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ixTHE CONTRIBUTORS(in alphabetical order according to names as they are spelt)A snapshot of the contributors in their own words is provided here (information as of December 2012)Ambeth R. Ocampo is a public historian with a research interest in the late 19 th century Philippines: its art, itsculture, and the people who figured in the birth of the nation. Ocampo is an associate professor in theDepartment of History, Ateneo de Manila University, a lecturer at the Department of Filipino and PhilippineLiterature, University of the Philippines (Diliman), and Regent of the Universidad de Manila. He served aschairman of the National Commission for Culture and the Arts (2005 - 2007) and chairman of the NationalHistorical Commission of the Philippines (2002 - 2011). He writes a widely-read editorial page column for thePhilippines Daily Inquirer and moderates a growing Facebook fan page. His 16 th book, Chulalongkorn’sElephants: the Philippines in Southeast Asian History, is a compilation of essays written during his API fellowship.Aroon Puritat is a graduate of the Department of Architecture, Silpakorn University, Thailand, in 1997. Anarchitect and an artist, his work involves the merging of ideas from the worlds of art and architecture.Alinaya Sybilla L. Fabros (Aya Fabros) is a Filipino researcher whose areas of interest include the sociology ofwork and global labor, urban sociology, ethnography, and democratization and social movements. She has anM.A. in sociology and a B.Sc. in economics. She has written, edited and co-edited several publications on politicaleconomy, globalization, local politics and governance in the Philippines and social movements.Benigno C. Balgos (Ninoy) heads the Research, Knowledge Exchange and Management (RKEM) unit of theCenter for Disaster Preparedness, the Philippines, and teaches at the University of the Philippines. He also servesas a community-based disaster risk reduction and management specialist in a project run by the JapaneseInternational Cooperation Agency (JICA) and the Philippines government. Ninoy has been involved in researchprojects with development agencies such as the United Nations Economic and Social Commission for Asia andthe Pacific (UNESCAP), AusAID, The Asia Foundation, Plan International, the Institute of DevelopmentStudies, and the Asian Disaster Preparedness Center. He is interested in comparative analysis of the Philippinesand Indonesia vis-a-vis disasters, climate change, social protection, and risk-financing.Claire Bongsalo Lacdao is a proud Igorot (the collective name of several Austronesian ethnic groups in thePhilippines from the Cordillera Administrative Region of Luzon: she belongs to the Kankanaey subgroup). Shehas been a paralegal and community coordinator for the Legal Assistance Center for Indigenous Filipinos(PANLIPI), Cordillera branch office, since 2002. As an indigenous human rights worker, she has assisted victimsof human rights abuses who are mostly members of indigenous cultural communities, and has been involved innumerous cases involving arbitrary arrests, detention, and false charges lodged against indigenous leaders andadvocates, ordinary civilians, and activists. She has been extensively involved in research and policy advocacy onindigenous representation on decision-making bodies, and on recognition of indigenous justice systems in thePhilippines. She is an avid traveler and a voracious reader.Dante G. Simbulan, Jr. is a professor at the Department of Physiology, College of Medicine, De La Salle HealthSciences Institute, the Philippines. He trained as a basic neurophysiologist in Japan (Nagoya University), and hastaken his passion for brain science into the field of the mind-body connection, by learning hatha yoga training andconducting research on the mindfulness traditions of Asia.Dianto Bachriadi is scholar-activist and researcher at the Agrarian Resource Center (ARC) in Indonesia. He isalso a member of the Expert Council of the Consortium for Agrarian Reform (KPA) of Indonesia. His researchinterests include the politics of land deals, agrarian transformations, and rural social movements. His publishedworks include, among others: Palm Oil: The Green Gold Changes Indonesia (ARC Books, in-press for 2013),Land Concentration and Land Reform in Indonesia: Interpreting Agricultural Census Data 1963 – 2003The Work of the 2010/2011 API Fellows
