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Web site on the revue confirms it. ANDconfirmed by Brunswick 6214 label.Tricky Trix (Harry Jentes)George Foley 1187Confirmed by 6/13/23 copyright reg.Triple Stomp (Ted des Plantes)Des Plantes’ Washboard Wizards 1290Trog’s Blues (Wally Fawkes–George Webb)Grand Dominion JB 1189Pam Pameijer Trio 1172Zenith Hot Stompers 1248Pam Pameijer’s New Jazz Wizards 1432First recording surely was Humphrey Lytteltonband, 1/24/51, Parlophone R3379, Fawkes onreeds, Webb pno. And authoritativeCalligraph reissue of Lyttelton Parlophonescredits Fawkes-Webb. AND the originalrecord label confirms it.Trombadour Rag(Stephen Kent Goodman)Univ. of Wisconsin Symphony Band 1284Goodman was guest conductor of the band.Trombone Blues (Fred Jewell)Univ. of Wisconsin Symphony Band 1246Confirmed by 6/20/18 copyright reg.Trombone Cholly (George Brooks*)Golden Eagle JB 1192John Gill’s Dixieland Serenaders 1321Rec. Bessie 3/3/27, Columbia 14232-D, 3175-D; Parlophone R-2480 et al.Confirmed by 7/11/27 copyright reg. andColumbia label.Trombone Français (N. C. Davis)Waldo’s Ragtime Orchestra 1069LP had “Trombone François.”
and Donald Lambert, MC'd by Rudi Blesh,Blake played this piece - and called it "BlackKeys on Parade"!Now it REALLY gets messed up. Eubiehad another piece called "Tricky Fingers".You will find a recording listed as "TrickyFingers" which is - "Troublesome Ivories",and VICE VERSA! Blake plays "TrickyFingers" and shouts at the end "You don'tthink that's Troublesome? Sho' is!".Anyway, Blake finally got around tocopyrighting it - in 1971! See:TROUBLESOME IVORIES; m Eubie Blake(James Hubert Blake) 6 p. c James Hubert(Eubie) Blake; 14May71; EU254031.Then it finally saw print, in the MaxMorath-edited folio "Giants of Ragtime",Edward B. Marks Music, 1971, along with"Tricky Fingers".And he’s absolutely right. All three titles beginwith different introductory flourishes but endup being quite similar. And actually, mytunelist for my LP>CD remaster of The Wizardof the Ragtime Piano has a tunelist entry of“Ragtime Rage (Blake—Tricky Fingers)”But Pinsker followed up with this afterthought:Part of what I wrote is probably confusing.I don't mean to imply that "Tricky Fingers"and "Troublesome Ivories" are one and thesame tune.As a musician, I refer to one of them - theone MOST of the time that Blake called"Troublesome Ivories" - as the D flat tune.The OTHER one is the one that Blake MOSTof the time called "Tricky Fingers", and that Ikeep straight as "the E flat tune". It's just thaton some occasions Blake swapped the titlesof the E flat tune and of the D flat tune. TheD flat tune is also the one Blake called"Black Keys on Parade" on some occasions,and "Ragtime Rag" on that one 20th CenturyFox LP. Both the E flat tune and the D flattune are published in the Morath folio, andthe E flat tune is "Tricky Fingers" and the Dflat tune is "Troublesome Ivories". Most ofthe time!Well, since Blake himself used those two othertitles in public, and they even ended up onrecord, we must include them as alternativetitles, with their requisite cross-references.Truckin’ (Rube Bloom–Ted Koehler)Paris Washboard 1293ASM, 1935, Mills; w. Koehler/m. Bloom.True Blue Lou (Richard A. Whiting–Sam Coslow–Leo Robin)Marty Grosz /Keepers of the Flame 1158ASM, 1929, Famous Music; w/m by Whiting-Coslow-Robin.True Blue Sam (The Traveling Man)(Walter Donaldson–Lew Brown)Terry Waldo & Bo Grumpus 1339ASM, 1922, Shapiro, Bernstein; w. LewBrown/m. Walter Donaldson. We had onlyDonaldson.True I’m Just Crazy Over You (seeYou Don’t Love Me)Try Me Out (Jelly Roll Morton)Pam Pameijer’s New Jazz Wizards 1318Rec. JRM aho 7/12/29, Victor V-38113.Confirmed by 3/5/30 unpub. copyright reg.T. S. Eliot Society Rag(Trebor Tichenor)Trebor Tichenor 1282Tuck Me to Sleep in My Old ’TuckyHome (George W. Meyer–Sam M.Lewis–Joe Young)Frisco Syncopators 1245Grand Dominion JB 1337Canary Cottage Dance Orchestra 1415Actually, it’sTuck Me to Sleep in My Old’TUCKY HOMEon the cover, but the apostrophe is missingfrom the copyright page. ASM, 1921, IrivingBerlin. But it’s so silly without the apostrophethat I’m going to quietly leave it there--we’lljust call it an oversight on the (c) page.Tuesday with Marie (Peter Ecklund)Marty Grosz’s Orphan Newsboys 1225Cornetist Ecklund was one of the Newsboys.Tulsa Blues [The New Tulsa Blues](Bennie Moten)State Street Aces 1106Keith Nichols & the Blue Devils 1387On both recordings as New Tulsa Blues.Well, here we go again with Moten (see MotenStomp above).He recorded “Tulsa Blues” on 11/29/24, OKeh8184 (confirmed by label). Then “The NewTulsa Blues” on 6/11/27, Victor 21584 (labelconfirms “The New”; credit on both is BennieMoten.Neither title copyrighted 1923-26, thenNew Tulsa blues; melody by Bennie Moten.