- Page 1 and 2: 6th editionWORKING DRAFT WITH NOTES
- Page 3 and 4: Further background notes in case I
- Page 5 and 6: Absolutely (Jabbo Smith)Grand Domin
- Page 7: Ah-Ha! (James V. Monaco-Sidney Clar
- Page 14 and 15: Zenith Hot Stompers 1248Black Eagle
- Page 16 and 17: Tex’s original-looking 1920 sheet
- Page 18 and 19: (this is not the popular Smith-Burr
- Page 20 and 21: Barrel House Rag - Campbell hand-wr
- Page 22 and 23: seen often both ways, so will chang
- Page 24 and 25: Aug. 22, 1919; E 458166; Spencer Wi
- Page 26 and 27: ecording was Bob Hudson. This may w
- Page 28 and 29: Carroll Dickerson’s Savoy Orch, 5
- Page 30 and 31: Al Dubin)Paul and His Gang 1329Bles
- Page 32 and 33: “BLUE GOOSE”RAGThis says to me
- Page 34 and 35: No composer credit on label. Chilto
- Page 36 and 37: Lathair is the guy who worked in Ch
- Page 38 and 39: Bouncing Around (Armand J. Piron-Pe
- Page 40 and 41: Bright Star Blues (Armand J. Piron-
- Page 42 and 43: Thought I Heard Buddy Bolden Say)."
- Page 46 and 47: Aha, LC cy catalog of 1929 says,Cal
- Page 48 and 49: Did find the LC copyright:Candy lip
- Page 50 and 51: Not in Rust. Ted des Plantes’ lin
- Page 52 and 53: So it was copyrighted by Oliver alo
- Page 54 and 55: Chicken Reel (Joseph M. Daly)Helm-L
- Page 56 and 57: Kinkle shows it as "Ciribiribin (It
- Page 58 and 59: Becket’s composition or followed
- Page 60 and 61: ASM, 1931, Santly Bros.; w. AF/m. F
- Page 62 and 63: John Gill reports 1/18/24 copyright
- Page 64 and 65: Frankie Trumbauer aho, 6/24/31, Bru
- Page 66 and 67: ut Bob says it never felt comfortab
- Page 68 and 69: the second 32-bar theme is my own,
- Page 70 and 71: ’Deed I Do (Walter Hirsch-Fred Ro
- Page 72 and 73: Rec. Moten 6/12/27, Victor 21199--a
- Page 74 and 75: Why Bring That Up? Internet Movie D
- Page 76 and 77: Rhodes: "’Get It Right’ = ‘Do
- Page 78 and 79: At Bessie’s request, all of the c
- Page 80 and 81: “Don’t Go ’Way Nobody,” a s
- Page 82 and 83: migrated northward up the Mississip
- Page 84 and 85: 1915; 2 c. July 24, 1915; E 363546;
- Page 86 and 87: Woode on two other titles. So obvio
- Page 88 and 89: all four posibilities we’d have t
- Page 90 and 91: Echoes from the Snowball Club(Harry
- Page 92 and 93: Music by Sadie Koninsky, arranged b
- Page 94 and 95:
OH, hell. After all this I thought
- Page 96 and 97:
Farmerette (Jesse Greer)George Fole
- Page 98 and 99:
Firechief Rag (Danny Alguire)Smith-
- Page 101 and 102:
and cy page) (You’ll Miss Me in t
- Page 103 and 104:
Gambling Jack (Jelly Roll Morton)Pa
- Page 106 and 107:
and "Boy Friend." Kinkle agrees. It
- Page 108 and 109:
soul all human beings feel. That th
- Page 110 and 111:
Magnolia JB 1016Turk Murphy JB 1161
- Page 112 and 113:
Grandpa’s Spells (Jelly Roll Mort
- Page 114 and 115:
Waldo’s Jazz Entertainers 1377Con
- Page 116 and 117:
We’ve not included arrangers as c
- Page 118 and 119:
“Hello Montreal” (but surely it
- Page 120 and 121:
1903 sheet could mean that it’s a
- Page 122 and 123:
2013 review: We can do better than
- Page 124 and 125:
21, 1925; E 627852 Triangle music p
- Page 126 and 127:
Rust; if it comes after record numb
- Page 128 and 129:
Found sleeve cover for 45 on Pye-Vo
- Page 130 and 131:
Actually, it appears that the choru
- Page 132 and 133:
So far, still solidly in the “unk
- Page 134 and 135:
can find no evidence she ever did a
- Page 136 and 137:
tune attributed to Pecora, even und
- Page 138 and 139:
(Harry Woods-Billy Rose-Mort Dixon)
- Page 140 and 141:
Ponce, also pub. Ager, Yellen & Bor
- Page 142 and 143:
If Winter Comes (W. R. Williams-Joh
- Page 144 and 145:
Crawford set phrases chanted by Mar
- Page 146 and 147:
I’m All Bound ’Round with the M
- Page 148 and 149:
Telcon 8/28: OK, do the two = three
- Page 150 and 151:
Smith, an article titled “Jelly R
- Page 152 and 153:
2013 review: Rec.Clarence Williams
- Page 154 and 155:
Confirmed 8/18/36 copyright reg.In
- Page 156 and 157:
Alstyne-Williams] via your note of
- Page 158 and 159:
Benny Goodman-Jack Teagarden)State
- Page 160 and 161:
Jazz Baby (M. K. Jerome-Blanche Mer
- Page 162:
1915; E 372536; Will Rossiter, Chic
- Page 165 and 166:
For what it’s worth, Ellington’
- Page 167 and 168:
James D. Touchstone. The song's ope
- Page 169 and 170:
Online search found FAR more hits o
- Page 171 and 172:
Ondippermouth.blogspot.com/2012/11/
- Page 173 and 174:
2013 review: Confirmed by 11/26/23
- Page 175 and 176:
Confirmed by 4/10/35 copyright reg.
