background notes in case I
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Absolutely (Jabbo Smith)Grand Domin
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Ah-Ha! (James V. Monaco-Sidney Clar
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Zenith Hot Stompers 1248Black Eagle
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Tex’s original-looking 1920 sheet
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(this is not the popular Smith-Burr
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Barrel House Rag - Campbell hand-wr
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seen often both ways, so will chang
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Aug. 22, 1919; E 458166; Spencer Wi
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ecording was Bob Hudson. This may w
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Carroll Dickerson’s Savoy Orch, 5
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Al Dubin)Paul and His Gang 1329Bles
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“BLUE GOOSE”RAGThis says to me
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No composer credit on label. Chilto
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Lathair is the guy who worked in Ch
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Bouncing Around (Armand J. Piron-Pe
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Bright Star Blues (Armand J. Piron-
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Thought I Heard Buddy Bolden Say)."
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But fellow researchers out there, c
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Aha, LC cy catalog of 1929 says,Cal
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Did find the LC copyright:Candy lip
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Not in Rust. Ted des Plantes’ lin
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So it was copyrighted by Oliver alo
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Chicken Reel (Joseph M. Daly)Helm-L
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Kinkle shows it as "Ciribiribin (It
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Becket’s composition or followed
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ASM, 1931, Santly Bros.; w. AF/m. F
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John Gill reports 1/18/24 copyright
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Frankie Trumbauer aho, 6/24/31, Bru
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ut Bob says it never felt comfortab
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the second 32-bar theme is my own,
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’Deed I Do (Walter Hirsch-Fred Ro
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Rec. Moten 6/12/27, Victor 21199--a
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Why Bring That Up? Internet Movie D
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Rhodes: "’Get It Right’ = ‘Do
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At Bessie’s request, all of the c
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“Don’t Go ’Way Nobody,” a s
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migrated northward up the Mississip
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1915; 2 c. July 24, 1915; E 363546;
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Woode on two other titles. So obvio
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all four posibilities we’d have t
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Echoes from the Snowball Club(Harry
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Music by Sadie Koninsky, arranged b
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OH, hell. After all this I thought
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Farmerette (Jesse Greer)George Fole
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Firechief Rag (Danny Alguire)Smith-
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and cy page) (You’ll Miss Me in t
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Gambling Jack (Jelly Roll Morton)Pa
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and "Boy Friend." Kinkle agrees. It
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soul all human beings feel. That th
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Magnolia JB 1016Turk Murphy JB 1161
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Grandpa’s Spells (Jelly Roll Mort
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Waldo’s Jazz Entertainers 1377Con
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We’ve not included arrangers as c
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“Hello Montreal” (but surely it
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1903 sheet could mean that it’s a
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2013 review: We can do better than
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21, 1925; E 627852 Triangle music p
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Rust; if it comes after record numb
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Found sleeve cover for 45 on Pye-Vo
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Actually, it appears that the choru
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So far, still solidly in the “unk
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can find no evidence she ever did a
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tune attributed to Pecora, even und
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(Harry Woods-Billy Rose-Mort Dixon)
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Ponce, also pub. Ager, Yellen & Bor
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If Winter Comes (W. R. Williams-Joh
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Crawford set phrases chanted by Mar
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I’m All Bound ’Round with the M
Page 148 and 149: Telcon 8/28: OK, do the two = three
Page 150 and 151: Smith, an article titled “Jelly R
Page 152 and 153: 2013 review: Rec.Clarence Williams
Page 154 and 155: Confirmed 8/18/36 copyright reg.In
Page 156 and 157: Alstyne-Williams] via your note of
Page 158 and 159: Benny Goodman-Jack Teagarden)State
Page 160 and 161: Jazz Baby (M. K. Jerome-Blanche Mer
Page 162: 1915; E 372536; Will Rossiter, Chic
Page 165 and 166: For what it’s worth, Ellington’
Page 167 and 168: James D. Touchstone. The song's ope
Page 169 and 170: Online search found FAR more hits o
Page 171 and 172: Ondippermouth.blogspot.com/2012/11/
Page 173 and 174: 2013 review: Confirmed by 11/26/23
Page 175 and 176: Confirmed by 4/10/35 copyright reg.
Page 177 and 178: Eureka, I finally found the instrum
Page 179 and 180: Let’s Have Another Cup of Coffee(
Page 181 and 182: Limehouse Blues (Philip Braham-Doug
Page 183 and 184: Confirmed by 7/10/29 copyright reg.
Page 185 and 186: some mighty obscure evidence to the
Page 187 and 188: Keith Nichols Cotton Club Orchestra
Page 189 and 190: But copyright page isLow Bridge!
