Stomp Off 1001 - Dickbaker.org

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That’s a bizarre mistake for Mazzy to make.Did I check his recording to make sure it’s thesame song as the other two? Yes, and it is.Why Begin Again (see Pastel Blue)Why Couldn’t It Be Poor Little Me?(Isham Jones–Gus Kahn)State Street Aces 1106Dick Sudhalter & Connie Jones 1207Ernie Carson & the Castle JB 1283Rec. Frank Crumit, 1/22/25, Victor 19582, no ?Arkansas Travelers, 1/10/25, OKeh 40303.Bailey’s Lucky Seven, 1/22/25, Gennett 5645,State 9621. Ben Bernie, 1/7/25, Vocalion14956 et al. CA Ramblers, 1/5/25, Columbia278-D--label has the ? Benny Goodman,12/18/33, Columbia 2871-D, no ? FletcherHenderson, 1/25, Banner 1476, Oriole 348 etal. George Olsen, 2/20/25, Victor 19573. Orig.Memphis Five, 2/6/25, PA 036210, Perfect14391. Stomp Six (as Why Can’t ...), 7/25,Autograph 626 et al.12/29/24 copyright reg. has no ? w/GK/m. IJ.Cover isWHY COULDN’T IT BEPOOR LITTLE ME?and HSM lists it that way.Why Do I Love You? (Jerome Kern–Oscar Hammerstein II)Ronn Weatherburn 1107ASM, 1927, Harms; w. Hammerstein/m. Kern.Why Don’t You Go Down to NewOrleans (Margaret Baird)John Gill’s Novelty Orchestra 1227Not in Rust. Lord says first rec. Mahogany HallStompers, New Orleans, Feb. 1989 (and Gillwas in that band). Then this CD. All googlehits come back to these and later recordings.Says Gill, “This was a tune that Steve Pistoriusfound. I think that he knew Margaret Baird, orsomething like that. I don't know anythingabout her.”First rec. (from Lord) is Mahogany HallStompers in NO in 1989 (with both Pistoriusand Gill, who were on the SOS record in 1991.12/28/13 talked to Chris Burke, who confirmsthat it was written by Margaret Baird, but saysshe never copyrighted it, and then that NOmusicians Jerry Embry & Frankie Lynn (sp?)bought it from her and copyrighted or justcopyrighted it themselves. But I couldn’t findany google hits on that title plus those names,so I think we can safely stay with Baird fornow.Why We Smile (Charles Hunter)John Hancock 1025David Thomas Roberts 1317Confirmed by my repro of 1903 sheet music.FYI, the words "Why We Smile" (in quotes)appear as subtitle on cover (but not copyrightpage) of Hunter’s earlier Tickled to Death.Tichenor & Jasen confirm that it’s differenttune, perhaps prompted by the previouscover.--4>Wie nett (Ernst Fischer)Tony Caramia 1328First copyright in U.S. in 1934 as “How Nice”by Ernest Fisher, then an orchestration in1935 as “Wie nett” by Ernst Fischer. But weknow that all Fischer’s work was publishedonly in Germany with title in English andGerman (with English often displayed moreprominently) to appeal to an “international”audience.Wiggle Rag (George Botsford)Bob Wright 1239QRS 30847 piano roll, Botsford confirmed ascomposer (arranged roll).But 1909 copyright has def. article:Wiggle (The) rag; by George Botsford, forpiano. © Oct. 15, 1909; 2 c. Oct. 15, 1909; E216692; Jerome H. Remick & co., Detroit,Mich.But all the refs to it have no The, so it must nothave got on the music. Brier & Adams bothreport The on cover, but not on copyright pageWild and Wooly Willie (Jack Pettis–Al Goering–Irving Mills)Des Plantes’ Washboard Wizards 1421
online hits report Wild Cat, making me suspectthat the sheet music was rare and that mostpeople know it from the record labels. I’ll keepit Wild Cat here, but will put Wildcat asalternative title.Wild Cat Blues (Clarence Williams–Fats Waller)Steve Lane’s Southern Stompers 1040Monty Sunshine JB 1110Dick Hyman 1141Neville Dickie 1269Paris Washboard 1359Rec. CW Blue Five, 7/30/23 OKeh 4925,Biltmore 1096 et al.Confirmed by 9/24/23 copyright reg., w/mboth, and OKeh label.Wild Cherries (Ted Snyder)[also published in song versionwith lyrics by Irving Berlin]Waldo’s Ragtime Orchestra 1069Bob Pilsbury with Friends 1265
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6th editionWORKING DRAFT WITH NOTES
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Further background notes in case I
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Absolutely (Jabbo Smith)Grand Domin
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Ah-Ha! (James V. Monaco-Sidney Clar
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Zenith Hot Stompers 1248Black Eagle
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Tex’s original-looking 1920 sheet
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(this is not the popular Smith-Burr
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Barrel House Rag - Campbell hand-wr
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seen often both ways, so will chang
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Aug. 22, 1919; E 458166; Spencer Wi
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ecording was Bob Hudson. This may w
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Carroll Dickerson’s Savoy Orch, 5
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Al Dubin)Paul and His Gang 1329Bles
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“BLUE GOOSE”RAGThis says to me
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No composer credit on label. Chilto
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Lathair is the guy who worked in Ch
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Bouncing Around (Armand J. Piron-Pe
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Bright Star Blues (Armand J. Piron-
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Thought I Heard Buddy Bolden Say)."