© 1 c. Nov. 30, 1927; E 675824; Ralph Peer,New York.Well, hell, they’re the same tune. Even thoughwe don’t have a Tulsa Blues in this catalog, wemust put both under Tulsa and cross-ref.I went ahead and moved this here to TulsaBlues and combined them, but just to be safe,on 8/7/13 sent Nichols a request to compareand make sure they qualify as the same tune.His response:I've listened to Tulsa Blues and New TulsaBlues, and it's plain that they are the sametune (as in the two Moten Stomps)There's nothing new in the New TulsaBlues. The structure and solo order arevirtually the same as the original.It's just that they didn't bother to registerTulsa Blues in 1923.Turkey in the Straw (Otto Bonnell)Elite Syncopators 1286ASM, 1899, Will Rossiter.Turkey Trot, The (Ribé Danmark*)Red Wing Blackbirds 1018Confirmed by 7/2/12 copyright reg. But this isinteresting: the copyright reg. puts an accenton J. Bodewalt Lampe’s familiar pseudonym:Ribé. I don’t think I’ve seen that anywhereelse. Oops, though: his arranger credit forAlamo Rag is Ribé Danmark. Same for Songof Esmaralda. And get a Girl to Love You.And My Pony Boy. I see now that the accentis almost universally dropped in index/cataloglistings, but it’s on the sheet music.Actually, this is our only Danmark entry, butwhile I keep finding Ribé Danmark tunes withhim as arranger, I can’t find “The Turkey Trot”with him as composer. But Elliott Adamsconfirms that his 1912 (pub. Remick) copy ofTurkey Trot has the accent on both cover andcopyright page.Turkish Towel Rag (A Rub-Down)(Thomas S. Allen)Chrysanthemum Ragtime Band 1047ASM, 1912, Walter Jacobs, has a subtitle thatwe didn’t have before.Turk’s Blues (see Social Polecat)Turn on the Heat (B. G. De Sylva–Lew Brown–Ray Henderson)Rusty Taylor’s New Jazz Review 1186Prague Jazzphonics 1236Ingham–Grosz Hot Cosmopolites 1285Frederick Hodges 1333ASM, 1929, De Sylva, Brown & Henderson.Turtle Twist (Jelly Roll Morton, basedon Turtle Walk by Ben Garrison–Tausha Hammed)Pam Pameijer – Duet /Trio/Quartet 1134Trevor Richards New Orleans Trio 1222James Dapogny’s Chicagoans 1263
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6th editionWORKING DRAFT WITH NOTES
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Further background notes in case I
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Absolutely (Jabbo Smith)Grand Domin
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Ah-Ha! (James V. Monaco-Sidney Clar
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Zenith Hot Stompers 1248Black Eagle
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Tex’s original-looking 1920 sheet
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(this is not the popular Smith-Burr
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Barrel House Rag - Campbell hand-wr
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seen often both ways, so will chang
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Aug. 22, 1919; E 458166; Spencer Wi
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ecording was Bob Hudson. This may w
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Carroll Dickerson’s Savoy Orch, 5
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Al Dubin)Paul and His Gang 1329Bles
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“BLUE GOOSE”RAGThis says to me
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No composer credit on label. Chilto
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Lathair is the guy who worked in Ch
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Bouncing Around (Armand J. Piron-Pe
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Bright Star Blues (Armand J. Piron-
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Thought I Heard Buddy Bolden Say)."
