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Rec. Bigard’s Jazzopators (w/Carney on bari),2/14/40, Epic LN-3237; Philips BBL-7163, BO-7421-L. (diff. index of Ellingtonia says EpLN-32337, CBS 88522, Mc MD7-235) FoundEpic LN2425, pub. France, back cover, whichcredits Carney.Not in copyright books 1939-41. LargeMosaic multi-CD set called Duke Ellington:1936-40 Small Group Sessions says byCarney. Steve Hancoff guitar CD says Carney.Northeast Public Radio program guide says byCarney. “Duke on the Web” (French) site saysCarney.Pen Pals, The (David Thomas Roberts)David Thomas Roberts 1132Penn Beach Blues (Joe Venuti–Eddie Lang)Andy Stein Blue Five 1390JV Blue Four, 11/15/27, OKeh 40947,Parlophone R-109, Vocalion 3160 et al.Not in copyright books 1926-29. BUT OKehlabel confirms Venuti-Lang.Pennies from Heaven (ArthurJohnston–Johnny Burke)Andy Stein & Friends 1146John Gill Sentimental Serenaders 1424Confirmed by 5/1/36 unpub. copyright reg., w.JB/m. AJ, from film of same name.Peoria (see I Wish’t I Was in Peoria)Pep (Jelly Roll Morton)Ray Smith 1012West End JB 1085Red. JRM pno solo 7/8/29, Victor V-38627,Bluebird B-10257 et al. Later in Lomaxinterviews.Confirmed by 1/10/31 unpub. copyright reg.and Victor label.Pepper Sauce (H. A. Fischler)Chrysanthemum Ragtime Band 1047Well, hell--how and why did I learn that H. A.Fischler is pseudonym for Harry Lincolnwithout nothing it here? 1911, says Vermazen.Copyright:Pepper sauce; a hot rag, by H. A. Fischler,arr. by F. H. Losey; orchestra with piano acc.4to. © Mar. 17, 1911; 2 c. Mar. 18, 1911; E252971; Vandersloot music pub. co.,Williamsport, Pa.Also a Black Wasp Rag by Fischler in 1911,and Chili Sauce, and Hot Scotch Rag.Hmmm, there’s also “My Old Plantation Home,by H. A. Fischler, arr. Harry J. Lincoln. Samefor “Some Day, Some One Will Whisper, I LoveYou.”But we’ve got him here under his own namefor a couple of rags, also pub. by Vandersloot.But aha, while Chili Sauce says by H. A.Fischler on cover, Indiana Harmony site lists itas by Harry J. Lincoln. Interesting, but far fromproof.Aha, from the Perfesser Bill site:Harry A. Fischler was born in Wellsboro,Pennsylvania to German immigrant parentsFrank R. Fischler and Zwila Fischler, whowere among many that had settled in centralPennsylvania during the mid 19th century.[Goes on to detailed bio sketch] . . .Some sources have incorrectly citedFischler as a pseudonym of Harry J. Lincoln,the composer and general manager ofVandersloot Music. This may be in partbecause he was also published as H.A.Fischler, never using his full first or middlename. Yet his name did show up in thepapers. A July 22, 1914 article in theWilliamsport Gazette and Bulletin reviewed arecent concert in which "Every number wasgood with several standing outpre-eminently. It opened with a rattlingmarch, "Keefer's Grenadier," by HarryFischler. This march was well received, andwas enjoyed by everyone. It is brand newand last night was its first rendition, but itgives promise of