Stomp Off 1001 - Dickbaker.org

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6/19/13 queried Butch as to possible sheetmusic (which I claimed to know about in myfirst note above, but which I can’t documentnow). He says he doubts it was everpublished, also considers this a misspellingbut wonders where it came from.We probably ought to be calling it Aneta tobegin with, but we must at least concede thatit’s known by that spelling with an alternativetitle note.Sweet Baby Doll (George W. Thomas–Wilbur LeRoy)Down Home JB 1199Peruna Jazzmen 1204John Gill’s Dixieland Serenaders 1304Neville Dickie 1309Southern Stompers 1414Yerba Buena Stompers 1418< All recordings credit George W. Thomasexcept 1414, which added Wilbur LeRoy ascocomposer. Who’s he? Why? The originalKing Oliver JB recording credited onlyThomas.However, the Charles Anderson list sayslyricist is Wilbur Leroy, and that it waspublished in 1919, predating Oliver’srecording.2013 review: Pinsker reports:Sweet baby doll; words by Wilbur Leroy,music by G. W. Thomas of U.S., NewOrleans, La., Geo. W. Thomas music co. (c)Feb. 10, 1919, 2 c. Feb. 3, 1919; E 444071,Geo. W. Thomas, New Orleans.then again (!)[same] (c) Mar. 3, 1919 2 c. Mar. 1, 1919; E443024and years laterSweet baby doll; words and music byGeorge W. Thomas [words and melodyonly] c 1 c. Dec. 19, 1928; E -- Unp. 2142;Clarence Williams music pub. co., inc., NewYorkPinsker:The thing about George W. Thomas was thathe was quite sloppy in business, apparently.He registered the published 1919 edition forcopyright twice, a couple of weeks apart,and then he sold it again to ClarenceWilliams nine years later (apparently havingcut his 1919 lyricist out of the deal that time.)Rec. King Oliver, 10/26/23, OKeh 8235 et al.Tiny Franklin (vcl, acc. by G. W. Thomas),12/10/23, rejected.Never got to see the sheet music, but found itindexed in two libraries, incl. Tulane in NO.But said it was LeRoy. Near as I can tell, henever wrote anything else.Sweet By and By (Joseph P. Webster–S. Fillmore Bennett)Black Eagle JB 1048Monty Sunshine JB 11104/23/11: Oops, none of the text aboveexplains how we got to Fillmore for Bennett’smiddle name, but web search quickly confirmsit.Sweet Emmalina (Clarence Williams–Jack Palmer–Andy Razaf)Weatherbird JB 1034Orpheon Celesta 1095Hot Antic JB 1099Peruna Jazzmen 12041034, 1099 were Razaf-Palmer; 1095 wasRazaf-Palmer-S. Williams, 1204 was Palmer-Razaf-Spencer Williams.Rec. (with spellings according to Rust) byCl. Williams Jazz Kings, (Emmalina), 4/10/28,Columbia 14314-D. Label is Emmalina,credits are Williams, Palmer and Razaf.CW WB Five (Emmalina), 4/18/28, Okeh 8572,16310; Creole 17. OKeh 8572 is Emmaline,Razaf-Palmer, same for Hot Jazz Clubreissue (LC SONIC).Jimmy Lytell, 6/28, Pathe 36824, Perfect15005 (Emmalina); Pathe 11557(Emmaline). Jazz Oracle says reissue saysfrom Perfect 15005, credits Williams-Palmer-Razaf, LC SONIC confirms.King Oliver & His Dixie Syncopators(Emmalina, vcl & pno Cl. Williams), 6/11/28,Vocalion 1190. Label says Razaf-Palmer.Andy Pendleton (Emmaline, w/Cl. Williams onpno), 6/26/28, OKeh 8625. No, title on labelis Emmalina, by Williams-Palmer-Razaf.
Copyright goes to Emmalina, but no SpencerWilliams:Sweet Emmalina; words by Andy Razaf,music by Jack Palmer; 1st violin. © 1 c. Apr.25, 1928; E 68S989; Clarence Williamsmusic pub. co., inc., New York.Then laterSweet Emmalina; words by Andy Razaf,music by Jack Palmer; pf. acc., with ukulelearr. by Ben Garrison. © May 21, 1928; 2 c.June 13; E 694344; Clarence Williams musicpub. co., inc., New York.Well, I’m mystified by this. I have two otherrecords that say Spencer Williams-Palmer-Razaf, one that says Clarence Williams-Palmer- Razaf.IF there’s a Williams at all, Clarence makes alot more sense, since he was on four of thefive recordings of the tune.UNLESS SOMEBODY CAN TALK ME OUT OFIT, I FEAR I MUST CHANGE THE WILLIAMSHERE TO CLARENCE.Sweet Feet (Al Washington)Jim Snyder /Georgia Grinders 10689/5, Baker at LC: Sweet Feet, Al Washington,unpub., 8-5-33. copyright Lester Melrose,Chicago. Melrose? Chicago? Makes it VERYlikely that this is our tune.2013 review: rec. Memphis Night Hawks,4/1/32, Vocalion 1736, HJCA HC-73 (asDarnell Howard & the Memphis Night Hawks),Jazz Document (France) 009.No composer credit on Vocalion 1736 or HC-73 labels..Sweet Fields (traditional)Albion JB 1206Black Eagle JB 1224
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6th editionWORKING DRAFT WITH NOTES
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Further background notes in case I
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Absolutely (Jabbo Smith)Grand Domin
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Ah-Ha! (James V. Monaco-Sidney Clar
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Zenith Hot Stompers 1248Black Eagle
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Tex’s original-looking 1920 sheet
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(this is not the popular Smith-Burr
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Barrel House Rag - Campbell hand-wr
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seen often both ways, so will chang
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Aug. 22, 1919; E 458166; Spencer Wi
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ecording was Bob Hudson. This may w
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Carroll Dickerson’s Savoy Orch, 5
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Al Dubin)Paul and His Gang 1329Bles
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“BLUE GOOSE”RAGThis says to me
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No composer credit on label. Chilto
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Lathair is the guy who worked in Ch
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Bouncing Around (Armand J. Piron-Pe
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Bright Star Blues (Armand J. Piron-
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Thought I Heard Buddy Bolden Say)."
