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Stomp your stuff; by Bill Krenz; pf. © 1 c.Mar. 11, 1926; E 636059 Melrose bros.music co., inc., Chicago.And thenStomp your stuff; by Bill Krenz; orch. 4to. ©Apr. 10, 1926; 2 c. Apr. 26; E 640403;Melrose bros. music co., inc., Chicago.Two titles by Blythe in 1926 book, but not thisone. 9 Blythe in 1927, 8 in 1928, 2 in 1929, 1in 1930, 0 in 1931-32. And NO Stomp YourStuff after 1927.The two tunes are entirely different, butHaesler found the Superior label, and it creditsBlythe. And Robbie Rhodes points out thatthe Blythe tune is a dead steal from “Nobody’sSweetheart Now.”Stompin’ ’em Down (Alex Hill–Otis René–Leon René)Ray Skjelbred 1124Elite Syncopators 1286Rec. Hill, 3/30/29, Vocalion 1270, V-1027;Brunswick 80034.Oops, looks like he had help:Stompin' 'em down; words and melody by A.Hill, O. J. René and L. T. René. © 1 c. Apr.13, 1928; E 688747; Leon T. René, Otis J.René and Alexander Hill, Los Angeles.Vocalion 1270 label just Hill, also Brunswick.Stompin’ On Down (Tiny Parham)Jungle Crawlers 1084Rec. Parham 2/1/29, Victor V-38060.Confirmed by 9/12/29 unpub. copyright reg.,Victor Project confirms.Stompin’ the Grapes (Trebor Tichenor)Trebor Tichenor 1282Stone Age Blues (Stone Age JB)P. T. Stanton’s Stone Age JB 1228Stop It! (George L. Cobb)Waldo’s Ragtime Orchestra 1007LP had no banger.1920, says Waldo, but and there are multipletunes with that title in the 1920 copyright book,and there multiple rags by George L. in the1920 book, but no Stop It by Cobb.ragtimepiano.ca page on Cobb says copyrightWalter Jacobs, Boston, 1919, and pub. inMarch 1919 Melody magazine. But it’s not inthe 1919 book either. Site shows reset musicwith banger on title and slugged fox trot, but ithas no copyright info. June 1921 issue ofJacobs’ Band Monthly advertises bandarrangement for sale, confirms banger andCobb.Bound to be right, but I’m flabbergasted that Ican’t find it in copyright books or any onlinecollections. Brier says it was probably neverpublished as a single sheet; most WalterJacobs output in this period was published insilent movie music folios and in Jacobs’sMelody magazine.Stop Kidding (Neckbones andSauerkraut) (John Nesbitt)Lande’s Rhythm Club Orchestra 1327Rec. McKinney’s Cotton Pickers (w. Nesbitt tp& arr.), 7/12/28, but released only on Victorand Swaggie LPs, says Rust: X LVA-3031[1954, but seems to have been just “StopKidding” on this LP]; Victor RA-5314; SwaggieJCS-33758 [7" mini-LP, six tracks at 33 1/3rpm, evidently just “Stop Kidding”], and Rustshows the subtitle.Victor Project notes also reissued on FrogDGF 25 (CD, pub. 1999, which does have theNeckbons & Sauerkraut subtitle). But this isodd: Collectorsfrenzy.com is selling Victor V-38025, depicting the label of the A side, whichis Stop Kidding (no subtitle). Says B side isPut It There. Rust shows Put It There as on V-38025 but gives no hint that Stop Kidding isthere too. Found both labels on a different siteselling that 78 as well. So Rust just missedthis. But what about the neckbones & sourcabbage?No neckbones in the copyright:Stop kidding; by John Nesbitt. [Melodyonly] © 1 c. June 12, 1929; E unp. 7830;Southern music pub. co., inc., New York.Now back to the Victor Project and this oddentry:Stop kidding (Primary title) - Source: Disclabel (BHC verso)Fox trot (Title descriptor) - Source: Disc label(BHC verso)Neckbones and sauerkraut (Subtitle) -Source: Blue history cardMy 1991 Chronological Classics reissue hasthe subtitle, says source is X LVA-3031.Normally, I’d dismiss a subtitle that didn’tappear in public for several decades after theoriginal recording, but (a) it’s a delightful one,(b) it has appeared on at least some reissuesfrom which people will be learning the tune forthe first time, and (c) it was, after all, attachedto the tune clear back in July 1928 