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piano. And there was Sunday Rag -- in agreat, highly decorated version.Sundown Mama (K. O. Eckland)Frisco Syncopators 1245Was on Merry Makers LP by Turk in 1984,which calls it a “recent composition” byEckland. And Lord says that was the firstrecording of it, so I guess that’s the hardestevidence of authorship we’ll get.Sunny Disposish (Philip Charig–Ira Gershwin)Chalumeau Serenaders 1394Rec. Goldkette, 2/3/27, Victor 20493, HMV5289. New Yorkers Tanzorchester, Berlin,9/28/27, Homochord 4-2420 (as GeorgeCarhart’s New Yorkers Jazz Orch.BG, 10/19/37, Columbia ML-4590, et al.Confirmed by 8/16/26 copyright reg., w. IG/m.PC, from Americana.Sunny Side Up (B. G. De Sylva–Lew Brown–Ray Henderson)San Francisco Starlight Orchestra 1364Oops, copyright is odd:Sunnyside up; words and music by B. G. DeSylva, Lew Brown and Ray Henderson.[Words and melody only] © 1 c. June 18,1929; E unp. 8124; De Sylva, Brown &Henderson, inc., New York.And later the pub. version:Sunnyside up; from the photoplay, wordsand music by B. G. De Sylva [pseud, ofGeorge Gard De Sylva], Lew Brown and RayHenderson. © July 29, 1929; 2 c. July 31; Epub. 8017; De Sylva, Brown & Henderson,inc., New York. 16835S&P say from film Sunny Side Up. Andseveral other tunes from the film are in thisbook and flagged as “from Sunny Side Up”(I’m a Dreamer, Aren’t We All?; You Find theTime, I’ll Find the Place; Carnival Prelude;Melodrame). But If I Had a Talking Picture ofYou is flagged as “from Sunnyside Up,” somaybe LC is confused.That must be the case: found copies in threedifferent library collections, all showed “SunnySide Up.”Sunset Cafe Stomp (Percy Venable)Peruna Jazzmen CD 1003Peruna Jazzmen 1020South Frisco JB 1035Scaniazz 1038Tomas Örnberg’s Blue Five 1043Leigh–Dapogny Mysterious Babies 1087Down Home JB 1190Bob Schulz & His Frisco JB 1288Bob Helm’s JB 1310Neville Dickie 1341Pam Pameijer’s New Jazz Wizards 1363Yerba Buena Stompers 1369John Gill’s Jazz Kings 14012011 hindsight says that’s very poor authority,to be used when all else fails. Sheet music?LC cy card?2013 review: Pinsker’s take:Apparently, the manager of the Sunset Cafeentertainment was Percy Venable, whocopyrighted just the tune as "Sunset Stomp":Sunset stomp; melody by Percy Venable;c 1 c. Dec. 20, 1926; E 654632; Consolidatedmusic pub. house, Chicago.Actually, I cannot find a copyright for SunsetCafe Stomp, hence I cannot identify thelyricist.Rec. Hot Five (vcl May Alix), 11/16/26, OKeh8423, Odeon 279788 et al. Lu Watters YBJB,3/29/42, Jazz Man 14. Hard to imagine noothers in Rust.Original OKeh label saysSUNSET CAFE STOMP(From “Sunset Cafe Revue”)(Venable)Watters JM 14 also Cafe, Venable.So Louis never should have been there tobegin with. And in spite of the copyright title, itwas published as “Sunset Cafe Stomp.”Sunshine (Irving Berlin)Keith Nichols Cotton Club Orchestra 1234ASM, 1928, Irving Berlin.Sunshine (Ikey Robinson)Original Salty Dogs JB 1233The original release on Champion 50073 byRobinson credited him as composer. I’m surewe’ll never see sheet music for it.Sunshine Capers (Roy Bargy)Elliott Adams 1299Confirmed by Victor 19320 label; not in 1923-26 copyright books.Sunshine of Your Smile, The(Lilian Ray–Leonard Cooke)Albion JB 1249Rec.Fred Allen (really Fred Brown, sax + orch),8/29/16, Columbia A2099.Quintette of HotClub of France, as Ton DouxSoorire, 4/35, Ultraphon AP-1484, 14288;Oriole LV-104, LB-1004; Joe Davis DA-17-2;Royale 1807; Varsity 8380.T. Dorsey (vcl Sinatra), 9/26/41, Victor 27638,HMV BD-1230 et al.These dates are hard to believe: MyArcheophone reissue of Six Brown Bros.credits Cooke-Ray, as does my reissue of theSinatra/Dorsey record 35 years later!Chronological Classic Django reissue creditsRay.But the sheet music is in several libraries:Indiana has w. LC/m. LR, (c) Francis, Day &Hunter; pub. T. B. Harms & Francis, Day &Hunter.And sure enough, they’re all playing the sametune.Sunshine on My Black and Blue Bottom(medley arr. by Andy Stein of Sunshineand