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Oops, not in Rust. My Jan Garber reissuesays In my heart. And West End has Virginia(There’s a Blue Ridge ’Round) And AnimalCrackers says There Is a Blue Ridge...And oops, Rust agrees with West End JB:“Virginia (There’s a Blue Ridge In/’Round MyHeart).”Rec. (according to Rust):Eva Taylor (acc,. CW Blue Five), 8/6/26, as(There’s a Blue Ridge in My Heart) Virginia,OKeh 40671.Jay Whidden, as Virginia (There’s a BlueRidge in My Heart), London, 10/19/28,Imperial 1982.Alfredo’s Band, London, 1/29 (’Round), EdisonBell Radio (UK) 925.Arthur Rosebery (as we have it), 1/12/29,Parlophone R-277, A-2719; Ariel Grand (UK)4343 (as Ariel Grand Orch).But oops yet again: no such song in books1925-29. Now what? West End says recordedby Sophie Tucker with Al Starita’s PiccadillyPlayers in 1928.My Sophie tucker reissue of it shows “There'sa Blue Ridge Round My Heart, Virginia,” butthat’s a Usenet MP3 download with nographics or documentation. And Online78/Honking Duck doesn’t find it. But it’s verylikely the source for Rusty Taylor.Aha, found it in Hassan’s book rendered asVIRGINIA [foll.: "There's a Blue Ridge in MyHeart"], seems to describe the original EvaTaylor label usage.And I finally found the copyright, as justVirginia:Virginia; words by Ira Schuster and AlfredBryan, music by Fred Phillips; pf. acc., withukulele arr. by R. W. Konter. © Aug. 31,1926; 2 c. Sept. 15; E 648289; MauriceAbrahams, inc., New York.Alex’s index version of the title would translatetoThere’s a Blue Ridge in My HeartVIRGINIAwhich, in our style, is exactly the way EvaTaylor had it on the first recording of the song.And I found the cover online, which is thesame:(There’s a Blue Ridge in My Heart)VIRGINIASo I’ll put the subtitle in parens but keep ithere on the presumption that most peopleknow it by “There’s...” But since the title istechnically “Virginia” (both Rust and Hassanindexed it under T), I guess we need a crossreffrom there.There’s a Cabin in the Pines(Billy Hill)Jimmy Mazzy & Friends 1219LP had “(There’s a) Cabin in the Pines.”8/22, Alex Hassan: "There’s a Cabin in thePines" is the correct title8/24, Frank Dutton: British Dance Bands onRecord by Brian Rust & Sandy Forbes showsno brackets around the first two words, norcan I find them on several record labels.Bob: Obviously, the correct title is There’s aCabin in the Pines, so we move it to to the T’sand put a cross-ref from Cabin...2013 review: Now I see. Hill’s original unpub.copyright read “Cabin in the Pines,” but a laterpub. rereg. was “There’s a Cabin in the Pines,”and that’s how the sheet music cover reads.There’s a Lump of Sugar Down inDixie (Albert Gumble–Alfred Bryan–Jack Yellen)Frederick Hodges 1333Oops, the tune list in the back of the bookletsaid just Bryan-Yellen, but Frederick calledAlbert Gumble in his liner notes. It’s w. Bryan-Yellen/m. Albert Gumble. ASM, 1918, JeromeRemick.There’s a Man in My Life [There’s aGal in My Life] (Fats Waller–Ge<strong>org</strong>e Marion, Jr.)Paris Washboard 1359CD had There’s a Man [Gal] in My Life.S&P notes that the tune was written andcopyrighted as There’s a Man in My Life; itwas written for a Broadway musical that ranfrom June 1943 to May 1944, Early to Bed, andsung by Muriel Angelus. Just becausesomewhere along the line some fellowrecorded it and changed the title & lyricshouldn’t