Stomp Off 1001 - Dickbaker.org

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On LP as Joplin-Morton, but properlyspeaking, it’s Joplin, arr. Morton. After all,they didn’t collaborate on it, it was just Jelly’sinterpretation of Joplin.Marahuana [Lotus Blossom](Sam Coslow–Arthur Johnston)South Frisco JB 1180Steve Waddell’s Creole Bells 1348Black Eagle JB 1356
BUT notice alsoMarket Street Blues, Chas. Creath, 12/2/24,OKeh 8201. (RJHA says by Creath, LCSONIC agrees.)The Market Street Blues, Clara Smith,11/10/25, Columbia 14108-D. (RHJA saysCreath, confirms “The”, as does LC SONIC.Now see these copyrights:Market street blues; w and m GeneRodemich and Larry Conley, both of U.S.;pf. acc., with ukulele in D and G. © Mar. 12,1924; 2 c. Mar. 20; E 586552; M. Witmark &sons, New York.ThenMarket street blues; by Chas. Creath, ofU.S., arr. Z. T. Randolph; cornet. © 1 c. Apr.13, 1925; E 613570; Artophone corp., St.Louis.ThenMarket street stomp; melody, by C. Creathand H. Eubanks. © 1 c. Apr. 8, 1926; E635915; Chas. Creath and Horace Eubanks,St. Louis.The Bottom Line: Giordano suggested I writeto Peer Music, which bought out SouthernMusic. Six weeks later, I got a response fromPeer:Unfortunately, we do not have sheet musicavailable on files but the agreement covering"Market Street <strong>Stomp</strong>" is signed by R.Q.Dickerson.So it was just a typo on the part of the Libraryof Congress.Martha (see Mazie)(What Are You Waiting For) Mary?(Walter Donaldson)John Gill’s Calif. Sunshine Boys 1156Ingham–Grosz Hot Cosmopolites 1237San Francisco Starlight Orchestra 1271Chalumeau Serenaders 13942013 review: Found cover online, isWhat Are You Waiting ForMARY?But wait--MTSU has a copy of it, so why don’t Ijust buy the darned thing and make sure thecopyright page is as Tex describes. Ordered12/26/13. And Tex was right. Copyright is(What Are You Waiting For)MARY?which is pretty stupid.Mary Wore a Golden Chain(traditional)Grand Dominion JB 13782013 review: Looks like it came to jazz viaGe<strong>org</strong>e Lews, but mostly recorded by Brits.And listed in American Negro Folk Songs, byNewman Ivey White. Also known in early folkmusic as “Mary Wore Three Links of Chain.”Marzipan (Ian Whitcomb)Ian Whitcomb 1017Masculine Women! Feminine Men!(James V. Monaco–Edgar Leslie)Red Rose Ragtime Band 1128Les Rois du Fox-Trot 1436Hmmm...found the cover, which isMASCULINE WOMEN!FEMININE MEN!WHICH IS THE ROOSTER? WHICH IS THE HEN?but copyright page is the way we have it. w.EL/m. JVMMashed Potatoes(C. L. Woolsey)David Thomas Roberts 1021Confirmed by my 1911 sheet music, wherehe’s C. L.Maxixe Briolette (H. Vincenzo Luzerno*)Heliotrope Ragtime Orchestra 1411Hmmm, the copyright has an accent mark:Maxixe briolètte; composée par H. VincenzoLuzerno; piano. Continental ed. © Apr. 21,1914; 2 c. Apr. 22, 1914; E 338609; JeromeH. Remick & co., New York.But I’m suspicious of that accent mark--ette isa common ending for French nouns, and Idon’t recall every seeing an accent therebefore.BUT it’s been published in sheet form and ison sale at amazon.com and other places asMaxixe briolètte, so I guess that’s for real.BUT then see this from 1941 copyright book,RENEWALS section:Maxixe briolette; by H. Vincenzo Luzerno(pseud. of H. Frey); pf. (c) Hugo Frey, NewYork. R95889, May 9, 1941.FIRST, the accent. It is indeed incorrect, anaffection of the composer (a briolette is aparticular cut of gemstone), so we’ll ignore it.But what about Frey as Luzerno? Frey’s hereas composer of a rag, “Uncle Tom,” as ismentioned several times in these notes as acomposer or arranger.But I just found an original publishedorchestration for sale online of “Avec moi?”which says written by Luzerno, arranged byFrey (and indeed it’s in the 1914 copyrightbook as composed by Luzerno). I suspectthat Hugo Frey concocted a fancy pseudonymfor these tunes with French titles. A googlesearch on H. Vincenzo Luzerno reveals NOhits other than in conjunction with these twotitles.I’m going to believe the copyright renewal andenter the pseudonym, but I’ll bounce it offVermazen just for the hell of it. His response:That is indeed interesting. I, too, tried to findH. Vincenzo Luzerno once with no success,but I just assumed that he was too obscureto appear on the internet. My rough guesswas that he was an Argentine of Italianextraction (like L. Logatti), who wrote aBrazilian maxixe in order to cash in on thelatest craze. Instead, he was an Americanpretending to be an Argentine of Italianextraction etc. The only thing I knew aboutHugo Frey before this is that he is givencredit for piano solos on some dance-bandrecords in the teens (on Victor?) and that hewas one of the founders of ASCAP. I hadn'teven heard of "Uncle Tom."May Irwin’s “Bully” Song(Charles E. Trevathan)St. Louis Ragtimers 1267
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6th editionWORKING DRAFT WITH NOTES
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Further background notes in case I
