Why we need European cultural policies: the impact of EU ...

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Annex IQuestionnaire on the impact ofEU enlargement on cultural policiesWithin the framework of the Cultural Policy Research Award – http://www.cpraward.org –sponsored by the European Cultural Foundation and The Bank of Sweden TercentenaryFoundation, I have been working on the research about the impact of the EU enlargement oncultural policies in former countries in transition. A short description of the research proposal canbe found at the: http://www.cpraward.org/winner_2004.htmlThe objective of this questionnaire is to serve as a basis for comparative analysis in order toindicate some trends about the changes occurring in cultural policies as a consequence of theEU enlargement. The questionnaire will help to identify those fields where changes might havehad more or less direct impact on cultural policy.I would be very grateful if you could answer and return the questionnaire possibly before May 15at nina@irmo.hr or by fax at +385 1 4828 361.The Questionnaire consists of two types of questions – some requesting your personal opinionand assessment and some requesting more specific information. Filling in the Questionnaireshould not take longer than 15 minutes.If you agree, you will be contacted after May 15 for a short telephone interview.Part 1: Overall assessment1. How do you assess the impact of the EU enlargement on cultural policies?very important rather important not important can’t assess102Annex 1 Questionnaire on the impact of EU enlargement on cultural policies
2. In your opinion, have the cultural policies of your country been reformed as a consequence ofthe accession to the EU to a greater or lesser extent than other public policies?greater extent lesser extent can’t assess3. Have cultural workers and artists in your country been mostly in favour, indifferent to or againstthe accession?in favour indifferent against4. Do you believe that cultural workers and artists have been adequately informed about thepossible positive and negative impacts of accession on cultural policies in your country?5. Have there been debates and discussions among artists and cultural workers about the impactof the accession on culture? If so, around which topics did they focus?Harmonization with the Acquis yes noNew opportunities for financing yes noPreservation of cultural identity yes noMobility of artists yes noCultural cooperation yes noOther, please specify:Part 2: Harmonization with the Acquis and impact of other policies on cultural policy6. In your country, have there been any problems or obstacles in harmonizing legislation withChapter 20 (culture and audiovisual) of the Acquis?yesnoIf yes, please specify:7. Has the reform of tax system had any impact on culture and cultural policy? If yes, can it beperceived as positive or negative?Annex 1 Questionnaire on the impact of EU enlargement on cultural policies103
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Why we need European cultural polic
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Prologue When I decided to research
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If I had the opportunity of startin
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Measures directly referring to cult
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obstacles encountered during the pe
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Part 1Theconceptualframe ofthe stud
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argument referred to identifying ex
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Gray called for comparative researc
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The Council of Europe and comparati
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a broader understanding of culture,
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The first one is a `macro’ dimens
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Part 2European Union,culture andcul
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narrow sense - still remains exclud
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Niedobitek (see page 29) drew atten
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Even though the author thought that
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In spring 2005 two founding members
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I am focussing more on the technica
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while enlargement negotiations were
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ights.56 Since the mid-1990s, the E
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This included information about Cha
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Gradual development and introductio
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of the background presented earlier
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Èventually, a solution was found,
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Page 60 and 61: Preliminary assessmentof the impact
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Page 64 and 65: policy areas and the ensuing transf
Page 66 and 67: Part 3What willthe futurebring?68 P
Page 68 and 69: Manuel Barroso, President of the Eu
Page 70 and 71: has been embraced by the European m
Page 73 and 74: Instead of a conclusionThe aim of t
Page 75 and 76: 1 The French term acquis communauta
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Page 79 and 80: 30 OJ C 336, 19/12/1992.31 1st Repo
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Page 83 and 84: 65 See Annex 1 for a copy of theque
Page 85 and 86: 81 32001G0731(01) Council Resolutio
Page 87 and 88: culture, which needs to be exempt f
Page 89 and 90: Aubry P, (2000)The `Television with
Page 91 and 92: Draus F, (2001)Èst-Ouest, le dit e
Page 93 and 94: Futo P, Cuculić J, et al (2002)Met
Page 95 and 96: Laher L, (2001)Trapped in the notio
Page 97 and 98: Puchala D J, (1971)Òf blind men, e
Page 99: Weidenfeld W, Wessels W, (1997)Euro
Page 103 and 104: 13. Have there been any changes in
Page 105 and 106: Annex 3List of CPRA jury membersMil
Page 107 and 108: Political Economy Cultural Economic
Page 109 and 110: Annex 4GlossaryAcquis communautaire
Page 111 and 112: Cultural marketsA term used to desc
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Page 115: Author: Nina ObuljenEditor: Janet H
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