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own right, and its ethical foundations mean that its own methods gain moral authority<br />

over the research practises of other collaborating disciplines.<br />

The public media might be seen as providing a set of structures independent from<br />

those of business, government and academia, but media scrutiny does not appear to be<br />

favourable to innovative interdisciplinary enterprises. The uncertainty of outcomes<br />

that is inherent in <strong>innovation</strong>, together <strong>with</strong> the ethical and political drivers that often<br />

motivate interdisciplinary initiatives, make them open to misunderstanding and hostile<br />

critique.<br />

Geoff Crossick 34 relates contemporary media interest to the moral causes that were<br />

understood to underlie public health and other social problems in the 19th century,<br />

both in the development of public health, and the construction of departmental<br />

divisions in government that persisted through the 20th century.<br />

In contemporary media and politics, it is just as likely to be the case that moral<br />

accusations will carry authority in the public arena, rather than evidence derived from<br />

multiple specialist disciplinary perspectives - because those multiple interests do not<br />

have an established professional community to promote them.<br />

In technological <strong>innovation</strong>, the public are generally cast in the role of users of the<br />

technology. This apparently assumes a consumerist model of <strong>innovation</strong>. This is<br />

somewhat inadequate as a description of government <strong>innovation</strong>, as it denies agency<br />

to the public both in conceiving / influencing policy and also in potential<br />

contributions to delivery. It is even more inadequate if we are to recognise models of<br />

creativity in which users help to construct the product (user-led <strong>innovation</strong>), or where<br />

<strong>knowledge</strong> is generated in encounters between public and research rather than through<br />

<strong>knowledge</strong> transfer.<br />

Policy directives encouraging interdisciplinarity present the exchange of <strong>knowledge</strong><br />

between researcher and user as a relationship between science and society (the<br />

public). The social sciences and arts often come to stand for the society that must be<br />

consulted in the process of scientific and technology research. For example, the<br />

Council for Science and Technology 2001 report ‘Imagination and Understanding: a<br />

Report on Arts and Humanities in Relation to Science and Technology’ states:<br />

The greatest challenges for UK society – globalization, inclusion (or the development<br />

of a society in which all individuals are or can be included in the process of reflecting<br />

on, participating in, and evaluating change), and the impact of science on society – are<br />

all ones in which the arts and the sciences need each other, and are needed in the<br />

formation of government policy (Council for Science and Technology 2001:14).<br />

And under the Treasury’s Science and Innovation Framework the key ambition of<br />

‘greater responsiveness of the research base to the economy’ combines<br />

interdisciplinarity <strong>with</strong> the role of the user in a single policy statement: “for<br />

34 Expert witness report<br />

Innovation and Interdisciplinarity 59

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