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Absolutely (Jabbo Smith)Grand Domin
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Ah-Ha! (James V. Monaco-Sidney Clar
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Zenith Hot Stompers 1248Black Eagle
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Tex’s original-looking 1920 sheet
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(this is not the popular Smith-Burr
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Barrel House Rag - Campbell hand-wr
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seen often both ways, so will chang
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Aug. 22, 1919; E 458166; Spencer Wi
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ecording was Bob Hudson. This may w
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Carroll Dickerson’s Savoy Orch, 5
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Al Dubin)Paul and His Gang 1329Bles
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“BLUE GOOSE”RAGThis says to me
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No composer credit on label. Chilto
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Lathair is the guy who worked in Ch
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Bouncing Around (Armand J. Piron-Pe
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Bright Star Blues (Armand J. Piron-
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Thought I Heard Buddy Bolden Say)."
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But fellow researchers out there, c
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Aha, LC cy catalog of 1929 says,Cal
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Did find the LC copyright:Candy lip
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Not in Rust. Ted des Plantes’ lin
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So it was copyrighted by Oliver alo
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Chicken Reel (Joseph M. Daly)Helm-L
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Kinkle shows it as "Ciribiribin (It
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Becket’s composition or followed
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ASM, 1931, Santly Bros.; w. AF/m. F
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John Gill reports 1/18/24 copyright
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Frankie Trumbauer aho, 6/24/31, Bru
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ut Bob says it never felt comfortab
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the second 32-bar theme is my own,
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’Deed I Do (Walter Hirsch-Fred Ro
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Rec. Moten 6/12/27, Victor 21199--a
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Why Bring That Up? Internet Movie D
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Rhodes: "’Get It Right’ = ‘Do
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At Bessie’s request, all of the c
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“Don’t Go ’Way Nobody,” a s
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migrated northward up the Mississip
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1915; 2 c. July 24, 1915; E 363546;
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Woode on two other titles. So obvio
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all four posibilities we’d have t
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Echoes from the Snowball Club(Harry
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Music by Sadie Koninsky, arranged b
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OH, hell. After all this I thought
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Farmerette (Jesse Greer)George Fole
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Firechief Rag (Danny Alguire)Smith-
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and cy page) (You’ll Miss Me in t
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Gambling Jack (Jelly Roll Morton)Pa
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and "Boy Friend." Kinkle agrees. It
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soul all human beings feel. That th
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Magnolia JB 1016Turk Murphy JB 1161
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Grandpa’s Spells (Jelly Roll Mort
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Waldo’s Jazz Entertainers 1377Con
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We’ve not included arrangers as c
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“Hello Montreal” (but surely it
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1903 sheet could mean that it’s a
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2013 review: We can do better than
