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tune attributed to Pecora, even under the “INever Knew” title.I Never Knew What the MoonlightCould Do (Sam Coslow–Larry Spier)Barbara Rosene & Her New Yorkers 1405ASM, 1926, Irving Berlin.I Never Miss the Sunshine (I’m SoUsed to the Rain) (Neil Pardette–Norman Jay Harvey)Paul and His Gang 1329Confirmed by 1/2/23 copyright reg. (withcomma after sunshine), and confirmed byHassan sheet music.I Really Miss You, Baby (Tony Pringle)Albion JB 1249Pringle was in the band, so he’d know.I Remember the Year That ClaytonDelaney Died (see The Year ThatClayton Delaney Died)I Remember When (seeSi tu vois ma mère)I Said I Wasn’t Gonna Tell Nobody(see Said I Wasn’t Gonna Tell Nobody)I Saw Her at Eight o’Clock(Johnny Mercer–Matty Malneck)Alex Hassan 1322Well, the copyright isI saw her at 8 o'clock; from To beat theband, w and melody John Mercer and MattMalneck. © 1 c. Sept. 12, 1935; E unp.109846; Irving Berlin, inc., New York.In spite of ‘8' in copyright, IMDB, Georgia StateLibrary sheet music index, Songwriters Hall ofFame list for Mercer all show it as Eight.(I Scream – You Scream – We AllScream for) Ice Cream) [Ice Cream](Robert A. K. King–Howard E.Johnson–Billy Moll)Steve Waddell’s Creole Bells 1301ASM, 1927, Shapiro Bernstein isI Scream – You Scream – We All Scream ForICE CREAMsame on cover and (c) page.I Surrender, Dear (Harry Barris–Gordon Clifford)Delirium Tremolo 1177John Gill Sentimental Serenaders 1424ASM, 1931, Richard J. Powers; w. Gordon/m.Barris.I Thank You, Mr. Moon (DaveOppenheim–Dolly Morse*–Abel Baer)Barbara Rosene & Her New Yorkers 1405CD had Oppenheim-Baer, Dolly Morse.Confirmed by 10/28/31 copyright reg, w & mall three. Michael Steinman’s notes say DollyMorse also used pseudonyms DorotheaMorse, Dorothy Terriss, D. A. Esrom, mostlikely to avoid comparison with her husband,the successful (and much older) composer/publisher Theodore Morse.But oh, crap! We’ve had Dorothy Terriss aspseudonym for Theodora Morse. I’ll sure betthat’s wrong, now that we know who herhusband was. However, the Wikipedia articleon her says Theodora and that Dolly was oneof her pseudonyms. But it’s a helluva stretchto believe that a Theordora married aTheodore. And sure enough, the VictorProject reports,Dolly Morse (composer): Married toTheodore Morse. Born Alfreda Strandberg,she also wrote under the names D. A.Esrom, Dorothy Terriss, and TheodoraMorse.Found another source for maiden nameAlfreda Strandberg, so actually, it’s NOT sucha stretch that she would choose TheodoraMorse as her primary professional name. Buthell, they’re all pseudonyms. Why should weconsider Dolly or Theodora real and the othersnot?But I’ve found Theodora far more often—and, tellingly, the Associated Press obituaryfor her, dated Nov. 11, 1953, refers to her asTheodora, says she was a charter member ofASCAP, and wrote under the names ofDorothy Terris and Dolly Morse. Actually, itshould have said also wrote under thosenames, since much of stuff was written asTheodora.I Think You’ll Like It (Richard A.Whiting–(George Marion, Jr.)Barbara Rosene & Her New Yorkers 1422Actually, 10/23/29 copyright reg. identifies himas George Marion, Jr. -- whom we hadcollaborating with Fats back at Breezin’.I Thought I Heard Buddy Bolden Say(see Buddy Bolden’s Blues)I Thought I Heard Jimmy Yancey Say(Wally Fawkes)Wally Fawkes & the Rhythm Kings 1060I Used to Call Her Baby (HowardJohnson–Murray Roth–Cliff Hess)Terry Waldo & Bo Grumpus 1339Confirmed by 9/27/19 copyright reg.I Wanna Go Back to Indiana(Halsey K. Mohr)Back Bay Ramblers 1262Credits on CD were De Sylva-Brown-Henderson. Notes say inspired by 1928 BillyJames recording, which is in Rust: 5/29/28,Banner 7165 (as Imperial Dance