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Lathair is the guy who worked in Chicago withJimmy Blythe and and Paramount andChicago Music and wrote jazz tunes. Vol isthe guy from Tennessee who wrote jug bandtunes and worked with Victor and Ralph Peerin Atlanta and Memphis.They just can’t be the same guy, and Lathairjust has to be the Stevens on those BlytheParamount labels.Boiled Owl (Marty Grosz)Marty Grosz’s Orphan Newsboys 1225
Boogie Rag (Wilbur Sweatman)Chrysanthemum Ragtime Band 1047Down Home JB 1316Rec. Sweatman JB 3/17, Pathe 20147, Empire6219.That’s Got ’Em: The Life and Music of Wilbur C.Sweatman, by Mark Berresford, says written bySweatman 1917, pub. Shapiro, Bernstein &Co. Jasen’s big book confirms as well.Confirmed by 9/21/17 copyright reg.Boogie Woogie (Joe Oliver–Dave Nelson)Neely’s Royal Society Jazz Orch 1208Rec. Oliver 3/18/30, Victor V-38134, BluebirdB-6778. (Not to be confused with PinetopSmith’s tune, evidently also originally issuedas “Boogie Woogie,” and evidently changedby popularl usage to “Pinetop’s BW.”)Victor Project confirms Oliver-Nelson.And confirmed by 10/20/30 copyright reg.Booster, The (An AmericanAbsurdity Rag) (M. L. Lake)Waldo’s Ragtime Orchestra 1069Google found an online band arrangementfrom 1913 (pub. Fred Fischer) that matchesour title. And most other online searchesagree.Another look May 2013: Actually, I’m findingthat subtitle as both (An American Absurdity)and (An American Absurdity Rag). Reallyneed to look at the sheet music, but I’mamazed that I can’t find it online. Havequeried collectors Brier & Adams.Brier sends proof we had it right:The Booster(AN AMERICAN ABSURDITY RAG.)One Step - Two Step or Trot.Borneo (Walter Donaldson)Red Roseland Cornpickers 1133Well, everybody seems to agree on this asBorneo by Donaldson in 1928, but the onlysheet music I found was slugged “OperaticEdition,” that reads (cover & cy)I WISH THAT I’D BEEN BORNIN BORNEO“Successfully introduced by Eddie Cantor inGe<strong>org</strong>e LeMaires ‘Broadway Brevities.’” Lyricsby Grant Clarke, music Donaldson, pub. 1920by Irving Berlin. (Online athttp://digital.library.msstate.edu/cdm/singleitem/collection/SheetMusic/id/3854/rec/1)Strangely, not in Lissauer or S&P, and can’tfind a pure “Borneo” sheet online, eventhough it’s out of copyright.Songwriters Hall of Fame for Donaldson saysit’s Borneo by WD, pub. by Donaldson, butdoesn’t cite year.earlyjas.<strong>org</strong> article on Donaldson says,BORNEO - this ‘jungle’ tune was written in1928, while working at Irving Berlin’spublishing company. C-melody saxophonist,Frankie Trambauer and HisOrchestra (with Bix Beiderbecke on cornet)recorded this tune for the Okeh label inNew York, 4/10/28.What the hell? The “operatic edition”mentioned above definitely says 1920.Eddie Cantor recorded it as “I Wish That I’dBeen Born in Borneo” in October 1920 onEmerson 10301 (credit Clarke & Donaldson);The Harmonizers’ Quartet recorded it as “IWish I Had Been Born in Borneo 11/15/20 onVocalion 14141. Both records released 1921.Ben Bernie recorded it March 22,1928(Brunswick 3887, 3775); the Trumbauer recordwith Bix was April 10, 1928 (OKeh 41039,Parlophone R-203 (as the Goofus Five andtheir Orchestra), Odeon 165360, Columbia20674).Bernie’s Brunswick label has no composercredit. Trumbauer OKeh 41039 label creditsjust Donaldson, as does Parlophone R-203.Couldn’t find any other labels.I’d be tempted to say that the 1920 date on theoperatic edition was simply wrong, but thatsheet carries blurbs for “Tired of Me” and “MySahara Rose,” both by Donaldson-Clarke, alsodated 1920.And oops: found the copyright entry in LCcopyright book: Definitely “I Wish That I’dBeen Born in Borneo,” (c) September 27,1920, w. Clarke-m. Donaldson; filed by IrvingBerlin, Inc.Before I did some listening to the recordings, Ifigured I’d discover that Bernie arranged thetune for his band and recorded it with asimplified title.BUT the lyrics that are sung on the 1928recordings are nothing like the Clarke-Donaldson lyrics of 1920. I listened to the1921 Cantor song, and I don’t see that themelodies are anything alike.AHA: 5/12/13: I thought I’d googled everypossible combination, but I tried once moreand found this entry in the Library of Congresscopyright books:Borneo; fox-trot, words and music by WalterDonaldson. (c) Feb. 16, 1928; 2 c. Feb. 18;E 686098; Leo Feist, Inc., New York.Then another entry:Borneo; fox-trot, words and music by WalterDonaldson, arr. by Frank Skinner; orch. 4to.(c) Mar. 24, 1928; 2 c. March 26: E 688304,Leo [rest cut off].AND elsewhere learned that Frank Skinnerwas arranger for Ben Bernie.I asked Dave Robinson if the 1928 song wasjust a foxtrotification of the earlier one. Hisreply: “Looking at the 1920 sheet, I can tellyou that it’s absolutely a whole different tune.”Still hard to believe that it was never publishedin sheet music form. Anybody have it?Tex W. says the sheet music must be veryrare, because he’s never seen it, but he’s sureit must have been published, because it wasreissued in a Donaldson folio with copyrightdate 1928.Bos’n Rag, The (Fred S. Stone)Ophelia Ragtime Orchestra 11081108 was just “Bos’n Rag.”8/18, Nancy Wyndham: Our 1899 originaluses The Bos’n Rag on both cover andcopyright page.8/25: Montgomery sends copy of that samemusic.Boston Skuffle [Boston Shuffle](Jabbo Smith)Hot Antic JB 1058But Damn! See the copyright:Boston shuffle; melody by Jabbo Smith, arr.by James Alston. © 1 c. Mar. 19, 1930; Eunp. 18846; State street music pub. co.,inc., Chicago.So I had it backwards: AF was only one to getit right; the Brunswick and UHCA got it wrong.Guess I switch it back to Shuffle with Skuffleas an alternative.Bottomland (see I’m Goin’ Back toBottomland)Bottoms Up (Burton Lane–Harold Adamson)Alex Hassan 1322They wrote three songs for the 1934 filmBottoms Up, but “Bottoms Up” was not one ofthose titles. Have asked Alex if this is amedley of the three--seems like we ought tonote that rather than give the impression thatthis is a song title.He responded that there is indeed a published“Bottoms Up” song, even though it’s not in hisdatabase or in the IMDB entry for the film.
Page 1 and 2: 6th editionWORKING DRAFT WITH NOTES
Page 3 and 4: Further background notes in case I
Page 5 and 6: Absolutely (Jabbo Smith)Grand Domin
Page 7: Ah-Ha! (James V. Monaco-Sidney Clar
Page 14 and 15: Zenith Hot Stompers 1248Black Eagle
Page 16 and 17: Tex’s original-looking 1920 sheet
Page 18 and 19: (this is not the popular Smith-Burr
Page 20 and 21: Barrel House Rag - Campbell hand-wr
Page 22 and 23: seen often both ways, so will chang
Page 24 and 25: Aug. 22, 1919; E 458166; Spencer Wi
Page 26 and 27: ecording was Bob Hudson. This may w
Page 28 and 29: Carroll Dickerson’s Savoy Orch, 5
Page 30 and 31: Al Dubin)Paul and His Gang 1329Bles
Page 32 and 33: “BLUE GOOSE”RAGThis says to me
Page 34 and 35: No composer credit on label. Chilto
Page 38 and 39: Bouncing Around (Armand J. Piron-Pe
Page 40 and 41: Bright Star Blues (Armand J. Piron-
Page 42 and 43: Thought I Heard Buddy Bolden Say)."