be reason for us to use that as agenuine alternative title, should it? That sort ofthing always has been done, and we don’tdocument every instance of it.BUT Fats actually recorded it as Gal (on V-disc, at least) about the time the show openedwith it as Guy, so both are contemporary andlegitimate.2013 review: Odd,not in copyright books1942-44. But published, found it in twocollections that confirm our credits.There’s a Rainbow ’Round MyShoulder (Al Jolson–Billy Rose–Dave Dreyer)San Francisco Starlight Orchestra 1271ASM, 1928, Irving Berlin. Cover hasThere’s a Rainbow’Round My Shoulderbut (c) is all on same line.There’s a Squabblin’ (see Squabblin’)There’s a Star in the Sky(Billy Mayerl–Frank Eyton)Alex Hassan 1322From film Cheer Up, 1936. Confirmed by6/26/36 copyright reg., w. FE/m. BM.There’s a Wah-Wah Gal in AguaCaliente (Walter Donaldson)Hotel Edison Roof Orchestra 1169Ingham–Grosz Hot Cosmopolites 1237Neely’s Royal Society Jazz Orch 1250We had Girl, but it’s Gal on both cover &copyright page. FYI, cover isThere’s a Wah Wah GalIn Agua (A-Wah) CalienteBut (c) is the way we have it. ASM, 1930,Donaldson, Douglas & Gumble.(There’s Something Nice aboutEveryone But) There’s EverythingNice About You (Pete Wendling–Arthur Terker–Alfred Bryan)Back Bay Ramblers 1279No pre-title on CD, composers Wendling &Bryan.
Cover isThere’s Something Nice About Everyone ButThere’s Everything Nice About YouCopyright page isThere’s Something Nice About EveryoneButThere’s Everything Nice About YouSheet music also confirms the othercomposer.There’s Gonna Be the Devil to Pay(Bob Emmerich–Billy Hueston)South Side Jazz Serenaders 1420Les Red Hot Reedwarmers 1425Paris Washboard 1428Not in Rust index, but has recordings underFW & His Rhythm as “Going to,” 6/24/35,Victor 25078. Couldn’f find label, but LCSONIC confirms it as “Going to Be” andboth our composers’ full names.Willie Smith & His Cubs (“Gonna”), 4/23/35,Decca 7073. LC SONIC confirms Gonnaand last names.Clarence Williams aho (“Gonna”), 3/7/35,Vocalion 2927. Gonna and composer lastnames confirmed by label.Confirmed by 3/25/35 copyright reg. (as“Gonna”), w. BH/m. BE, copyrighted byClarence Williams.There’s No Gal Like My Gal(Elmer Schoebel–Billy Meyers)Les Rois du Fox-Trot 1407Rec. Orig. Memphis Melody Boys (w/Schoebel& Meyers), 4/2/23, Gennett 5157.Confirmed by 4/24/23 copyright reg., w/mboth, and Gennett label.There’s Nothing Too Good for MyBaby (Eddie Cantor–Benny Davis–Harry Akst)Alex Hassan 1322Confirmed by 9/9/31 copyright reg., w/m allthree, from Palmy Days.There’s Nothing Wrong in La-La Land(Stephen Kent Goodman)Univ. of Wisconsin Symphony Band 1246Goodman was guest conductor of the band.There’s Oceans of Love by theBeautiful Sea (Little Jack Little–J. Fred Coots)Independence Hall JB 1386Rec. Alex Bartha, 7/6/32, Victor 24056. JoeHaymes, 6/14/32, Electradisk 2502. DickRobertson, 6/14/32, Metrotone M-12408,Romeo 1865.Confirmed by 5/3/32 unpub. copyright reg.,w/m both, and Bartha Victor label.There’s Something in the Air(Jimmy McHugh–Harold Adamson)Barbara Rosene 1368ASM, 1936, Robbins; w. Adamson/m.McHugh.There’s Yes! Yes! in Your Eyes(Joseph H. Santly–Cliff Friend)New Orleans Rascals 1113P. T. Stanton’s Stone Age JB 1228ASM has it too, 1924, Jerome Remick.They’re Wearin’ ’em Higher in Hawaii(Higher – Higher – Higher)(Halsey K. Mohr–Joe Goodwin)Rosy McHargue 1253Ian Whitcomb & His Merry Bands 1276ASM, 1916, Shapiro, Bernstein; w.Goodwin/m. Mohr. Copyright page, but notcover, adds the subtitle.Thick Lip <strong>Stomp</strong> (Bennie Moten)Mike Daniels’ Delta Jazzmen 1203Des Plantes’ Washboard Wizards 1231Keith Nichols & the Blue Devils 1387Rec. Moten 12/13/26, Victor 20406, HMV B-5302.Confirmed by 5/15/27 copyright reg. andVictor & HMV labels.