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seen often both ways, so will change to Les inall places.Bees Knees (A Queen Bee Fox TrotFull of Honey) (Ray Lopez–Ted Lewis–Leo Wood)John Gill’s Original Sunset Five 1094Down Home JB 1190Bob Oliver’s Hot Seven 1312Yerba Buena Stompers 1406HSM-ASM 1922, Leo Feist. w. LW; ;m. TL-RL.And a bonus subtitle for you, Bob:(A Queen Bee Fox Trot Full of Honey)Bees Wax (Harry J. Lincoln)Elite Syncopators 1286ASM, 1916, Vandersloot, shows:cover:BEES-WAX RAGbut (c) page isBees WaxRagBeetle in the Bottle (Billy Mayerl)Tony Caramia 1313Found sheet music at Billy Mayerl Societywebsite. And copyright reg. 6/12/40; part ofInsect Oddities set.Believe in Me (Tommy Sancton)Pam Pameijer’s Classic Jazz Aces 1194Sancton was on this LP, and note-writerspecifically attributes this tune to him, so that’sthat.Belinda (Fred S. Stone)Elliott Adams 1198Confirmed by 1905 sheet music, pub. JeromeRemick.Bell Hop Rag, The(Frederick M. Bryan)Elliott Adams 1299Down Home JB 1300
Betsy Brown (George Temple)Des Plantes’ Washboard Wizards 1409Des Plantes says orig. by Fess Williams & HisRoyal Flush Orchestra. Rust says Victor V-38062. And Victor Project confirms! (Notethat there’s a “Bashful Betsy Brown” byWinthrop Wiley/Edward Gardenier.) Andconfirmed by 9/28/29 unpub. copyright reg.Between the Devil and the DeepBlue Sea (Harold Arlen–Ted Koehler)Paris Washboard 1326S&P confirm w. TK/m. HA.Beyond the Blue Horizon (Richard A.Whiting–W. Franke Harling–Leo Robin)Marty Grosz’s Orphan Newsboys 1225Confirmed by 8/18/30 copyright reg., w. LR/m.WFH-RAW.B-Hap-E (Anton Lada–Alcide Nunez–Karl Burger)Dan Levinson’s Roof Garden JB 1380Levinson says by Louisiana Five; Rust has it asB-Happ-E by L5 4/14/19 on Edison (diamonddisk) 50569, Edison Blue Amberol cylinder3843; then again 11/19 as Be Happ-E onEmerson 10229, Medallion 8208Online 78 says Emerson 10229 is “Be Happy,”composers Lada-Nunez-Burger. Medallion is“B-Hap-E,” no composers.One collector page crowed that he found theEdisons and Medallion at an antique, and hereferred to the title as B-Hap-E, but didn’treproduce any labels. Another site selling theEdison disc also calls it B-Hap-E, so that mustbe what the label says.Bienville Blues (see ThoseDraftin’ Blues)Big Bad Bill (Is Sweet William Now)(Milton Ager–Jack Yellen)Rusty Taylor’s New Jazz Review 1186Newberger–Mazzy–Thompson 1352HSM, 1924, Ager, Yellen & Bornstein.Big Bear Stomp (Lu Watters)Uptown Lowdown JB 1030Turk Murphy JB 1155Down Home JB 1241South Frisco JB 1307Yerba Buena Stompers 1369Poss. first rec. 4/22/46, West Coast 104, GoodTime Jazz L-12002. LC SONIC confirms creditWatters on WC 104.Big Boy! (Milton Ager–Jack Yellen)Rusty Taylor /Southern Stompers 1028Chicago Rhythm 1059Mike Daniels’ Delta Jazzmen 1203Marquet–Persson Melody Boys 1229Neely’s Royal Society Jazz Orch 1250Paul and His Gang 1329Red Rose Ragtime Band 1412HSM, 1924, Ager, Yellen & Bornstein) hasbanger on both cover & (c) page.Big Butter and Egg Man from theWest [I Want a Big Butter andEgg Man] (Percy Venable)Down Home JB 1171Terry Waldo’s Gotham City