being extremely popular.Mr. Fischler has dedicated it to Bura C.Keefer." As further proof of his not beingLincoln, his final two songs were publishedby Star Music in Eldred, Pennsylvania, notby Vandersloot..Percolatin’ Blues (Lemuel Fowler)Chalumeau Serenaders 1394Rec. Fowler’s Washboard Wonders, 7/5/27,Columbia 14230-D. Clara Smith (acc. byFowler et al), 11/23/26, Columbia 14202-D.Confirmed by 11/23/26 copyright reg. andClara Smith record label.Perdido Street Blues (Lil Hardin)Tom Shea 1022Black Bottom Stompers (England) 1045Black Eagle JB 1048Louisiana Repertory Jazz Ensemble 1055Abi Hübner’s Low Down Wizards 1093South Frisco JB 1103Jean-François Bonnel & Friends 1104Peruna Jazzmen 1105Wally Fawkes & His Soho Shakers 1144Turk Murphy JB 1161Steve Waddell’s Creole Bells 12302013 review: Copyright isPerdido St. blues; melody, by L. Armstrong.© 1 c. July 19, 1926; E 643157; LillianArmstrong, Chicago.Stop the Show! The Columbia 698-D label bythe NO Wanderers says composer is LouisArmstrong! That’s a powerful clue. But forwhat it’s worth, according to LC SONIC theColumbia M-199 release by the Wandererssays Lil. Armstrong, as did the Columbia DB-2860 release.But back to the copyright book: In the indexat the back of the book, both composers andthose registering the copyrights (which can beindividuals or publishers) are listedalphabetically, with the compositions they hada hand in listed after their names. Perdido St.is listed only after Lillian’s name, but not afterLouis’s (unlike it’s flip side, Gate Mouth, whichis listed only under Louis’s name.).This indicates that the folks compiling thebook felt that Lil was the composer, not Louis.But how in the world do we argue with thatvery clear composer credit on Columbia 698-D?But now let’s look for the 1940 recording byLouis’s orchestra: The labels of both Decca18090 and 25099 credit Lillian Armstrong.Here’s my theory: The original Columiba 698-D by the Wanderers got it wrong when theycredited Louis, who was, we now know, thecorrect composer for the flip side, “GateMouth.” Columbia corrected the mistake withsubsequent releases on M-199 and DB-2860;and Decca credited Lil on its releases of theArmstrong orchestra version in 1940.So we stick with Lillian. It would be nice,however, to have the original copyrightdeposit for the tune, such as the one found byJohn Gill for Gate Mouth. Well, Gill hascopyright depost, confirms Perdido St. steadStreet, says Lillian.Perfect Rag [Sporting House Rag](Jelly Roll Morton)Black Eagle JB 1048John Gill 1066Paramount Theatre Orchestra 1089JRM pno solo 6/9/24, Gennett 5486 et al.(oddly, this listed in Rust but not in Lomax’sdiscography). Evidently rec. as SportingHouse Rag 12/14/39, General rejected, butlater issued by Commodore.Lomax says not copyrighted as Perfect Rag,but as Sporting House Rag in 1939. Andindeed the copyright isSporting house rag; melody Jelly Roll [i.e.Ferdinand J.] Morton. © 1 c. Dec. 20, 1939;E unp. 209912; Tempo-music pub. co.,Washington.