(You Can’t Take Away) The ThingsThat Were Made for Love (PeterDe Rose–Charles Tobias–Irving Kahal)Neely’s Royal Society Jazz Orch CD 1208Charleston Chasers 13762013 review: Rec. Sammy Fain, 3/26/29,Harmony 904-H. Rust shows out pretitle.Copyright isYou can't take away the things that weremade for love; words by Charles Tobias andIrving Kahal, music by Peter De Rose. ©Mar. 19,1929; 2 c. Mar. 21; E pub. 4432;Irving Berlin, inc., New York.Hassan has the sheet, confirms our title.Thinking of You (Harry Ruby–Bert Kalmar)Frederick Hodges 1333Barbara Rosene & Her New Yorkers 1393ASM, 1927, Harms; w. Kalmar/m. Ruby(I’ve Grown So Lonesome) Thinkingof You (Walter Donaldson–Paul Ash)Marty Grosz’s Orphan Newsboys 1225CD had subtitle in back.Third Rail (Vern De Mars)Prague Jazzphonics 12368/21, from Library of Congress copyrightregistration card as researched by MatthewCaulfield: Vern De Mars.2013 review: Rec. Walter Barnes, 2/27/29,Brunswick 7072. CA Ramblers, 1/27/30,Edison 52206. Cotton Pickers, 2/9/28,Gennett 6380, Champion 15438, GennettSpecial 40114.11/11/27 copyright reg. confirms De Mars.Gennett 6380 label is ambiguous, DeMars orDe Mars. Edison 55506 is clearly De Mars.Brunswick 7072 looks like DeMars.35th Street Blues (Charles Levy)Turk Murphy JB 1161Bob Schulz & His Frisco JB 1288
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6th editionWORKING DRAFT WITH NOTES
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Further background notes in case I
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Absolutely (Jabbo Smith)Grand Domin
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Ah-Ha! (James V. Monaco-Sidney Clar
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Zenith Hot Stompers 1248Black Eagle
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Tex’s original-looking 1920 sheet
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(this is not the popular Smith-Burr
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Barrel House Rag - Campbell hand-wr
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seen often both ways, so will chang
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Aug. 22, 1919; E 458166; Spencer Wi
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ecording was Bob Hudson. This may w
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Carroll Dickerson’s Savoy Orch, 5
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Al Dubin)Paul and His Gang 1329Bles
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“BLUE GOOSE”RAGThis says to me
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No composer credit on label. Chilto
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Lathair is the guy who worked in Ch
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Bouncing Around (Armand J. Piron-Pe
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Bright Star Blues (Armand J. Piron-
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Thought I Heard Buddy Bolden Say)."