x(co-authored with Gunawan Wiradi, Ohio University Press, 2012); A Long Wait That Is Not Yet Over:Reflections on Ten years of Reformasi in the Context of Agrarian Reform (co-authored with Anton Lucas and CarolWarren, Ohio University Press, 2012); Six Decades of Inequality: Land Tenure Problems in Indonesia (coauthoredwith Gunawan Wiradi, ARC Books, 2011); Australian Overseas Development Assistance and the RuralPoor: AusAID and the Formation of Land Markets in Asia-Pacific (the Transnational Institute, Amsterdam, 2009)and Land, Rural Social Movements and Democratisation in Indonesia (the Transnational Institute, Amsterdam,2009).Hikmat Darmawan is an Indonesian movie critic and an independent researcher of popular culture, with aparticular interest in movies and comics. He is a co-founder of www.rumahfilm.org, an Indonesian online moviejournal. He has written for Indonesian national newspapers and magazines such as Kompas and Tempo since1994. He contributed to Paul Gravett’s 1001 Comics You Must Read Before You Die (Universe/Cassell). His bookabout comics, Dari Gatot Kaca Hingga Batman, Potensi-potensi Naratif Komik (From Gatot Kaca to Batman,Comics’ Narrative Potentials) was published in 2005. He is preparing another four books about comics in BahasaIndonesian, including one book about his first month in Japan during the API fellowship. It will be titled Sebulandi Negeri Manga (A Month in Manga Nation).Maria Joselina Anna G. Cruz is a curator based in Manila, the Philippines, where she is director/curator of theMuseum of Contemporary Art and Design (MCAD) at the De La Salle-College of Saint Benilde (DLS-CSB). In2008, she was co-curator for the Singapore Biennale. In 2010, she curated Creative Index, a multi-site exhibitionin Manila, and the following year she was curator for Roving Eye at the S?rlandets Kunstmuseum, Kristiansand(SKMU), Norway. Her other curated shows include You are not a Tourist, at the Curating Lab, Singapore, andAll the Best: The Deutsche Bank Collection and Zaha Hadid, at the Singapore Art Museum. She was alsocurator-in-charge of the Tapies retrospective at the Singapore Art Museum. She received a visitorship from theMondriaan Foundation (The Netherlands) and from the Office of Contemporary Art (OCA) in Norway. Shereceived her M.A. in Curating Contemporary Art at the Royal College of Art, London. She has been nominatorfor several art prizes in Asia and Europe and continues to write essays, reviews, criticism, and art commentary.Kenta Kishi was born in 1969 in Tokyo. He received a B.A. in Architecture from the Tokyo University of theArts and an M.A in Architecture from the Cranbrook Academy of Art in Michigan, the USA. After graduatingfrom Cranbrook, he conducted several experimental design studios at art institutions in Singapore. In 1998, hestarted his professional career in Japan. Since 2007, he has been directing international urban study projects,conducted through the Crisis Design Network (CDN), together with architects, artists and other professionalsfrom the US and Asian countries. He is also directing the urban study organization, Orange House Studio, inSurabaya, together with local partners.Khosit Elvezio Kasikam is a nature lover. After graduating in Thai Traditional Medicine at Chiangrai RajabhatUniversity, Thailand, he began teaching at a development organization. His main interest and intention is to helppeople to realize the preciousness of the wisdom of their ancestors, and how to care for themselves using thatwisdom. He treats people with easily available herbs and using methods that anyone can easily learn. He alsofosters networks of influential persons in the Association of Southeast Asian Nations (ASEAN) in relation tolocal wisdom.Kritsana Kaewplang obtained her B.A. at Thammasat University in Thailand. Thereafter, she immediatelyjoined the Natural Resources and Environmental Conservation Club, where she gained exposure toenvironmental issues during activities such as a campaign against dam construction on the Moon River in UbonRatchathani province. After graduation, she began a career with environmental and humanitarian nongovernmentorganizations, including the Wildlife Fund Thailand (WWF Thailand), the United Nations HighCommissioner for Refugees (UNHCR), WildAid, and the Bird Conservation Society of Thailand. She returnedto her home town, Surin, after spending a year abroad as an API fellow. Kritsana is the founder of a socialenterprise called the Hug Nature Project. She currently works as an assistant manager for WWF Thailand’sWildlife Trade Campaign. She has also been a freelance creative worker for a TV program, a proofreader, a writerand a painter.The Work of the 2010/2011 API Fellows
Page 2 and 3: CULTURE, POWER AND PRACTICES:THE GL
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FLUX AND FLOWS OF PEOPLE, POWER AND
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OPENING REMARKS AND OVERVIEWDr. Rat
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247There is also a massive movement
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249need to be looked at, as globali
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251Appendix IWorkshop ScheduleThe T
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25313:00 - 15:00 Concluding PanelCh
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255THAILANDAroon Puritat, Artist an
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257RAPPORTEURSGarry MorrisonMarian
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Communication, Education and Public
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261have used tourism as a mechanism
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263Panel 4: Multiple Modernities vi
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265out how Asian women politicians
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267CONTACT DETAILS (as of March 201
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