The Commodore reissue of all the last Generalsessions called it Sporting House Rag (PerfectRag). And everybody agrees, including all theplaces selling the sheet music as both titles.Perils of Pauline (Pauline Alpert)Alex Hassan 1322Tony Caramia 1328Confirmed by 6/22/27 copyright reg.Peroxide (C. L. Woolsey)Trebor Tichenor 1282Confirmed by 5/3/10 copyright reg. as C. L.Persian Rug (Neil Morét*–Gus Kahn)Dick Sudhalter & Connie Jones 1207San Francisco Starlight Orchestra 1296Independence Hall JB 1386Tom Stuip & Delirium Tremolo 1433Oops, copyright isPersian rug; words by Al. Dubin, melody byNeil Moret. © 1 c. May 31, 1927; E 666928;Villa Moret, inc., San Francisco.But then later it’sPersian rug; words by Gus Kahn, music byNeil Moret; pf. and ukulele acc. © Oct. 24,1927; 2 c. Oct. 29; E 675162; Villa Moret,inc., San Francisco.But index didn’t list it under Kahn or Dubin!Question then is how it was published.Found it indexed in three libraries, all as Kahn-Moret, so obviously that’s the version that gotpublished.Peter Gink (George L. Cobb)Levinson’s Trans-Atlantic Saxtette 1430Confirmed by 8/27/18 copyright reg. (in 1919book!).Petticoat Lane (Euday L. Bowman)Bob Wright 1239Confirmedy 8/14/15 copyright reg., pub. byBowman in Ft. Worth, TX. Only copy in theworld is at MTSU!Phantom Fingers (Jack Wilson)Alex Hassan 1322Confirmed by 11/26/34 copyright reg. filed byChappell & Co. Ltd., LondonPiaf (Steve Lane)Steve Lane’s Southern Stompers 1040Piano Marmalade(Willie “The Lion” Smith)Neville Dickie 1176Not in Rust. Confirmed by 6/8/37 copyrightreg. Strange--I find several references to thecomposition/sheet music, but no refs to arecording of it. And in fact, Lord discographyshows this to be the only recording of it ever.Piano Poker (Pauline Alpert)Tony Caramia 1328Confirmed by 10/15/35 copyright reg.Piccadilly (Elmer Schoebel)New Orleans Classic Jazz Orch 1145Rec. NO Owls, 4/14/26, Columbia 1158-D.Confirmed by 2/22/26 copyright reg. andColumbia label.Piccadilly (Fats Waller)John Gill 1066Paramount Theatre Orchestra 1089Keith Nichols 1159Part of London Suite, rec. 6/13/39 in London.Piccalilli Rag (George A. Reeg, Jr.)Tom Brier 1274ASM, 1912, Jos. M. Daly.Pickaninnies on Parade(George Barnard)River Raisin Ragtime Revue 14171906 says CD, but not in copyright book. Anonline ref. said 1897, and sure enough it doespop up in 1897 book. Seems to be always G.D. Barnard in copyright book, but most refs tohim show George D. Barnard.(Are They) Pickin’ On Your Baby(’Cause I'm a Pickaninny Rose)(Paul Reynolds–Billy James)Dry Throat Fellows 1226Rec.CW Blue Five (as by Eva Taylor), 1/8/25, OKeh40330. Label is “Pickin’ On Your Baby,”credits Paul Reynolds-Billy James--mostlikely the source for the Dry Throat Fellows.Five Birmingham Babies, 2/10/25, Pathe036218, Perfect 14399. LC SONICconfirms title, composers on both labels.Georgians (as “Are They Pickin’ On YourBaby?”), 6/20/25, Columbia 407-D. LCSONIC confirms title, credit James-Reynolds.Yoicks, copyright is this:Are they pickin' on your baby, 'cause I'm apickaninny rose; w Paul V. Reynolds, m BillyJames, of U.S. [Cover title: Pickin' on yourbaby 'cause I'm a pickaninny rose] © Oct.28, 1924; 2 c. Nov. 10; E 601342; ClarenceWilliams music pub, co., inc., New York.Have never seen a note like that in acopyright; surely it means that the piece waspublished in sheet form--but I bet I’ll never findit. And strangely, Reynolds is not in index.Definitely published. Baylor U. library has it as“Are you pickin’ on your baby : (‘cause I’m apickaninny rose), w. by Paul V. Reynolds/m.Billy James. NY, Clarence Williams, c. 1924.Line in description says, “Cover Title: Pickin'on your baby 'cause I'm a pickaninny rose.”Found the cover, and it matches Baylor’s“cover title” description, except that thesubtitle is in parens.Well, I guess I should insist on seeingcopyright page of sheet music beforeswitching to Are you or Are they, but wecertainly can add the subtitle. 9/4/13 got thesheet music.CoverPICKIN’ ON YOUR BABY(’CAUSE I’M A PICKANINNY ROSE)But the copyright page is the awkwardAre TheyPickin’ On Your Baby(’Cause I’m a Pickaninny Rose)One could argue that the “Are They” is aproper part of the title, since they did not put itin parens like the Pickaninny Rose line); butthey did put it in smaller print, as sub- andsupertitles often are, and it wasn’t on thecover, so I’m going to treat “Are They” as asupertitle.Pickin’s (Harry Reser)Terry Waldo’s Gotham City Band 1120Howard Alden with Dick Hyman 1200Confirmed by 11/23/22 copyright reg.Pickles and Peppers(Adaline Shepherd)New Orleans Ragtime Orchestra 1213John Gill’s Dixieland Serenaders 1304Evergreen Ragtime Quartet 1383ASM, 1916, Adaline Shepherd. Cover hassubtitle (A Rag Oddity) but not copyright p.Piggly Wiggly [Blues] (Junie Cobb)Scaniazz 1038Dry Throat Five 1151Paris Washboard 1182Pam Pameijer’s New Jazz Wizards 1395Rec.Windy Rhythm Kings (as Piggly Wiggly Blues,w/Cobb on cl/tsax), 4/29, Paramount 12770,Broadway 1294, Century 3009. Paramountlabel definitely Blues as part of title, nocomposer credit. Broadway same title, butas Lee’s Black Diamonds, also no credit.Century same as Paramount.Beale Street Washboard Band, 7/24/29,Vocalion 1403, V-1016;p Banner 32388;Brunswick 80076; Decca MB-22050.Vocalion just Piggly Wiggly, credit Cobb.Copyright isPiggly wiggly; melody by Junie C. Cobb. ©1 c. May 1, 1929; E unp. 6259; LesterMelrose, Chicago.
