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Radical innovation: crossing knowledge boundaries with ...

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developed to stimulate creativity <strong>with</strong>in a single organisation (typically a company or<br />

public service organisation rather than a university), which are then applied directly to<br />

research contexts <strong>with</strong>out taking account of the importance of individual motivation,<br />

uncertain outcomes, mechanisms of maintaining disciplinary elites and the hierarchy<br />

between disciplines or varying technical languages.<br />

It is not always easy to tell whether these events have been successful. It seems to be<br />

fairly common for people who have participated in one workshop to immediately<br />

proceed to organising one themselves, often <strong>with</strong> mixed results as a result of simply<br />

duplicating the method they saw, rather than adapting it to the needs of a different mix<br />

of participants and goals. Lack of specific training, combined <strong>with</strong> difficulty in<br />

assessing results, means that workshops and sandpits are often done badly. Explicit<br />

reflection on processes used, if undertaken in an appropriate spirit of humility, would<br />

almost certainly be valuable.<br />

Some leaders of interdisciplinary research constantly design innovative methods, for<br />

example Tom Inns’s 31 creation of shared representations. Others work directly <strong>with</strong><br />

social scientists to develop and evaluate experimental facilitation methods (e.g.<br />

Blackwell-Leach (2006) method). Design of novel visual representations appears to<br />

be a valuable strategy, in Tom’s theatres of thinking (see case study box).<br />

Longer term processes include cycles of divergence and convergence (described by<br />

Tom Rodden to manage creativity) and the development of creative ideas into<br />

artefacts, prototypes and demonstrators. Process issues are critical as evidenced by the<br />

tensions between analysis and delivery in government (and the potential for<br />

misalignment, unexpected outcomes and indeed failure). Process design is central to<br />

commercial <strong>innovation</strong> management, embodying the creation of sketches or<br />

prototypes for iteration in design contexts. Processes and their linkage to goals and<br />

objectives, to metrics and to stakeholder engagement also have a key role to play in<br />

risk management.<br />

31 Expert witness report<br />

Innovation and Interdisciplinarity 51

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