Black and Blue Bottom, both byJoe Venuti–Eddie Lang)Andy Stein Blue Five 1390Hmmm...Not in Rust. Oh, Christ, it’s becauseStein took two Venuti-Lang tunes andcombined them in an ABCB medley. Blackand Blue Bottom was 9/29/26, Columbia 914-D et al (copyright 12/4/26). Sunshine was1/24/27, OKeh 40762; Parlophone R-3340, R-2493 (copyright 4/8/27).Superior Rag (Jelly Roll Morton)Ophelia Ragtime Orchestra 1108Oops, not in Rust. Ophelia leader MortenGunnar Larsen calls it “very obscure,” says,The piece was mentioned in the Blesh andJanis book They All Played Ragtime (1950),where it was listed as an unpublishedcomposition from circa 1915. “SuperiorRag” has been recorded in later years by“Knocky” Parker, but otherwise it has beenpaid little attention to. The first two strainsare both in G minor and do not resembleanything else by Morton. The form of thetrio is similar to those found in “ShreveportStomps,” “Chicago Breakdown” and “Pep,”but has also its own individuality, e.g., theuse of the Charleston rhythms. The nameindicates that the piece was probablycomposed in conjunction with “PerfectRag,” when the “Lord of New Orleanspiano” was traveling about proving that hewas far more “superior” and “perfect” thanthe ragtimers, on whose playing he loved tolook down.Indeed, it’s on Parker’s complete Morton set.The “mention” on TAPR is just that, the title ona list of Morton compositions, no amplification.I guess we have to take Knocky’s word for it.Supraton in Marrakouch(François Rilhac)Paris Washboard 1338
Rilhac was a pianist and recording partner ofParis Washboard pianist Louis Mazetier (SOS1218). He died young in 1992.Susie (Clayton Naset–Gus Kahn)Terry Waldo’s Gotham City Band 1120Paramount JB of Boston 1205Paul and His Gang 13298/25: Montgomery sends music (1924, JeromeRemick), cover & copyright page just show"Susie." (Both have "Song" in smaller typeunder the title, but that’s obviously not asubtitle. It also has C. Naset on both coverand copyright page; I presume thatsomewhere we learned correct first name.This keeps popping up on Bix reissues asSusie of the Islands, but Kinkle and Rust andthe sheet music itself agree that it’s just Susie.So where’d the “of the Islands” come from? Isit in the lyrics? (I don’t have full sheet music,just cover & copyright page)11/15/00: Tex sends lyrics. Alas, Susie’s just agirl from around the corner, no exotic islandheritage.Only recordings in Rust areWolverines with Bix, Gennett 5454, Claxtonola40339, HRS 9, Temple 536, Vinylite JazzReissues 19, Tempo (UK) R-44. NeitherGennett nor Tempo had “of the islands,”couldn’t find the others.Bud Freeman, 3/25/40, Decca 18067,Brunswick 03228, Odeon 286256. None ofthese had extended title.Susquehanna Home (Dave Ringle)Les Rois du Fox-Trot 1434Rec. 1924 by Oliver Naylor’s Seven Aces saysthe band. Actually, 1/3/25, Gennett 5638.Confirmed by 6/14/24 copyright reg.Suwanee Echoes (Al W. Brown)Heliotrope Ragtime Orchestra 1427Copyright isSuwanee echoes; waltzes, by Al. Brown forpiano. (C 76509, Aug. 22, 1904; 2 c. Aug.20, 1904. Shapiro, Remick & Co., New York.But Univ. of Oregon has a copy, showscomposer as Al. W. Brown like Vermazen, sopretty sure middle initial must have been onsheet music.Seems also to have been issued on Aeolian65775 piano roll. Canadian Patent Office hasit registered to as Al. W. Brown.Swamp Blues (Burke Bivens–Andrew B. Sterling)John Gill’s Calif. Sunshine Boys 1156Charleston Chasers 1376ASM, 1927, Denton-Haskins, w. Sterling/m.Bivens.Swanee (George Gershwin–Irving Caesar)Charleston Chasers 1314ASM, T. B. Harris, w. George/m. Ira; missedyear.Swanee Butterfly (Walter Donaldson–Billy Rose)Ingham–Grosz Hot Cosmopolites 1237Rec. CA Ramblers, 1/28/25, Columbia 293-D.Fletcher Henderson, 1/30/25, Banner 1508,Domino 3475, Empire 10852 et al.Confirmed by 2/2/25 copyright reg., w. BR/w.WD.Swanee Shuffle (Irving Berlin)Ingham–Grosz Hot Cosmopolites 1323Confirmed by 8/21/29 copyright reg.Sweep ’em Clean (Natty Dominique)Pam Pameijer’s New Jazz Wizards 1382Rec. Chi Footwarmers (w. Dominique), 7/4/28,OKeh 8792, Biltmore 1079 et al.Confirmed by 7/9/28 copyright reg. by A.Dominique, which elsewhere is shown tostand for Anatie.Sweeper, The (Wally Fawkes)Pam Pameijer Trio 1172Fawkes was cl on the LP.Sweet and Lovely (Gus Arnheim–Harry Tobias–Jules Lemare*)Paris Washboard 1326ASM, 1931 “revised edition,” M-G-M.Sweet ’n Low Blues (Jabbo Smith)Hot Antic JB 1058We had Sweet and Low Blues.Rec. Jabbo 2/23/29, Brunswick 7061.No blues on copyright:Sweet and low; melody by Jabbo Smith. © 1c. Aug. 29, 1929; E unp. 10436; State Streetmusic pub. co., inc., Chicago.Label? Oh, hell, it’sSWEET ’N LOW BLUESAll the indexers call it Sweet and Low, butthere’s no denying that label, the only one itwas released on.[But I’m going to quietly leave it here in thealpha order because this is where people willexpect to find it.]Sweet and Low-Down(George Gershwin–Ira Gershwin)Barbara Lashley & Ray Skjelbred 1152LP was Sweet and Lowdown.Copyright has a hyphen:Sweet and low-down; from Tip-toes, w IraGershwin, m George Gershwin, of U.S. ©Dec. 9, 1925; 2 c. Dec. 11; E 629203;Harms, inc., New York.But later a mechanical reproduction copyrightwithout the hyphen:Sweet and low down. © Harms, inc., NewYork. Notice rec'd Jan. 19, 1926; recorded,v. 6, p. 199.And another one:Sweet and low down; from Tip toes, wordsby Ira Gershwin, music by GeorgeGershwin. © Harms, inc., New York. Noticerec'd Feb. 19, 1926; recorded, v. 7, p. 7.Bought the sheet from MTSU, and both coverand copyright page saySWEET AND LOW-DOWNSweet Anita Mine [Sweet Aneta Mine](Jelly Roll Morton)Steve Lane’s Southern Stompers 1040Pam Pameijer’s New Jazz Wizards 13352013 review: Rec. JRM aho, 7/10/29, Victor V-38093, HMV R-14433. Victor label does sayAneta, Victor Project shows it as Aneta too.Take 1 on the 78s, take 2 issued on Victor LP.But wait a minute, he copyrighted it as Anetatoo:Sweet Aneta mine; melody by Jelly-RollMorton [pseud, of Ferd Morton] © 1 c. Dec.26, 1929; E unp. 14983; Southern musicpub co., inc., New York.Lomax lists copyright and recording underAnita, with no comment. I always thought itwas dedicated to his lover Anita Gonzales, butthe Lomax chapter on her just mentionsanother tune, “Mama Nita.”Jelly Roll site (doctorjazz.co.uk) says take 2was spelled Anita on the LP issue. I found it onCD issues on amazon.com under both titles.
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6th editionWORKING DRAFT WITH NOTES
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Further background notes in case I
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Absolutely (Jabbo Smith)Grand Domin
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Ah-Ha! (James V. Monaco-Sidney Clar
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Zenith Hot Stompers 1248Black Eagle
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Tex’s original-looking 1920 sheet
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(this is not the popular Smith-Burr
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Barrel House Rag - Campbell hand-wr
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seen often both ways, so will chang
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Aug. 22, 1919; E 458166; Spencer Wi
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ecording was Bob Hudson. This may w
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Carroll Dickerson’s Savoy Orch, 5
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Al Dubin)Paul and His Gang 1329Bles
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“BLUE GOOSE”RAGThis says to me
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No composer credit on label. Chilto
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Lathair is the guy who worked in Ch
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Bouncing Around (Armand J. Piron-Pe
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Bright Star Blues (Armand J. Piron-
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Thought I Heard Buddy Bolden Say)."