Page 44 and 45: But fellow researchers out there, c
Page 46 and 47: Aha, LC cy catalog of 1929 says,Cal
Page 48 and 49: Did find the LC copyright:Candy lip
Page 50 and 51: Not in Rust. Ted des Plantes’ lin
Page 52 and 53: So it was copyrighted by Oliver alo
Page 54 and 55: Chicken Reel (Joseph M. Daly)Helm-L
Page 56 and 57: Kinkle shows it as "Ciribiribin (It
Page 58 and 59: Becket’s composition or followed
Page 60 and 61: ASM, 1931, Santly Bros.; w. AF/m. F
Page 62 and 63: John Gill reports 1/18/24 copyright
Page 64 and 65: Frankie Trumbauer aho, 6/24/31, Bru
Page 66 and 67: ut Bob says it never felt comfortab
Page 68 and 69: the second 32-bar theme is my own,
Page 70 and 71: ’Deed I Do (Walter Hirsch-Fred Ro
Page 72 and 73: Rec. Moten 6/12/27, Victor 21199--a
Page 74 and 75: Why Bring That Up? Internet Movie D
Page 76 and 77: Rhodes: "’Get It Right’ = ‘Do
Page 78 and 79: At Bessie’s request, all of the c
Page 80 and 81: “Don’t Go ’Way Nobody,” a s
Page 82 and 83: migrated northward up the Mississip
Page 84 and 85: 1915; 2 c. July 24, 1915; E 363546;
Page 86 and 87:
Woode on two other titles. So obvio
Page 88 and 89:
all four posibilities we’d have t
Page 90 and 91:
Echoes from the Snowball Club(Harry
Page 92 and 93:
Music by Sadie Koninsky, arranged b
Page 94 and 95:
OH, hell. After all this I thought
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Farmerette (Jesse Greer)George Fole
Page 98 and 99:
Firechief Rag (Danny Alguire)Smith-
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and cy page) (You’ll Miss Me in t
Page 103 and 104:
Gambling Jack (Jelly Roll Morton)Pa
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and "Boy Friend." Kinkle agrees. It
Page 108 and 109:
soul all human beings feel. That th
Page 110 and 111:
Magnolia JB 1016Turk Murphy JB 1161
Page 112 and 113:
Grandpa’s Spells (Jelly Roll Mort
Page 114 and 115:
Waldo’s Jazz Entertainers 1377Con
Page 116 and 117:
We’ve not included arrangers as c
Page 118 and 119:
“Hello Montreal” (but surely it
Page 120 and 121:
1903 sheet could mean that it’s a
Page 122 and 123:
2013 review: We can do better than
Page 124 and 125:
21, 1925; E 627852 Triangle music p
Page 126 and 127:
Rust; if it comes after record numb
Page 128 and 129:
Found sleeve cover for 45 on Pye-Vo
Page 130 and 131:
Actually, it appears that the choru
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So far, still solidly in the “unk
Page 134 and 135:
can find no evidence she ever did a
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tune attributed to Pecora, even und
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(Harry Woods-Billy Rose-Mort Dixon)
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Ponce, also pub. Ager, Yellen & Bor
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If Winter Comes (W. R. Williams-Joh
Page 144 and 145:
Crawford set phrases chanted by Mar
Page 146 and 147:
I’m All Bound ’Round with the M
Page 148 and 149:
Telcon 8/28: OK, do the two = three
Page 150 and 151:
Smith, an article titled “Jelly R
Page 152 and 153:
2013 review: Rec.Clarence Williams
Page 154 and 155:
Confirmed 8/18/36 copyright reg.In
Page 156 and 157:
Alstyne-Williams] via your note of
Page 158 and 159:
Benny Goodman-Jack Teagarden)State
Page 160 and 161:
Jazz Baby (M. K. Jerome-Blanche Mer
Page 162:
1915; E 372536; Will Rossiter, Chic
Page 165 and 166:
For what it’s worth, Ellington’
Page 167 and 168:
James D. Touchstone. The song's ope
Page 169 and 170:
Online search found FAR more hits o
Page 171 and 172:
Ondippermouth.blogspot.com/2012/11/
Page 173 and 174:
2013 review: Confirmed by 11/26/23
Page 175 and 176:
Confirmed by 4/10/35 copyright reg.