as shownby the Victor ledgers.My scenario: Band comes into studio withnew tune to record, tells engineer the title is“Neckbones and Sauerkraut.” Incredulousengineer responds, “Stop kidding! What’s itreally called?”BUT MUST RECONSIDER THIS: Rust dredgesalt title (not really subtitle) from Victor ledgers,a title that wasn’t copyrighted and wasn’t onany record labels until later reissuers eitherread it in Rust or saw the Victor ledgersthemselves. KILL IT? or at least convert it from(subtitle) to [alt title]?And really must make list of such titles andpresent them to reviewers to ask for theiropinion.Stop That Dog (He’s Goin’ Mad)(James P. Johnson–Andy Razaf)State Street Aces 1041No subtitle on LP.1932 from Harlem Hotcha [a revue at Connie’sInn] says LP. Only rec. Bob Pope & His HotelCharlotte Orch, with subtitle (He’s Goin’ Mad)according to Rust, Charlotte, NC, 2/13/36,Bluebird B-6300.No subtitle on copyright:Stop that dog; w Andy Razaf, melody JamesP. Johnson. © 1 c. Sept. 22, 1932; E unp.61745; Handy bros. music co., inc.Then pub. follow-up:Stop that dog; w Andy Razaf, m James P.Johnson; with ukulele arr. © Nov. 1, 1932; Epub. 32992; Handy bros. music co., inc.No further reg. through 1937.Indeed, the Bluebird label includes thesubtitle.Stoppin’ the Traffic (Leroy Maxey)Vince Giordano’s Nighthawks 1260Rec. The Missourians, 2/17/30, Victor V-38120,760-0002.Confirmed by 4/9/30 unpub. copyright reg.and Victor Project.Storm Warning Rag(Stephen Kent Goodman)Univ. of Wisconsin Symphony Band 1246Goodman was guest conductor of the band.Story Book Ball, The(Billie Montgomery–George Perry)Hot Antic JB 1154Hot Antic JB 1155Dry Throat Fellows 1226Down Home JB 1300Milano Hot Jazz Orchestra 1354ASM, 1917, Will Rossiter.Storyville Blues (see Those Draftin’Blues)
ditto. Bunk never wrote nothin’. But see mysurprise under "Those Draftin’ Blues."--2>9/4/00: Earlier, we had note here, “StoryvilleBlues includes additional music by TurkMurphy,” but John Gill is quite sure that Turkdidn’t do enough “arranging” to deserve anyco- or additional composer credit, so we’redropping that comment.Stotternde Rhythmen (Ernst Fischer)Tony Caramia 1328
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6th editionWORKING DRAFT WITH NOTES
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Further background notes in case I
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Absolutely (Jabbo Smith)Grand Domin
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Ah-Ha! (James V. Monaco-Sidney Clar
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Zenith Hot Stompers 1248Black Eagle
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Tex’s original-looking 1920 sheet
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(this is not the popular Smith-Burr
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Barrel House Rag - Campbell hand-wr
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seen often both ways, so will chang
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Aug. 22, 1919; E 458166; Spencer Wi
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ecording was Bob Hudson. This may w
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Carroll Dickerson’s Savoy Orch, 5
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Al Dubin)Paul and His Gang 1329Bles
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“BLUE GOOSE”RAGThis says to me
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No composer credit on label. Chilto
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Lathair is the guy who worked in Ch
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Bouncing Around (Armand J. Piron-Pe
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Bright Star Blues (Armand J. Piron-
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Thought I Heard Buddy Bolden Say)."