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21, 1925; E 627852 Triangle music p
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Rust; if it comes after record numb
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Found sleeve cover for 45 on Pye-Vo
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Actually, it appears that the choru
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So far, still solidly in the “unk
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can find no evidence she ever did a
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tune attributed to Pecora, even und
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(Harry Woods-Billy Rose-Mort Dixon)
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Ponce, also pub. Ager, Yellen & Bor
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If Winter Comes (W. R. Williams-Joh
Page 144 and 145: Crawford set phrases chanted by Mar
Page 146 and 147: I’m All Bound ’Round with the M
Page 148 and 149: Telcon 8/28: OK, do the two = three
Page 150 and 151: Smith, an article titled “Jelly R
Page 152 and 153: 2013 review: Rec.Clarence Williams
Page 154 and 155: Confirmed 8/18/36 copyright reg.In
Page 156 and 157: Alstyne-Williams] via your note of
Page 158 and 159: Benny Goodman-Jack Teagarden)State
Page 160 and 161: Jazz Baby (M. K. Jerome-Blanche Mer
Page 162: 1915; E 372536; Will Rossiter, Chic
Page 165 and 166: For what it’s worth, Ellington’
Page 167 and 168: James D. Touchstone. The song's ope
Page 169 and 170: Online search found FAR more hits o
Page 171 and 172: Ondippermouth.blogspot.com/2012/11/
Page 173 and 174: 2013 review: Confirmed by 11/26/23
Page 175 and 176: Confirmed by 4/10/35 copyright reg.
Page 177 and 178: Eureka, I finally found the instrum
Page 179 and 180: Let’s Have Another Cup of Coffee(
Page 181 and 182: Limehouse Blues (Philip Braham-Doug
Page 183 and 184: Confirmed by 7/10/29 copyright reg.
Page 185 and 186: some mighty obscure evidence to the
Page 187 and 188: Keith Nichols Cotton Club Orchestra
Page 189 and 190: But copyright page isLow Bridge!
Page 191 and 192: Louisiana Repertory Jazz Ensemble 1
Page 193: document it. Ah: Thompson’s liner
Page 197 and 198: James V. Monaco)Frederick Hodges 13
Page 199 and 200: Melancholy Stomp (Don Ewell)Europea
Page 201 and 202: (where’d he get that?), it was ar
Page 203 and 204: listing as an alternative title. Ho
Page 205 and 206: 2013 review: It appears that I neve
Page 207 and 208: For Christ’s sake! Wikipedia has
Page 209 and 210: Steve Abrams: 1924 by Kapp-Coleman-
Page 211 and 212: More Than That (Ben Barnett-Clarenc
Page 213 and 214: Mule Walk, The [Mule Walk Stomp](Ja
Page 215 and 216: connection with the refrain. The ve
Page 217 and 218: Ray Smith: credit should go to Oliv
Page 219 and 220: My Man o’ War (Andy Razaf-Spencer
Page 221 and 222: Dan Levinson’s Roof Garden JB 136
Page 223 and 224: Never Again (Isham Jones-Gus Kahn)P
Page 225 and 226: New Orleans wiggle; by Peter Bocage
Page 227 and 228: Turk: "That was a tune called '1919
Page 229 and 230: Norfolk Church Street Sobbin’ Blu
Page 231 and 232: Oh, baby; from Rain or shine, words
Page 233 and 234: 2013 review: Found the copyright:O
Page 235 and 236: Rec. Sharkey Bonano, 1/29/37, Vocal
Page 237 and 238: earliest example I know of that use
Page 239 and 240: West Jesmond Rhythm Kings 1255All S
Page 241 and 242: 2013 review: Couldn’t find anythi
Page 243 and 244: Paddle-wheelin’ Along (A Sacramen
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Rosa Henderson, 8/26, Banner 18892*
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and in parens), credits Raye-Shaver
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The Commodore reissue of all the la
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(Sidney Bechet-Rousseau Simmons)Pam
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Porcupine Rag (Charles L. Johnson)R
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Ray Smith 1162Promenade aux Champs-
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Rag Time ChimesWell, very clear on
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Oops, not in copyright books 1929-3
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But Kassel had many other copyright
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Hodges, but the Black Berries Oriol
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Alabama Red Peppers, 4/28, Cameo 82
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But wait: I remember that I have BG
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Moulin à café as alt. title, of c
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Sadness Will Be Gladness(Wingy Mano
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Found sheet music at U. Maine, conf
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with arr. for guit., etc. © Oct. 1
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Confirmed by 5/24/27 copyright reg.