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But fellow researchers out there, c
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Aha, LC cy catalog of 1929 says,Cal
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Did find the LC copyright:Candy lip
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Not in Rust. Ted des Plantes’ lin
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So it was copyrighted by Oliver alo
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Chicken Reel (Joseph M. Daly)Helm-L
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Kinkle shows it as "Ciribiribin (It
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Becket’s composition or followed
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ASM, 1931, Santly Bros.; w. AF/m. F
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John Gill reports 1/18/24 copyright
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Frankie Trumbauer aho, 6/24/31, Bru
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ut Bob says it never felt comfortab
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the second 32-bar theme is my own,
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’Deed I Do (Walter Hirsch-Fred Ro
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Rec. Moten 6/12/27, Victor 21199--a
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Why Bring That Up? Internet Movie D
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Rhodes: "’Get It Right’ = ‘Do
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At Bessie’s request, all of the c
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“Don’t Go ’Way Nobody,” a s
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migrated northward up the Mississip
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1915; 2 c. July 24, 1915; E 363546;
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Woode on two other titles. So obvio
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all four posibilities we’d have t
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Echoes from the Snowball Club(Harry
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Music by Sadie Koninsky, arranged b
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OH, hell. After all this I thought
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Farmerette (Jesse Greer)George Fole
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Firechief Rag (Danny Alguire)Smith-
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and cy page) (You’ll Miss Me in t
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Gambling Jack (Jelly Roll Morton)Pa
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and "Boy Friend." Kinkle agrees. It
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soul all human beings feel. That th
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Magnolia JB 1016Turk Murphy JB 1161
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Grandpa’s Spells (Jelly Roll Mort
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Waldo’s Jazz Entertainers 1377Con
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We’ve not included arrangers as c
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“Hello Montreal” (but surely it
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1903 sheet could mean that it’s a
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2013 review: We can do better than
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21, 1925; E 627852 Triangle music p
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Rust; if it comes after record numb
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Found sleeve cover for 45 on Pye-Vo
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Actually, it appears that the choru
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So far, still solidly in the “unk
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can find no evidence she ever did a
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tune attributed to Pecora, even und
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(Harry Woods-Billy Rose-Mort Dixon)
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Ponce, also pub. Ager, Yellen & Bor
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If Winter Comes (W. R. Williams-Joh
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Crawford set phrases chanted by Mar
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I’m All Bound ’Round with the M
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Telcon 8/28: OK, do the two = three
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Smith, an article titled “Jelly R
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2013 review: Rec.Clarence Williams
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Confirmed 8/18/36 copyright reg.In
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Alstyne-Williams] via your note of
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Benny Goodman-Jack Teagarden)State
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Jazz Baby (M. K. Jerome-Blanche Mer
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1915; E 372536; Will Rossiter, Chic
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For what it’s worth, Ellington’
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James D. Touchstone. The song's ope
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Online search found FAR more hits o
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Ondippermouth.blogspot.com/2012/11/
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2013 review: Confirmed by 11/26/23
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Confirmed by 4/10/35 copyright reg.
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Eureka, I finally found the instrum
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Let’s Have Another Cup of Coffee(
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Limehouse Blues (Philip Braham-Doug
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Confirmed by 7/10/29 copyright reg.
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some mighty obscure evidence to the
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Keith Nichols Cotton Club Orchestra
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But copyright page isLow Bridge!
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Louisiana Repertory Jazz Ensemble 1
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document it. Ah: Thompson’s liner
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BUT notice alsoMarket Street Blues,
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James V. Monaco)Frederick Hodges 13
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Melancholy Stomp (Don Ewell)Europea
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(where’d he get that?), it was ar
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listing as an alternative title. Ho
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2013 review: It appears that I neve
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For Christ’s sake! Wikipedia has
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Steve Abrams: 1924 by Kapp-Coleman-
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More Than That (Ben Barnett-Clarenc
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Mule Walk, The [Mule Walk Stomp](Ja
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connection with the refrain. The ve
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Ray Smith: credit should go to Oliv
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My Man o’ War (Andy Razaf-Spencer
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Dan Levinson’s Roof Garden JB 136
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Never Again (Isham Jones-Gus Kahn)P
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New Orleans wiggle; by Peter Bocage
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Turk: "That was a tune called '1919
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Norfolk Church Street Sobbin’ Blu
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Oh, baby; from Rain or shine, words
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2013 review: Found the copyright:O
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Rec. Sharkey Bonano, 1/29/37, Vocal
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earliest example I know of that use
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West Jesmond Rhythm Kings 1255All S
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2013 review: Couldn’t find anythi
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Paddle-wheelin’ Along (A Sacramen
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Rosa Henderson, 8/26, Banner 18892*
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and in parens), credits Raye-Shaver
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The Commodore reissue of all the la
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(Sidney Bechet-Rousseau Simmons)Pam
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Porcupine Rag (Charles L. Johnson)R
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Ray Smith 1162Promenade aux Champs-
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Rag Time ChimesWell, very clear on
Page 259 and 260: Oops, not in copyright books 1929-3
Page 261 and 262: But Kassel had many other copyright
Page 263 and 264: Hodges, but the Black Berries Oriol
Page 265 and 266: Alabama Red Peppers, 4/28, Cameo 82
Page 267 and 268: But wait: I remember that I have BG
Page 269 and 270: Moulin à café as alt. title, of c
Page 271 and 272: Sadness Will Be Gladness(Wingy Mano
Page 273 and 274: Found sheet music at U. Maine, conf
Page 275 and 276: with arr. for guit., etc. © Oct. 1
Page 277 and 278: Confirmed by 5/24/27 copyright reg.