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6th editionWORKING DRAFT WITH NOTES
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Further background notes in case I
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Absolutely (Jabbo Smith)Grand Domin
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Ah-Ha! (James V. Monaco-Sidney Clar
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Zenith Hot Stompers 1248Black Eagle
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Tex’s original-looking 1920 sheet
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(this is not the popular Smith-Burr
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Barrel House Rag - Campbell hand-wr
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seen often both ways, so will chang
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Aug. 22, 1919; E 458166; Spencer Wi
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ecording was Bob Hudson. This may w
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Carroll Dickerson’s Savoy Orch, 5
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Al Dubin)Paul and His Gang 1329Bles
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“BLUE GOOSE”RAGThis says to me
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No composer credit on label. Chilto
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Lathair is the guy who worked in Ch
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Bouncing Around (Armand J. Piron-Pe
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Bright Star Blues (Armand J. Piron-
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Thought I Heard Buddy Bolden Say)."
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But fellow researchers out there, c
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Aha, LC cy catalog of 1929 says,Cal
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Did find the LC copyright:Candy lip
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Not in Rust. Ted des Plantes’ lin
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So it was copyrighted by Oliver alo
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Chicken Reel (Joseph M. Daly)Helm-L
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Kinkle shows it as "Ciribiribin (It
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Becket’s composition or followed
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ASM, 1931, Santly Bros.; w. AF/m. F
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John Gill reports 1/18/24 copyright
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Frankie Trumbauer aho, 6/24/31, Bru
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ut Bob says it never felt comfortab
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the second 32-bar theme is my own,
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’Deed I Do (Walter Hirsch-Fred Ro
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Rec. Moten 6/12/27, Victor 21199--a
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Why Bring That Up? Internet Movie D
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Rhodes: "’Get It Right’ = ‘Do
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At Bessie’s request, all of the c
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“Don’t Go ’Way Nobody,” a s
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migrated northward up the Mississip
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1915; 2 c. July 24, 1915; E 363546;
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Woode on two other titles. So obvio
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all four posibilities we’d have t
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Echoes from the Snowball Club(Harry
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Music by Sadie Koninsky, arranged b
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OH, hell. After all this I thought
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Farmerette (Jesse Greer)George Fole
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Firechief Rag (Danny Alguire)Smith-
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and cy page) (You’ll Miss Me in t
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Gambling Jack (Jelly Roll Morton)Pa
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and "Boy Friend." Kinkle agrees. It
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soul all human beings feel. That th
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Magnolia JB 1016Turk Murphy JB 1161
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Grandpa’s Spells (Jelly Roll Mort
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Waldo’s Jazz Entertainers 1377Con
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We’ve not included arrangers as c
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“Hello Montreal” (but surely it
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1903 sheet could mean that it’s a
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2013 review: We can do better than
