Radical innovation: crossing knowledge boundaries with ...
Radical innovation: crossing knowledge boundaries with ...
Radical innovation: crossing knowledge boundaries with ...
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
transmitted to it’, through ‘cross-disciplinary and cross-sectoral interactions’, and the<br />
creative industries are unusually people-centred. Thus it is the character of the<br />
industries <strong>knowledge</strong> base that shapes the business model characteristic of the<br />
creative industries - networks of small and micro-enterprises and specialist enterprises<br />
congregating in urban space.<br />
Despite Crossick’s focus on the creative industries, we found similar dynamics in the<br />
accounts of our expert witnesses from technology fields – in all cases, a recurrent<br />
theme is the importance of interpersonal relations to the emergence of new forms of<br />
<strong>knowledge</strong>. Jeremy Baumberg’s 24 description of <strong>knowledge</strong> practices in<br />
nanotechnology raises some interesting questions about the specificity of the<br />
processes that Crossick argues are generative of <strong>knowledge</strong> in the creative sector.<br />
Baumberg notes that nanotech is an experimentally led field in which theory is<br />
underdeveloped. While the patents spun off from research might be described as part<br />
of the ‘widget economy’, a problem-led approach in an emerging and unbounded field<br />
demands a disregard for disciplinary <strong>boundaries</strong>. Nanotechnology can be seen to be<br />
an environment where <strong>knowledge</strong> has yet to mature and become more closely<br />
imbricated <strong>with</strong> power in the form of disciplinary structures.<br />
Knowledge in such a rapidly changing field is constantly in flux, and the distinctions<br />
between ‘blue skies’ and applied research are harder to make in an emerging field.<br />
Analogously, one might see the interpersonal constitution of <strong>knowledge</strong> in the<br />
creative sector being related to factors such as the maturity of <strong>knowledge</strong>, or indeed<br />
the early stages of a development of a particular mode of <strong>knowledge</strong> production.<br />
Whether or not the particular characteristics of the creative industries are attributable<br />
to the bloom of youth is moot. Crossick’s admonition to avoid the use of conventional<br />
<strong>knowledge</strong> transfer instruments in <strong>innovation</strong> policy and to focus instead on the<br />
provision of ‘creative spaces’ to foster interpersonal interaction echoes the calls for<br />
capacity building expressed by our expert witnesses or implicit in their accounts of<br />
interdisciplinary engagement.<br />
It would then seem that an emphasis on product over process in research policy often<br />
fails to account for the ways in which <strong>knowledge</strong> is generated through interpersonal<br />
relations. A utility model of <strong>knowledge</strong>, its value being derived from its use,<br />
underpins the depersonalisation of <strong>knowledge</strong> evident in technology transfer models.<br />
This conception of <strong>knowledge</strong> discounts the generative potential of social<br />
relationships through which dispersed creativity and divergent practices might result<br />
in new forms of <strong>knowledge</strong> or <strong>knowledge</strong> practices. This insight would seem to be<br />
more widely applicable to innovative research beyond the creative industries 25 .<br />
24 Expert witness report<br />
25 Interestingly, the blurring of the <strong>boundaries</strong> between <strong>knowledge</strong>, objects and persons is<br />
commonplace in industries such as marketing that rely heavily on metonymy and metaphor to<br />
link values and personal attributes to products and brands. In this respect marketing practices<br />
are able to commercially operationalise the conflation of value and use.<br />
Innovation and Interdisciplinarity 41