Band 1201Lissauer says “BB&EM” Friend-Clare-Santly;S&P & Kinkle say “I Want a BB&EM” Venable-Armstrong.Found the answer: Cliff Friend-Sidney Clare-Joe Santly did indeed write a tune called “TheBig Butter and Egg Man” in 1924 -- but I foundthe lyrics online and they’re NOT the lyrics thatPercy Venable wrote for Louis Armstrong andAlix May (singer) for a stage show in that sameyear!ASM has both:“The Big Butter and Egg Man”; Cliff Friend-Sidney Clare-Jo Santly; Jerome Remick, 1924.But NOTE THIS:“I Want a Big Butter and Egg Man”; words &music Percy Venable-Louis Armstrong,arranged by Billy Maxted; Leeds Music Corp.,1926, renewed 1950. So it appears that it wascopyrighted and recorded in 1926 but notpublished in sheet music until the 1950version, in which case it would not outvote the1926 record label.The copyright isI want a butter and egg man ; melody by P.F. Venable. © 1 c. Oct. 13, 1926; E 649013;Percy F. Venable, Chicago.I looked through rest of 1927 and all of ’27 fora follow-up reg. that added Armstrong, butdidn’t find it. Doesn’t mean that he couldn’thave been added to the record label; we’veseen that before many times., or to the sheetmusic.The follow-up 1950 copyright isI want a big butter and egg man; [words andmusic by Percy Venable and LouisArmstrong], arr. by Billy Maxted. 50¢ ©Leeds Music Corp., New York; 4Aug50;EP48325. Appl. states previous reg.13Oct26, E649013.So on to the record labels: Oops, the “I Want”variation is not in Rust. He does have, under“Big Butter and Egg Man,” Armstrong HotFive, 11/16/26, OKeh 8423; Odeon 279788, A-2384. Wingy Manone, 9/19/30, Champion16192, 40055; Decca 7414; Brunswick 03520.Muggsy Spanier, 7/7/39, Bluebird B-10417,Montgomery Ward M8376, HMV B-9033 et al.Oh, fer chrissake: The Armstrong Hot FiveOKeh label isBIG BUTTER AND EGG MANFROM THE WEST(Venable)And aha! The Muggsy Spanier recording isthe one by Friend-Clare-Santly (found theHMV label). Manone recording is same asours, and credits only Venable.I’m more and more convinced that we shouldhonor the 1926 Hot Five label as official title;use the 1950 reissue as alternative.Recapping the history:1. 1926 copyright as “I want a butter and eggman” by Venable.2. 1926 published (on Hot Five record label)as “Big Butter and Egg Man from the West” byVenable.3. 1950 rereg. and sheet published as “I Wanta Butter and Egg Man” by Venable-Armstrong.So it wasn’t until 24 years after the originalpublication (as OKeh 8423) that Leeds hadBilly Maxted do a new arrangement andpublished the song with a different title,adding Louis as a composer.Big Chief Battle-Axe (Thomas S. Allen)Rent Party Revellers 1220Chris Tyle’s Silver Leaf JB 1258Tex is specific: w/m Allen, 1907, example ofIndian intermezzo. Found confirming sheetmusic online, pub. by Walter Jacobs.Big City Blues (Con Conrad–Archie Gottler–Sidney D. Mitchell)Barbara Lashley & Ray Skjelbred 1152John Gill’s Calif. Sunshine Boys 1157ASM, 1929, De Sylva, Brown & Henderson.Big Fat Ham (see Big Foot Ham)Big Fat Ma (Anton Lada–Spencer Williams)Dan Levinson’s Roof Garden JB 1380On CD as Anton Lada-Spencer.
