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the key using the Chroma Key Ctrland Color Spill options.Chroma MatteThis matte sets the centre of colour range that will be used for keying. The Chroma Matte options andvalues are currently shown along the bottom of the display below.The Hue adjustment moves the crosshair +around the colour palette in a clockwise or anticlockwisedirection. The Hue value can becontrolled by the F1 Function dial.Cyan at 180 degrees and Violet at 300 degrees.Certain colour hues can be found at certainangles on the colour palette. For instance, Red is0 degrees (12 o’clock position), Green is approx120 degrees (4 o’clock position) and Blue isapprox 240 degrees (8 o’clock position).Secondary colours are Yellow at 60 degrees,The Sat or Saturation value moves the crosshair + from the centre of the colour palette to the outer edge.The Sat value can be controlled by the F2 Function dial. If the Hue angle is set at 120 then the Sat valuedetermines how much Green is in the matte.The Luma value relates to how bright or dark the selected colour or hue is. The Luma value can becontrolled by the F3 Function dial.Chroma Key CtrlThe Chroma Key Ctrl options and values are currently shown along the bottom of the display below. Thereare two colour palettes Main and Chroma shown. The Main palette can be referred to when changing theKey Acceptance and Key Lift values. The Chroma palette is affected by the Color Spill settings.Key Acceptance is represented on the MainPalette as a sector or area covering a range ofhues or colours that closely match thebackground colour to be keyed as set in ChromaMatte.A large value of 120 degrees could be used tobegin with and then this value could be fine tunedup or down with the F1 Function Dial dependingon the set up of the green or blue screen studio.Key Lift is represented on the Main Palette as a line extending from the centre point in the direction of theKey Acceptance sector. This value affects the performance of the Chroma key in dark or black areas. If thedark areas of the video are becoming too transparent then applying more Key Lift may help depending onthe set up of the green or blue screen studio. This value is fine tuned up or down using the F2 FunctionDial.40
Key Gain affects the performance of the Chroma key in light or white areas. If the light areas of the videoare becoming too transparent then applying more Key Gain may help depending on the set up of the greenor blue screen studio. This value is fine tuned up or down using the F3 Function Dial.41
Page 1 and 2: .8 / 16 CHANNEL SWITCHER.SE-3000Ins
Page 4 and 5: The Rotation value ................
Page 6 and 7: Warnings and Precautions1. Read all
Page 8 and 9: IntroductionThe Datavideo SE-3000 i
Page 10 and 11: Main UnitFront PanelThe front panel
Page 12 and 13: Starting from the Top left cornerXL
Page 14 and 15: Video ConnectionsSDI Video InputsLo
Page 16 and 17: Video OutputsThe SE-3000 has many v
Page 18 and 19: The bottom of the screen now shows
Page 20 and 21: Source Select Button GroupThis grou
Page 22 and 23: WIPE Selection MenuThere are 30+ di
Page 24 and 25: Wipe ShadeNote: In order for the Wi
Page 26 and 27: Is the value used by the FTB or Fad
Page 28 and 29: within the Stills display under the
Page 30 and 31: Storing and Recalling USER Set UpsT
Page 32 and 33: Flex screen orderThe Flex screen is
Page 34 and 35: The Z value changes the size and po
Page 36 and 37: Flex Key and Fill Example CG-350 Se
Page 38 and 39: LightingLighting of your chosen gre
Page 42 and 43: Color SpillThe Color Spill options
Page 44 and 45: effects of Lift, Gain, Opacity andI
Page 46 and 47: Keyer MatteWhen Matte is selected i
Page 48 and 49: 4. If the T-Bar or AUTO TRANS butto
Page 50 and 51: Saving the DSK1 DSK2 set upOnce you
Page 52 and 53: Looping an External reference throu
Page 54 and 55: Tally connection to two ITC-100 uni
Page 56 and 57: RS-422 INThis connector has no func
Page 58 and 59: NOTE: Once started the update proce
Page 60: Service and SupportIt is our goal t

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