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The Bluebird ODJB 75th Anniversary
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ig questions is this: Is she singin
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Shine on Your Shoes, A(Arthur Schwa
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[also published in song versionwith
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Skit-dat-de-dat; melody by Lillian
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John Gill’s Novelty Orchestra 122
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Lillian Johnson?! Yes, that was Lil
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Abrams follow-up: I had this record
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she were a composer, she’d have m
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South African Blues (Lester Melrose
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Audrey Van Dyke. It is a lead sheet
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with ukulele arr. Dick Konter. © J
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Cover also notes “Also Published
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ditto. Bunk never wrote nothin’.
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Sure wish we could track down the H
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had become a hit, would have been p
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Rilhac was a pianist and recording
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Copyright goes to Emmalina, but no
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Weatherbird JB 1034Kustbandet 1178D
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Dick Zimmerman confirms our origina
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Pretty sure without having heard it
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Les Rois du Fox-Trot 1436< Is this
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were Feldman 6D black and white edi
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Confirmed by 10/1/31 unpub. Copyrig
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Men Now Days (see Ain’t MuchGood
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Cover isThere’s Something Nice Ab
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title? Every rag that doesn’t inc
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eproduces the sheet music cover, wh
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Too Tight (Natty Dominique)Pam Pame
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Bozo-blues; words and melody by Boz
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and Donald Lambert, MC'd by Rudi Bl
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Now that’s the way my folks would
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the Country” and has no composer
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Must go with copyright reg. and som
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Goodman reports: I have 1917 bandar
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influential label, the MicKinney’
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Band also spell West Lawn as two se
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Ida Cox, but more to our point is t
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2013 review: Well, it was recorded
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John Gill’s Calif. Sunshine Boys
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When You Walked OutSomeone Else Wal
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actual Parlophone label of the Hyde
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That’s a bizarre mistake for Mazz
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Written 1979, plenty of online conf
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At the time [i.e., shortly after hi
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Keith Nichols Cotton Club Orchestra
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You Broke Your Promise (George Wyle
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Louis Cottrell Trio, NO, 1/27/61, R
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ASM, 1932, Witmark & Sons; w. Dubin
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[And Klein Tindull is for real. His
Page 380 and 381:
In that same book on page 257 thefo
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“Put Your Arms Around Me, Honey
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Si tu vois ma mère [If You See My
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At this point (June 30, 2011), I wi
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Black Mountain Blues - copyright in
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VICTOR ALTERNATIVE TITLES(Victor te
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CHECK COPYRIGHT CARDSAfrican Hunch
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Galion stomp - lovie austin?Gates B
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meanest blues - napoleon & signorel
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slide, frog, slidesnakes hips spenc
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Wild and wooly (or woolly) willie -
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