Page 1 and 2: 6th editionWORKING DRAFT WITH NOTES
Page 3 and 4: Further background notes in case I
Page 5 and 6: Absolutely (Jabbo Smith)Grand Domin
Page 7: Ah-Ha! (James V. Monaco-Sidney Clar
Page 14 and 15: Zenith Hot Stompers 1248Black Eagle
Page 16 and 17: Tex’s original-looking 1920 sheet
Page 18 and 19: (this is not the popular Smith-Burr
Page 20 and 21: Barrel House Rag - Campbell hand-wr
Page 24 and 25: Aug. 22, 1919; E 458166; Spencer Wi
Page 26 and 27: ecording was Bob Hudson. This may w
Page 28 and 29: Carroll Dickerson’s Savoy Orch, 5
Page 30 and 31: Al Dubin)Paul and His Gang 1329Bles
Page 32 and 33: “BLUE GOOSE”RAGThis says to me
Page 34 and 35: No composer credit on label. Chilto
Page 36 and 37: Lathair is the guy who worked in Ch
Page 38 and 39: Bouncing Around (Armand J. Piron-Pe
Page 40 and 41: Bright Star Blues (Armand J. Piron-
Page 42 and 43: Thought I Heard Buddy Bolden Say)."
Page 44 and 45: But fellow researchers out there, c
Page 46 and 47: Aha, LC cy catalog of 1929 says,Cal
Page 48 and 49: Did find the LC copyright:Candy lip
Page 50 and 51: Not in Rust. Ted des Plantes’ lin
Page 52 and 53: So it was copyrighted by Oliver alo
Page 54 and 55: Chicken Reel (Joseph M. Daly)Helm-L
Page 56 and 57: Kinkle shows it as "Ciribiribin (It
Page 58 and 59: Becket’s composition or followed
Page 60 and 61: ASM, 1931, Santly Bros.; w. AF/m. F
Page 62 and 63: John Gill reports 1/18/24 copyright
Page 64 and 65: Frankie Trumbauer aho, 6/24/31, Bru
Page 66 and 67: ut Bob says it never felt comfortab
Page 68 and 69: the second 32-bar theme is my own,
Page 70 and 71: ’Deed I Do (Walter Hirsch-Fred Ro
Page 72 and 73:
Rec. Moten 6/12/27, Victor 21199--a
Page 74 and 75:
Why Bring That Up? Internet Movie D
Page 76 and 77:
Rhodes: "’Get It Right’ = ‘Do
Page 78 and 79:
At Bessie’s request, all of the c
Page 80 and 81:
“Don’t Go ’Way Nobody,” a s
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migrated northward up the Mississip
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1915; 2 c. July 24, 1915; E 363546;
Page 86 and 87:
Woode on two other titles. So obvio
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all four posibilities we’d have t
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Echoes from the Snowball Club(Harry
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Music by Sadie Koninsky, arranged b
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OH, hell. After all this I thought
Page 96 and 97:
Farmerette (Jesse Greer)George Fole
Page 98 and 99:
Firechief Rag (Danny Alguire)Smith-
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and cy page) (You’ll Miss Me in t
Page 103 and 104:
Gambling Jack (Jelly Roll Morton)Pa
Page 106 and 107:
and "Boy Friend." Kinkle agrees. It
Page 108 and 109:
soul all human beings feel. That th
Page 110 and 111:
Magnolia JB 1016Turk Murphy JB 1161
Page 112 and 113:
Grandpa’s Spells (Jelly Roll Mort
Page 114 and 115:
Waldo’s Jazz Entertainers 1377Con
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We’ve not included arrangers as c
Page 118 and 119:
“Hello Montreal” (but surely it
Page 120 and 121:
1903 sheet could mean that it’s a
Page 122 and 123:
2013 review: We can do better than
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21, 1925; E 627852 Triangle music p
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Rust; if it comes after record numb
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Found sleeve cover for 45 on Pye-Vo
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Actually, it appears that the choru
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So far, still solidly in the “unk
Page 134 and 135:
can find no evidence she ever did a
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tune attributed to Pecora, even und
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(Harry Woods-Billy Rose-Mort Dixon)
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Ponce, also pub. Ager, Yellen & Bor
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If Winter Comes (W. R. Williams-Joh
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Crawford set phrases chanted by Mar
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I’m All Bound ’Round with the M
Page 148 and 149:
Telcon 8/28: OK, do the two = three
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Smith, an article titled “Jelly R
Page 152 and 153:
2013 review: Rec.Clarence Williams
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Confirmed 8/18/36 copyright reg.In
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Alstyne-Williams] via your note of
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Benny Goodman-Jack Teagarden)State
Page 160 and 161:
Jazz Baby (M. K. Jerome-Blanche Mer
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1915; E 372536; Will Rossiter, Chic
Page 165 and 166:
For what it’s worth, Ellington’
Page 167 and 168:
James D. Touchstone. The song's ope
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Online search found FAR more hits o
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Ondippermouth.blogspot.com/2012/11/
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2013 review: Confirmed by 11/26/23
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Confirmed by 4/10/35 copyright reg.