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But fellow researchers out there, c
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Aha, LC cy catalog of 1929 says,Cal
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Did find the LC copyright:Candy lip
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Not in Rust. Ted des Plantes’ lin
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So it was copyrighted by Oliver alo
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Chicken Reel (Joseph M. Daly)Helm-L
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Kinkle shows it as "Ciribiribin (It
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Becket’s composition or followed
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ASM, 1931, Santly Bros.; w. AF/m. F
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John Gill reports 1/18/24 copyright
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Frankie Trumbauer aho, 6/24/31, Bru
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ut Bob says it never felt comfortab
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the second 32-bar theme is my own,
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’Deed I Do (Walter Hirsch-Fred Ro
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Rec. Moten 6/12/27, Victor 21199--a
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Why Bring That Up? Internet Movie D
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Rhodes: "’Get It Right’ = ‘Do
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At Bessie’s request, all of the c
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“Don’t Go ’Way Nobody,” a s
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migrated northward up the Mississip
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1915; 2 c. July 24, 1915; E 363546;
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Woode on two other titles. So obvio
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all four posibilities we’d have t
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Echoes from the Snowball Club(Harry
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Music by Sadie Koninsky, arranged b
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OH, hell. After all this I thought
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Farmerette (Jesse Greer)George Fole
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Firechief Rag (Danny Alguire)Smith-
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and cy page) (You’ll Miss Me in t
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Gambling Jack (Jelly Roll Morton)Pa
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and "Boy Friend." Kinkle agrees. It
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soul all human beings feel. That th
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Magnolia JB 1016Turk Murphy JB 1161
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Grandpa’s Spells (Jelly Roll Mort
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Waldo’s Jazz Entertainers 1377Con
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We’ve not included arrangers as c
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“Hello Montreal” (but surely it
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1903 sheet could mean that it’s a
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2013 review: We can do better than
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21, 1925; E 627852 Triangle music p
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Rust; if it comes after record numb
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Found sleeve cover for 45 on Pye-Vo
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Actually, it appears that the choru
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So far, still solidly in the “unk
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can find no evidence she ever did a
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tune attributed to Pecora, even und
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(Harry Woods-Billy Rose-Mort Dixon)
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Ponce, also pub. Ager, Yellen & Bor
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If Winter Comes (W. R. Williams-Joh
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Crawford set phrases chanted by Mar
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I’m All Bound ’Round with the M
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Telcon 8/28: OK, do the two = three
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Smith, an article titled “Jelly R
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2013 review: Rec.Clarence Williams
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Confirmed 8/18/36 copyright reg.In
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Alstyne-Williams] via your note of
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Benny Goodman-Jack Teagarden)State
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Jazz Baby (M. K. Jerome-Blanche Mer
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1915; E 372536; Will Rossiter, Chic
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For what it’s worth, Ellington’
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James D. Touchstone. The song's ope
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Online search found FAR more hits o
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Ondippermouth.blogspot.com/2012/11/
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2013 review: Confirmed by 11/26/23
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Confirmed by 4/10/35 copyright reg.
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Eureka, I finally found the instrum
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Let’s Have Another Cup of Coffee(
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Limehouse Blues (Philip Braham-Doug
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Confirmed by 7/10/29 copyright reg.
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some mighty obscure evidence to the
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Keith Nichols Cotton Club Orchestra
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But copyright page isLow Bridge!