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But fellow researchers out there, c
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Aha, LC cy catalog of 1929 says,Cal
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Did find the LC copyright:Candy lip
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Not in Rust. Ted des Plantes’ lin
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So it was copyrighted by Oliver alo
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Chicken Reel (Joseph M. Daly)Helm-L
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Kinkle shows it as "Ciribiribin (It
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Becket’s composition or followed
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ASM, 1931, Santly Bros.; w. AF/m. F
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John Gill reports 1/18/24 copyright
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Frankie Trumbauer aho, 6/24/31, Bru
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ut Bob says it never felt comfortab
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the second 32-bar theme is my own,
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’Deed I Do (Walter Hirsch-Fred Ro
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Rec. Moten 6/12/27, Victor 21199--a
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Why Bring That Up? Internet Movie D
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Rhodes: "’Get It Right’ = ‘Do
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At Bessie’s request, all of the c
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“Don’t Go ’Way Nobody,” a s
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migrated northward up the Mississip
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1915; 2 c. July 24, 1915; E 363546;
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Woode on two other titles. So obvio
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all four posibilities we’d have t
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Echoes from the Snowball Club(Harry
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Music by Sadie Koninsky, arranged b
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OH, hell. After all this I thought
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Farmerette (Jesse Greer)George Fole
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Firechief Rag (Danny Alguire)Smith-
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and cy page) (You’ll Miss Me in t
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Gambling Jack (Jelly Roll Morton)Pa
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and "Boy Friend." Kinkle agrees. It
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soul all human beings feel. That th
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Magnolia JB 1016Turk Murphy JB 1161
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Grandpa’s Spells (Jelly Roll Mort
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Waldo’s Jazz Entertainers 1377Con
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We’ve not included arrangers as c
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“Hello Montreal” (but surely it
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1903 sheet could mean that it’s a
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2013 review: We can do better than
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21, 1925; E 627852 Triangle music p
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Rust; if it comes after record numb
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Found sleeve cover for 45 on Pye-Vo
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Actually, it appears that the choru
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So far, still solidly in the “unk
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can find no evidence she ever did a
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tune attributed to Pecora, even und
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(Harry Woods-Billy Rose-Mort Dixon)
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Ponce, also pub. Ager, Yellen & Bor
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If Winter Comes (W. R. Williams-Joh
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Crawford set phrases chanted by Mar
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I’m All Bound ’Round with the M
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Telcon 8/28: OK, do the two = three
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Smith, an article titled “Jelly R
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2013 review: Rec.Clarence Williams
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Confirmed 8/18/36 copyright reg.In
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Alstyne-Williams] via your note of
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Benny Goodman-Jack Teagarden)State
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Jazz Baby (M. K. Jerome-Blanche Mer
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1915; E 372536; Will Rossiter, Chic
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For what it’s worth, Ellington’
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James D. Touchstone. The song's ope
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Online search found FAR more hits o
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Ondippermouth.blogspot.com/2012/11/
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2013 review: Confirmed by 11/26/23
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Confirmed by 4/10/35 copyright reg.
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Eureka, I finally found the instrum
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Let’s Have Another Cup of Coffee(
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Limehouse Blues (Philip Braham-Doug
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Confirmed by 7/10/29 copyright reg.
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some mighty obscure evidence to the
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Keith Nichols Cotton Club Orchestra
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But copyright page isLow Bridge!
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Louisiana Repertory Jazz Ensemble 1
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document it. Ah: Thompson’s liner
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BUT notice alsoMarket Street Blues,
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James V. Monaco)Frederick Hodges 13
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Melancholy Stomp (Don Ewell)Europea
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(where’d he get that?), it was ar
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listing as an alternative title. Ho
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2013 review: It appears that I neve
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For Christ’s sake! Wikipedia has
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Steve Abrams: 1924 by Kapp-Coleman-
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More Than That (Ben Barnett-Clarenc
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Mule Walk, The [Mule Walk Stomp](Ja
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connection with the refrain. The ve
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Ray Smith: credit should go to Oliv
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My Man o’ War (Andy Razaf-Spencer
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Dan Levinson’s Roof Garden JB 136
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Never Again (Isham Jones-Gus Kahn)P
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New Orleans wiggle; by Peter Bocage
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Turk: "That was a tune called '1919
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Norfolk Church Street Sobbin’ Blu
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Oh, baby; from Rain or shine, words
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2013 review: Found the copyright:O
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Rec. Sharkey Bonano, 1/29/37, Vocal
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earliest example I know of that use
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West Jesmond Rhythm Kings 1255All S
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2013 review: Couldn’t find anythi
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Paddle-wheelin’ Along (A Sacramen
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Rosa Henderson, 8/26, Banner 18892*
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and in parens), credits Raye-Shaver
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The Commodore reissue of all the la
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(Sidney Bechet-Rousseau Simmons)Pam
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Porcupine Rag (Charles L. Johnson)R
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Ray Smith 1162Promenade aux Champs-
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Rag Time ChimesWell, very clear on
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Oops, not in copyright books 1929-3
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But Kassel had many other copyright
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Hodges, but the Black Berries Oriol
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Alabama Red Peppers, 4/28, Cameo 82
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But wait: I remember that I have BG
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Moulin à café as alt. title, of c
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Sadness Will Be Gladness(Wingy Mano
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Found sheet music at U. Maine, conf
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with arr. for guit., etc. © Oct. 1
Page 277 and 278: Confirmed by 5/24/27 copyright reg.