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But fellow researchers out there, c
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Aha, LC cy catalog of 1929 says,Cal
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Did find the LC copyright:Candy lip
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Not in Rust. Ted des Plantes’ lin
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So it was copyrighted by Oliver alo
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Chicken Reel (Joseph M. Daly)Helm-L
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Kinkle shows it as "Ciribiribin (It
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Becket’s composition or followed
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ASM, 1931, Santly Bros.; w. AF/m. F
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John Gill reports 1/18/24 copyright
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Frankie Trumbauer aho, 6/24/31, Bru
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ut Bob says it never felt comfortab
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the second 32-bar theme is my own,
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’Deed I Do (Walter Hirsch-Fred Ro
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Rec. Moten 6/12/27, Victor 21199--a
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Why Bring That Up? Internet Movie D
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Rhodes: "’Get It Right’ = ‘Do
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At Bessie’s request, all of the c
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“Don’t Go ’Way Nobody,” a s
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migrated northward up the Mississip
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1915; 2 c. July 24, 1915; E 363546;
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Woode on two other titles. So obvio
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all four posibilities we’d have t
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Echoes from the Snowball Club(Harry
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Music by Sadie Koninsky, arranged b
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OH, hell. After all this I thought
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Farmerette (Jesse Greer)George Fole
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Firechief Rag (Danny Alguire)Smith-
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and cy page) (You’ll Miss Me in t
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Gambling Jack (Jelly Roll Morton)Pa
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and "Boy Friend." Kinkle agrees. It
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soul all human beings feel. That th
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Magnolia JB 1016Turk Murphy JB 1161
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Grandpa’s Spells (Jelly Roll Mort
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Waldo’s Jazz Entertainers 1377Con
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We’ve not included arrangers as c
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“Hello Montreal” (but surely it
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1903 sheet could mean that it’s a
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2013 review: We can do better than
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21, 1925; E 627852 Triangle music p
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Rust; if it comes after record numb
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Found sleeve cover for 45 on Pye-Vo
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Actually, it appears that the choru
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So far, still solidly in the “unk
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can find no evidence she ever did a
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tune attributed to Pecora, even und
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(Harry Woods-Billy Rose-Mort Dixon)
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Ponce, also pub. Ager, Yellen & Bor
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If Winter Comes (W. R. Williams-Joh
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Crawford set phrases chanted by Mar
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I’m All Bound ’Round with the M
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Telcon 8/28: OK, do the two = three
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Smith, an article titled “Jelly R
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2013 review: Rec.Clarence Williams
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Confirmed 8/18/36 copyright reg.In
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Alstyne-Williams] via your note of
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Benny Goodman-Jack Teagarden)State
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Jazz Baby (M. K. Jerome-Blanche Mer
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1915; E 372536; Will Rossiter, Chic
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For what it’s worth, Ellington’
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James D. Touchstone. The song's ope
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Online search found FAR more hits o
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Ondippermouth.blogspot.com/2012/11/
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2013 review: Confirmed by 11/26/23
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Confirmed by 4/10/35 copyright reg.
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Eureka, I finally found the instrum
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Let’s Have Another Cup of Coffee(
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Limehouse Blues (Philip Braham-Doug
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some mighty obscure evidence to the
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Keith Nichols Cotton Club Orchestra
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But copyright page isLow Bridge!
