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Confirmed by 12/17/30 unpub. copyright reg.(to A. Dominique) and Victor label. Curious:Victor Project says composer Natty Dominiquebased on label, but label, like copyright, readsA. Dominique.Sweet Lotus Blossom (see Marahuana)Sweet Lovin’ Man (see My SweetLovin’ Man)Sweet Mama (Duke Ellington–Irving Mills)Dry Throat Fellows 1226San Francisco Starlight Orchestra 1364We had just Ellington.Whoa, have we screwed up here? There’s no“Sweet Mama” in Rust index, and in lookingthrough Ellington recording sessions, we findthat he recorded “Sweet Mama [sic] (Papa’sGettin’ Mad)” 1/9/28, Harmony 577-H.But no, there is a “Sweet Mama” by Ellington,which Rust (presumably mistakenly) listedunder the Papa’s Getting Mad listing: rec.12/10/29, Brunswick 4760, 6811 (as theJungle Band)); again 6/12/30 (as Mills’ TenBlack Berries), Clarion 5332-C, Diva 6062-G etal.But the 1928 Sweet Mamma (Papa’s GettingMad) is by Rose-Little-Frost according to theHarmony label.But copyrighted with two m’s:Sweet mamma; by Duke Ellington pf. © Feb.15, 1930; 2 c. Mar. 7; E pub. 13860; Gothammusic service, inc., New York.But one of those m’s must have stood forMills, because both Brunswick labels saySweet Mama by Ellington-Mills, as does theClarion label for the later recording. Funnybusiness here? Composition list in hisautobiography doesn’t mention Mills for thistitle.Sweet Mamma (Papa’s Getting Mad)(Fred Rose–George A. Little–Peter L. Frost)West Jesmond Rhythm Kings 1255John Gill’s Dixieland Serenaders 1321ASM, 1920, Jack MillsSweet Man (Maceo Pinkard–Roy Turk)Susan LaMarche/Waldo’s Gut. Sync. 1032Carol Leigh & Jim Dapogny 1064Banu Gibson NO Hot Jazz Orch 1073Vince Giordano’s Nighthawks 1260Paris Washboard 1338ASM, 1925, Leo Feist; w. Turk/m. Pinkard.Sweet Mumtaz (Luis Russell - or King Oliver?)Jazz O’Maniacs 1071Charquet & Co 1076Red Onions & Ottilie 1090Charquet & Co 1195New Jazz Wizards 1244Le Petit Jazzband de Mr Morel 1362All SOS records said Russell.Rec. Russell 3/10/26, Vocalion 1010, Oriole1003, Brunswick A-182 et al. Again 11/17/26,OKeh 8454.TILT! Copyright isSweet Mumtaz; melody, J. Oliver, of U.S.,arr. Luis C. Russell. © 1 c. June 6, 1925; E616496; Joseph Oliver, Chicago.I’ll be damned--I have 11 recordings of this,and only one, by Buck Creek, credits Oliver. AGerman band, the Low Down Jazz Wizards,evidently also performs it as by Oliver.Labels? Brunswick A-81003 says Russell.Biltmore 1027 no credits. OKeh 8454,Vocalion V-1015, Vocalion 1010 all = Russell(LC SONIC).What in hell do we do with this? I find itpersuasive for two reasons:(a) Russell is credited as the arranger, andit’s a lot easier to imagine how that creditcould end up on the record label than if heweren’t associated with the tune at all;(b) Luis Russell has five other tunescopyrighted in the 1926 book, and had four inthe 1925 book, so he knew about copyrightingand how to do it, and he presumably wouldhave copyrighted this tune if he’d written it.Bill Haesler’s research:Laurie Wright's 'King Oliver' discographyprovides the following information:Sweet Mumtaz, melody by J. Oliver,arranged by Luis C. Russell; E616496, 6June 