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21, 1925; E 627852 Triangle music p
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Rust; if it comes after record numb
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Found sleeve cover for 45 on Pye-Vo
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Actually, it appears that the choru
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So far, still solidly in the “unk
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can find no evidence she ever did a
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tune attributed to Pecora, even und
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(Harry Woods-Billy Rose-Mort Dixon)
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Ponce, also pub. Ager, Yellen & Bor
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If Winter Comes (W. R. Williams-Joh
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Crawford set phrases chanted by Mar
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I’m All Bound ’Round with the M
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Telcon 8/28: OK, do the two = three
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Smith, an article titled “Jelly R
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2013 review: Rec.Clarence Williams
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Confirmed 8/18/36 copyright reg.In
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Alstyne-Williams] via your note of
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Benny Goodman-Jack Teagarden)State
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Jazz Baby (M. K. Jerome-Blanche Mer
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1915; E 372536; Will Rossiter, Chic
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For what it’s worth, Ellington’
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James D. Touchstone. The song's ope
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Online search found FAR more hits o
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Ondippermouth.blogspot.com/2012/11/
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2013 review: Confirmed by 11/26/23
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Confirmed by 4/10/35 copyright reg.
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Eureka, I finally found the instrum
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Let’s Have Another Cup of Coffee(
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Limehouse Blues (Philip Braham-Doug
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Confirmed by 7/10/29 copyright reg.
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some mighty obscure evidence to the
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Keith Nichols Cotton Club Orchestra
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But copyright page isLow Bridge!
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Louisiana Repertory Jazz Ensemble 1
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document it. Ah: Thompson’s liner
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BUT notice alsoMarket Street Blues,
Page 197 and 198: James V. Monaco)Frederick Hodges 13
Page 199 and 200: Melancholy Stomp (Don Ewell)Europea
Page 201 and 202: (where’d he get that?), it was ar
Page 203 and 204: listing as an alternative title. Ho
Page 205 and 206: 2013 review: It appears that I neve
Page 207 and 208: For Christ’s sake! Wikipedia has
Page 209 and 210: Steve Abrams: 1924 by Kapp-Coleman-
Page 211 and 212: More Than That (Ben Barnett-Clarenc
Page 213 and 214: Mule Walk, The [Mule Walk Stomp](Ja
Page 215 and 216: connection with the refrain. The ve
Page 217 and 218: Ray Smith: credit should go to Oliv
Page 219 and 220: My Man o’ War (Andy Razaf-Spencer
Page 221 and 222: Dan Levinson’s Roof Garden JB 136
Page 223 and 224: Never Again (Isham Jones-Gus Kahn)P
Page 225 and 226: New Orleans wiggle; by Peter Bocage
Page 227 and 228: Turk: "That was a tune called '1919
Page 229 and 230: Norfolk Church Street Sobbin’ Blu
Page 231 and 232: Oh, baby; from Rain or shine, words
Page 233 and 234: 2013 review: Found the copyright:O
Page 235 and 236: Rec. Sharkey Bonano, 1/29/37, Vocal
Page 237 and 238: earliest example I know of that use
Page 239 and 240: West Jesmond Rhythm Kings 1255All S
Page 241 and 242: 2013 review: Couldn’t find anythi
Page 243 and 244: Paddle-wheelin’ Along (A Sacramen
Page 245 and 246: Rosa Henderson, 8/26, Banner 18892*
Page 247: and in parens), credits Raye-Shaver
Page 251 and 252: (Sidney Bechet-Rousseau Simmons)Pam
Page 253 and 254: Porcupine Rag (Charles L. Johnson)R
Page 255 and 256: Ray Smith 1162Promenade aux Champs-
Page 257 and 258: Rag Time ChimesWell, very clear on
Page 259 and 260: Oops, not in copyright books 1929-3
Page 261 and 262: But Kassel had many other copyright
Page 263 and 264: Hodges, but the Black Berries Oriol
Page 265 and 266: Alabama Red Peppers, 4/28, Cameo 82
Page 267 and 268: But wait: I remember that I have BG
Page 269 and 270: Moulin à café as alt. title, of c
Page 271 and 272: Sadness Will Be Gladness(Wingy Mano
Page 273 and 274: Found sheet music at U. Maine, conf
Page 275 and 276: with arr. for guit., etc. © Oct. 1
Page 277 and 278: Confirmed by 5/24/27 copyright reg.