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Eureka, I finally found the instrum
Page 179 and 180:
Let’s Have Another Cup of Coffee(
Page 181 and 182:
Limehouse Blues (Philip Braham-Doug
Page 183 and 184:
Page 185 and 186:
some mighty obscure evidence to the
Page 187 and 188:
Keith Nichols Cotton Club Orchestra
Page 189 and 190:
But copyright page isLow Bridge!
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Louisiana Repertory Jazz Ensemble 1
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document it. Ah: Thompson’s liner
Page 195 and 196:
BUT notice alsoMarket Street Blues,
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James V. Monaco)Frederick Hodges 13
Page 199 and 200:
Melancholy Stomp (Don Ewell)Europea
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(where’d he get that?), it was ar
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listing as an alternative title. Ho
Page 205 and 206:
2013 review: It appears that I neve
Page 207 and 208:
For Christ’s sake! Wikipedia has
Page 209 and 210:
Steve Abrams: 1924 by Kapp-Coleman-
Page 211 and 212:
More Than That (Ben Barnett-Clarenc
Page 213 and 214:
Mule Walk, The [Mule Walk Stomp](Ja
Page 215 and 216:
connection with the refrain. The ve
Page 217 and 218:
Ray Smith: credit should go to Oliv
Page 219 and 220:
My Man o’ War (Andy Razaf-Spencer
Page 221 and 222:
Dan Levinson’s Roof Garden JB 136
Page 223 and 224:
Never Again (Isham Jones-Gus Kahn)P
Page 225 and 226:
New Orleans wiggle; by Peter Bocage
Page 227 and 228:
Turk: "That was a tune called '1919
Page 229 and 230:
Norfolk Church Street Sobbin’ Blu
Page 231 and 232:
Oh, baby; from Rain or shine, words
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2013 review: Found the copyright:O
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Rec. Sharkey Bonano, 1/29/37, Vocal
Page 237 and 238:
earliest example I know of that use
Page 239 and 240:
West Jesmond Rhythm Kings 1255All S
Page 241 and 242:
2013 review: Couldn’t find anythi
Page 243 and 244:
Paddle-wheelin’ Along (A Sacramen
Page 245 and 246:
Rosa Henderson, 8/26, Banner 18892*
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and in parens), credits Raye-Shaver
Page 249 and 250:
The Commodore reissue of all the la
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(Sidney Bechet-Rousseau Simmons)Pam
Page 253 and 254:
Porcupine Rag (Charles L. Johnson)R
Page 255 and 256:
Ray Smith 1162Promenade aux Champs-
Page 257 and 258:
Rag Time ChimesWell, very clear on
Page 259 and 260:
Oops, not in copyright books 1929-3
Page 261 and 262:
But Kassel had many other copyright
Page 263 and 264:
Hodges, but the Black Berries Oriol
Page 265 and 266:
Alabama Red Peppers, 4/28, Cameo 82
Page 267 and 268:
But wait: I remember that I have BG
Page 269 and 270:
Moulin à café as alt. title, of c
Page 271 and 272:
Sadness Will Be Gladness(Wingy Mano
Page 273 and 274:
Found sheet music at U. Maine, conf
Page 275 and 276:
with arr. for guit., etc. © Oct. 1
Page 277 and 278:
Page 279 and 280:
The Bluebird ODJB 75th Anniversary
Page 281 and 282:
ig questions is this: Is she singin
Page 283 and 284:
Shine on Your Shoes, A(Arthur Schwa
Page 285 and 286:
[also published in song versionwith
Page 287 and 288:
Skit-dat-de-dat; melody by Lillian
Page 289 and 290:
John Gill’s Novelty Orchestra 122
Page 291 and 292:
Lillian Johnson?! Yes, that was Lil
Page 293 and 294:
Abrams follow-up: I had this record
Page 295 and 296:
she were a composer, she’d have m
Page 297 and 298:
South African Blues (Lester Melrose
Page 299 and 300:
Audrey Van Dyke. It is a lead sheet
Page 301 and 302:
with ukulele arr. Dick Konter. © J
Page 303 and 304:
Cover also notes “Also Published
Page 305 and 306:
ditto. Bunk never wrote nothin’.