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Louisiana Repertory Jazz Ensemble 1
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document it. Ah: Thompson’s liner
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BUT notice alsoMarket Street Blues,
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James V. Monaco)Frederick Hodges 13
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Melancholy Stomp (Don Ewell)Europea
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(where’d he get that?), it was ar
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listing as an alternative title. Ho
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2013 review: It appears that I neve
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For Christ’s sake! Wikipedia has
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Steve Abrams: 1924 by Kapp-Coleman-
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More Than That (Ben Barnett-Clarenc
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Mule Walk, The [Mule Walk Stomp](Ja
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connection with the refrain. The ve
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Ray Smith: credit should go to Oliv
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My Man o’ War (Andy Razaf-Spencer
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Dan Levinson’s Roof Garden JB 136
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Never Again (Isham Jones-Gus Kahn)P
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New Orleans wiggle; by Peter Bocage
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Turk: "That was a tune called '1919
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Norfolk Church Street Sobbin’ Blu
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Oh, baby; from Rain or shine, words
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2013 review: Found the copyright:O
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Rec. Sharkey Bonano, 1/29/37, Vocal
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earliest example I know of that use
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West Jesmond Rhythm Kings 1255All S
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2013 review: Couldn’t find anythi
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Paddle-wheelin’ Along (A Sacramen
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Rosa Henderson, 8/26, Banner 18892*
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and in parens), credits Raye-Shaver
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The Commodore reissue of all the la
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(Sidney Bechet-Rousseau Simmons)Pam
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Porcupine Rag (Charles L. Johnson)R
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Ray Smith 1162Promenade aux Champs-
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Rag Time ChimesWell, very clear on
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Oops, not in copyright books 1929-3
Page 261 and 262: But Kassel had many other copyright
Page 263 and 264: Hodges, but the Black Berries Oriol
Page 265 and 266: Alabama Red Peppers, 4/28, Cameo 82
Page 267 and 268: But wait: I remember that I have BG
Page 269 and 270: Moulin à café as alt. title, of c
Page 271 and 272: Sadness Will Be Gladness(Wingy Mano
Page 273 and 274: Found sheet music at U. Maine, conf
Page 275 and 276: with arr. for guit., etc. © Oct. 1
Page 277 and 278: Confirmed by 5/24/27 copyright reg.
Page 279 and 280: The Bluebird ODJB 75th Anniversary
Page 281 and 282: ig questions is this: Is she singin
Page 283 and 284: Shine on Your Shoes, A(Arthur Schwa
Page 285 and 286: [also published in song versionwith
Page 287 and 288: Skit-dat-de-dat; melody by Lillian
Page 289 and 290: John Gill’s Novelty Orchestra 122
Page 291 and 292: Lillian Johnson?! Yes, that was Lil
Page 293 and 294: Abrams follow-up: I had this record
Page 295 and 296: she were a composer, she’d have m
Page 297 and 298: South African Blues (Lester Melrose
Page 299 and 300: Audrey Van Dyke. It is a lead sheet
Page 301 and 302: with ukulele arr. Dick Konter. © J
Page 303 and 304: Cover also notes “Also Published
Page 305 and 306: ditto. Bunk never wrote nothin’.
Page 307 and 308: Sure wish we could track down the H
Page 309 and 310: had become a hit, would have been p
Page 311: Rilhac was a pianist and recording
Page 315 and 316: Weatherbird JB 1034Kustbandet 1178D
Page 317 and 318: Dick Zimmerman confirms our origina
Page 319 and 320: Pretty sure without having heard it
Page 321 and 322: Les Rois du Fox-Trot 1436< Is this
Page 323 and 324: were Feldman 6D black and white edi
Page 325 and 326: Confirmed by 10/1/31 unpub. Copyrig
Page 327 and 328: Men Now Days (see Ain’t MuchGood
Page 329 and 330: Cover isThere’s Something Nice Ab
Page 331 and 332: title? Every rag that doesn’t inc
Page 333 and 334: eproduces the sheet music cover, wh
Page 335 and 336: Too Tight (Natty Dominique)Pam Pame
Page 337 and 338: Bozo-blues; words and melody by Boz
Page 339: and Donald Lambert, MC'd by Rudi Bl
Page 342 and 343: Now that’s the way my folks would
Page 344 and 345: the Country” and has no composer
Page 346 and 347: Must go with copyright reg. and som
Page 348 and 349: Goodman reports: I have 1917 bandar
Page 350 and 351: influential label, the MicKinney’
Page 352 and 353: Band also spell West Lawn as two se
Page 354 and 355: Ida Cox, but more to our point is t
Page 356 and 357: 2013 review: Well, it was recorded
Page 358 and 359: John Gill’s Calif. Sunshine Boys
Page 360 and 361: When You Walked OutSomeone Else Wal
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actual Parlophone label of the Hyde
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That’s a bizarre mistake for Mazz
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Written 1979, plenty of online conf
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At the time [i.e., shortly after hi
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Keith Nichols Cotton Club Orchestra
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You Broke Your Promise (George Wyle
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Louis Cottrell Trio, NO, 1/27/61, R
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ASM, 1932, Witmark & Sons; w. Dubin
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[And Klein Tindull is for real. His
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In that same book on page 257 thefo
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“Put Your Arms Around Me, Honey
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Si tu vois ma mère [If You See My
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At this point (June 30, 2011), I wi
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Black Mountain Blues - copyright in
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VICTOR ALTERNATIVE TITLES(Victor te
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CHECK COPYRIGHT CARDSAfrican Hunch
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Galion stomp - lovie austin?Gates B
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meanest blues - napoleon & signorel
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slide, frog, slidesnakes hips spenc
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Wild and wooly (or woolly) willie -
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