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Spikes bros. and Carter music house, LosAngeles.and later yet:Someday sweetheart; words and music byJohn C. Spikes, rev. by Harold Weeks [ofU.S.]Seattle, Melody shop. © Jan. 18,1922; 2 c. Jan. 30, 1922; E 530806; HaroldWeeks, Seattle. [Copyright is claimed onnew matterand later yet:Someday sweetheart; w and m John C.Spikes and Benjamin Spikes, both of U.S.© Mar. 1, 1924; 2 c. Mar. 3; E 584645;Melrose bros. music co., Chicago.Pinsker continues:The fact that the listed composer is just JohnC. Spikes (not including his brother "Reb"(Benjamin) is in agreement with my sheet.This one has an extremely complicatedhistory, in fact. If we listen to what Mortonactually tells Lomax in 1938, he doesn'texactly lay credit to composing the tune,either! He says that it was in part based on atune that his buddy "Kid" North gave him,called "Tricks Ain't Walkin' No More". Hedemonstrates the tune a cappella, and it'snot at all clear that the chorus has anythingmuch to do with "Someday Sweetheart". It isthe verse, to which he can't quite rememberthe lyric, that is used as the verse of"Someday Sweetheart". To further complicatematters, Clarence Williams andSpencer Williams copyrighted a tune entitled(guess what!) "Trix Ain't Walking No More" in1919, which has a little bit to do with thetune Morton sings, which he said he gotfrom (Robert) "Kid" North. I would concludethat Morton doesn't make a strong case forhimself as a composer of any of "SomedaySweetheart". Certainly no one thinks weshould put "Robert North" as a co-composeron this tune, do they?Recording is JRM JB, 10/30/23, OKeh 8105,Biltmore 1058 et al. OKeh title spelled as threewords: Some Day Sweetheart, credit just J. C.Spikes.Aha, Pinsker sends his copy, which explainsHarold Weeks. It’s actually the secondpublished version. Composer credit on titlepage is Original by John C. Spikes, revised byHarold Weeks. Copyright credits at bottomareCopyright 1919 by Spikes Bros. and CarterCopyright transferred 1922 to Harold WeeksPublished by the Melody Shop—HaroldWeeks—Seattle.Or as Pinsker puts it:But of course, Harold Weeks indeed is goingto sneak in! What I have is the REVISEDversion, revised and published by, ofcourse, Harold Weeks in Seattle in 1922. Iguess those rascally Spikes Bros. tripledippedon this song, first publishing in LAthemselves in 1919, then selling it to HaroldWeeks in January 1922, then sold it again toMelrose Bros. in 1924!So it was copyrighted and published bySpikes Bros., and recorded by Jelly Roll, witha single composer, John C. Spikes. Then itwas sold to Weeks, who republished—andrecopyrighted—it, again crediting just John C.Spikes. Finally, it was sold to Melrose, whorepublished and recopyrighted it addingBenjamin Spikes as composer.Well, the Spikes Brothers had it to begin with,and they certainly would know if Benjamin hadanything to do with it. And it was bothpublished as sheet music and recorded byJelly Roll with the John C. Spikes credit, so Ithink we must reject the later edition withBenjamin added, although, clearly, that’s theedition (since it was published by Melrose)that got the most copies into circulation.So I’m going back to just John C.Somersault (Stephen Kent Goodman)Univ. of Wisconsin Symphony Band 1246Goodman was guest conductor of the band.Something Doing (Scott Hayden–Scott Joplin)Frank French & Scott Kirby 1306Confirmed by my 1903 sheet music.Something for Annie (Turk Murphy)Steve Waddell’s Creole Bells 1301The poignant copyright:SOMETHING FOR ANNIE; m Turk Murphy.© Anne Moon; 4Feb64; EU809790.In Jim Goggin’s Turk Murphy: Just for theRecord, Turk tells of rushing to get it written asshe lay dying of cancer.Sometimes My Burden Is So Hard toBear (traditional)Grand Dominion JB 1291
she were a composer, she’d have more than apassing name in this anecdote.We must change this to traditional.Song Is Ended, The (But the MelodyLingers On) (Irving Berlin)Bob Pelland & Bob Pilsbury 1212Barbara Rosene & Her New Yorkers 1393ASM, 1927, Irving Berlin.Song of the Islands (Na Lei o Hawaii)(Charles E. King)Red Roseland Cornpickers 1153San Francisco Starlight Orchestra 1364Manhattan Ragtime Orchestra 1419
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6th editionWORKING DRAFT WITH NOTES
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Further background notes in case I
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Absolutely (Jabbo Smith)Grand Domin
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Ah-Ha! (James V. Monaco-Sidney Clar
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Zenith Hot Stompers 1248Black Eagle
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Tex’s original-looking 1920 sheet
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(this is not the popular Smith-Burr
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Barrel House Rag - Campbell hand-wr
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seen often both ways, so will chang
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Aug. 22, 1919; E 458166; Spencer Wi
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ecording was Bob Hudson. This may w
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Carroll Dickerson’s Savoy Orch, 5
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Al Dubin)Paul and His Gang 1329Bles
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“BLUE GOOSE”RAGThis says to me
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No composer credit on label. Chilto
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Lathair is the guy who worked in Ch
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Bouncing Around (Armand J. Piron-Pe
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Bright Star Blues (Armand J. Piron-
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Thought I Heard Buddy Bolden Say)."
