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214 Panel 5re-establishment of relations between Pattani andAyutthaya.About the research projectThis study explores the current situation of Muslimwomen in public spheres through the eyes andexperiences of Muslim women journalists.In conducting this research, many academic papers andbooks written by historians and feminist scholars wereconsulted. It was decided not to hold discussions withwomen’s rights groups, human rights activists <strong>org</strong>overnment agencies, in order to avoid the dominantand stereotypical images and perspectives depictingwomen in Muslim societies as victims of gender bias,tradition and religious belief.The researcher chose Indonesia as a research areabecause the country has the world’s largest populationof Muslims and is a multicultural society. Theresearcher interviewed and held group discussions withfemale journalists on their personal experiences asMuslim women working in public spheres in Jakarta,Yogyakarta, Makassar and Aceh. Topics for thediscussions included the women’s family backgrounds,their role models, their impressions of Muslim womenleaders, and their views on the roles and currentsituation of Muslim women in general.The paper also explores the roles and images of Muslimwomen in public spheres as presented in the Indonesiamedia. It explores the media images of two Muslimwomen leaders – the country’s first female presidentMegawati Sukarnoputri and the former financeminister Sri Mulyani Indrawati. The paper alsoinvestigated the depictions of women in thecontroversial film Perempuan Berkalung Sorban(Woman with Turban). The film tells the story ofAnissa, the daughter of a traditionalist leader of aconservative pesantren (Islamic boarding school) inEast Java in 1985. The researcher used a DVD copy ofPerempuan Berkalung Sorban as a tool for discussion.For the discussion about Muslim women in Pattani,southern Thailand, the author consulted academicpapers, news reports and articles, including theresearcher’s previous work published in the Thaimedia, including ผูหญิงมุสลิม: เรื่องเลานอกกระแสขาวจากชายแดนใต (Muslim women: unpublished stories fromthe southern border).The researcher has used a journalistic story-telling stylein this paper to provide insights into different actors.In particular, the views of female journalists from theAceh Feature news service are highlighted in order toreflect on the situation faced by Muslim women in thespecial region where shari’ah law is applied.A brief glance at Indonesia and Muslim womenIndonesia has the world’s largest Muslim population,with adherents of the faith making up about 87percent of the total population of 240 million (2010estimate). The country is an archipelago of about17,000 large and small islands. There are about 313ethnic groups and cultures with approximately 250spoken languages. Indonesia was colonized by theDutch for almost 350 years and was occupied by Japanfrom 1942-1945. On August 17, 1945, Indonesiaproclaimed its independence and became the Republicof Indonesia. Indonesia at present consists of 33provinces.The country is well known for its moderate brand ofIslam, and Indonesia’s media has welcomed the tide ofmodernity.Women in Indonesia are a heterogeneous group whodiffer widely in ethnicity, level of education,socioeconomic status, and political and religiousorientation. Today, issues relating to the roles andrights of women are discussed in many arenas, inparticular in the media and within the country’sfeminist movement.In the 21 st century, Indonesia elected MegawatiSukarnoputri as the country’s first female president.Megawati had in fact earlier won the largest number ofvotes (34 percent) in the first democratic election heldin Indonesia on 7 June 1999, but the fact that she was awoman led all the Muslim parties to prevent her frombecoming president and she had to first settle for theposition of vice president. Sri Mulyani Indrawati isanother Muslim woman who entered the publicspotlight as finance minister. Her role in rescuing thecountry from the Asian economic crisis in 1997 wonthe hearts of the Indonesian people.News media and cinema in Indonesia reflect thesituation of women from different perspectives. Whilemainstream media are often criticized for theirignorance of the female perspective, independent filmsand grass-roots communities find their own ways toThe Work of the 2010/2011 API Fellows

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