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But fellow researchers out there, c
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Aha, LC cy catalog of 1929 says,Cal
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Did find the LC copyright:Candy lip
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Not in Rust. Ted des Plantes’ lin
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So it was copyrighted by Oliver alo
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Chicken Reel (Joseph M. Daly)Helm-L
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Kinkle shows it as "Ciribiribin (It
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Becket’s composition or followed
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ASM, 1931, Santly Bros.; w. AF/m. F
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John Gill reports 1/18/24 copyright
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Frankie Trumbauer aho, 6/24/31, Bru
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ut Bob says it never felt comfortab
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the second 32-bar theme is my own,
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’Deed I Do (Walter Hirsch-Fred Ro
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Rec. Moten 6/12/27, Victor 21199--a
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Why Bring That Up? Internet Movie D
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Rhodes: "’Get It Right’ = ‘Do
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At Bessie’s request, all of the c
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“Don’t Go ’Way Nobody,” a s
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migrated northward up the Mississip
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1915; 2 c. July 24, 1915; E 363546;
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Woode on two other titles. So obvio
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all four posibilities we’d have t
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Echoes from the Snowball Club(Harry
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Music by Sadie Koninsky, arranged b
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OH, hell. After all this I thought
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Farmerette (Jesse Greer)George Fole
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Firechief Rag (Danny Alguire)Smith-
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and cy page) (You’ll Miss Me in t
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Gambling Jack (Jelly Roll Morton)Pa
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and "Boy Friend." Kinkle agrees. It
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soul all human beings feel. That th
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Magnolia JB 1016Turk Murphy JB 1161
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Grandpa’s Spells (Jelly Roll Mort
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Waldo’s Jazz Entertainers 1377Con
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We’ve not included arrangers as c
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“Hello Montreal” (but surely it
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1903 sheet could mean that it’s a
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2013 review: We can do better than
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21, 1925; E 627852 Triangle music p
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Rust; if it comes after record numb
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Found sleeve cover for 45 on Pye-Vo
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Actually, it appears that the choru
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So far, still solidly in the “unk
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can find no evidence she ever did a
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tune attributed to Pecora, even und
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(Harry Woods-Billy Rose-Mort Dixon)
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Ponce, also pub. Ager, Yellen & Bor
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If Winter Comes (W. R. Williams-Joh
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Crawford set phrases chanted by Mar
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I’m All Bound ’Round with the M
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Telcon 8/28: OK, do the two = three
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Smith, an article titled “Jelly R
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2013 review: Rec.Clarence Williams
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Confirmed 8/18/36 copyright reg.In
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Alstyne-Williams] via your note of
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Benny Goodman-Jack Teagarden)State
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Jazz Baby (M. K. Jerome-Blanche Mer
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1915; E 372536; Will Rossiter, Chic
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For what it’s worth, Ellington’
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James D. Touchstone. The song's ope
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Online search found FAR more hits o
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Ondippermouth.blogspot.com/2012/11/
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2013 review: Confirmed by 11/26/23
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Confirmed by 4/10/35 copyright reg.
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Eureka, I finally found the instrum
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Let’s Have Another Cup of Coffee(
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Limehouse Blues (Philip Braham-Doug
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some mighty obscure evidence to the
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Keith Nichols Cotton Club Orchestra
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But copyright page isLow Bridge!
