Stomp Off 1001 - Dickbaker.org

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Not quite: ASM has it (1927, Harold Dixon).coverIf You Want to Miss a Heaven on EarthStay Out of the South(c) pageStay Out of the South!(If You Want to Miss a Heaven on Earth)Stayin’ Home (Andy Stein)Andy Stein Blue Five 1390Steady Roll Blues (Mel Stitzel–George Bates)Dan Levinson’s Roof Garden JB 1361
Cover also notes “Also Published for FullMilitary Band and Piano Solo.”Also, it turns out there was a “StockyardBlues” by Minnie Tiller and Spencer Williamsin 1926, so you never know if that’s pushingpeople toward spelling Pinkard’s tune solid.Stock Yards Strut (Jasper Taylor)Black Bottom Stompers (England) 1045Louisiana Repertory Jazz Ensemble 1140Albion JB 1206Rec. F. Keppard’s Jazz Cardinals (w/Taylor onwoodblocks), 9/26, Paramount 12399 et al.Well, Taylor’s in the 1926 book for “Stacko’Lee”; 1925 book for four tunes, not in 1927-28 books at all.But Paramount label is clear, has Taylor’sname in full.Stockade Strut (Geoff Bland)Steve Waddell’s Creole Bells 1173Bland was Australian pianist who played withRoger Bell and many other bands, includingWaddell’s band in earlier years. Waddell saysBland wrote it in Ballarat in 1985, “dedicated toLola Montez”; the title refers to the battle at theEureka Stockade, the only organized armedrebellion in Australia against the Britishcolonial government at the time of the BallaratGold RushStockholm Stomp (Jack Pettis–Al Goering)Limehouse JB 1014Rec.Jack Pettis & His Band (Goering on pno),12/16/26, Banner 1907, Domino 3883, Oriole804 (as Dixie Jazz Band).Orig. Indiana Five, 12/24/26, Harmony 387-H.Fl. Henderson aho, 1/22/27, Brunswick 3460,Vocalion 15532.Jimmy Lytell, 10/24/27, Pathe 36741, Perfect14922.Confirmed by 11/20/26 copyright reg., w/mboth.Stomp De Low Down (Dink Johnson)Butch Thompson 1037Not in Rust. It was attributed to Johnson onthe old The Professors, Vol. 2 LP on Euphonic,which may very well have been its firstrecording. No, Lord has Johnson recording itwith rhythm section in LA 3/16/46, released onDan VC4021 (Jap.), VC7025; American Music515; Storyville (Dan) SEP390 (same sessionas “So Dif’rent” above, so on American Music515 or 516). Then again 11/12/50, releasedon Nola LP12. And 11/50 that went onEuphonic and a Delmark CD reissue.I’ll be darned: Found the 515 label withcomposer credit to Johnson.Stomp Miss Hannah(Ade Monsbourgh)Back Bay Ramblers 1262Milano Hot Jazz Orchestra 13541951, confirmed by Australian Jazz Compositionsdirectory.Stomp Off! (Ted des Plantes)Three Deuces 1185Des Plantes was the piano-playing Deuce.Stomp Off, Let’s Go (Elmer Schoebel)Weatherbird JB 1034Tomas Örnberg’s Blue Five 1043Black Bottom Stompers (England) 1045New Orleans Classic Jazz Orch 1145John Gill’s Calif. Sunshine Boys 1157Charleston Chasers 1314Les Rois du Fox-Trot 1407< Look for sheet music -- is there anexclamation point? Pinsker reports:Stomp Off, Let's Go - we (HeliotropeRagtime Orchestra) have been playing thislately, and the sheet music does not have anexclamation point. [Yes, but they’d beplaying off an orchestration published forbands rather than the sheet that was issuedto the public. A quick search reveals thiswith and without banger, and with eitherdash or comma between the two phrases.]Rec. Stomp Off, Let’s Go* unless otherwisenoted:Fred Hamm aho, 4/30/25, Victor 19672. Label= Stomp Off, Let’s Go!Richard Hitter’s Blue Knights, 9/11/25, Gennett3149, Champion 15030.Vincent Lopez, 9/19/25, OKeh 40478,Parlophone E-5519 et al. *OKeh.New Orleans Owls, 9/24/25, Columbia 489-D.Label = Stomp Off—Let’s GoSam Lanin, 10/7/25, Banner 1621, Domino3592, Regal 9925The Cotton Pickers, 11/19/25, Brunswick 2981.Label = Stomp Off—Let’s GoErskine Tate’s Vendome Orch, 5/28/26,Vocalion 1027, 15372; Oriole 1004;Brunswick A-183, 80061, 03594. *Vocalion1027, *Oriole 1004,Copyright is like we have it:Stomp off, let's go; by Elmer Schoebel, ofU.S.; pf. © July 20, 1925; 2 c. July 23; E617657; Jack Mills, inc., New York.OK, the bangers and dashes are in smallminority, so we stick with simple comma asper copyright.Stomp Time Blues (Tiny Parham)Hot Antic JB 1099Le Petit Jazzband de Mr Morel 1343Pam Pameijer’s New Jazz Wizards 1382
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6th editionWORKING DRAFT WITH NOTES
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Further background notes in case I
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Absolutely (Jabbo Smith)Grand Domin
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Ah-Ha! (James V. Monaco-Sidney Clar
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Zenith Hot Stompers 1248Black Eagle
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Tex’s original-looking 1920 sheet
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(this is not the popular Smith-Burr
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Barrel House Rag - Campbell hand-wr
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seen often both ways, so will chang
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Aug. 22, 1919; E 458166; Spencer Wi
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ecording was Bob Hudson. This may w
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Carroll Dickerson’s Savoy Orch, 5
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Al Dubin)Paul and His Gang 1329Bles
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“BLUE GOOSE”RAGThis says to me
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No composer credit on label. Chilto
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Lathair is the guy who worked in Ch
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Bouncing Around (Armand J. Piron-Pe
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Bright Star Blues (Armand J. Piron-
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Thought I Heard Buddy Bolden Say)."