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But fellow researchers out there, c
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Aha, LC cy catalog of 1929 says,Cal
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Did find the LC copyright:Candy lip
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Not in Rust. Ted des Plantes’ lin
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So it was copyrighted by Oliver alo
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Chicken Reel (Joseph M. Daly)Helm-L
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Kinkle shows it as "Ciribiribin (It
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Becket’s composition or followed
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ASM, 1931, Santly Bros.; w. AF/m. F
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John Gill reports 1/18/24 copyright
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Frankie Trumbauer aho, 6/24/31, Bru
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ut Bob says it never felt comfortab
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the second 32-bar theme is my own,
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’Deed I Do (Walter Hirsch-Fred Ro
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Rec. Moten 6/12/27, Victor 21199--a
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Why Bring That Up? Internet Movie D
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Rhodes: "’Get It Right’ = ‘Do
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At Bessie’s request, all of the c
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“Don’t Go ’Way Nobody,” a s
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migrated northward up the Mississip
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1915; 2 c. July 24, 1915; E 363546;
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Woode on two other titles. So obvio
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all four posibilities we’d have t
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Echoes from the Snowball Club(Harry
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Music by Sadie Koninsky, arranged b
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OH, hell. After all this I thought
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Farmerette (Jesse Greer)George Fole
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Firechief Rag (Danny Alguire)Smith-
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and cy page) (You’ll Miss Me in t
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Gambling Jack (Jelly Roll Morton)Pa
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and "Boy Friend." Kinkle agrees. It
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soul all human beings feel. That th
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Magnolia JB 1016Turk Murphy JB 1161
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Grandpa’s Spells (Jelly Roll Mort
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Waldo’s Jazz Entertainers 1377Con
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We’ve not included arrangers as c
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“Hello Montreal” (but surely it
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1903 sheet could mean that it’s a
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2013 review: We can do better than
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21, 1925; E 627852 Triangle music p
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Rust; if it comes after record numb
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Found sleeve cover for 45 on Pye-Vo
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Actually, it appears that the choru
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So far, still solidly in the “unk
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can find no evidence she ever did a
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tune attributed to Pecora, even und
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(Harry Woods-Billy Rose-Mort Dixon)
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Ponce, also pub. Ager, Yellen & Bor
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If Winter Comes (W. R. Williams-Joh
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Crawford set phrases chanted by Mar
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I’m All Bound ’Round with the M
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Telcon 8/28: OK, do the two = three
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Smith, an article titled “Jelly R
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2013 review: Rec.Clarence Williams
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Confirmed 8/18/36 copyright reg.In
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Alstyne-Williams] via your note of
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Benny Goodman-Jack Teagarden)State
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Jazz Baby (M. K. Jerome-Blanche Mer
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1915; E 372536; Will Rossiter, Chic
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For what it’s worth, Ellington’
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James D. Touchstone. The song's ope
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Online search found FAR more hits o
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Ondippermouth.blogspot.com/2012/11/
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2013 review: Confirmed by 11/26/23
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Confirmed by 4/10/35 copyright reg.
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Eureka, I finally found the instrum
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Let’s Have Another Cup of Coffee(
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Limehouse Blues (Philip Braham-Doug
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Confirmed by 7/10/29 copyright reg.
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some mighty obscure evidence to the
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Keith Nichols Cotton Club Orchestra
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But copyright page isLow Bridge!
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Louisiana Repertory Jazz Ensemble 1
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document it. Ah: Thompson’s liner
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BUT notice alsoMarket Street Blues,
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James V. Monaco)Frederick Hodges 13
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Melancholy Stomp (Don Ewell)Europea
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(where’d he get that?), it was ar
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listing as an alternative title. Ho
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2013 review: It appears that I neve
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For Christ’s sake! Wikipedia has
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Steve Abrams: 1924 by Kapp-Coleman-
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More Than That (Ben Barnett-Clarenc
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Mule Walk, The [Mule Walk Stomp](Ja
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connection with the refrain. The ve
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Ray Smith: credit should go to Oliv
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My Man o’ War (Andy Razaf-Spencer
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Dan Levinson’s Roof Garden JB 136
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Never Again (Isham Jones-Gus Kahn)P
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New Orleans wiggle; by Peter Bocage
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Turk: "That was a tune called '1919
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Norfolk Church Street Sobbin’ Blu
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Oh, baby; from Rain or shine, words
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2013 review: Found the copyright:O
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Rec. Sharkey Bonano, 1/29/37, Vocal
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earliest example I know of that use
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West Jesmond Rhythm Kings 1255All S
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2013 review: Couldn’t find anythi
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Paddle-wheelin’ Along (A Sacramen
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Rosa Henderson, 8/26, Banner 18892*
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and in parens), credits Raye-Shaver
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The Commodore reissue of all the la
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(Sidney Bechet-Rousseau Simmons)Pam
Page 253 and 254: Porcupine Rag (Charles L. Johnson)R
Page 255 and 256: Ray Smith 1162Promenade aux Champs-
Page 257 and 258: Rag Time ChimesWell, very clear on
Page 259 and 260: Oops, not in copyright books 1929-3
Page 261 and 262: But Kassel had many other copyright
Page 263 and 264: Hodges, but the Black Berries Oriol
Page 265 and 266: Alabama Red Peppers, 4/28, Cameo 82
Page 267 and 268: But wait: I remember that I have BG
Page 269 and 270: Moulin à café as alt. title, of c
Page 271 and 272: Sadness Will Be Gladness(Wingy Mano
Page 273 and 274: Found sheet music at U. Maine, conf
Page 275 and 276: with arr. for guit., etc. © Oct. 1
Page 277 and 278: Confirmed by 5/24/27 copyright reg.