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Louisiana Repertory Jazz Ensemble 1
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document it. Ah: Thompson’s liner
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BUT notice alsoMarket Street Blues,
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James V. Monaco)Frederick Hodges 13
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Melancholy Stomp (Don Ewell)Europea
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(where’d he get that?), it was ar
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listing as an alternative title. Ho
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2013 review: It appears that I neve
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For Christ’s sake! Wikipedia has
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Steve Abrams: 1924 by Kapp-Coleman-
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More Than That (Ben Barnett-Clarenc
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Mule Walk, The [Mule Walk Stomp](Ja
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connection with the refrain. The ve
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Ray Smith: credit should go to Oliv
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My Man o’ War (Andy Razaf-Spencer
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Dan Levinson’s Roof Garden JB 136
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Never Again (Isham Jones-Gus Kahn)P
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New Orleans wiggle; by Peter Bocage
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Turk: "That was a tune called '1919
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Norfolk Church Street Sobbin’ Blu
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Oh, baby; from Rain or shine, words
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2013 review: Found the copyright:O
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Rec. Sharkey Bonano, 1/29/37, Vocal
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earliest example I know of that use
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West Jesmond Rhythm Kings 1255All S
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2013 review: Couldn’t find anythi
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Paddle-wheelin’ Along (A Sacramen
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Rosa Henderson, 8/26, Banner 18892*
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and in parens), credits Raye-Shaver
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The Commodore reissue of all the la
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(Sidney Bechet-Rousseau Simmons)Pam
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Porcupine Rag (Charles L. Johnson)R
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Ray Smith 1162Promenade aux Champs-
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Rag Time ChimesWell, very clear on
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Oops, not in copyright books 1929-3
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But Kassel had many other copyright
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Hodges, but the Black Berries Oriol
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Alabama Red Peppers, 4/28, Cameo 82
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But wait: I remember that I have BG
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Moulin à café as alt. title, of c
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Sadness Will Be Gladness(Wingy Mano
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Found sheet music at U. Maine, conf
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with arr. for guit., etc. © Oct. 1
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The Bluebird ODJB 75th Anniversary
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ig questions is this: Is she singin
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Shine on Your Shoes, A(Arthur Schwa
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[also published in song versionwith
Page 287 and 288: Skit-dat-de-dat; melody by Lillian
Page 289 and 290: John Gill’s Novelty Orchestra 122
Page 291 and 292: Lillian Johnson?! Yes, that was Lil
Page 293 and 294: Abrams follow-up: I had this record
Page 295 and 296: she were a composer, she’d have m
Page 297 and 298: South African Blues (Lester Melrose
Page 299 and 300: Audrey Van Dyke. It is a lead sheet
Page 301 and 302: with ukulele arr. Dick Konter. © J
Page 303 and 304: Cover also notes “Also Published
Page 305 and 306: ditto. Bunk never wrote nothin’.
Page 307 and 308: Sure wish we could track down the H
Page 309 and 310: had become a hit, would have been p
Page 311 and 312: Rilhac was a pianist and recording
Page 313 and 314: Copyright goes to Emmalina, but no
Page 315 and 316: Weatherbird JB 1034Kustbandet 1178D
Page 317 and 318: Dick Zimmerman confirms our origina
Page 319 and 320: Pretty sure without having heard it
Page 321 and 322: Les Rois du Fox-Trot 1436< Is this
Page 323 and 324: were Feldman 6D black and white edi
Page 325 and 326: Confirmed by 10/1/31 unpub. Copyrig
Page 327 and 328: Men Now Days (see Ain’t MuchGood
Page 329 and 330: Cover isThere’s Something Nice Ab
Page 331 and 332: title? Every rag that doesn’t inc
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Page 337: Bozo-blues; words and melody by Boz
Page 342 and 343: Now that’s the way my folks would
Page 344 and 345: the Country” and has no composer
Page 346 and 347: Must go with copyright reg. and som
Page 348 and 349: Goodman reports: I have 1917 bandar
Page 350 and 351: influential label, the MicKinney’
Page 352 and 353: Band also spell West Lawn as two se
Page 354 and 355: Ida Cox, but more to our point is t
Page 356 and 357: 2013 review: Well, it was recorded
Page 358 and 359: John Gill’s Calif. Sunshine Boys
Page 360 and 361: When You Walked OutSomeone Else Wal
Page 362 and 363: actual Parlophone label of the Hyde
Page 364 and 365: That’s a bizarre mistake for Mazz
Page 366 and 367: Written 1979, plenty of online conf
Page 368 and 369: At the time [i.e., shortly after hi
Page 370 and 371: Keith Nichols Cotton Club Orchestra
Page 372 and 373: You Broke Your Promise (George Wyle
Page 374 and 375: Louis Cottrell Trio, NO, 1/27/61, R
Page 376 and 377: ASM, 1932, Witmark & Sons; w. Dubin
Page 378 and 379: [And Klein Tindull is for real. His
Page 380 and 381: In that same book on page 257 thefo
Page 382 and 383: “Put Your Arms Around Me, Honey
Page 384 and 385: Si tu vois ma mère [If You See My
Page 386 and 387: At this point (June 30, 2011), I wi
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Black Mountain Blues - copyright in
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VICTOR ALTERNATIVE TITLES(Victor te
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CHECK COPYRIGHT CARDSAfrican Hunch
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Galion stomp - lovie austin?Gates B
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meanest blues - napoleon & signorel
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slide, frog, slidesnakes hips spenc
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Wild and wooly (or woolly) willie -
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