Stomp Off 1001 - Dickbaker.org

And which, in an odd way, is what you getwhen you add the copyright credit of Evans +Cloud/Evans) to the label credit of Smith.That’s My Home (Leon René–Otis René–Ben Ellison)Kustbandet 1294CD had Léon, but he’s Leon with no accent atStompin’ ‘em down and When it’s sleepy timedown south--prob should be that way heretoo, since I found him as Leon in copyrightbook and on Sleepy Time cover.Rec.LA aho 12/8/32, Victor 24200, 40-0102;Bluebird B-6644, B-10236.Leon Rene’s Orch, 8/19/32, Victor rejected.10/14/31 unpub. copyright reg. says w/mRene & Rene. But later rereg. (after therecording) adds Ellison:That's my home; w and m Leon Rene, OtisRene and Ben Ellison; with ukulele arr. ©Feb. 10, 1933; E pub. 35340; Southernmusic pub. co., inc.And that’s how the Victor label reads.That’s No Bargain (Red Nichols)Red Roseland Cornpickers 1102The Red Heads, 11/11/26, Pathe 36576,11331; Perfect 14757.Nichols Five Pennies, 12/8/26, Brunswick3407, 6814; Vocalion 1069 et many al.Arkansas Travelers (Nichols group), 1/4/27,Harmony 383-H.Confirmed by 2/25/27 copyright reg.That’s the Blues Old Man(Johnny Hodges–Irving Mills)Wally Fawkes & the Rhythm Kings 1060We had the logical comma after Blues.Rec. Hodges aho, 11/2/40, Bluebird B-11117,Victor 20-2542, HMV B-9229 et al.Not in 1940-42 copyright books, althoughother Hodges-Mills tunes are.No comma on BB B-11117, composersconfirmed. Nor on Vic 20-2542 (a reissue).Nor on the HMV.That’s the Good Old Sunny South(Milton Ager–Jack Yellen)John Gill’s Novelty Orchestra 1227Rec. Rhythmic Eight (UK), 3/7/29, Zonophone5346. Joe Venuti & his New Yorkers, 2/2/29,OKeh 41192, Parlophone R-340, Odeon193295 et al.Confirmed by 1/11/29 copyright reg., w/JY/m.MA.That’s the Way I Feel Today (seeThe Way I Feel Today)That’s What I Call Heaven(Alfred Solman–George Brown–Dale Wimbrow)Back Bay Ramblers 1374CD had Solman-Brown.Rec. Hal Kemp, 3/29, Brunswick 4307, 5011.Copyright adds a composer:That's what I call heaven; words and musicby Alfred Solman, Geo. Brown and DaleWimbrow, arr. by Joseph M. Weiss; pf. andukulele acc. © Feb. 27, 1929; 2 c. Feb. 28; Epub. 3775; De Sylva, Brown & Henderson,inc., New York.And this George Brown does not seem to bethe same one that we identified as a pseudonymfor Billy Hill back at “The Old Man of theMountain.”(That’s What I Call) Sweet Music(Pete Wendling–Jack Meskill–Al Hoffman)Susan LaMarche/Waldo’s Gut. Sync. 1032Oops, found a blunder. We had “That’s What ICall Sweet Music” by Jack Yellen-Milton Ager.But it’s actually w. Jack Meskill & AlHoffman/m. Pete Wendling, published 1929 byAger, Yellen & Bornstein (ASM and MTSU).No doubt, either: Susan sings the lyrics to thissong. Also, it’sThat’s What I CallSWEET MUSICThat’s Why They Call Me “Shine”(Ford Dabney–Cecil Mack*)Ronn Weatherburn 1107Fenix JB 1129