Page 191 and 192: Louisiana Repertory Jazz Ensemble 1
Page 193 and 194: document it. Ah: Thompson’s liner
Page 195 and 196: BUT notice alsoMarket Street Blues,
Page 197: James V. Monaco)Frederick Hodges 13
Page 201 and 202: (where’d he get that?), it was ar
Page 203 and 204: listing as an alternative title. Ho
Page 205 and 206: 2013 review: It appears that I neve
Page 207 and 208: For Christ’s sake! Wikipedia has
Page 209 and 210: Steve Abrams: 1924 by Kapp-Coleman-
Page 211 and 212: More Than That (Ben Barnett-Clarenc
Page 213 and 214: Mule Walk, The [Mule Walk Stomp](Ja
Page 215 and 216: connection with the refrain. The ve
Page 217 and 218: Ray Smith: credit should go to Oliv
Page 219 and 220: My Man o’ War (Andy Razaf-Spencer
Page 221 and 222: Dan Levinson’s Roof Garden JB 136
Page 223 and 224: Never Again (Isham Jones-Gus Kahn)P
Page 225 and 226: New Orleans wiggle; by Peter Bocage
Page 227 and 228: Turk: "That was a tune called '1919
Page 229 and 230: Norfolk Church Street Sobbin’ Blu
Page 231 and 232: Oh, baby; from Rain or shine, words
Page 233 and 234: 2013 review: Found the copyright:O
Page 235 and 236: Rec. Sharkey Bonano, 1/29/37, Vocal
Page 237 and 238: earliest example I know of that use
Page 239 and 240: West Jesmond Rhythm Kings 1255All S
Page 241 and 242: 2013 review: Couldn’t find anythi
Page 243 and 244: Paddle-wheelin’ Along (A Sacramen
Page 245 and 246: Rosa Henderson, 8/26, Banner 18892*
Page 247 and 248: and in parens), credits Raye-Shaver
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The Commodore reissue of all the la
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(Sidney Bechet-Rousseau Simmons)Pam
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Porcupine Rag (Charles L. Johnson)R
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Ray Smith 1162Promenade aux Champs-
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Rag Time ChimesWell, very clear on
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Oops, not in copyright books 1929-3
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But Kassel had many other copyright
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Hodges, but the Black Berries Oriol
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Alabama Red Peppers, 4/28, Cameo 82
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But wait: I remember that I have BG
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Moulin à café as alt. title, of c
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Sadness Will Be Gladness(Wingy Mano
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Found sheet music at U. Maine, conf
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with arr. for guit., etc. © Oct. 1
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Confirmed by 5/24/27 copyright reg.
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The Bluebird ODJB 75th Anniversary
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ig questions is this: Is she singin
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Shine on Your Shoes, A(Arthur Schwa
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[also published in song versionwith
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Skit-dat-de-dat; melody by Lillian
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John Gill’s Novelty Orchestra 122
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Lillian Johnson?! Yes, that was Lil
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Abrams follow-up: I had this record
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she were a composer, she’d have m
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South African Blues (Lester Melrose
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Audrey Van Dyke. It is a lead sheet
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with ukulele arr. Dick Konter. © J
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Cover also notes “Also Published
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ditto. Bunk never wrote nothin’.
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Sure wish we could track down the H
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had become a hit, would have been p
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Rilhac was a pianist and recording
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Copyright goes to Emmalina, but no
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Weatherbird JB 1034Kustbandet 1178D
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Dick Zimmerman confirms our origina
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Pretty sure without having heard it
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Les Rois du Fox-Trot 1436< Is this
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were Feldman 6D black and white edi
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Confirmed by 10/1/31 unpub. Copyrig
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Men Now Days (see Ain’t MuchGood
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Cover isThere’s Something Nice Ab
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title? Every rag that doesn’t inc
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eproduces the sheet music cover, wh
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Too Tight (Natty Dominique)Pam Pame
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Bozo-blues; words and melody by Boz
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and Donald Lambert, MC'd by Rudi Bl
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Now that’s the way my folks would
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the Country” and has no composer
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Must go with copyright reg. and som
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Goodman reports: I have 1917 bandar
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influential label, the MicKinney’
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Band also spell West Lawn as two se
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Ida Cox, but more to our point is t
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2013 review: Well, it was recorded
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John Gill’s Calif. Sunshine Boys
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When You Walked OutSomeone Else Wal
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actual Parlophone label of the Hyde
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That’s a bizarre mistake for Mazz
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Written 1979, plenty of online conf
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At the time [i.e., shortly after hi
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Keith Nichols Cotton Club Orchestra
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You Broke Your Promise (George Wyle
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Louis Cottrell Trio, NO, 1/27/61, R
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ASM, 1932, Witmark & Sons; w. Dubin
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[And Klein Tindull is for real. His
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In that same book on page 257 thefo
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“Put Your Arms Around Me, Honey
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Si tu vois ma mère [If You See My
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At this point (June 30, 2011), I wi
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Black Mountain Blues - copyright in
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VICTOR ALTERNATIVE TITLES(Victor te
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CHECK COPYRIGHT CARDSAfrican Hunch
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Galion stomp - lovie austin?Gates B
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meanest blues - napoleon & signorel
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slide, frog, slidesnakes hips spenc
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Wild and wooly (or woolly) willie -
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