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But fellow researchers out there, c
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Aha, LC cy catalog of 1929 says,Cal
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Did find the LC copyright:Candy lip
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Not in Rust. Ted des Plantes’ lin
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So it was copyrighted by Oliver alo
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Chicken Reel (Joseph M. Daly)Helm-L
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Kinkle shows it as "Ciribiribin (It
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Becket’s composition or followed
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ASM, 1931, Santly Bros.; w. AF/m. F
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John Gill reports 1/18/24 copyright
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Frankie Trumbauer aho, 6/24/31, Bru
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ut Bob says it never felt comfortab
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the second 32-bar theme is my own,
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’Deed I Do (Walter Hirsch-Fred Ro
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Rec. Moten 6/12/27, Victor 21199--a
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Why Bring That Up? Internet Movie D
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Rhodes: "’Get It Right’ = ‘Do
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At Bessie’s request, all of the c
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“Don’t Go ’Way Nobody,” a s
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migrated northward up the Mississip
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1915; 2 c. July 24, 1915; E 363546;
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Woode on two other titles. So obvio
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all four posibilities we’d have t
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Echoes from the Snowball Club(Harry
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Music by Sadie Koninsky, arranged b
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OH, hell. After all this I thought
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Farmerette (Jesse Greer)George Fole
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Firechief Rag (Danny Alguire)Smith-
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and cy page) (You’ll Miss Me in t
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Gambling Jack (Jelly Roll Morton)Pa
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and "Boy Friend." Kinkle agrees. It
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soul all human beings feel. That th
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Magnolia JB 1016Turk Murphy JB 1161
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Grandpa’s Spells (Jelly Roll Mort
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Waldo’s Jazz Entertainers 1377Con
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We’ve not included arrangers as c
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“Hello Montreal” (but surely it
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1903 sheet could mean that it’s a
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2013 review: We can do better than
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21, 1925; E 627852 Triangle music p
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Rust; if it comes after record numb
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Found sleeve cover for 45 on Pye-Vo
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Actually, it appears that the choru
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So far, still solidly in the “unk
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can find no evidence she ever did a
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tune attributed to Pecora, even und
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(Harry Woods-Billy Rose-Mort Dixon)
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Ponce, also pub. Ager, Yellen & Bor
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If Winter Comes (W. R. Williams-Joh
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Crawford set phrases chanted by Mar
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I’m All Bound ’Round with the M
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Telcon 8/28: OK, do the two = three
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Smith, an article titled “Jelly R
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2013 review: Rec.Clarence Williams
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Confirmed 8/18/36 copyright reg.In
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Alstyne-Williams] via your note of
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Benny Goodman-Jack Teagarden)State
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Jazz Baby (M. K. Jerome-Blanche Mer
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1915; E 372536; Will Rossiter, Chic
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For what it’s worth, Ellington’
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James D. Touchstone. The song's ope
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Online search found FAR more hits o
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Ondippermouth.blogspot.com/2012/11/
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2013 review: Confirmed by 11/26/23
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Confirmed by 4/10/35 copyright reg.
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Eureka, I finally found the instrum
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Let’s Have Another Cup of Coffee(
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Limehouse Blues (Philip Braham-Doug
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Confirmed by 7/10/29 copyright reg.
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some mighty obscure evidence to the
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Keith Nichols Cotton Club Orchestra
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But copyright page isLow Bridge!