Page 177 and 178:
Eureka, I finally found the instrum
Page 179 and 180:
Let’s Have Another Cup of Coffee(
Page 181 and 182:
Limehouse Blues (Philip Braham-Doug
Page 183 and 184:
Page 185 and 186:
some mighty obscure evidence to the
Page 187 and 188:
Keith Nichols Cotton Club Orchestra
Page 189 and 190:
But copyright page isLow Bridge!
Page 191 and 192:
Louisiana Repertory Jazz Ensemble 1
Page 193 and 194:
document it. Ah: Thompson’s liner
Page 195 and 196:
BUT notice alsoMarket Street Blues,
Page 197 and 198:
James V. Monaco)Frederick Hodges 13
Page 199 and 200:
Melancholy Stomp (Don Ewell)Europea
Page 201 and 202:
(where’d he get that?), it was ar
Page 203 and 204:
listing as an alternative title. Ho
Page 205 and 206:
2013 review: It appears that I neve
Page 207 and 208:
For Christ’s sake! Wikipedia has
Page 209 and 210:
Steve Abrams: 1924 by Kapp-Coleman-
Page 211 and 212:
More Than That (Ben Barnett-Clarenc
Page 213 and 214:
Mule Walk, The [Mule Walk Stomp](Ja
Page 215 and 216:
connection with the refrain. The ve
Page 217 and 218:
Ray Smith: credit should go to Oliv
Page 219 and 220:
My Man o’ War (Andy Razaf-Spencer
Page 221 and 222:
Dan Levinson’s Roof Garden JB 136
Page 223 and 224:
Never Again (Isham Jones-Gus Kahn)P
Page 225 and 226:
New Orleans wiggle; by Peter Bocage
Page 227 and 228:
Turk: "That was a tune called '1919
Page 229 and 230:
Norfolk Church Street Sobbin’ Blu
Page 231 and 232:
Oh, baby; from Rain or shine, words
Page 233 and 234:
2013 review: Found the copyright:O
Page 235 and 236:
Rec. Sharkey Bonano, 1/29/37, Vocal
Page 237 and 238:
earliest example I know of that use
Page 239 and 240:
West Jesmond Rhythm Kings 1255All S
Page 241 and 242:
2013 review: Couldn’t find anythi
Page 243 and 244:
Paddle-wheelin’ Along (A Sacramen
Page 245 and 246:
Rosa Henderson, 8/26, Banner 18892*
Page 247 and 248:
and in parens), credits Raye-Shaver
Page 249 and 250:
The Commodore reissue of all the la
Page 251 and 252:
(Sidney Bechet-Rousseau Simmons)Pam
Page 253 and 254:
Porcupine Rag (Charles L. Johnson)R
Page 255 and 256:
Ray Smith 1162Promenade aux Champs-
Page 257 and 258:
Rag Time ChimesWell, very clear on
Page 259 and 260:
Oops, not in copyright books 1929-3
Page 261 and 262:
But Kassel had many other copyright
Page 263 and 264:
Hodges, but the Black Berries Oriol
Page 265 and 266:
Alabama Red Peppers, 4/28, Cameo 82
Page 267 and 268:
But wait: I remember that I have BG
Page 269 and 270:
Moulin à café as alt. title, of c
Page 271 and 272:
Sadness Will Be Gladness(Wingy Mano
Page 273 and 274:
Found sheet music at U. Maine, conf
Page 275 and 276:
with arr. for guit., etc. © Oct. 1
Page 277 and 278:
Page 279 and 280:
The Bluebird ODJB 75th Anniversary
Page 281 and 282:
ig questions is this: Is she singin
Page 283 and 284:
Shine on Your Shoes, A(Arthur Schwa
Page 285 and 286:
[also published in song versionwith
Page 287 and 288:
Skit-dat-de-dat; melody by Lillian
Page 289 and 290:
John Gill’s Novelty Orchestra 122
Page 291 and 292:
Lillian Johnson?! Yes, that was Lil
Page 293 and 294:
Abrams follow-up: I had this record
Page 295 and 296:
she were a composer, she’d have m
Page 297 and 298:
South African Blues (Lester Melrose
Page 299 and 300:
Audrey Van Dyke. It is a lead sheet
Page 301 and 302:
with ukulele arr. Dick Konter. © J
Page 303 and 304:
Cover also notes “Also Published
Page 305 and 306:
ditto. Bunk never wrote nothin’.
