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Woode on two other titles. So obviously, hisname was fluid, but he was definitely HenryWoode on that other title in this book, so wemight as well make him Henry Woode here.Dreaming the Hours Away(Will E. Dulmage–Stanton Ferguson)Black Eagle JB 1065Hot Antic JB 1099South Frisco JB 1103South Frisco JB CD 1143One More Time JB 1410Rec. Andy Pendleton, 6/26/28, OKeh 8625;Clarence Williams 1/12/28, Columbia 14287-D.Dreaming the hours away; words and musicby Will E. Dulmage and Stanton Ferguson;pf. acc., with ukulele arr. by Ben Garrison. ©Dec. 20, 1926; 2 c. Mar. 7, 1927; E 660693;Clarence Williams music pub. co., inc.. NewYork.Dreamland Blues (Part 1) (Troy Floyd)Keith Nichols Dreamland Syncoptrs 1150Dreamland Blues (Part 2) (Troy Floyd)Keith Nichols Dreamland Syncoptrs 1150Rec. Troy Floyd & His Shadowland Orch,6/21/29, OKeh 8719. Couldn’t find copyright1928-30, but the OKeh label credits Floyd.Dreamy Autumn Waltz (Edward Poplin–Louise Woods?)Bo Grumpus 13881928, says CD. Not a good sign--not incopyright books 1927-30, not in Rust, not inthe big sheet music databases.Ah, but here it is in Victor Project archives:Rec. by Poplin-Woods Tennessee String Band10/4/28, Victor V-40080. Band consisted of EdPoplin (vln), Louise Woods (pno), Jack Woods(mndln), Francis Woods (gtr). No composer islisted in Victor entry, so I’ll bet dollars todoughnuts that Ventresco assumed thebandleaders were the composers (I’ve foundhim doing that on other titles).The band made eight sides for Victor that day,and the Victor ledgers definitely call them“Poplin-Woods Tennessee String Band.” Ofthe eight sides, only three show composercredits in the Victor Project listings: Pray forthe Lights to Go Out (Will E. Skidmore), AreYou from Dixie? (Yellen & Cobb), and RobertE. Lee (Luis F. Muir).Found the Victor label; as I suspected, nocomposer credits.But aha, a clue. The label on Victor isDREAMY AUTUMN WALTZPoplin-WoodsTennessee String BandBut Victor Project says also released onCanadian Aurora 222 with performer credit ofjust Tennessee String Band. And when welook at that label, we findDreamy Autumn WaltzPoplin-WoodsTennessee String BandIn the case of both those labels, and especiallythe Aurora 222 one, it would be easy forsomebody reading the label to decide thatPoplin-Woods was the composer credit andTennessee String Band the name of thegroup, but that’s clearly (from the VictorProject listings) NOT the case. I’ll bet anythingthat this is what Ventresco (or somebody) did.But even if you did have independentconfirmation that the composer credit shouldbe Poplin-Woods, your still stuck with the factthat there were three people named Woods inthat band. Piano player Louise is probably agood guess as co-composer, but still just aguess. There’s no Poplin at all or any of thoseWoodses in copyright books 1927-31, so nohelp there. This would appear to be anothercandidate for a questionable composer credit:Poplin-Woods(?) Or even unknown, or theentire band as composer.Drop Me Off at [in] Harlem(Duke Ellington–Nick Kenny)Charleston Chasers 1287Paris Washboard 13471287 was at, 1347 was in.2013 recheck: Well, I must have been ontosomething: Rust calls it “Drop Me Off at/inHarlem.” And indeed, the original Ellingtonrecording 2/17/33, Brunswick 6528. was at.The Mills Blue Rhythm Band seems to haverecorded it for Victor in December of that yearas in, but the take was rejected, not released.And here’s our answer, the copyright entry:Drop me off in Harlem ; w Nick Kenny, mDuke Ellington; with ukulele arr. © Dec. 5,1933; E pub. 39494; Mills music, inc.So Ellington copyrighted it as in and recordedit as at. We shall let the “published” versiontake precedence, but indicate that the other isa legitimate alternative title.Drop That Sack (Louis Armstrong–Philmore