Page 307 and 308:
Sure wish we could track down the H
Page 309 and 310:
had become a hit, would have been p
Page 311 and 312:
Rilhac was a pianist and recording
Page 313 and 314:
Copyright goes to Emmalina, but no
Page 315 and 316:
Weatherbird JB 1034Kustbandet 1178D
Page 317 and 318:
Dick Zimmerman confirms our origina
Page 319 and 320:
Pretty sure without having heard it
Page 321 and 322:
Les Rois du Fox-Trot 1436< Is this
Page 323 and 324:
were Feldman 6D black and white edi
Page 325 and 326:
Confirmed by 10/1/31 unpub. Copyrig
Page 327 and 328:
Men Now Days (see Ain’t MuchGood
Page 329 and 330:
Cover isThere’s Something Nice Ab
Page 331 and 332:
title? Every rag that doesn’t inc
Page 333 and 334:
eproduces the sheet music cover, wh
Page 335 and 336:
Too Tight (Natty Dominique)Pam Pame
Page 337 and 338:
Bozo-blues; words and melody by Boz
Page 339:
and Donald Lambert, MC'd by Rudi Bl
Page 342 and 343:
Now that’s the way my folks would
Page 344 and 345:
the Country” and has no composer
Page 346 and 347:
Must go with copyright reg. and som
Page 348 and 349:
Goodman reports: I have 1917 bandar
Page 350 and 351:
influential label, the MicKinney’
Page 352 and 353:
Band also spell West Lawn as two se
Page 354 and 355:
Ida Cox, but more to our point is t
Page 356 and 357:
2013 review: Well, it was recorded
Page 358 and 359:
John Gill’s Calif. Sunshine Boys
Page 360 and 361:
When You Walked OutSomeone Else Wal
Page 362 and 363:
actual Parlophone label of the Hyde
Page 364 and 365:
That’s a bizarre mistake for Mazz
Page 366 and 367:
Written 1979, plenty of online conf
Page 368 and 369:
At the time [i.e., shortly after hi
Page 370 and 371:
Keith Nichols Cotton Club Orchestra
Page 372 and 373:
You Broke Your Promise (George Wyle
Page 374 and 375:
Louis Cottrell Trio, NO, 1/27/61, R
Page 376 and 377:
ASM, 1932, Witmark & Sons; w. Dubin
Page 378 and 379:
[And Klein Tindull is for real. His
Page 380 and 381:
In that same book on page 257 thefo
Page 382 and 383:
“Put Your Arms Around Me, Honey
Page 384 and 385:
Si tu vois ma mère [If You See My
Page 386 and 387:
At this point (June 30, 2011), I wi
Page 388 and 389:
Black Mountain Blues - copyright in
Page 390 and 391:
VICTOR ALTERNATIVE TITLES(Victor te
Page 392 and 393:
CHECK COPYRIGHT CARDSAfrican Hunch
Page 394 and 395:
Galion stomp - lovie austin?Gates B
Page 396 and 397:
meanest blues - napoleon & signorel
Page 398 and 399:
slide, frog, slidesnakes hips spenc
Page 400:
Wild and wooly (or woolly) willie -
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