Page 279 and 280: The Bluebird ODJB 75th Anniversary
Page 281 and 282: ig questions is this: Is she singin
Page 283 and 284: Shine on Your Shoes, A(Arthur Schwa
Page 285 and 286: [also published in song versionwith
Page 287 and 288: Skit-dat-de-dat; melody by Lillian
Page 289 and 290: John Gill’s Novelty Orchestra 122
Page 291 and 292: Lillian Johnson?! Yes, that was Lil
Page 293 and 294: Abrams follow-up: I had this record
Page 295 and 296: she were a composer, she’d have m
Page 297 and 298: South African Blues (Lester Melrose
Page 299 and 300: Audrey Van Dyke. It is a lead sheet
Page 301 and 302: with ukulele arr. Dick Konter. © J
Page 303 and 304: Cover also notes “Also Published
Page 305 and 306: ditto. Bunk never wrote nothin’.
Page 307 and 308: Sure wish we could track down the H
Page 309 and 310: had become a hit, would have been p
Page 311 and 312: Rilhac was a pianist and recording
Page 313 and 314: Copyright goes to Emmalina, but no
Page 315 and 316: Weatherbird JB 1034Kustbandet 1178D
Page 317 and 318: Dick Zimmerman confirms our origina
Page 319 and 320: Pretty sure without having heard it
Page 321 and 322: Les Rois du Fox-Trot 1436< Is this
Page 323 and 324: were Feldman 6D black and white edi
Page 325 and 326: Confirmed by 10/1/31 unpub. Copyrig
Page 327: Men Now Days (see Ain’t MuchGood
Page 331 and 332: title? Every rag that doesn’t inc
Page 333 and 334: eproduces the sheet music cover, wh
Page 335 and 336: Too Tight (Natty Dominique)Pam Pame
Page 337 and 338: Bozo-blues; words and melody by Boz
Page 339: and Donald Lambert, MC'd by Rudi Bl
Page 342 and 343: Now that’s the way my folks would
Page 344 and 345: the Country” and has no composer
Page 346 and 347: Must go with copyright reg. and som
Page 348 and 349: Goodman reports: I have 1917 bandar
Page 350 and 351: influential label, the MicKinney’
Page 352 and 353: Band also spell West Lawn as two se
Page 354 and 355: Ida Cox, but more to our point is t
Page 356 and 357: 2013 review: Well, it was recorded
Page 358 and 359: John Gill’s Calif. Sunshine Boys
Page 360 and 361: When You Walked OutSomeone Else Wal
Page 362 and 363: actual Parlophone label of the Hyde
Page 364 and 365: That’s a bizarre mistake for Mazz
Page 366 and 367: Written 1979, plenty of online conf
Page 368 and 369: At the time [i.e., shortly after hi
Page 370 and 371: Keith Nichols Cotton Club Orchestra
Page 372 and 373: You Broke Your Promise (George Wyle
Page 374 and 375: Louis Cottrell Trio, NO, 1/27/61, R
Page 376 and 377: ASM, 1932, Witmark & Sons; w. Dubin
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[And Klein Tindull is for real. His
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In that same book on page 257 thefo
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“Put Your Arms Around Me, Honey
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Si tu vois ma mère [If You See My
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At this point (June 30, 2011), I wi
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Black Mountain Blues - copyright in
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VICTOR ALTERNATIVE TITLES(Victor te
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CHECK COPYRIGHT CARDSAfrican Hunch
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Galion stomp - lovie austin?Gates B
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meanest blues - napoleon & signorel
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slide, frog, slidesnakes hips spenc
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Wild and wooly (or woolly) willie -
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