Holley)New Yankee Rhythm Kings 1015Hot Dogs /Victoria Varekamp 1033Jazz Classics 1061Peruna Jazzmen 1105Ray Skjelbred 1124South Frisco JB 1240Down Home JB 12641015, 1105, 1124=Armstrong; 1033=Armstrong-Holly; 1061, 1240, 1264=Armstrong-Hardin.2013 revisit: Rec. Lill’s Hot Shots, 4/20/26,Vocalion 1037; Oriole 1009, Brunswick80060 (as Louis Armstrong with Lill’s HotShots), 02502, A-184, A-500319; Decca BM-30356.The record label record:Vocalion 1037=ArmstrongBrunswick 80060 LC ONLINE saysArmstrong-Holley, but Online 78 says LouisArmstrong-Philmor HolleyBrunswick 02502 = Armstrong.Brunswick A-500319=ArmstrongEvidently also a Brunswick BL-58004 thatcredited Armstrong-Holley.The copyright record...was confusing. Turnsout that it had been copyrighted back in 1923:Drop that sack; melody L. A. and P. H., ofU.S., arr. Lillian Hardin, of U.S. © 1 c. Dec. 8,1923; E 577784; Louis Armstrong andPhilmore Holley, Chicago.And later John Gill reported finding the“12/2/?” copyright deposit (evidently date notclear from handwriting), showing LouisArmstrong and Philmore Holley.Dropping Shucks (Lil Hardin)Peruna Jazzmen 1003Tomas Örnberg’s Blue Five 1043Evergreen Classic JB 1202Pam Pameijer’s New Jazz Wizards 1350Rec Louis Armstrong Hot 5 6/16/26, OKeh8357.Copyright:Dropping shucks; melody by L. Hardin. © 1c. July 19, 1926; E 643160; Lillian Hardin,Chicago.The OKeh label confirms this. So why do somany people call it Droppin’ Shucks? TheColumbia/Legacy Hot 5-7 reissue set calls itDroppin’, as does my only other reissue of
OKeh 8537, and lots of online references tothe record.And John Gill reports 7/19/26 copyrightdeposit showing Lillian Hardin.Drum Face-Lift (Trevor Richards)Trevor Richards NO Trio CD 1222Drummer’s Delight (Barney Bigard–Duke Ellington)Red Roseland Cornpickers 1101Rec. Biigard & His Jazzopators 1/18/38,Vocalion 3985.Drummer's delight; by Duke Ellington &Barney Bigard; pf. © Sept. 29, 1938; E pub.71965; Exclusive publications, inc., NewYork.Duff Campbell’s Revenge(Turk Murphy)West End JB 1042South Frisco JB 1307Yerba Buena Stompers 1406Evidently Turk’s first rec. of it was 4/22/57 forVerve EPV2032 Music for Losers. But EddieCondon had recorded it first for Columbia, onhis Treasure of Jazz LP, and acknowledgesMurphy’s authorship in his liner notes. Notcopyrighted 1956-58.Dusky Dudes (Jean Schwartz–Will A. Heelan)Lake Arrowhead Early JB 1365
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6th editionWORKING DRAFT WITH NOTES
Page 3 and 4:
Further background notes in case I
Page 5 and 6:
Absolutely (Jabbo Smith)Grand Domin
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Ah-Ha! (James V. Monaco-Sidney Clar
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Zenith Hot Stompers 1248Black Eagle
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Tex’s original-looking 1920 sheet
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(this is not the popular Smith-Burr
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Barrel House Rag - Campbell hand-wr
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seen often both ways, so will chang
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Aug. 22, 1919; E 458166; Spencer Wi
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ecording was Bob Hudson. This may w
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Carroll Dickerson’s Savoy Orch, 5
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Al Dubin)Paul and His Gang 1329Bles
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“BLUE GOOSE”RAGThis says to me
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No composer credit on label. Chilto
Page 36 and 37: Lathair is the guy who worked in Ch
Page 38 and 39: Bouncing Around (Armand J. Piron-Pe
Page 40 and 41: Bright Star Blues (Armand J. Piron-
Page 42 and 43: Thought I Heard Buddy Bolden Say)."