Orch), Oriole1288. But it’s not in copyright books 1927-31.But wait, Online 78 says somebody namedHelen Richard recorded that title on Banner7064 on 2/23/28 and that composer is HalseyMohr. And it says same thing about Banner7165. An online Oriole discography sayssame thing about Helen Richard and DaisyKing--even that it’s Halsey K. Mohr. There isan H. K. Mohr in copyright books for 1930 &‘31.LC SONIC had five recordings of it: Daisy Kingon Jewel 5247; Helen Richards on Banner7064; Imperial Dance Orch on Banner 7165and Oriole 1284; and Daisy King on Oriole1186. ALL say Halsey K. Mohr. Later foundthe Oriole 1284 label, confirmed Halsey K.Mohr.Don’t know where the band got that credit, butit’s flat wrong.I Wanna Go Places and Do Things(Richard A. Whiting–Leo Robin)West End JB 1085Well, the copyright has an odd hyphen:I wan-na go places and do things; themesong of Close harmony, words by LeoRobin, music by Richard A. Whiting; pf. andukulele acc. © Mar. 28, 1929; 2 c. Mar. 30; Epub. 4670; Famous music Corp., New York.But I found two early recordings and the sheetmusic cover, none had a hyphen in wanna.I Wanna Jazz Some More(Tom Delaney)Neville Dickie 1324Rec. Kitty Brown, 9/29/24, Banner 1437,Domino 412, Regal 9733. Helen Gross, 5-6/24, Ajax 17042. Monette Moore, 9/15/24,Vocalion 14903. Johnny Sylvester, 4/4/24,Pathe Aktuelle 036154, Perfect 14335.Confirmed 5/31/24 copyright reg.I Want a Big Butter and Egg Man(see Big Butter and Egg Manfrom the West)I Want a Girl (Just Like the GirlThat Married Dear Old Dad)(Harry Von Tilzer–Will Dillon)Bob Schulz & His Frisco JB 1315Canary Cottage Dance Orchestra 1400Delta Stompers 1426ASM, 1915, Harry Von Tilzer; m. Von Tilzer/w.William Dillon. But he’s definitely just WillDillon on lots of other sheets I found, including“My Little Girl,” which we have on SOS.
I Want to Be Bad (B. G. De Sylva–Lew Brown–Ray Henderson)Charleston Chasers 1314Confirmed by 12/4/28 copyright reg., fromFollow Thru.I Want to Be in Dixie (Ted Snyder–Irving Berlin)Dave Dallwitz Ragtime Ensemble 1098ASM confirms, 1912.I Want to Be Your Lovin’ Man(Ray Scheller–Joe Bresland)Jim Snyder /Georgia Grinders 1068
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6th editionWORKING DRAFT WITH NOTES
Page 3 and 4:
Further background notes in case I
Page 5 and 6:
Absolutely (Jabbo Smith)Grand Domin
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Ah-Ha! (James V. Monaco-Sidney Clar
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Zenith Hot Stompers 1248Black Eagle
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Tex’s original-looking 1920 sheet
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(this is not the popular Smith-Burr
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Barrel House Rag - Campbell hand-wr
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seen often both ways, so will chang
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Aug. 22, 1919; E 458166; Spencer Wi
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ecording was Bob Hudson. This may w
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Carroll Dickerson’s Savoy Orch, 5
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Al Dubin)Paul and His Gang 1329Bles
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“BLUE GOOSE”RAGThis says to me
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No composer credit on label. Chilto
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Lathair is the guy who worked in Ch
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Bouncing Around (Armand J. Piron-Pe
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Bright Star Blues (Armand J. Piron-
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Thought I Heard Buddy Bolden Say)."