Page 279 and 280: The Bluebird ODJB 75th Anniversary
Page 281 and 282: ig questions is this: Is she singin
Page 283 and 284: Shine on Your Shoes, A(Arthur Schwa
Page 285 and 286: [also published in song versionwith
Page 287 and 288: Skit-dat-de-dat; melody by Lillian
Page 289 and 290: John Gill’s Novelty Orchestra 122
Page 291 and 292: Lillian Johnson?! Yes, that was Lil
Page 293 and 294: Abrams follow-up: I had this record
Page 295 and 296: she were a composer, she’d have m
Page 297 and 298: South African Blues (Lester Melrose
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Audrey Van Dyke. It is a lead sheet
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with ukulele arr. Dick Konter. © J
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Cover also notes “Also Published
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ditto. Bunk never wrote nothin’.
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Sure wish we could track down the H
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had become a hit, would have been p
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Rilhac was a pianist and recording
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Copyright goes to Emmalina, but no
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Weatherbird JB 1034Kustbandet 1178D
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Dick Zimmerman confirms our origina
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Pretty sure without having heard it
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Les Rois du Fox-Trot 1436< Is this
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were Feldman 6D black and white edi
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Confirmed by 10/1/31 unpub. Copyrig
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Men Now Days (see Ain’t MuchGood
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Cover isThere’s Something Nice Ab
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title? Every rag that doesn’t inc
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eproduces the sheet music cover, wh
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Too Tight (Natty Dominique)Pam Pame
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Bozo-blues; words and melody by Boz
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and Donald Lambert, MC'd by Rudi Bl
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Now that’s the way my folks would
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the Country” and has no composer
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Must go with copyright reg. and som
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Goodman reports: I have 1917 bandar
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influential label, the MicKinney’
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Band also spell West Lawn as two se
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Ida Cox, but more to our point is t
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2013 review: Well, it was recorded
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John Gill’s Calif. Sunshine Boys
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When You Walked OutSomeone Else Wal
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actual Parlophone label of the Hyde
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That’s a bizarre mistake for Mazz
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Written 1979, plenty of online conf
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At the time [i.e., shortly after hi
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Keith Nichols Cotton Club Orchestra
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You Broke Your Promise (George Wyle
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Louis Cottrell Trio, NO, 1/27/61, R
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ASM, 1932, Witmark & Sons; w. Dubin
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[And Klein Tindull is for real. His
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In that same book on page 257 thefo
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“Put Your Arms Around Me, Honey
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Si tu vois ma mère [If You See My
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At this point (June 30, 2011), I wi
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Black Mountain Blues - copyright in
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VICTOR ALTERNATIVE TITLES(Victor te
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CHECK COPYRIGHT CARDSAfrican Hunch
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Galion stomp - lovie austin?Gates B
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meanest blues - napoleon & signorel
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slide, frog, slidesnakes hips spenc
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Wild and wooly (or woolly) willie -
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