Page 44 and 45: But fellow researchers out there, c
Page 46 and 47: Aha, LC cy catalog of 1929 says,Cal
Page 48 and 49: Did find the LC copyright:Candy lip
Page 50 and 51: Not in Rust. Ted des Plantes’ lin
Page 52 and 53: So it was copyrighted by Oliver alo
Page 54 and 55: Chicken Reel (Joseph M. Daly)Helm-L
Page 56 and 57: Kinkle shows it as "Ciribiribin (It
Page 58 and 59: Becket’s composition or followed
Page 60 and 61: ASM, 1931, Santly Bros.; w. AF/m. F
Page 62 and 63: John Gill reports 1/18/24 copyright
Page 64 and 65: Frankie Trumbauer aho, 6/24/31, Bru
Page 66 and 67: ut Bob says it never felt comfortab
Page 68 and 69: the second 32-bar theme is my own,
Page 70 and 71: ’Deed I Do (Walter Hirsch-Fred Ro
Page 72 and 73: Rec. Moten 6/12/27, Victor 21199--a
Page 74 and 75: Why Bring That Up? Internet Movie D
Page 76 and 77: Rhodes: "’Get It Right’ = ‘Do
Page 78 and 79: At Bessie’s request, all of the c
Page 80 and 81: “Don’t Go ’Way Nobody,” a s
Page 82 and 83: migrated northward up the Mississip
Page 84 and 85: 1915; 2 c. July 24, 1915; E 363546;
Page 88 and 89: all four posibilities we’d have t
Page 90 and 91: Echoes from the Snowball Club(Harry
Page 92 and 93: Music by Sadie Koninsky, arranged b
Page 94 and 95: OH, hell. After all this I thought
Page 96 and 97: Farmerette (Jesse Greer)George Fole
Page 98 and 99: Firechief Rag (Danny Alguire)Smith-
Page 101 and 102: and cy page) (You’ll Miss Me in t
Page 103 and 104: Gambling Jack (Jelly Roll Morton)Pa
Page 106 and 107: and "Boy Friend." Kinkle agrees. It
Page 108 and 109: soul all human beings feel. That th
Page 110 and 111: Magnolia JB 1016Turk Murphy JB 1161
Page 112 and 113: Grandpa’s Spells (Jelly Roll Mort
Page 114 and 115: Waldo’s Jazz Entertainers 1377Con
Page 116 and 117: We’ve not included arrangers as c
Page 118 and 119: “Hello Montreal” (but surely it
Page 120 and 121: 1903 sheet could mean that it’s a
Page 122 and 123: 2013 review: We can do better than
Page 124 and 125: 21, 1925; E 627852 Triangle music p
Page 126 and 127: Rust; if it comes after record numb
Page 128 and 129: Found sleeve cover for 45 on Pye-Vo
Page 130 and 131: Actually, it appears that the choru
Page 132 and 133: So far, still solidly in the “unk
Page 134 and 135: can find no evidence she ever did a
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tune attributed to Pecora, even und
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(Harry Woods-Billy Rose-Mort Dixon)
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Ponce, also pub. Ager, Yellen & Bor
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If Winter Comes (W. R. Williams-Joh
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Crawford set phrases chanted by Mar
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I’m All Bound ’Round with the M
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Telcon 8/28: OK, do the two = three
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Smith, an article titled “Jelly R
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2013 review: Rec.Clarence Williams
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Confirmed 8/18/36 copyright reg.In
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Alstyne-Williams] via your note of
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Benny Goodman-Jack Teagarden)State
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Jazz Baby (M. K. Jerome-Blanche Mer
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1915; E 372536; Will Rossiter, Chic
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For what it’s worth, Ellington’
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James D. Touchstone. The song's ope
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Online search found FAR more hits o
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Ondippermouth.blogspot.com/2012/11/
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2013 review: Confirmed by 11/26/23
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Confirmed by 4/10/35 copyright reg.
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Eureka, I finally found the instrum
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Let’s Have Another Cup of Coffee(
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Limehouse Blues (Philip Braham-Doug
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some mighty obscure evidence to the
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Keith Nichols Cotton Club Orchestra
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But copyright page isLow Bridge!