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But fellow researchers out there, c
Page 46 and 47:
Aha, LC cy catalog of 1929 says,Cal
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Did find the LC copyright:Candy lip
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Not in Rust. Ted des Plantes’ lin
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So it was copyrighted by Oliver alo
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Chicken Reel (Joseph M. Daly)Helm-L
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Kinkle shows it as "Ciribiribin (It
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Becket’s composition or followed
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ASM, 1931, Santly Bros.; w. AF/m. F
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John Gill reports 1/18/24 copyright
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Frankie Trumbauer aho, 6/24/31, Bru
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ut Bob says it never felt comfortab
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the second 32-bar theme is my own,
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’Deed I Do (Walter Hirsch-Fred Ro
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Rec. Moten 6/12/27, Victor 21199--a
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Why Bring That Up? Internet Movie D
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Rhodes: "’Get It Right’ = ‘Do
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At Bessie’s request, all of the c
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“Don’t Go ’Way Nobody,” a s
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migrated northward up the Mississip
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1915; 2 c. July 24, 1915; E 363546;
Page 86 and 87: Woode on two other titles. So obvio
Page 88 and 89: all four posibilities we’d have t
Page 90 and 91: Echoes from the Snowball Club(Harry
Page 92 and 93: Music by Sadie Koninsky, arranged b
Page 94 and 95: OH, hell. After all this I thought
Page 96 and 97: Farmerette (Jesse Greer)George Fole
Page 98 and 99: Firechief Rag (Danny Alguire)Smith-
Page 101 and 102: and cy page) (You’ll Miss Me in t
Page 103 and 104: Gambling Jack (Jelly Roll Morton)Pa
Page 106 and 107: and "Boy Friend." Kinkle agrees. It
Page 108 and 109: soul all human beings feel. That th
Page 110 and 111: Magnolia JB 1016Turk Murphy JB 1161
Page 112 and 113: Grandpa’s Spells (Jelly Roll Mort
Page 114 and 115: Waldo’s Jazz Entertainers 1377Con
Page 116 and 117: We’ve not included arrangers as c
Page 118 and 119: “Hello Montreal” (but surely it
Page 120 and 121: 1903 sheet could mean that it’s a
Page 122 and 123: 2013 review: We can do better than
Page 124 and 125: 21, 1925; E 627852 Triangle music p
Page 126 and 127: Rust; if it comes after record numb
Page 128 and 129: Found sleeve cover for 45 on Pye-Vo
Page 130 and 131: Actually, it appears that the choru
Page 132 and 133: So far, still solidly in the “unk
Page 134 and 135: can find no evidence she ever did a
Page 138 and 139: (Harry Woods-Billy Rose-Mort Dixon)
Page 140 and 141: Ponce, also pub. Ager, Yellen & Bor
Page 142 and 143: If Winter Comes (W. R. Williams-Joh
Page 144 and 145: Crawford set phrases chanted by Mar
Page 146 and 147: I’m All Bound ’Round with the M
Page 148 and 149: Telcon 8/28: OK, do the two = three
Page 150 and 151: Smith, an article titled “Jelly R
Page 152 and 153: 2013 review: Rec.Clarence Williams
Page 154 and 155: Confirmed 8/18/36 copyright reg.In
Page 156 and 157: Alstyne-Williams] via your note of
Page 158 and 159: Benny Goodman-Jack Teagarden)State
Page 160 and 161: Jazz Baby (M. K. Jerome-Blanche Mer
Page 162: 1915; E 372536; Will Rossiter, Chic
Page 165 and 166: For what it’s worth, Ellington’
Page 167 and 168: James D. Touchstone. The song's ope
Page 169 and 170: Online search found FAR more hits o
Page 171 and 172: Ondippermouth.blogspot.com/2012/11/
Page 173 and 174: 2013 review: Confirmed by 11/26/23
Page 175 and 176: Confirmed by 4/10/35 copyright reg.
Page 177 and 178: Eureka, I finally found the instrum
Page 179 and 180: Let’s Have Another Cup of Coffee(
Page 181 and 182: Limehouse Blues (Philip Braham-Doug
Page 183 and 184: Confirmed by 7/10/29 copyright reg.
Page 185 and 186: some mighty obscure evidence to the
Page 187 and 188:
Keith Nichols Cotton Club Orchestra
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But copyright page isLow Bridge!
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Louisiana Repertory Jazz Ensemble 1
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document it. Ah: Thompson’s liner
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BUT notice alsoMarket Street Blues,
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James V. Monaco)Frederick Hodges 13
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Melancholy Stomp (Don Ewell)Europea
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(where’d he get that?), it was ar
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listing as an alternative title. Ho
Page 205 and 206:
2013 review: It appears that I neve
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For Christ’s sake! Wikipedia has
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Steve Abrams: 1924 by Kapp-Coleman-
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More Than That (Ben Barnett-Clarenc
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Mule Walk, The [Mule Walk Stomp](Ja
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connection with the refrain. The ve
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Ray Smith: credit should go to Oliv
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My Man o’ War (Andy Razaf-Spencer
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Dan Levinson’s Roof Garden JB 136
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Never Again (Isham Jones-Gus Kahn)P
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New Orleans wiggle; by Peter Bocage
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Turk: "That was a tune called '1919
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Norfolk Church Street Sobbin’ Blu
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Oh, baby; from Rain or shine, words
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2013 review: Found the copyright:O
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Rec. Sharkey Bonano, 1/29/37, Vocal
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earliest example I know of that use
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West Jesmond Rhythm Kings 1255All S
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2013 review: Couldn’t find anythi
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Paddle-wheelin’ Along (A Sacramen
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Rosa Henderson, 8/26, Banner 18892*
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and in parens), credits Raye-Shaver
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The Commodore reissue of all the la
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(Sidney Bechet-Rousseau Simmons)Pam
Page 253 and 254:
Porcupine Rag (Charles L. Johnson)R
Page 255 and 256:
Ray Smith 1162Promenade aux Champs-
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Rag Time ChimesWell, very clear on
Page 259 and 260:
Oops, not in copyright books 1929-3
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But Kassel had many other copyright
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Hodges, but the Black Berries Oriol
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Alabama Red Peppers, 4/28, Cameo 82
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But wait: I remember that I have BG
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Moulin à café as alt. title, of c
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Sadness Will Be Gladness(Wingy Mano
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Found sheet music at U. Maine, conf
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with arr. for guit., etc. © Oct. 1
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Confirmed by 5/24/27 copyright reg.