Page 279 and 280: The Bluebird ODJB 75th Anniversary
Page 281 and 282: ig questions is this: Is she singin
Page 283 and 284: Shine on Your Shoes, A(Arthur Schwa
Page 285 and 286: [also published in song versionwith
Page 287 and 288: Skit-dat-de-dat; melody by Lillian
Page 289 and 290: John Gill’s Novelty Orchestra 122
Page 291 and 292: Lillian Johnson?! Yes, that was Lil
Page 293 and 294: Abrams follow-up: I had this record
Page 295 and 296: she were a composer, she’d have m
Page 297 and 298: South African Blues (Lester Melrose
Page 299 and 300: Audrey Van Dyke. It is a lead sheet
Page 301 and 302: with ukulele arr. Dick Konter. © J
Page 303: Cover also notes “Also Published
Page 307 and 308: Sure wish we could track down the H
Page 309 and 310: had become a hit, would have been p
Page 311 and 312: Rilhac was a pianist and recording
Page 313 and 314: Copyright goes to Emmalina, but no
Page 315 and 316: Weatherbird JB 1034Kustbandet 1178D
Page 317 and 318: Dick Zimmerman confirms our origina
Page 319 and 320: Pretty sure without having heard it
Page 321 and 322: Les Rois du Fox-Trot 1436< Is this
Page 323 and 324: were Feldman 6D black and white edi
Page 325 and 326: Confirmed by 10/1/31 unpub. Copyrig
Page 327 and 328: Men Now Days (see Ain’t MuchGood
Page 329 and 330: Cover isThere’s Something Nice Ab
Page 331 and 332: title? Every rag that doesn’t inc
Page 333 and 334: eproduces the sheet music cover, wh
Page 335 and 336: Too Tight (Natty Dominique)Pam Pame
Page 337 and 338: Bozo-blues; words and melody by Boz
Page 339: and Donald Lambert, MC'd by Rudi Bl
Page 342 and 343: Now that’s the way my folks would
Page 344 and 345: the Country” and has no composer
Page 346 and 347: Must go with copyright reg. and som
Page 348 and 349: Goodman reports: I have 1917 bandar
Page 350 and 351: influential label, the MicKinney’
Page 352 and 353: Band also spell West Lawn as two se
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Ida Cox, but more to our point is t
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2013 review: Well, it was recorded
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John Gill’s Calif. Sunshine Boys
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When You Walked OutSomeone Else Wal
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actual Parlophone label of the Hyde
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That’s a bizarre mistake for Mazz
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Written 1979, plenty of online conf
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At the time [i.e., shortly after hi
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Keith Nichols Cotton Club Orchestra
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You Broke Your Promise (George Wyle
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Louis Cottrell Trio, NO, 1/27/61, R
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ASM, 1932, Witmark & Sons; w. Dubin
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[And Klein Tindull is for real. His
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In that same book on page 257 thefo
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“Put Your Arms Around Me, Honey
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Si tu vois ma mère [If You See My
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At this point (June 30, 2011), I wi
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Black Mountain Blues - copyright in
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VICTOR ALTERNATIVE TITLES(Victor te
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CHECK COPYRIGHT CARDSAfrican Hunch
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Galion stomp - lovie austin?Gates B
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meanest blues - napoleon & signorel
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slide, frog, slidesnakes hips spenc
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Wild and wooly (or woolly) willie -
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