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But fellow researchers out there, c
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Aha, LC cy catalog of 1929 says,Cal
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Did find the LC copyright:Candy lip
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Not in Rust. Ted des Plantes’ lin
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So it was copyrighted by Oliver alo
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Chicken Reel (Joseph M. Daly)Helm-L
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Kinkle shows it as "Ciribiribin (It
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Becket’s composition or followed
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ASM, 1931, Santly Bros.; w. AF/m. F
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John Gill reports 1/18/24 copyright
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Frankie Trumbauer aho, 6/24/31, Bru
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ut Bob says it never felt comfortab
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the second 32-bar theme is my own,
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’Deed I Do (Walter Hirsch-Fred Ro
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Rec. Moten 6/12/27, Victor 21199--a
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Why Bring That Up? Internet Movie D
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Rhodes: "’Get It Right’ = ‘Do
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At Bessie’s request, all of the c
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“Don’t Go ’Way Nobody,” a s
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migrated northward up the Mississip
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1915; 2 c. July 24, 1915; E 363546;
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Woode on two other titles. So obvio
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all four posibilities we’d have t
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Echoes from the Snowball Club(Harry
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Music by Sadie Koninsky, arranged b
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OH, hell. After all this I thought
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Farmerette (Jesse Greer)George Fole
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Firechief Rag (Danny Alguire)Smith-
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and cy page) (You’ll Miss Me in t
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Gambling Jack (Jelly Roll Morton)Pa
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and "Boy Friend." Kinkle agrees. It
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soul all human beings feel. That th
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Magnolia JB 1016Turk Murphy JB 1161
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Grandpa’s Spells (Jelly Roll Mort
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Waldo’s Jazz Entertainers 1377Con
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We’ve not included arrangers as c
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“Hello Montreal” (but surely it
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1903 sheet could mean that it’s a
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2013 review: We can do better than
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21, 1925; E 627852 Triangle music p
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Rust; if it comes after record numb
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Found sleeve cover for 45 on Pye-Vo
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Actually, it appears that the choru
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So far, still solidly in the “unk
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can find no evidence she ever did a
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tune attributed to Pecora, even und
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(Harry Woods-Billy Rose-Mort Dixon)
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Ponce, also pub. Ager, Yellen & Bor
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If Winter Comes (W. R. Williams-Joh
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Crawford set phrases chanted by Mar
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I’m All Bound ’Round with the M
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Telcon 8/28: OK, do the two = three
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Smith, an article titled “Jelly R
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2013 review: Rec.Clarence Williams
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Confirmed 8/18/36 copyright reg.In
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Alstyne-Williams] via your note of
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Benny Goodman-Jack Teagarden)State
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Jazz Baby (M. K. Jerome-Blanche Mer
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1915; E 372536; Will Rossiter, Chic
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For what it’s worth, Ellington’
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James D. Touchstone. The song's ope
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Online search found FAR more hits o
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Ondippermouth.blogspot.com/2012/11/
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2013 review: Confirmed by 11/26/23
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Confirmed by 4/10/35 copyright reg.
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Eureka, I finally found the instrum
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Let’s Have Another Cup of Coffee(
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Limehouse Blues (Philip Braham-Doug
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Confirmed by 7/10/29 copyright reg.
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some mighty obscure evidence to the
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Keith Nichols Cotton Club Orchestra
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But copyright page isLow Bridge!
