Why we need European cultural policies: the impact of EU ...

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8. Have the VAT rates on cultural goods and services been changed?yesnoIf yes, please specify:9. Have there been any other changes in tax policy (i.e. income tax, tax deductions for art etc.)?yesnoIf yes, please specify:10. Have there been any changes in cultural policy as a consequence of strengthening thecompetition rules and/or rules regarding state aid?yesnoIf yes, please specify:11. Can artists and cultural workers from your country freely obtain work in other EU countrieswithout any restrictions?yesnoIs this issue being discussed in the cultural sector?Please specify:12. Have there been any recent changes in the social security regulations relating to artists?yesnoIf yes, please specify:104Annex 1 Questionnaire on the impact of EU enlargement on cultural policies
13. Have there been any changes in legislation regarding the free movement of goods,special export arrangements for national treasures and provisions facilitating the return ofcultural goods?yesnoIf yes, has it had any impact on the market of cultural objects in your country?Please specify:14. Have there been any changes necessary to harmonize statistics in your country with theEurostat methodology?yesnoIf yes, do you think that this will have a positive impact on policy-making, planning and evaluationof cultural policies in your country?Part 3: Respondent informationCountry of residence:Gender: male femaleProfession:Contact details (optional – will be kept confidential):Name:Address:Name of organisation:Telephone:Fax:e-mail:www:Annex 1 Questionnaire on the impact of EU enlargement on cultural policies105
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Why we need European cultural polic
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Prologue When I decided to research
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If I had the opportunity of startin
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Measures directly referring to cult
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obstacles encountered during the pe
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Part 1Theconceptualframe ofthe stud
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argument referred to identifying ex
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Gray called for comparative researc
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The Council of Europe and comparati
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a broader understanding of culture,
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The first one is a `macro’ dimens
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Part 2European Union,culture andcul
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narrow sense - still remains exclud
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Niedobitek (see page 29) drew atten
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Even though the author thought that
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In spring 2005 two founding members
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I am focussing more on the technica
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while enlargement negotiations were
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ights.56 Since the mid-1990s, the E
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This included information about Cha
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Gradual development and introductio
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of the background presented earlier
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Èventually, a solution was found,
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In regard to other taxes, opinions
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Page 58 and 59: IPR legislation into line with Worl
Page 60 and 61: Preliminary assessmentof the impact
Page 62 and 63: Changes in taxation policies were n
Page 64 and 65: policy areas and the ensuing transf
Page 66 and 67: Part 3What willthe futurebring?68 P
Page 68 and 69: Manuel Barroso, President of the Eu
Page 70 and 71: has been embraced by the European m
Page 73 and 74: Instead of a conclusionThe aim of t
Page 75 and 76: 1 The French term acquis communauta
Page 77 and 78: 14 When deciding on the methodology
Page 79 and 80: 30 OJ C 336, 19/12/1992.31 1st Repo
Page 81 and 82: 45 After the signing and entry into
Page 83 and 84: 65 See Annex 1 for a copy of theque
Page 85 and 86: 81 32001G0731(01) Council Resolutio
Page 87 and 88: culture, which needs to be exempt f
Page 89 and 90: Aubry P, (2000)The `Television with
Page 91 and 92: Draus F, (2001)Èst-Ouest, le dit e
Page 93 and 94: Futo P, Cuculić J, et al (2002)Met
Page 95 and 96: Laher L, (2001)Trapped in the notio
Page 97 and 98: Puchala D J, (1971)Òf blind men, e
Page 99 and 100: Weidenfeld W, Wessels W, (1997)Euro
Page 101: 2. In your opinion, have the cultur
Page 105 and 106: Annex 3List of CPRA jury membersMil
Page 107 and 108: Political Economy Cultural Economic
Page 109 and 110: Annex 4GlossaryAcquis communautaire
Page 111 and 112: Cultural marketsA term used to desc
Page 113 and 114: Third countriesEU documents sometim
Page 115: Author: Nina ObuljenEditor: Janet H
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