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any in-depth analysis into how and why it might instigate these creative processes.<br />

However, Barry et al.’s notion of ‘invention’ points to the possibility that critical<br />

reflection may well be possible <strong>with</strong>in interdisciplinary projects in the form of<br />

ontological shifts of understanding. In their usage, the difference between invention<br />

and <strong>innovation</strong> appears to lie in the fact the value of the former does not depend on<br />

pre-specified outcomes. It might thus be compared to what Strathern has called the<br />

‘research mode’ of <strong>knowledge</strong> production, where every question generates new<br />

questions, rather than particular solutions being anticipated as endpoints. The notion<br />

of ‘hidden <strong>innovation</strong>’, introduced by NESTA, is significant in that it goes beyond<br />

conventional understandings of <strong>innovation</strong> in order to find value in the creative<br />

endeavours already present in the UK economy and directs policy towards the support<br />

of these forms of <strong>innovation</strong> and organisation. Similarly the manifestation of<br />

interdisciplinarity as an automatic conveyor of <strong>innovation</strong> may obscure some of the<br />

ways in which specific modes of interdisciplinary research can indeed lead to the<br />

generation of new ideas and directions for research, in the traditional sense of<br />

‘<strong>innovation</strong>’. These unpredictable research outcomes might then indeed be ‘managed’<br />

in order to make them ‘innovative’ in the new sense of successful application to<br />

market.<br />

Innovation and Interdisciplinarity 111

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