1925; Joseph Oliver, Chicago.Renewed: 9 June 1952 by Mrs. Joe Oliver(W): R96004The discography in Richard M. Jones.Forgotten Man Of Jazz by eminentresearchers Christopher Hillman, and RoyMiddleton hasE 2622/3W - Sweet Muntaz (Russell)They indicate what is on the label.Ross Laird's 'Brunswick RecordsDiscography' Index has Louis C. Russell(RLJ = Richard L. Jones, 3818 Rhodes Ave.,Chicago, Ill.). Which I assume came fromthe Brunswick file card.But guess who agrees with the copyright?The Charles Anderson Fakebook!OBVIOUSLY must look for copyright deposit inOliver and Russell folders at LC.Sweet Music (Arthur Schwartz–Howard Dietz)Newberger–Mazzy–Thompson 1352Rec. Fletcher Henderson, 7/31/31, Victor22775, HMV K-6390.Confirmed by 6/5/31 copyright reg., w. HD/m.AS, from The band wagon.Sweet Papa Will Be Gone(Eddie Fennell)Back Bay Ramblers 1279Rec. Eddie [Fennell] and Sugar Lou’s HotelTyler Orch, Dallas, 10/24/29, Vocalion 1514.(vcl Fennell)Not in copyright books 1928-30. RHJA creditsCharles “Sugar Lou” Morgan and Fennell.Online 78 credits Douglas Fennell. Go figure.But I found the label (and even LC SONIC hasit), just Fennell.Sweet Peter (Jelly Roll Morton)Ray Smith 1012Pam Pameijer – Duet /Trio/Quartet 1134Pam Pameijer’s New Jazz Wizards 1318Rec. JRM RHP 11/13/29, Victor 23402,Biltmore 1061 et al.Confirmed by 7/8/33 unpub. copyright reg.and Victor Project.Sweet Pickles (Theron C. Bennett)David Thomas Roberts 1021ASM, 1907, Victor Kremer.Sweet Rhythm (Edwin Wilcox)Vince Giordano’s Nighthawks 1260Rec. Jimmie Lunceford, 6/6/30, Victor V-38141, 760-0005; Bluebird B-5350.Cab Calloway, 11/15/32, Brunswick 6473,01422, A-9340; Columbia DO-1159.CD notes say they’re playing the 1930Lunceford version.Edwin?Sweet rhythm; melody by M. Wilcox. © 1 c.July 30, 1930; E unp. 25668; Southernmusic pub. co., inc., New York.Index also M. Wilcox, no Edwin Wilcox in bookfor 1930, nor 1929 or 1932-33.Well, Victor Project says composer is M.Wilcox, but I see that Eddie Wilcox was thepiano player.Calloway Brunswick label is blurred butdoesn’t look like it could be Wilcox.However, an extended bio sketch of EdwinWilcox at allmusic.com credits pianist EdwinWilcox as composer, explains that he joinedthe Lunceford band in 1929 and stayed there,later leading the band after Lunceford’s deathin 1947. Wrote tunes and made manyarrangements for Lunceford. This must be ourguy.Sweet Savannah Sue (Fats Waller–Harry Brooks–Andy Razaf)
Weatherbird JB 1034Kustbandet 1178Down Home JB 1273Louis Mazetier & Neville Dickie 1289Paris Washboard 1359Rec.Armstrong aho, 7/22/29, OKeh 8717, Vocalion3136, Parlophone R-1573 et al.Mills’ Hotsy Totsy Gang, 7/31/29, Brunswick4482.Fats pno solo, 8/2/29, Victor 22108, BluebirdB-10264.Fess Williams, 9/20/29, Victor V-38065.Confirmed by 7/22/29 copyright reg., w. AR/m.TW-HB, from Connie’s hot chocolates.Sweet Substitute (Jelly Roll Morton)West End JB 1042Acker Bilk & Ken Colyer 1119European Classic Jazz Trio 1142Jim Cullum JB 1254Paris Washboard 1261Rec. Morton Seven, 1/4/40, General 1703,Commodore 631 et al.Confirmed by 10/29/38 copyright reg; Lomaxsays published in sheet by Tempo Music.Sweet Sue — Just You) (Victor Young–Will J. Harris)Dry