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Why we need European cultural policies: the impact of EU ...

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In regard to o<strong>the</strong>r taxes, opinions <strong>we</strong>re split: approximately half responded that <strong>the</strong>re had been nosignificant changes in tax rules, and half said that <strong>the</strong>re had been some important changes relatingto culture. It is also important to note that this was not necessarily linked with <strong>the</strong> harmonizationwith <strong>the</strong> acquis communautaire; it could be better described as a consequence <strong>of</strong> policy transfer(see footnote 8). This means that <strong>the</strong> rule changes have not been imposed by <strong>the</strong> <strong>EU</strong> but ra<strong>the</strong>rhave resulted from a country having decided to follow <strong>the</strong> majority thinking in Europe, even when ithas meant changing some practices specific to <strong>the</strong> society.In this context, it is worth mentioning two examples where a flat rate <strong>of</strong> tax was introduced.Romania has a flat tax rate <strong>of</strong> 16 per cent on incomes and on goods; Slovakia <strong>of</strong> 19 per cent.`Slovakia is a special case in terms <strong>of</strong> tax policy. Since 2004 <strong>we</strong> have acompletely new tax system based on <strong>the</strong> flat tax principle (all tax rates unified oncertain level – in our case it is 19 per cent), which is ra<strong>the</strong>r unique in Europe.It was adopted by <strong>the</strong> current right-wing government and is not highlyappreciated by <strong>EU</strong>.a) equal tax rate (19 per cent) for all personal and corporate tax income groupsb) all tax deduction <strong>we</strong>re in general abolished (included for arts)c) <strong>the</strong>re exists a new possibility for support from public sources: all taxpayers have<strong>the</strong> right to order <strong>the</strong> tax administration to assign 2 per cent from <strong>the</strong>ir personalincome tax or corporate tax for social benefit purposes (included for arts)This reform had [a] very negative <strong>impact</strong> on <strong>cultural</strong> sector, since none <strong>of</strong> <strong>the</strong><strong>cultural</strong> products <strong>we</strong>re exempted from <strong>the</strong> 19 per cent VAT and also <strong>the</strong> incometax has become a problem, since it has lo<strong>we</strong>red artists’ incomes and complicatedemployment in artistic sector.’(Slovakia)Some o<strong>the</strong>r tax rule changes that had a negative <strong>impact</strong> on taxation <strong>of</strong> <strong>the</strong> artists’ income included<strong>the</strong> Slovenian example:`From January 2005, authors lost <strong>the</strong>ir rights to a 40 per cent income taxdeduction on material expenses. This deduction has been reduced to 10 per cent.Self-employed persons in <strong>the</strong> field <strong>of</strong> culture continue to have <strong>the</strong> right to deduct40 per cent from <strong>the</strong>ir income tax base, if <strong>the</strong>y earn less than 5 million SIT. If <strong>the</strong>yexceed this amount, <strong>the</strong>y must provide accounts and receipts to justify <strong>the</strong> actualcosts. Ho<strong>we</strong>ver, <strong>the</strong>se changes are not consequences <strong>of</strong> <strong>the</strong> harmonization with<strong>the</strong> acquis communautaire ho<strong>we</strong>ver, this decision by Slovenian authority wasinspired by practice <strong>of</strong> o<strong>the</strong>r <strong>European</strong> states that usually do not have any specialprovisions for authors.’(Slovenia)52Part 2 The <strong>impact</strong> <strong>of</strong> <strong>EU</strong> enlargement: results <strong>of</strong> <strong>the</strong> survey <strong>of</strong> researchers and policy-makers

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