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Louisiana Repertory Jazz Ensemble 1
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document it. Ah: Thompson’s liner
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BUT notice alsoMarket Street Blues,
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James V. Monaco)Frederick Hodges 13
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Melancholy Stomp (Don Ewell)Europea
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(where’d he get that?), it was ar
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listing as an alternative title. Ho
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2013 review: It appears that I neve
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For Christ’s sake! Wikipedia has
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Steve Abrams: 1924 by Kapp-Coleman-
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More Than That (Ben Barnett-Clarenc
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Mule Walk, The [Mule Walk Stomp](Ja
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connection with the refrain. The ve
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Ray Smith: credit should go to Oliv
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My Man o’ War (Andy Razaf-Spencer
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Dan Levinson’s Roof Garden JB 136
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Never Again (Isham Jones-Gus Kahn)P
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New Orleans wiggle; by Peter Bocage
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Turk: "That was a tune called '1919
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Norfolk Church Street Sobbin’ Blu
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Oh, baby; from Rain or shine, words
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2013 review: Found the copyright:O
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Rec. Sharkey Bonano, 1/29/37, Vocal
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earliest example I know of that use
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West Jesmond Rhythm Kings 1255All S
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2013 review: Couldn’t find anythi
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Paddle-wheelin’ Along (A Sacramen
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Rosa Henderson, 8/26, Banner 18892*
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and in parens), credits Raye-Shaver
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The Commodore reissue of all the la
Page 251 and 252: (Sidney Bechet-Rousseau Simmons)Pam
Page 253 and 254: Porcupine Rag (Charles L. Johnson)R
Page 255 and 256: Ray Smith 1162Promenade aux Champs-
Page 257 and 258: Rag Time ChimesWell, very clear on
Page 259 and 260: Oops, not in copyright books 1929-3
Page 261 and 262: But Kassel had many other copyright
Page 263 and 264: Hodges, but the Black Berries Oriol
Page 265 and 266: Alabama Red Peppers, 4/28, Cameo 82
Page 267 and 268: But wait: I remember that I have BG
Page 269 and 270: Moulin à café as alt. title, of c
Page 271 and 272: Sadness Will Be Gladness(Wingy Mano
Page 273 and 274: Found sheet music at U. Maine, conf
Page 275 and 276: with arr. for guit., etc. © Oct. 1
Page 277 and 278: Confirmed by 5/24/27 copyright reg.
Page 279 and 280: The Bluebird ODJB 75th Anniversary
Page 281 and 282: ig questions is this: Is she singin
Page 283 and 284: Shine on Your Shoes, A(Arthur Schwa
Page 285 and 286: [also published in song versionwith
Page 287 and 288: Skit-dat-de-dat; melody by Lillian
Page 289 and 290: John Gill’s Novelty Orchestra 122
Page 291 and 292: Lillian Johnson?! Yes, that was Lil
Page 293 and 294: Abrams follow-up: I had this record
Page 295 and 296: she were a composer, she’d have m
Page 297 and 298: South African Blues (Lester Melrose
Page 299 and 300: Audrey Van Dyke. It is a lead sheet
Page 301: with ukulele arr. Dick Konter. © J
Page 305 and 306: ditto. Bunk never wrote nothin’.
Page 307 and 308: Sure wish we could track down the H
Page 309 and 310: had become a hit, would have been p
Page 311 and 312: Rilhac was a pianist and recording
Page 313 and 314: Copyright goes to Emmalina, but no
Page 315 and 316: Weatherbird JB 1034Kustbandet 1178D
Page 317 and 318: Dick Zimmerman confirms our origina
Page 319 and 320: Pretty sure without having heard it
Page 321 and 322: Les Rois du Fox-Trot 1436< Is this
Page 323 and 324: were Feldman 6D black and white edi
Page 325 and 326: Confirmed by 10/1/31 unpub. Copyrig
Page 327 and 328: Men Now Days (see Ain’t MuchGood
Page 329 and 330: Cover isThere’s Something Nice Ab
Page 331 and 332: title? Every rag that doesn’t inc
Page 333 and 334: eproduces the sheet music cover, wh
Page 335 and 336: Too Tight (Natty Dominique)Pam Pame
Page 337 and 338: Bozo-blues; words and melody by Boz
Page 339: and Donald Lambert, MC'd by Rudi Bl
Page 342 and 343: Now that’s the way my folks would
Page 344 and 345: the Country” and has no composer
Page 346 and 347: Must go with copyright reg. and som
Page 348 and 349: Goodman reports: I have 1917 bandar
Page 350 and 351: influential label, the MicKinney’
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Band also spell West Lawn as two se
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Ida Cox, but more to our point is t
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2013 review: Well, it was recorded
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John Gill’s Calif. Sunshine Boys
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When You Walked OutSomeone Else Wal
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actual Parlophone label of the Hyde
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That’s a bizarre mistake for Mazz
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Written 1979, plenty of online conf
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At the time [i.e., shortly after hi
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Keith Nichols Cotton Club Orchestra
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You Broke Your Promise (George Wyle
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Louis Cottrell Trio, NO, 1/27/61, R
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ASM, 1932, Witmark & Sons; w. Dubin
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[And Klein Tindull is for real. His
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In that same book on page 257 thefo
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“Put Your Arms Around Me, Honey
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Si tu vois ma mère [If You See My
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At this point (June 30, 2011), I wi
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Black Mountain Blues - copyright in
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VICTOR ALTERNATIVE TITLES(Victor te
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CHECK COPYRIGHT CARDSAfrican Hunch
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Galion stomp - lovie austin?Gates B
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meanest blues - napoleon & signorel
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slide, frog, slidesnakes hips spenc
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Wild and wooly (or woolly) willie -
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