Throat Fellows 1226ASM, 1928, Shapiro, Bernstein; w. Harris/m.Young.cover:(c) page:Sweet Sue Just YouSweet Sue — Just YouSweet Thing (Ralph Williams–Herman Kahn–Joe Verges)Keith Nichols Cotton Club Orchestra 1275ASM, 1926, Ted Browne; w/m all 3.Sweetest Melody (Al Goering–Jack Pettis–Irving Mills)Prague Jazzphonics 1236Vince Giordano’s Nighthawks 1260Back Bay Ramblers 1262Rec. Mills’ Musical Clowns, 2/14/29, Pathe36955; Perfect X-6277, 15136, Pettis aho,2/8/29, OKeh 41411, Parlophone R-673,Odeon A-2317 et al.Confirmed by 5/22/29 copyright reg., w/m all3.Sweetheart (Arnold Johnson–Benny Davis)Hall Brothers JB 1031ASM, 1921, Leo Feist; w. Davis/m. Johnson.Sweetheart o’ Mine (seeFrog-I-More)(I Love You – I Love You – I Love You)Sweetheart of All My Dreams(Art Fitch–Kay Fitch–Bert Lowe)Albion JB 1249ASM, 1926, Fitche Bros., assigned 1928 toShapiro, Bernstein. Cover & (c) page agree:I Love You – I Love You – I Love YouSweetheart of All My DreamsSweethearts on Parade (CarmenLombardo–Charles Newman)Marquet–Persson Melody Boys 1229Down Home JB 1273South Frisco JB 1342ASM, 1928, Milton Weil; w. Newman/m.Lombardo.Sweetie Dear (Joe Jordan)Hall Brothers JB 1031Paris Washboard 1293Black Eagle JB 1303Chris Tyle’s Silver Leaf JB 1311South Side Jazz Serenaders 1420ASM, 1914, Jos. Stern.Sweetmeats (Percy Wenrich)Chrysanthemum Ragtime Band 1079Pierce College Symphonic Winds 1297ASM, 1907, Arnett Delonais.Sweetness (Carmen Lombardo–Chester Cohn–Ned Miller)Back Bay Ramblers 1279
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6th editionWORKING DRAFT WITH NOTES
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Further background notes in case I
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Absolutely (Jabbo Smith)Grand Domin
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Ah-Ha! (James V. Monaco-Sidney Clar
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Zenith Hot Stompers 1248Black Eagle
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Tex’s original-looking 1920 sheet
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(this is not the popular Smith-Burr
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Barrel House Rag - Campbell hand-wr
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seen often both ways, so will chang
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Aug. 22, 1919; E 458166; Spencer Wi
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ecording was Bob Hudson. This may w
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Carroll Dickerson’s Savoy Orch, 5
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Al Dubin)Paul and His Gang 1329Bles
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“BLUE GOOSE”RAGThis says to me
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No composer credit on label. Chilto
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Lathair is the guy who worked in Ch
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Bouncing Around (Armand J. Piron-Pe
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Bright Star Blues (Armand J. Piron-
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Thought I Heard Buddy Bolden Say)."