Page 279 and 280: The Bluebird ODJB 75th Anniversary
Page 281 and 282: ig questions is this: Is she singin
Page 283 and 284: Shine on Your Shoes, A(Arthur Schwa
Page 285 and 286: [also published in song versionwith
Page 287 and 288: Skit-dat-de-dat; melody by Lillian
Page 289 and 290: John Gill’s Novelty Orchestra 122
Page 291 and 292: Lillian Johnson?! Yes, that was Lil
Page 293 and 294: Abrams follow-up: I had this record
Page 295 and 296: she were a composer, she’d have m
Page 297 and 298: South African Blues (Lester Melrose
Page 299 and 300: Audrey Van Dyke. It is a lead sheet
Page 301 and 302: with ukulele arr. Dick Konter. © J
Page 303 and 304: Cover also notes “Also Published
Page 305 and 306: ditto. Bunk never wrote nothin’.
Page 307 and 308: Sure wish we could track down the H
Page 309: had become a hit, would have been p
Page 313 and 314: Copyright goes to Emmalina, but no
Page 315 and 316: Weatherbird JB 1034Kustbandet 1178D
Page 317 and 318: Dick Zimmerman confirms our origina
Page 319 and 320: Pretty sure without having heard it
Page 321 and 322: Les Rois du Fox-Trot 1436< Is this
Page 323 and 324: were Feldman 6D black and white edi
Page 325 and 326: Confirmed by 10/1/31 unpub. Copyrig
Page 327 and 328: Men Now Days (see Ain’t MuchGood
Page 329 and 330: Cover isThere’s Something Nice Ab
Page 331 and 332: title? Every rag that doesn’t inc
Page 333 and 334: eproduces the sheet music cover, wh
Page 335 and 336: Too Tight (Natty Dominique)Pam Pame
Page 337 and 338: Bozo-blues; words and melody by Boz
Page 339: and Donald Lambert, MC'd by Rudi Bl
Page 342 and 343: Now that’s the way my folks would
Page 344 and 345: the Country” and has no composer
Page 346 and 347: Must go with copyright reg. and som
Page 348 and 349: Goodman reports: I have 1917 bandar
Page 350 and 351: influential label, the MicKinney’
Page 352 and 353: Band also spell West Lawn as two se
Page 354 and 355: Ida Cox, but more to our point is t
Page 356 and 357: 2013 review: Well, it was recorded
Page 358 and 359: John Gill’s Calif. Sunshine Boys
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When You Walked OutSomeone Else Wal
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actual Parlophone label of the Hyde
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That’s a bizarre mistake for Mazz
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Written 1979, plenty of online conf
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At the time [i.e., shortly after hi
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Keith Nichols Cotton Club Orchestra
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You Broke Your Promise (George Wyle
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Louis Cottrell Trio, NO, 1/27/61, R
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ASM, 1932, Witmark & Sons; w. Dubin
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[And Klein Tindull is for real. His
Page 380 and 381:
In that same book on page 257 thefo
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“Put Your Arms Around Me, Honey
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Si tu vois ma mère [If You See My
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At this point (June 30, 2011), I wi
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Black Mountain Blues - copyright in
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VICTOR ALTERNATIVE TITLES(Victor te
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CHECK COPYRIGHT CARDSAfrican Hunch
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Galion stomp - lovie austin?Gates B
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meanest blues - napoleon & signorel
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slide, frog, slidesnakes hips spenc
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Wild and wooly (or woolly) willie -
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