- Page 177 and 178:
Eureka, I finally found the instrum
- Page 179 and 180:
Let’s Have Another Cup of Coffee(
- Page 181 and 182:
Limehouse Blues (Philip Braham-Doug
- Page 183 and 184:
Confirmed by 7/10/29 copyright reg.
- Page 185 and 186:
some mighty obscure evidence to the
- Page 187 and 188:
Keith Nichols Cotton Club Orchestra
- Page 189 and 190:
But copyright page isLow Bridge!
- Page 191 and 192:
Louisiana Repertory Jazz Ensemble 1
- Page 193 and 194:
document it. Ah: Thompson’s liner
- Page 195 and 196:
BUT notice alsoMarket Street Blues,
- Page 197 and 198:
James V. Monaco)Frederick Hodges 13
- Page 199 and 200:
Melancholy Stomp (Don Ewell)Europea
- Page 201 and 202:
(where’d he get that?), it was ar
- Page 203 and 204:
listing as an alternative title. Ho
- Page 205 and 206:
2013 review: It appears that I neve
- Page 207 and 208:
For Christ’s sake! Wikipedia has
- Page 209 and 210:
Steve Abrams: 1924 by Kapp-Coleman-
- Page 211 and 212:
More Than That (Ben Barnett-Clarenc
- Page 213 and 214:
Mule Walk, The [Mule Walk Stomp](Ja
- Page 215 and 216:
connection with the refrain. The ve
- Page 217 and 218:
Ray Smith: credit should go to Oliv
- Page 219 and 220:
My Man o’ War (Andy Razaf-Spencer
- Page 221 and 222:
Dan Levinson’s Roof Garden JB 136
- Page 223 and 224:
Never Again (Isham Jones-Gus Kahn)P
- Page 225 and 226:
New Orleans wiggle; by Peter Bocage
- Page 227 and 228:
Turk: "That was a tune called '1919
- Page 229 and 230:
Norfolk Church Street Sobbin’ Blu
- Page 231 and 232:
Oh, baby; from Rain or shine, words
- Page 233 and 234:
2013 review: Found the copyright:O
- Page 235 and 236:
Rec. Sharkey Bonano, 1/29/37, Vocal
- Page 237 and 238:
earliest example I know of that use
- Page 239 and 240:
West Jesmond Rhythm Kings 1255All S
- Page 241 and 242:
2013 review: Couldn’t find anythi
- Page 243 and 244:
Paddle-wheelin’ Along (A Sacramen
- Page 245 and 246:
Rosa Henderson, 8/26, Banner 18892*
- Page 247 and 248:
and in parens), credits Raye-Shaver
- Page 249 and 250:
The Commodore reissue of all the la
- Page 251 and 252:
(Sidney Bechet-Rousseau Simmons)Pam
- Page 253 and 254:
Porcupine Rag (Charles L. Johnson)R
- Page 255 and 256:
Ray Smith 1162Promenade aux Champs-
- Page 257 and 258:
Rag Time ChimesWell, very clear on
- Page 259 and 260:
Oops, not in copyright books 1929-3
- Page 261 and 262:
But Kassel had many other copyright
- Page 263 and 264:
Hodges, but the Black Berries Oriol
- Page 265 and 266:
Alabama Red Peppers, 4/28, Cameo 82
- Page 267 and 268:
But wait: I remember that I have BG
- Page 269 and 270:
Moulin à café as alt. title, of c
- Page 271 and 272:
Sadness Will Be Gladness(Wingy Mano
- Page 273 and 274:
Found sheet music at U. Maine, conf
- Page 275 and 276:
with arr. for guit., etc. © Oct. 1
- Page 277 and 278:
Confirmed by 5/24/27 copyright reg.