Page 307 and 308:
Sure wish we could track down the H
Page 309 and 310:
had become a hit, would have been p
Page 311 and 312:
Rilhac was a pianist and recording
Page 313 and 314:
Copyright goes to Emmalina, but no
Page 315 and 316:
Weatherbird JB 1034Kustbandet 1178D
Page 317 and 318:
Dick Zimmerman confirms our origina
Page 319 and 320:
Pretty sure without having heard it
Page 321 and 322:
Les Rois du Fox-Trot 1436< Is this
Page 323 and 324:
were Feldman 6D black and white edi
Page 325 and 326:
Confirmed by 10/1/31 unpub. Copyrig
Page 327 and 328:
Men Now Days (see Ain’t MuchGood
Page 329 and 330:
Cover isThere’s Something Nice Ab
Page 331 and 332:
title? Every rag that doesn’t inc
Page 333 and 334:
eproduces the sheet music cover, wh
Page 335 and 336:
Too Tight (Natty Dominique)Pam Pame
Page 337 and 338:
Bozo-blues; words and melody by Boz
Page 339:
and Donald Lambert, MC'd by Rudi Bl
Page 342 and 343:
Now that’s the way my folks would
Page 344 and 345:
the Country” and has no composer
Page 346 and 347:
Must go with copyright reg. and som
Page 348 and 349:
Goodman reports: I have 1917 bandar
Page 350 and 351:
influential label, the MicKinney’
Page 352 and 353:
Band also spell West Lawn as two se
Page 354 and 355:
Ida Cox, but more to our point is t
Page 356 and 357:
2013 review: Well, it was recorded
Page 358 and 359:
John Gill’s Calif. Sunshine Boys
Page 360 and 361:
When You Walked OutSomeone Else Wal
Page 362 and 363:
actual Parlophone label of the Hyde
Page 364 and 365:
That’s a bizarre mistake for Mazz
Page 366 and 367:
Written 1979, plenty of online conf
Page 368 and 369:
At the time [i.e., shortly after hi
Page 370 and 371:
Keith Nichols Cotton Club Orchestra
Page 372 and 373:
You Broke Your Promise (George Wyle
Page 374 and 375:
Louis Cottrell Trio, NO, 1/27/61, R
Page 376 and 377:
ASM, 1932, Witmark & Sons; w. Dubin
Page 378 and 379:
[And Klein Tindull is for real. His
Page 380 and 381:
In that same book on page 257 thefo
Page 382 and 383:
“Put Your Arms Around Me, Honey
Page 384 and 385:
Si tu vois ma mère [If You See My
Page 386 and 387:
At this point (June 30, 2011), I wi
Page 388 and 389:
Black Mountain Blues - copyright in
Page 390 and 391:
VICTOR ALTERNATIVE TITLES(Victor te
Page 392 and 393:
CHECK COPYRIGHT CARDSAfrican Hunch
Page 394 and 395:
Galion stomp - lovie austin?Gates B
Page 396 and 397:
meanest blues - napoleon & signorel
Page 398 and 399:
slide, frog, slidesnakes hips spenc
Page 400:
Wild and wooly (or woolly) willie -
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