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The Bluebird ODJB 75th Anniversary
Page 281 and 282:
ig questions is this: Is she singin
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Shine on Your Shoes, A(Arthur Schwa
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[also published in song versionwith
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Skit-dat-de-dat; melody by Lillian
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John Gill’s Novelty Orchestra 122
Page 291 and 292:
Lillian Johnson?! Yes, that was Lil
Page 293 and 294:
Abrams follow-up: I had this record
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she were a composer, she’d have m
Page 297 and 298:
South African Blues (Lester Melrose
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Audrey Van Dyke. It is a lead sheet
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with ukulele arr. Dick Konter. © J
Page 303 and 304:
Cover also notes “Also Published
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ditto. Bunk never wrote nothin’.
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Sure wish we could track down the H
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had become a hit, would have been p
Page 311 and 312:
Rilhac was a pianist and recording
Page 313 and 314:
Copyright goes to Emmalina, but no
Page 315 and 316:
Weatherbird JB 1034Kustbandet 1178D
Page 317 and 318:
Dick Zimmerman confirms our origina
Page 319 and 320:
Pretty sure without having heard it
Page 321 and 322:
Les Rois du Fox-Trot 1436< Is this
Page 323 and 324:
were Feldman 6D black and white edi
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Confirmed by 10/1/31 unpub. Copyrig
Page 327 and 328:
Men Now Days (see Ain’t MuchGood
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Cover isThere’s Something Nice Ab
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title? Every rag that doesn’t inc
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eproduces the sheet music cover, wh
Page 335 and 336:
Too Tight (Natty Dominique)Pam Pame
Page 337 and 338:
Bozo-blues; words and melody by Boz
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and Donald Lambert, MC'd by Rudi Bl
Page 342 and 343:
Now that’s the way my folks would
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the Country” and has no composer
Page 346 and 347:
Must go with copyright reg. and som
Page 348 and 349:
Goodman reports: I have 1917 bandar
Page 350 and 351:
influential label, the MicKinney’
Page 352 and 353:
Band also spell West Lawn as two se
Page 354 and 355:
Ida Cox, but more to our point is t
Page 356 and 357:
2013 review: Well, it was recorded
Page 358 and 359:
John Gill’s Calif. Sunshine Boys
Page 360 and 361:
When You Walked OutSomeone Else Wal
Page 362 and 363:
actual Parlophone label of the Hyde
Page 364 and 365:
That’s a bizarre mistake for Mazz
Page 366 and 367:
Written 1979, plenty of online conf
Page 368 and 369:
At the time [i.e., shortly after hi
Page 370 and 371:
Keith Nichols Cotton Club Orchestra
Page 372 and 373:
You Broke Your Promise (George Wyle
Page 374 and 375:
Louis Cottrell Trio, NO, 1/27/61, R
Page 376 and 377:
ASM, 1932, Witmark & Sons; w. Dubin
Page 378 and 379:
[And Klein Tindull is for real. His
Page 380 and 381:
In that same book on page 257 thefo
Page 382 and 383:
“Put Your Arms Around Me, Honey
Page 384 and 385:
Si tu vois ma mère [If You See My
Page 386 and 387:
At this point (June 30, 2011), I wi
Page 388 and 389:
Black Mountain Blues - copyright in
Page 390 and 391:
VICTOR ALTERNATIVE TITLES(Victor te
Page 392 and 393:
CHECK COPYRIGHT CARDSAfrican Hunch
Page 394 and 395:
Galion stomp - lovie austin?Gates B
Page 396 and 397:
meanest blues - napoleon & signorel
Page 398 and 399:
slide, frog, slidesnakes hips spenc
Page 400:
Wild and wooly (or woolly) willie -
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