- Page 279 and 280:
The Bluebird ODJB 75th Anniversary
- Page 281 and 282:
ig questions is this: Is she singin
- Page 283 and 284:
Shine on Your Shoes, A(Arthur Schwa
- Page 285 and 286:
[also published in song versionwith
- Page 287 and 288:
Skit-dat-de-dat; melody by Lillian
- Page 289 and 290:
John Gill’s Novelty Orchestra 122
- Page 291 and 292:
Lillian Johnson?! Yes, that was Lil
- Page 293 and 294:
Abrams follow-up: I had this record
- Page 295 and 296:
she were a composer, she’d have m
- Page 297 and 298:
South African Blues (Lester Melrose
- Page 299 and 300:
Audrey Van Dyke. It is a lead sheet
- Page 301 and 302:
with ukulele arr. Dick Konter. © J
- Page 303 and 304:
Cover also notes “Also Published
- Page 305 and 306:
ditto. Bunk never wrote nothin’.
- Page 307 and 308:
Sure wish we could track down the H
- Page 309 and 310:
had become a hit, would have been p
- Page 311 and 312:
Rilhac was a pianist and recording
- Page 313 and 314:
Copyright goes to Emmalina, but no
- Page 315 and 316:
Weatherbird JB 1034Kustbandet 1178D
- Page 317 and 318:
Dick Zimmerman confirms our origina
- Page 319 and 320:
Pretty sure without having heard it
- Page 321 and 322:
Les Rois du Fox-Trot 1436< Is this
- Page 323 and 324:
were Feldman 6D black and white edi
- Page 325 and 326:
Confirmed by 10/1/31 unpub. Copyrig
- Page 327 and 328:
Men Now Days (see Ain’t MuchGood
- Page 329 and 330:
Cover isThere’s Something Nice Ab
- Page 331 and 332:
title? Every rag that doesn’t inc
- Page 333 and 334:
eproduces the sheet music cover, wh
- Page 335 and 336:
Too Tight (Natty Dominique)Pam Pame
- Page 337 and 338:
Bozo-blues; words and melody by Boz
- Page 339:
and Donald Lambert, MC'd by Rudi Bl
- Page 342 and 343:
Now that’s the way my folks would
- Page 344 and 345:
the Country” and has no composer
- Page 346 and 347:
Must go with copyright reg. and som
- Page 348 and 349:
Goodman reports: I have 1917 bandar
- Page 350 and 351:
influential label, the MicKinney’
- Page 352 and 353:
Band also spell West Lawn as two se
- Page 354 and 355:
Ida Cox, but more to our point is t
- Page 356 and 357:
2013 review: Well, it was recorded
- Page 358 and 359:
John Gill’s Calif. Sunshine Boys
- Page 360 and 361:
When You Walked OutSomeone Else Wal
- Page 362 and 363:
actual Parlophone label of the Hyde
- Page 364 and 365:
That’s a bizarre mistake for Mazz
- Page 366 and 367:
Written 1979, plenty of online conf
- Page 368 and 369:
At the time [i.e., shortly after hi
- Page 370 and 371:
Keith Nichols Cotton Club Orchestra
- Page 372 and 373:
You Broke Your Promise (George Wyle
- Page 374 and 375:
Louis Cottrell Trio, NO, 1/27/61, R
- Page 376 and 377:
ASM, 1932, Witmark & Sons; w. Dubin
- Page 378 and 379:
[And Klein Tindull is for real. His
- Page 380 and 381:
In that same book on page 257 thefo
- Page 382 and 383:
“Put Your Arms Around Me, Honey
- Page 384 and 385:
Si tu vois ma mère [If You See My
- Page 386 and 387:
At this point (June 30, 2011), I wi
- Page 388 and 389:
Black Mountain Blues - copyright in
- Page 390 and 391:
VICTOR ALTERNATIVE TITLES(Victor te
- Page 392 and 393:
CHECK COPYRIGHT CARDSAfrican Hunch
- Page 394 and 395:
Galion stomp - lovie austin?Gates B
- Page 396 and 397:
meanest blues - napoleon & signorel
- Page 398 and 399:
slide, frog, slidesnakes hips spenc
- Page 400:
Wild and wooly (or woolly) willie -