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Louisiana Repertory Jazz Ensemble 1
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document it. Ah: Thompson’s liner
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BUT notice alsoMarket Street Blues,
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James V. Monaco)Frederick Hodges 13
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Melancholy Stomp (Don Ewell)Europea
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(where’d he get that?), it was ar
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listing as an alternative title. Ho
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2013 review: It appears that I neve
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For Christ’s sake! Wikipedia has
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Steve Abrams: 1924 by Kapp-Coleman-
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More Than That (Ben Barnett-Clarenc
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Mule Walk, The [Mule Walk Stomp](Ja
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connection with the refrain. The ve
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Ray Smith: credit should go to Oliv
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My Man o’ War (Andy Razaf-Spencer
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Dan Levinson’s Roof Garden JB 136
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Never Again (Isham Jones-Gus Kahn)P
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New Orleans wiggle; by Peter Bocage
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Turk: "That was a tune called '1919
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Norfolk Church Street Sobbin’ Blu
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Oh, baby; from Rain or shine, words
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2013 review: Found the copyright:O
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Rec. Sharkey Bonano, 1/29/37, Vocal
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earliest example I know of that use
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West Jesmond Rhythm Kings 1255All S
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2013 review: Couldn’t find anythi
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Paddle-wheelin’ Along (A Sacramen
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Rosa Henderson, 8/26, Banner 18892*
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and in parens), credits Raye-Shaver
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The Commodore reissue of all the la
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(Sidney Bechet-Rousseau Simmons)Pam
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Porcupine Rag (Charles L. Johnson)R
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Ray Smith 1162Promenade aux Champs-
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Rag Time ChimesWell, very clear on
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Oops, not in copyright books 1929-3
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But Kassel had many other copyright
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Hodges, but the Black Berries Oriol
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Alabama Red Peppers, 4/28, Cameo 82
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But wait: I remember that I have BG
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Moulin à café as alt. title, of c
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Sadness Will Be Gladness(Wingy Mano
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Found sheet music at U. Maine, conf
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with arr. for guit., etc. © Oct. 1
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The Bluebird ODJB 75th Anniversary
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ig questions is this: Is she singin
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Shine on Your Shoes, A(Arthur Schwa
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[also published in song versionwith
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Skit-dat-de-dat; melody by Lillian
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John Gill’s Novelty Orchestra 122
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Lillian Johnson?! Yes, that was Lil
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Abrams follow-up: I had this record
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she were a composer, she’d have m
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South African Blues (Lester Melrose
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Audrey Van Dyke. It is a lead sheet
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with ukulele arr. Dick Konter. © J
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Cover also notes “Also Published
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ditto. Bunk never wrote nothin’.
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Sure wish we could track down the H
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had become a hit, would have been p
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Rilhac was a pianist and recording
Page 313 and 314: Copyright goes to Emmalina, but no
Page 315 and 316: Weatherbird JB 1034Kustbandet 1178D
Page 317 and 318: Dick Zimmerman confirms our origina
Page 319 and 320: Pretty sure without having heard it
Page 321 and 322: Les Rois du Fox-Trot 1436< Is this
Page 323 and 324: were Feldman 6D black and white edi
Page 325 and 326: Confirmed by 10/1/31 unpub. Copyrig
Page 327 and 328: Men Now Days (see Ain’t MuchGood
Page 329 and 330: Cover isThere’s Something Nice Ab
Page 331 and 332: title? Every rag that doesn’t inc
Page 333 and 334: eproduces the sheet music cover, wh
Page 335 and 336: Too Tight (Natty Dominique)Pam Pame
Page 337 and 338: Bozo-blues; words and melody by Boz
Page 339: and Donald Lambert, MC'd by Rudi Bl
Page 342 and 343: Now that’s the way my folks would
Page 344 and 345: the Country” and has no composer
Page 346 and 347: Must go with copyright reg. and som
Page 348 and 349: Goodman reports: I have 1917 bandar
Page 350 and 351: influential label, the MicKinney’
Page 352 and 353: Band also spell West Lawn as two se
Page 354 and 355: Ida Cox, but more to our point is t
Page 356 and 357: 2013 review: Well, it was recorded
Page 358 and 359: John Gill’s Calif. Sunshine Boys
Page 360 and 361: When You Walked OutSomeone Else Wal
Page 362 and 363: actual Parlophone label of the Hyde
Page 366 and 367: Written 1979, plenty of online conf
Page 368 and 369: At the time [i.e., shortly after hi
Page 370 and 371: Keith Nichols Cotton Club Orchestra
Page 372 and 373: You Broke Your Promise (George Wyle
Page 374 and 375: Louis Cottrell Trio, NO, 1/27/61, R
Page 376 and 377: ASM, 1932, Witmark & Sons; w. Dubin
Page 378 and 379: [And Klein Tindull is for real. His
Page 380 and 381: In that same book on page 257 thefo
Page 382 and 383: “Put Your Arms Around Me, Honey
Page 384 and 385: Si tu vois ma mère [If You See My
Page 386 and 387: At this point (June 30, 2011), I wi
Page 388 and 389: Black Mountain Blues - copyright in
Page 390 and 391: VICTOR ALTERNATIVE TITLES(Victor te
Page 392 and 393: CHECK COPYRIGHT CARDSAfrican Hunch
Page 394 and 395: Galion stomp - lovie austin?Gates B
Page 396 and 397: meanest blues - napoleon & signorel
Page 398 and 399: slide, frog, slidesnakes hips spenc
Page 400: Wild and wooly (or woolly) willie -
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