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But fellow researchers out there, c
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Aha, LC cy catalog of 1929 says,Cal
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Did find the LC copyright:Candy lip
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Not in Rust. Ted des Plantes’ lin
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So it was copyrighted by Oliver alo
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Chicken Reel (Joseph M. Daly)Helm-L
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Kinkle shows it as "Ciribiribin (It
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Becket’s composition or followed
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ASM, 1931, Santly Bros.; w. AF/m. F
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John Gill reports 1/18/24 copyright
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Frankie Trumbauer aho, 6/24/31, Bru
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ut Bob says it never felt comfortab
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the second 32-bar theme is my own,
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’Deed I Do (Walter Hirsch-Fred Ro
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Rec. Moten 6/12/27, Victor 21199--a
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Why Bring That Up? Internet Movie D
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Rhodes: "’Get It Right’ = ‘Do
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At Bessie’s request, all of the c
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“Don’t Go ’Way Nobody,” a s
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migrated northward up the Mississip
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1915; 2 c. July 24, 1915; E 363546;
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Woode on two other titles. So obvio
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all four posibilities we’d have t
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Echoes from the Snowball Club(Harry
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Music by Sadie Koninsky, arranged b
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OH, hell. After all this I thought
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Farmerette (Jesse Greer)George Fole
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Firechief Rag (Danny Alguire)Smith-
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and cy page) (You’ll Miss Me in t
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Gambling Jack (Jelly Roll Morton)Pa
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and "Boy Friend." Kinkle agrees. It
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soul all human beings feel. That th
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Magnolia JB 1016Turk Murphy JB 1161
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Grandpa’s Spells (Jelly Roll Mort
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Waldo’s Jazz Entertainers 1377Con
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We’ve not included arrangers as c
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“Hello Montreal” (but surely it
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1903 sheet could mean that it’s a
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2013 review: We can do better than
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21, 1925; E 627852 Triangle music p
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Rust; if it comes after record numb
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Found sleeve cover for 45 on Pye-Vo
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Actually, it appears that the choru
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So far, still solidly in the “unk
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can find no evidence she ever did a
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tune attributed to Pecora, even und
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(Harry Woods-Billy Rose-Mort Dixon)
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Ponce, also pub. Ager, Yellen & Bor
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If Winter Comes (W. R. Williams-Joh
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Crawford set phrases chanted by Mar
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I’m All Bound ’Round with the M
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Telcon 8/28: OK, do the two = three
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Smith, an article titled “Jelly R
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2013 review: Rec.Clarence Williams
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Confirmed 8/18/36 copyright reg.In
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Alstyne-Williams] via your note of
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Benny Goodman-Jack Teagarden)State
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Jazz Baby (M. K. Jerome-Blanche Mer
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1915; E 372536; Will Rossiter, Chic
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For what it’s worth, Ellington’
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James D. Touchstone. The song's ope
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Online search found FAR more hits o
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Ondippermouth.blogspot.com/2012/11/
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2013 review: Confirmed by 11/26/23
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Confirmed by 4/10/35 copyright reg.
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Eureka, I finally found the instrum
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Let’s Have Another Cup of Coffee(
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Limehouse Blues (Philip Braham-Doug
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Confirmed by 7/10/29 copyright reg.
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some mighty obscure evidence to the
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Keith Nichols Cotton Club Orchestra
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But copyright page isLow Bridge!
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Louisiana Repertory Jazz Ensemble 1
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document it. Ah: Thompson’s liner
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BUT notice alsoMarket Street Blues,
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James V. Monaco)Frederick Hodges 13
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Melancholy Stomp (Don Ewell)Europea
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(where’d he get that?), it was ar
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listing as an alternative title. Ho
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2013 review: It appears that I neve
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For Christ’s sake! Wikipedia has
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Steve Abrams: 1924 by Kapp-Coleman-
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More Than That (Ben Barnett-Clarenc
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Mule Walk, The [Mule Walk Stomp](Ja
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connection with the refrain. The ve
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Ray Smith: credit should go to Oliv
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My Man o’ War (Andy Razaf-Spencer
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Dan Levinson’s Roof Garden JB 136
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Never Again (Isham Jones-Gus Kahn)P
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New Orleans wiggle; by Peter Bocage
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Turk: "That was a tune called '1919
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Norfolk Church Street Sobbin’ Blu
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Oh, baby; from Rain or shine, words
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2013 review: Found the copyright:O
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Rec. Sharkey Bonano, 1/29/37, Vocal
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earliest example I know of that use
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West Jesmond Rhythm Kings 1255All S
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2013 review: Couldn’t find anythi
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Paddle-wheelin’ Along (A Sacramen
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Rosa Henderson, 8/26, Banner 18892*
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and in parens), credits Raye-Shaver
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The Commodore reissue of all the la
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(Sidney Bechet-Rousseau Simmons)Pam
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Porcupine Rag (Charles L. Johnson)R
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Ray Smith 1162Promenade aux Champs-
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Rag Time ChimesWell, very clear on
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Oops, not in copyright books 1929-3
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But Kassel had many other copyright
Page 263 and 264: Hodges, but the Black Berries Oriol
Page 265 and 266: Alabama Red Peppers, 4/28, Cameo 82
Page 267 and 268: But wait: I remember that I have BG
Page 269 and 270: Moulin à café as alt. title, of c
Page 271 and 272: Sadness Will Be Gladness(Wingy Mano
Page 273 and 274: Found sheet music at U. Maine, conf
Page 275 and 276: with arr. for guit., etc. © Oct. 1
Page 277 and 278: Confirmed by 5/24/27 copyright reg.