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Louisiana Repertory Jazz Ensemble 1
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document it. Ah: Thompson’s liner
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BUT notice alsoMarket Street Blues,
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James V. Monaco)Frederick Hodges 13
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Melancholy Stomp (Don Ewell)Europea
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(where’d he get that?), it was ar
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listing as an alternative title. Ho
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2013 review: It appears that I neve
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For Christ’s sake! Wikipedia has
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Steve Abrams: 1924 by Kapp-Coleman-
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More Than That (Ben Barnett-Clarenc
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Mule Walk, The [Mule Walk Stomp](Ja
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connection with the refrain. The ve
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Ray Smith: credit should go to Oliv
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My Man o’ War (Andy Razaf-Spencer
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Dan Levinson’s Roof Garden JB 136
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Never Again (Isham Jones-Gus Kahn)P
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New Orleans wiggle; by Peter Bocage
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Turk: "That was a tune called '1919
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Norfolk Church Street Sobbin’ Blu
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Oh, baby; from Rain or shine, words
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2013 review: Found the copyright:O
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Rec. Sharkey Bonano, 1/29/37, Vocal
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earliest example I know of that use
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West Jesmond Rhythm Kings 1255All S
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2013 review: Couldn’t find anythi
Page 243 and 244: Paddle-wheelin’ Along (A Sacramen
Page 245 and 246: Rosa Henderson, 8/26, Banner 18892*
Page 247 and 248: and in parens), credits Raye-Shaver
Page 249 and 250: The Commodore reissue of all the la
Page 251 and 252: (Sidney Bechet-Rousseau Simmons)Pam
Page 253 and 254: Porcupine Rag (Charles L. Johnson)R
Page 255 and 256: Ray Smith 1162Promenade aux Champs-
Page 257 and 258: Rag Time ChimesWell, very clear on
Page 259 and 260: Oops, not in copyright books 1929-3
Page 261 and 262: But Kassel had many other copyright
Page 263 and 264: Hodges, but the Black Berries Oriol
Page 265 and 266: Alabama Red Peppers, 4/28, Cameo 82
Page 267 and 268: But wait: I remember that I have BG
Page 269 and 270: Moulin à café as alt. title, of c
Page 271 and 272: Sadness Will Be Gladness(Wingy Mano
Page 273 and 274: Found sheet music at U. Maine, conf
Page 275 and 276: with arr. for guit., etc. © Oct. 1
Page 277 and 278: Confirmed by 5/24/27 copyright reg.
Page 279 and 280: The Bluebird ODJB 75th Anniversary
Page 281 and 282: ig questions is this: Is she singin
Page 283 and 284: Shine on Your Shoes, A(Arthur Schwa
Page 285 and 286: [also published in song versionwith
Page 287 and 288: Skit-dat-de-dat; melody by Lillian
Page 289 and 290: John Gill’s Novelty Orchestra 122
Page 291 and 292: Lillian Johnson?! Yes, that was Lil
Page 293: Abrams follow-up: I had this record
Page 297 and 298: South African Blues (Lester Melrose
Page 299 and 300: Audrey Van Dyke. It is a lead sheet
Page 301 and 302: with ukulele arr. Dick Konter. © J
Page 303 and 304: Cover also notes “Also Published
Page 305 and 306: ditto. Bunk never wrote nothin’.
Page 307 and 308: Sure wish we could track down the H
Page 309 and 310: had become a hit, would have been p
Page 311 and 312: Rilhac was a pianist and recording
Page 313 and 314: Copyright goes to Emmalina, but no
Page 315 and 316: Weatherbird JB 1034Kustbandet 1178D
Page 317 and 318: Dick Zimmerman confirms our origina
Page 319 and 320: Pretty sure without having heard it
Page 321 and 322: Les Rois du Fox-Trot 1436< Is this
Page 323 and 324: were Feldman 6D black and white edi
Page 325 and 326: Confirmed by 10/1/31 unpub. Copyrig
Page 327 and 328: Men Now Days (see Ain’t MuchGood
Page 329 and 330: Cover isThere’s Something Nice Ab
Page 331 and 332: title? Every rag that doesn’t inc
Page 333 and 334: eproduces the sheet music cover, wh
Page 335 and 336: Too Tight (Natty Dominique)Pam Pame
Page 337 and 338: Bozo-blues; words and melody by Boz
Page 339: and Donald Lambert, MC'd by Rudi Bl
Page 342 and 343: Now that’s the way my folks would
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the Country” and has no composer
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Must go with copyright reg. and som
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Goodman reports: I have 1917 bandar
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influential label, the MicKinney’
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Band also spell West Lawn as two se
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Ida Cox, but more to our point is t
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2013 review: Well, it was recorded
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John Gill’s Calif. Sunshine Boys
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When You Walked OutSomeone Else Wal
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actual Parlophone label of the Hyde
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That’s a bizarre mistake for Mazz
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Written 1979, plenty of online conf
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At the time [i.e., shortly after hi
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Keith Nichols Cotton Club Orchestra
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You Broke Your Promise (George Wyle
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Louis Cottrell Trio, NO, 1/27/61, R
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ASM, 1932, Witmark & Sons; w. Dubin
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[And Klein Tindull is for real. His
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In that same book on page 257 thefo
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“Put Your Arms Around Me, Honey
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Si tu vois ma mère [If You See My
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At this point (June 30, 2011), I wi
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Black Mountain Blues - copyright in
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VICTOR ALTERNATIVE TITLES(Victor te
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CHECK COPYRIGHT CARDSAfrican Hunch
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Galion stomp - lovie austin?Gates B
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meanest blues - napoleon & signorel
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slide, frog, slidesnakes hips spenc
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Wild and wooly (or woolly) willie -
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