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Louisiana Repertory Jazz Ensemble 1
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document it. Ah: Thompson’s liner
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BUT notice alsoMarket Street Blues,
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James V. Monaco)Frederick Hodges 13
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Melancholy Stomp (Don Ewell)Europea
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(where’d he get that?), it was ar
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listing as an alternative title. Ho
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2013 review: It appears that I neve
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For Christ’s sake! Wikipedia has
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Steve Abrams: 1924 by Kapp-Coleman-
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More Than That (Ben Barnett-Clarenc
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Mule Walk, The [Mule Walk Stomp](Ja
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connection with the refrain. The ve
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Ray Smith: credit should go to Oliv
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My Man o’ War (Andy Razaf-Spencer
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Dan Levinson’s Roof Garden JB 136
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Never Again (Isham Jones-Gus Kahn)P
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New Orleans wiggle; by Peter Bocage
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Turk: "That was a tune called '1919
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Norfolk Church Street Sobbin’ Blu
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Oh, baby; from Rain or shine, words
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2013 review: Found the copyright:O
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Rec. Sharkey Bonano, 1/29/37, Vocal
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earliest example I know of that use
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West Jesmond Rhythm Kings 1255All S
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2013 review: Couldn’t find anythi
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Paddle-wheelin’ Along (A Sacramen
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Rosa Henderson, 8/26, Banner 18892*
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and in parens), credits Raye-Shaver
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The Commodore reissue of all the la
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(Sidney Bechet-Rousseau Simmons)Pam
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Porcupine Rag (Charles L. Johnson)R
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Ray Smith 1162Promenade aux Champs-
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Rag Time ChimesWell, very clear on
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Oops, not in copyright books 1929-3
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But Kassel had many other copyright
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Hodges, but the Black Berries Oriol
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Alabama Red Peppers, 4/28, Cameo 82
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But wait: I remember that I have BG
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Moulin à café as alt. title, of c
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Sadness Will Be Gladness(Wingy Mano
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Found sheet music at U. Maine, conf
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with arr. for guit., etc. © Oct. 1
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The Bluebird ODJB 75th Anniversary
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ig questions is this: Is she singin
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Shine on Your Shoes, A(Arthur Schwa
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[also published in song versionwith
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Skit-dat-de-dat; melody by Lillian
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John Gill’s Novelty Orchestra 122
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Lillian Johnson?! Yes, that was Lil
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Abrams follow-up: I had this record
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she were a composer, she’d have m
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South African Blues (Lester Melrose
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Audrey Van Dyke. It is a lead sheet
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with ukulele arr. Dick Konter. © J
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Cover also notes “Also Published
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ditto. Bunk never wrote nothin’.
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Sure wish we could track down the H
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had become a hit, would have been p
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Rilhac was a pianist and recording
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Copyright goes to Emmalina, but no
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Weatherbird JB 1034Kustbandet 1178D
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Dick Zimmerman confirms our origina
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Pretty sure without having heard it
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Les Rois du Fox-Trot 1436< Is this
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were Feldman 6D black and white edi
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Confirmed by 10/1/31 unpub. Copyrig
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Men Now Days (see Ain’t MuchGood
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Cover isThere’s Something Nice Ab
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title? Every rag that doesn’t inc
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eproduces the sheet music cover, wh
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Too Tight (Natty Dominique)Pam Pame
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Bozo-blues; words and melody by Boz
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and Donald Lambert, MC'd by Rudi Bl
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Now that’s the way my folks would
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the Country” and has no composer
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Must go with copyright reg. and som
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Goodman reports: I have 1917 bandar
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influential label, the MicKinney’
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Band also spell West Lawn as two se
Page 354 and 355:
Ida Cox, but more to our point is t
Page 356 and 357:
2013 review: Well, it was recorded
Page 358 and 359:
John Gill’s Calif. Sunshine Boys
Page 360 and 361:
When You Walked OutSomeone Else Wal
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actual Parlophone label of the Hyde
Page 364 and 365:
That’s a bizarre mistake for Mazz
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Written 1979, plenty of online conf
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At the time [i.e., shortly after hi
Page 370 and 371:
Keith Nichols Cotton Club Orchestra
Page 372 and 373:
You Broke Your Promise (George Wyle
Page 374 and 375:
Louis Cottrell Trio, NO, 1/27/61, R
Page 376 and 377:
ASM, 1932, Witmark & Sons; w. Dubin
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[And Klein Tindull is for real. His
Page 380 and 381:
In that same book on page 257 thefo
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“Put Your Arms Around Me, Honey
Page 384 and 385:
Si tu vois ma mère [If You See My
Page 386 and 387:
At this point (June 30, 2011), I wi
Page 388 and 389:
Black Mountain Blues - copyright in
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VICTOR ALTERNATIVE TITLES(Victor te
Page 392 and 393:
CHECK COPYRIGHT CARDSAfrican Hunch
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Galion stomp - lovie austin?Gates B
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meanest blues - napoleon & signorel
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slide, frog, slidesnakes hips spenc
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Wild and wooly (or woolly) willie -
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