Page 279 and 280: The Bluebird ODJB 75th Anniversary
Page 281 and 282: ig questions is this: Is she singin
Page 283 and 284: Shine on Your Shoes, A(Arthur Schwa
Page 285 and 286: [also published in song versionwith
Page 287 and 288: Skit-dat-de-dat; melody by Lillian
Page 289 and 290: John Gill’s Novelty Orchestra 122
Page 291 and 292: Lillian Johnson?! Yes, that was Lil
Page 293 and 294: Abrams follow-up: I had this record
Page 295 and 296: she were a composer, she’d have m
Page 297 and 298: South African Blues (Lester Melrose
Page 299 and 300: Audrey Van Dyke. It is a lead sheet
Page 301 and 302: with ukulele arr. Dick Konter. © J
Page 303 and 304: Cover also notes “Also Published
Page 305 and 306: ditto. Bunk never wrote nothin’.
Page 307 and 308: Sure wish we could track down the H
Page 309 and 310: had become a hit, would have been p
Page 311 and 312: Rilhac was a pianist and recording
Page 313: Copyright goes to Emmalina, but no
Page 317 and 318: Dick Zimmerman confirms our origina
Page 319 and 320: Pretty sure without having heard it
Page 321 and 322: Les Rois du Fox-Trot 1436< Is this
Page 323 and 324: were Feldman 6D black and white edi
Page 325 and 326: Confirmed by 10/1/31 unpub. Copyrig
Page 327 and 328: Men Now Days (see Ain’t MuchGood
Page 329 and 330: Cover isThere’s Something Nice Ab
Page 331 and 332: title? Every rag that doesn’t inc
Page 333 and 334: eproduces the sheet music cover, wh
Page 335 and 336: Too Tight (Natty Dominique)Pam Pame
Page 337 and 338: Bozo-blues; words and melody by Boz
Page 339: and Donald Lambert, MC'd by Rudi Bl
Page 342 and 343: Now that’s the way my folks would
Page 344 and 345: the Country” and has no composer
Page 346 and 347: Must go with copyright reg. and som
Page 348 and 349: Goodman reports: I have 1917 bandar
Page 350 and 351: influential label, the MicKinney’
Page 352 and 353: Band also spell West Lawn as two se
Page 354 and 355: Ida Cox, but more to our point is t
Page 356 and 357: 2013 review: Well, it was recorded
Page 358 and 359: John Gill’s Calif. Sunshine Boys
Page 360 and 361: When You Walked OutSomeone Else Wal
Page 362 and 363: actual Parlophone label of the Hyde
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That’s a bizarre mistake for Mazz
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Written 1979, plenty of online conf
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At the time [i.e., shortly after hi
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Keith Nichols Cotton Club Orchestra
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You Broke Your Promise (George Wyle
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Louis Cottrell Trio, NO, 1/27/61, R
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ASM, 1932, Witmark & Sons; w. Dubin
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[And Klein Tindull is for real. His
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In that same book on page 257 thefo
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“Put Your Arms Around Me, Honey
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Si tu vois ma mère [If You See My
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At this point (June 30, 2011), I wi
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Black Mountain Blues - copyright in
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VICTOR ALTERNATIVE TITLES(Victor te
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CHECK COPYRIGHT CARDSAfrican Hunch
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Galion stomp - lovie austin?Gates B
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meanest blues - napoleon & signorel
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slide, frog, slidesnakes hips spenc
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Wild and wooly (or woolly) willie -
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